Complete List Of The Jesus Lizard Albums And Songs

Feature Photo: Philip Markwick, CC BY-SA 3.0 <https://creativecommons.org/licenses/by-sa/3.0>, via Wikimedia Commons

The Jesus Lizard formed in 1987 in Austin, Texas, and later based in Chicago, Illinois, is renowned for its abrasive, commanding sound that made significant waves in the noise rock and post-hardcore scenes. Originally starting as a collaboration between David Yow (vocals) and Duane Denison (guitar), the band solidified its lineup with the addition of David Wm. Sims (bass) and Mac McNeilly (drums) shortly after relocating to Chicago. This lineup would be recognized as the band’s most iconic.
The Jesus Lizard released a total of six studio albums, several EPs, and a live album. Their studio albums include Head (1990), Goat (1991), Liar (1992), Down (1994), Shot (1996), and Blue (1998). Goat and Liar in particular are often cited as landmarks in the noise rock genre and have garnered significant critical acclaim; however, the band never achieved substantial commercial success on mainstream charts, reflecting their niche appeal and underground status. Their music was driven by Yow’s distinctive, often disturbing vocal style and the band’s sharp, dissonant musical approach, which earned them a devoted following and influential status among musicians and critics.
Despite their limited commercial success, The Jesus Lizard is highly regarded for their ferocious live performances and enduring influence on the alternative music landscape. They disbanded in 1999, following their Blue album, but have reunited several times for tours, showcasing the lasting appeal of their intense sound.

THE JESUS LIZARD STUDIO ALBUMS

Head

Released: 1990
Head is the debut studio album by The Jesus Lizard, released in 1990. This album set the tone for the band’s abrasive and distinctive style, characterized by its angular guitar riffs and David Yow’s intense vocal delivery. The record’s raw energy and unconventional structures have made it a touchstone in the noise rock genre.
Produced by Steve Albini, Head was recorded at Chicago Recording Company in Chicago, Illinois. Its uncompromising sound laid the groundwork for the band’s influential career in the underground rock scene.

CD Track Listings:

“One Evening” – 3:01
“S.D.B.J.” – 2:28
“My Own Urine” – 3:08
“If You Had Lips” – 3:14
“7 vs. 8” – 3:33
“Pastoral” – 3:49
“Waxeater” – 2:09
“Good Thing” – 1:45
“Tight ‘N Shiny” – 2:11
“Killer McHann” – 2:09

Goat

Released: 1991
Goat is often considered one of The Jesus Lizard’s finest works, showcasing the band at the peak of their creative powers. Released in 1991, the album features a more refined version of their signature sound, with tracks that are both aggressive and intricately structured. Goat was highly praised for its intensity and innovation, helping to cement the band’s status in the alternative rock landscape.
Produced by Steve Albini, the album was recorded at Chicago Recording Company. It remains a critical favorite and is a cornerstone of the band’s discography, reflecting their ability to blend noise, dissonance, and rhythmic complexity.

CD Track Listings:

“Then Comes Dudley” – 4:23
“Mouth Breather” – 2:16
“Nub” – 2:31
“Seasick” – 3:12
“Monkey Trick” – 4:31
“Karpis” – 3:18
“South Mouth” – 3:03
“Lady Shoes” – 2:37
“Rodeo in Joliet” – 4:49

Liar

Released: 1992
Liar continued The Jesus Lizard’s exploration of chaotic and complex soundscapes, released in 1992. Known for its powerful dynamics and Yow’s unsettling lyrical themes, the album is a standout in the noise rock genre, delivering a challenging and cathartic listening experience. It received critical acclaim for its inventive arrangements and raw power.
Produced by Steve Albini, Liar was also recorded at Chicago Recording Company. The album is noted for iconic tracks such as “Boilermaker” and “Puss,” which showcase the band’s innovative approach to songwriting and performance.

CD Track Listings:

“Boilermaker” – 2:14
“Gladiator” – 4:06
“The Art of Self-Defense” – 2:39
“Slave Ship” – 4:12
“Puss” – 3:21
“Whirl” – 4:21
“Rope” – 2:19
“Perk” – 2:29
“Zachariah” – 5:44
“Dancing Naked Ladies” – 2:56

Down

Released: 1994
Down further developed The Jesus Lizard’s sound, released in 1994. This album features a slightly more polished production but retains the band’s fundamental harshness and complexity. Down explores darker themes and is recognized for its depth and maturity, reflecting the band’s evolution without sacrificing their core aesthetic.
Produced by Garth Richardson and assisted by Steve Albini, the album was recorded at various locations, including Chicago Recording Company and Pedernales Recording Studio in Spicewood, Texas. It was noted for tracks like “Fly on the Wall” and “The Associate.”

CD Track Listings:

“Fly on the Wall” – 3:08
“Mistletoe” – 1:53
“Countless Backs of Sad Losers” – 3:00
“Queen for a Day” – 2:24
“The Associate” – 4:08
“Destroy Before Reading” – 3:14
“Low Rider” – 2:43
“50¢” – 2:50
“American BB” – 2:11
“Horse” – 3:00
“Din” – 3:18
“Elegy” – 3:47
“The Best Parts” – 2:23

Shot

Released: 1996
Shot, released in 1996, marked a notable departure from the band’s earlier, more abrasive records. The album introduces a cleaner sound, experimenting with more straightforward rock elements. Although Shot received mixed reviews, it highlighted the band’s willingness to experiment and evolve their sound.
Produced by GGGarth (Garth Richardson), the album was recorded at different studios, including Southern Tracks in Atlanta, Georgia. It includes tracks like “Thumper” and “Blue Shot,” which illustrate the band’s exploration into less chaotic and more melodic territories.

CD Track Listings:

“Thumper” – 3:30
“Blue Shot” – 4:10
“Thumbscrews” – 3:09
“Good Riddance” – 3:14
“Mailman” – 3:26
“Skull of a German” – 3:41
“Trephination” – 3:33
“More Beautiful Than Barbie” – 2:48
“Too Bad About the Fire” – 4:42
“Churl” – 3:33
“Now Then” – 2:37
“Inamorata” – 3:06
“Pervertedly Slow” – 3:04

Blue

Released: 1998
Blue is the final studio album released by The Jesus Lizard in 1998 before their initial breakup. The album incorporates some electronic elements and continues the trend towards a more refined sound. Although it did not receive the same level of acclaim as some of their earlier albums, Blue is appreciated for its willingness to embrace change and experiment with new sounds.
Produced by Andy Gill, the album was recorded at Electrical Audio in Chicago, Illinois. It features tracks such as “I Can Learn” and “A Tale of Two Women,” showcasing the band’s continued innovation and creative risks.