Complete List Of The 1975 Songs From A to Z

Feature Photo: Begoña from Errenteria, España, CC BY-SA 2.0 <https://creativecommons.org/licenses/by-sa/2.0>, via Wikimedia Commons

What began as a group of Cheshire teenagers covering punk songs in school assembly halls evolved into one of the most genre-blurring and conversation-starting acts in modern British music. The 1975 formed in 2002 in Wilmslow, England, as an after-school project between Matty Healy, Adam Hann, Ross MacDonald, and George Daniel. Nearly a decade of writing, performing, and name changes followed before the musicians settled on their permanent name and began officially releasing music through Dirty Hit.

The band’s early EP sequence, Facedown, Sex, Music for Cars, and IV, established a sound that could move between pop, rock, electronica, R&B, shoegaze, and ambient music. Those releases introduced songs including “The City,” “Sex,” “Chocolate,” “Fallingforyou,” “You,” “Me,” and “Antichrist,” several of which later became central to the group’s live identity.

The self-titled debut album arrived in 2013 and entered the UK Albums Chart at number one. Propelled by “Chocolate,” “Sex,” “Robbers,” “Girls,” and “The City,” the record introduced a lyrical world of romantic disillusionment, youthful chaos, nightlife, addiction, and glossy indie-pop hooks. Its success positioned The 1975 as a major international act and led to extensive touring.

I Like It When You Sleep, for You Are So Beautiful yet So Unaware of It represented a major stylistic leap. The album combined ambient textures, gospel choirs, jazz-influenced passages, guitar pop, and 1980s-inspired synthesizers. “Love Me,” “UGH!,” “A Change of Heart,” “Somebody Else,” “The Sound,” and “Paris” demonstrated how comfortably the band could move between immediate pop songs and more expansive arrangements.

A Brief Inquiry into Online Relationships examined internet addiction, political anxiety, modern alienation, intimacy, and self-destruction. “Give Yourself a Try,” “TOOTIMETOOTIMETOOTIME,” “Love It If We Made It,” “Sincerity Is Scary,” “It’s Not Living (If It’s Not with You),” and “I Always Wanna Die (Sometimes)” helped make the album one of the band’s most acclaimed releases.

Notes on a Conditional Form pushed the band’s genre experiments even further through UK garage, punk, folk, orchestral music, ambient soundscapes, and electronic production. Its twenty-two tracks included “People,” “Frail State of Mind,” “The Birthday Party,” “Me & You Together Song,” “Jesus Christ 2005 God Bless America,” “If You’re Too Shy (Let Me Know),” and “Guys.” The album’s scale divided some listeners, but it reinforced the band’s refusal to repeat a successful formula.

Being Funny in a Foreign Language tightened the scope and placed greater emphasis on live-band arrangements and emotionally direct songwriting. Produced with Jack Antonoff, the album included “Happiness,” “Part of the Band,” “I’m in Love with You,” “Oh Caroline,” “About You,” and “When We Are Together.” The record became the band’s fifth consecutive studio album to reach number one in the United Kingdom.

The 1975 also expanded its catalog through standalone recordings and collaborations. “Medicine” was created for a new soundtrack presentation of Drive, while “By Your Side” reinterpreted the Sade song. The group appeared with Travis Scott and Big Sean on “Don’t Play,” joined No Rome for “Narcissist,” and collaborated with No Rome and Charli XCX on “Spinning.” “Now Is the Hour” was recorded for The New Look soundtrack.

The band documented its theatrical touring era through At Their Very Best, Live from Gorilla, and Still… At Their Very Best. The last of those captured the 2024 performance at Manchester’s AO Arena and became the group’s most recent full-length release, while Being Funny in a Foreign Language remained its latest studio album.

The 1975 has accumulated Brit Awards, Ivor Novello Awards, Grammy nominations, and a reputation for performances that blur the boundaries between rock concert, theater, political commentary, and conceptual art. The band’s catalog remains difficult to summarize through one genre because its identity comes from movement: between sincerity and irony, guitars and electronics, private experience and public argument.