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Complete List Of Pierce The Veil Albums And Discography presents a look at the catalog of an American rock band that was formed in 2006 in San Diego, California. Originally emerging as a post-hardcore outfit, the band has diversified its sound over the years to include elements of emo, pop-punk, and alternative rock. The band was formed by brothers Vic and Mike Fuentes, who had previously played in the group Before Today. Vic serves as the band’s vocalist and rhythm guitarist, while Mike is the drummer. They were later joined by lead guitarist Tony Perry and bassist Jaime Preciado, completing the four-piece lineup.
The band made its debut with the album A Flair for the Dramatic in 2007, which was released under Equal Vision Records and produced by Casey Bates. The album was met with positive reviews and was a reasonable commercial success for a debut album in the genre. It set the stage for the band’s unique blend of aggressive musical elements with melodic hooks, a formula they would refine in their future works.
In 2010, Pierce the Veil released their second album, Selfish Machines. The album was produced by Vic Fuentes and Mike Green and was again released under Equal Vision Records. It received a warmer critical reception than their debut and marked a maturation in their songwriting. Songs from this album, such as “Bulletproof Love,” have become some of the band’s most enduring hits.
Their third album, Collide with the Sky, was released in 2012 and proved to be a major breakthrough. It debuted at No. 12 on the Billboard 200, selling more than 27,000 copies in its first week. The album featured collaborations with Kellin Quinn of Sleeping with Sirens and Jason Butler of Letlive. Its success catapulted the band into larger venues and significantly larger audiences, solidifying their place in the modern rock scene.
In 2016, the band released their fourth studio album, Misadventures. The album debuted at number 4 on the Billboard 200 chart and was met with widespread critical acclaim. It was noted for its musical experimentation and lyrical depth, touching on themes ranging from personal struggles to sociopolitical commentary.
Pierce the Veil is known for their energetic live performances and has toured extensively, often sharing the stage with bands like Sleeping with Sirens, All Time Low, and Bring Me the Horizon. They’ve also been featured in multiple Warped Tours and have garnered a fiercely loyal fan base over the years.
A Flair for the Dramatic
Released 2007
A Flair for the Dramatic marked the debut studio album by the American post-hardcore band Pierce the Veil. Emerging at a time when emo and post-hardcore were both enjoying a renaissance, the album was a touchstone for the genre and presented a compelling blend of melodic vocals, intricate guitar work, and emotionally resonant lyrics. The album was produced by Vic Fuentes and Casey Bates and was released under the Equal Vision Records label. Recording for the album took place at various locations, including Earth Vs. Space Studio in Seattle, Washington, and MDDN Studios in Los Angeles, California.
The line-up for the album predominantly consisted of Vic Fuentes on vocals and guitar, Mike Fuentes on drums, and Jaime Preciado on bass. The album was well-received critically and gathered a dedicated fanbase, contributing to the band’s upward trajectory in the years that followed. While it did not break into the mainstream charts, its influence within its genre was significant.
CD Track Listings:
- “Chemical Kids and Mechanical Brides” 3:34
- “Currents Convulsive” 3:33
- “Yeah Boy and Doll Face” 4:21
- “I’d Rather Die Than Be Famous” 2:53
- “The Cheap Bouquet” 3:50
- “Falling Asleep on a Stranger” 3:49
- “She Sings in the Morning” 3:51
- “The Balcony Scene” 3:36
- “Drella” 2:43
- “Diamonds and Why Men Buy Them” 3:31
- “Wonderless” 5:23
Selfish Machines
Released 2010
Selfish Machines, the second studio album from American post-hardcore band Pierce the Veil, saw its release in 2010. Following the critical success of their debut album, A Flair for the Dramatic, this follow-up aimed to broaden their sonic scope while delving deeper into emotional and social themes. Produced by Vic Fuentes and Mike Green, the album was released under the Equal Vision Records label. The recording sessions took place at various studios, including Mike Green’s studio in Los Angeles, California.
The album featured the talents of Vic Fuentes on lead vocals and guitars, Mike Fuentes on drums, Tony Perry on lead guitar, and Jaime Preciado on bass and backing vocals. Upon its release, Selfish Machines received critical acclaim, particularly for its adept blend of high-energy instrumentation with poignant lyricism. The album did well on the charts, making it to the No. 1 spot on the Billboard Heatseekers Albums Chart.
CD Track Listings:
- “Besitos” 4:23
- “Southern Constellations” 1:02
- “The Boy Who Could Fly” 5:07
- “Caraphernelia” 4:28
- “Fast Times at Clairemont High” 3:39
- “The New National Anthem” 3:53
- “Bulletproof Love” 3:57
- “Stay Away from My Friends” 4:41
- “I Don’t Care If You’re Contagious” 3:25
- “Disasterology” 3:42
- “Million Dollar Houses (The Painter)” 4:02
- “The Sky Under the Sea” 4:36
Collide with the Sky
Released 2012
Collide with the Sky, released in 2012, marked a seminal moment in the career of American post-hardcore band Pierce the Veil. Following the success of their previous album, Selfish Machines, the band embarked on a new project that would further refine their distinctive blend of aggressive instrumentals and emotive lyrics. Produced by Dan Korneff and Kato Khandwala, the album was primarily recorded at House of Loud Studios in Elmwood Park, New Jersey.
The band’s lineup consisted of Vic Fuentes on lead vocals and rhythm guitar, Tony Perry on lead guitar, Jaime Preciado on bass and backing vocals, and Mike Fuentes on drums and percussion. Upon its release, Collide with the Sky was met with overwhelmingly positive reviews, lauding its intricate instrumentation and visceral emotionality. The album peaked at number 12 on the US Billboard 200 and also reached the top position on the Billboard Rock Albums chart.
CD Track Listings:
- “May These Noises Startle You in Your Sleep Tonight” 0:58
- “Hell Above” 3:43
- “A Match Into Water” 3:33
- “King for a Day” (featuring Kellin Quinn) 3:56
- “Bulls in the Bronx” 4:23
- “Props & Mayhem” 3:30
- “Tangled in the Great Escape” (featuring Jason Butler) 5:57
- “I’m Low on Gas and You Need a Jacket” 4:11
- “The First Punch” 3:23
- “One Hundred Sleepless Nights” 3:42
- “Stained Glass Eyes and Colorful Tears” 3:38
- “Hold On Till May” (featuring Lindsey Stamey) 4:39
Misadventures
Released 2016
After the massive success of their previous album, Collide with the Sky, expectations were sky-high for Pierce the Veil’s next offering, Misadventures. Released in 2016, this album took the best part of three years to complete, showcasing a meticulous attention to detail. Produced by Dan Korneff, who had previously worked with the band on their earlier project, the album was primarily recorded at Korneff’s Sonic Debris Recording Studio in New York. The band’s lineup remained consistent with Vic Fuentes on lead vocals and rhythm guitar, Tony Perry on lead guitar, Jaime Preciado on bass and backing vocals, and Mike Fuentes on drums and percussion.
The album met critical acclaim upon release, noted for its diverse sound and songwriting depth, and it debuted at number four on the US Billboard 200 chart. Several publications highlighted the band’s maturity and artistic growth, manifest in tracks that ranged from the explosive opener “Dive In” to the poignant closer “Song for Isabelle.”
CD Track Listings:
- “Dive In” 4:48
- “Texas is Forever” 3:41
- “The Divine Zero” 4:13
- “Floral & Fading” 4:29
- “Phantom Power and Ludicrous Speed” 1:53
- “Circles” 3:46
- “Today I Saw the Whole World” 3:47
- “Gold Medal Ribbon” 4:03
- “Bedless” 5:42
- “Sambuka” 3:25
- “Song for Isabelle” 3:15
The Jaws of Life
Released 2023
Pierce the Veil’s fifth album was released in 2023. The band’s most recent albums define a change in their sound as the group has moved much farther away from their grungy and heavier sound instead opting for more of a pop sound.
CD Track Listings:
1. Death of An Executioner
2. Pass the Nirvana
3. Even When I’m Not with You
4. Emergency Contact
5. Flawless Execution
6. The Jaws of Life
7. Damn the Man, Save the Empire
8. Resilience
9. Irrational Fears [Interlude]
10. Shared Trauma
11. So Far, So Fake
12. Fractures
Complete List Of Pierce The Veil Albums And Discography article published on Classic RockHistory.com© 2023
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![Rob De Luca of Spread Eagle, Sebastian Bach & UFO: 10 Albums That Changed My Life From humble East Coast origins to grandest stages worldwide, veteran bassist Rob De Luca has seen and done it all. De Luca first hit the local Boston rock and metal scene in the late 80s after meeting guitarist Paul DiBartolo, bonding over Van Halen before forming Bang. Regional success came quickly, but eventually, the members of Bang went their separate ways, with De Luca and drummer Tommi Gallo heading to NYC and hooking up with Ray West and, later, DiBartolo to form Spread Eagle. By 1990, Spread Eagle was on the fast track, with a contract through MCA Records and a self-titled debut album poised to crush skulls. But poor timing and MCA's sad indifference left Spead Eagle out in the cold despite being a hard-boiled answer to Guns N' Roses's West Coast sleaze. Spread Eagle's first chapter came to an end in '95. As for Rob De Luca, his nimble fingers and gift for melody and songwriting kept him moving forward. Soon, he found a gig with former Skid Row frontman Sebastian Bach and the legendary outfit UFO. And in 2010, after coupling up with Ray West and his cousin Rik De Luca, Spread Eagle retook flight. During a break from Spread Eagle's increasingly busy touring schedule, Rob De Luca dialed in with ClassicRockHistory.com to run through the ten albums that changed his life. But only after adding, "I made a playlist of these songs, including some I've written or co-written. Do you hear any of these albums' influence on me?" Listen here: https://open.spotify.com/playlist/3LWJuhDrE8JmzhsmTeIDUq 10) Gentlemen by Afghan Whigs (1993) Here's an entry that was so important to me. This may be the darkest break-up album of all time. Greg Dulli has been in many projects, but I feel Gentlemen is his zenith. Somewhat undefinable at times but always profound and honest. Listen to "Gentlemen," "Fountain and Fairfax," and "What Jail Is Like." 9) In on the Kill Taker by Fugazi (1993) By this time, I had been sucked in and spit out by the major-label record industry. Glam came and went; grunge was history, too. I was searching for new sounds. When I heard Fugazi's twin guitar approach, I knew this was what was missing. Fugazi may be considered a less polished sound than the albums above; however, once you "get it," it hits you like a ton of bricks, and there's no going back. From the moment I heard Fugazi, I went to every NYC show after. It's easily some of the best concerts of my life, and possibly my favorite bassist in Joe Lally. And their DIY ethics refused to charge us more than $5 a show! In on the Kill Taker is a powerful album demonstrated in songs such as "Smallpox Champion," "Great Cop," and "Public Witness Program." 8) Appetite for Destruction by Guns N' Roses (1987) I discovered many of these albums (sometimes long) after they were released. However, I was at the right place at the right time for this one. Steve Ostromogilsky had a Berklee College of Music lunch card and used to sneak out sandwiches for me. One day, he invited me to hang out at his place and listen to music. As we got off the train, he put Sony Walkman headphones on my ears and said, "Hey, check out this brand-new group." A song like "It's So Easy" was so different from the popular Sunset Strip sound at that time. Me and about 499 other informed rockers were lucky enough to see them on their first East Coast tour at the sold-out Paradise on Commonwealth Avenue, Boston (the same street Aerosmith started on). I saw Gn'R every tour after until I took a break when Buckethead joined. Gn'R is the band I've been lucky enough to see the most times live, almost 100! Everyone on this album is just stellar. Axl [Rose] had the tones, power, melodic sensibilities, and foresight to do what no other singer did then. Slash's playing was beyond memorable. Duff [McKagan] is one of the most underrated bassists in rock history, and learning his Appetite basslines is a masterclass. Steven [Adler] had the natural swing, and Izzy [Stradlin] was the secret weapon songwriter. Everything that's been heralded about this gem is deserved and true. Check out "It's So Easy," "Out Ta Get Me," and "Mr. Brownstone.' 7) Wish You Were Here by Pink Floyd (1975) Another contender for my favorite album and band of all time. Using The Beatles machine (same recording studio, engineer, record label), Pink Floyd made what I feel is their strongest, most cohesive album (my second favorite of theirs would be Animals). This list mainly consists of bands with an instantly recognizable sound. Floyd is certainly no exception to that! This album included a solid handful of undeniable rock radio classics, bookended by two halves of the mind-blowing song "Shine on You Crazy Diamond.' That song was written about former band member and founder Syd Barrett. It would be hard to live in a world without this album. Check out "Welcome to The Machine," "Shine on You Crazy Diamond (parts 6-9),' or even better yet, listen to the whole thing in one sitting! 6) Decade by Neil Young (1977) About this time, I started playing guitar. As a beginner, it was comfortable jamming to this album because the chord changes were simple—a great "first ten years" retrospective of Neil's stunning, unique songwriting. Neil is a treasure who always writes from the heart and stands up for what's right. Check out "Southern Man," "A Man Needs a Maid," "Down by The River," and "After the Goldrush." 5) Highway to Hell by AC/DC (1979) When I heard this album, I was firmly "me." My life would be 100% focused on hard rock music forever. AC/DC are like air; they're ubiquitous. Everyone knows them and their incredible songs. However, as a young teen in Wilmington, Delaware, I only had WMMR 93.3 FM Philadelphia and a few friends to inform me about the world of Rock outside my bedroom. AC/DC had not gone mainstream, and their albums were available primarily in the USA as imports. To put things more in perspective, I only knew two people in the world who had heard of AC/DC. A friend had an import that we played in Steve Buckley's basement, which sounded ripping. When Highway to Hell was released, WMMR started spinning the title track, and I immediately bought the album, listening to it every single day after school. Then WMMR announced AC/DC was coming to the Spectrum in Philly, supporting Ted Nugent! I liked Ted but loved AC/DC, so my good friend Mick Cummins and I bought tickets, and he drove us up to the Spectrum (where we saw most of our concerts). Bon Scott was in fine form, and the band went over great. Although the crowd knew Ted better, Angus [Young] wouldn't let anyone upstage him. I'll never forget it! Unfortunately, Bon would be gone in 6 months. Check out "Walk All Over You," "Touch Too Much," "Shot Down in Flames," and "If You Want Blood (You Got It)." 4) Toys in the Attic by Aerosmith (1975) By the time I heard this, I was now in my teens. I had a childhood friend up the street, Jim Linberg (we're still good buddies). His older sister had a great album collection, including Toys in The Attic. Once I heard that groove, my taste changed. I lost interest in rock music that didn't have some sort of "swing" feel to it. I think Rocks is a slightly better Aerosmith album (and possibly my favorite album of all time), but both are perfect or very close. Check out "Uncle Salty," "Adam's Apple," "No More No More," "Round and Round," and "You See Me Crying." 3) Alive! by Kiss (1975) When I was still a little kid, I asked for Cheech and Chong's Up in Smoke album for Christmas. The entire family came over for an enormous feast, and I dropped the needle. When my mother heard the content, she turned off the album and said I had to exchange it. My mom was cool, but I was young and knew much more about life than she suspected. Anyway, the next day, she drove me back to the store. In the music section, promoted on an "endcap" was a Kiss Alive! display. I had never heard of Kiss, but that cover picture told me I had to have it! My first foray into hard rock. Check out “Strutter.” I went through my Kiss phase very quickly, I believe in a matter of months because I discovered the previous entry, Aerosmith's Toys in the Attic. 2) Honky Chateau by Elton John (1972) When I was a wee lad, my parents bought a used Volkswagen camper van from my uncle Ozzie. My favorite Elton John album is Yellow Brick Road, but Honky Chateau is great and easily one of his best. It sent me down a lifelong rabbit hole of loving everything about the 1970s partnership between Elton and lyricist Bernie Taupin. The simple beauty of voice, the master songwriting, the perfect backing band, the clear, unobtrusive recordings, and always Bernie's incredible lyrics. The day this album was released, Elton became an unstoppable force that conquered the music industry. Check out "Mona Lisas and Mad Hatters" and "Rocket Man." 1) Sergeant Pepper's Lonely Hearts Club Band by The Beatles (1967) Another tape that was included in the VW Camper. The van had a bunch of music tapes, and one was Sgt Pepper. I was too young to understand the sophistication of the music, but that was one of the many skills of The Beatles. They attracted listeners at every level, even little kids. I still feel that immediate connection to Sgt Pepper; now, I hear so much more. It's an album that changed the world and the world of music. Check out "Lucy in The Sky with Diamonds," "A Day In The Life," and "Fixing a Hole."](http://www.classicrockhistory.com/wp-content/uploads/2023/11/Shutterstock_1815495569-1-300x200.jpg)
