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Our 10 best covers of Allman Brothers Band songs present a collection of tracks that pay tribute to one of the greatest bands of all time. I haven’t met many people in my life who weren’t fans of the Allman Brothers Band if they were into rock and roll. How could you not love these guys? The group merged so many different styles of music—jazz, blues, soul, rock and roll, and country—to form their own unique and original sound that inspired countless bands that came after them.
Originally formed in Jacksonville, Florida, in 1969, the band’s original lineup consisted of Duane Allman on guitar, Dickey Betts on guitar, Gregg Allman on lead vocals and keyboards, Berry Oakley on bass, Butch Trucks on drums, and Jaimoe Johanson on drums. Jaimoe is the only surviving member of the original six. Their self-titled debut album, The Allman Brothers Band, was released in 1969, followed by Idlewild South in 1970. However, it was their third album, At Fillmore East, that truly put the group on the map. The band continued through the 1970s despite the tragic losses of Duane Allman and Berry Oakley.
The Allman Brothers Band broke up in 1982 but reformed in 1989, fueled by the addition of guitarist Warren Haynes. Rock fans everywhere celebrated the band’s return, and over the next couple of decades, The Allman Brothers Band attracted a whole new, younger audience who grew up listening to jam bands like Phish, Dave Matthews Band, Widespread Panic, and many others. With the later addition of Derek Trucks, the band sounded phenomenal, with Haynes and Trucks trading off solos night after night. The Allman Brothers Band played its final concert at the Beacon Theatre in New York City on October 28, 2014.
This article pays tribute to the band’s music by showcasing 10 wonderful covers of their songs, featuring some truly original takes on their biggest hits.
# 10 – Ramblin’ Man – Blackberry Smoke
We open our list with a cover of one of the most famous Allman Brothers Band songs of all time, “Ramblin’ Man,” written by Dickey Betts. While this particular Blackberry Smoke version may not have the best audio quality because it is an audience recording, the performance captures exactly why we consider them one of the best rock and roll bands of the past couple of decades. Led by Charlie Starr, Blackberry Smoke has carried the spirit of Southern rock forward while developing a sound of its own, and their take on “Ramblin’ Man” works as a faithful tribute to the Allman Brothers Band. Just listen to that guitar work!
Read More: An Interview With Charlie Starr Of Blackberry Smoke
# 9 – Dreams – Buddy Miles
“Dreams” is the only Allman Brothers Band song to appear twice in this article, and for good reason. Buddy Miles recorded his smoking, soulful version for the 1970 album Them Changes, only a year after Gregg Allman’s original appeared on the Allman Brothers Band’s debut. Miles transforms the song with a heavier soul-rock groove, prominent horns, and his own commanding vocal style, making this far more than a straight reproduction of the original and one of the earliest notable covers of an Allman Brothers song.
# 8 – Southbound – Commander Cody & Sonny Landreth
Commander Cody and Sonny Landreth bring their own personalities to Dickey Betts’ “Southbound” on the 2014 tribute collection Midnight Rider: A Tribute to the Allman Brothers Band. The combination makes perfect sense: Commander Cody brings a loose boogie-woogie energy while Landreth supplies the kind of slide-guitar fire that can stand proudly beside a song associated with the Allman Brothers tradition. Their version stays true to the Southern-rock spirit of the original while giving it enough character to stand on its own.
# 7 – Come And Go Blues – Alison Krauss
Alison Krauss gives Gregg Allman’s “Come and Go Blues” a beautifully restrained treatment that replaces much of the original’s blues-rock weight with her unmistakable country and bluegrass sensitivity. Her studio version was recorded for the 2018 project Muscle Shoals: Small Town, Big Sound, and she also performed the song live with guitarist Tommy Emmanuel at a tribute to Gregg Allman. Krauss’ delicate vocal changes the emotional character of the song without losing the sadness and longing at its center, making this one of the most distinctive interpretations on our list.
# 6 – Blue Sky – Joan Baez
Joan Baez recorded Dickey Betts’ “Blue Sky” for her 1975 album Diamonds & Rust, taking one of the Allman Brothers Band’s most joyful guitar-driven songs and reshaping it through her folk sensibility. Baez’s crystalline voice and the more relaxed arrangement bring the melody and lyric to the foreground while preserving the warmth that made the original such a beloved track on Eat a Peach. It is a very different interpretation, but that is exactly what makes it such an interesting cover.
# 5 – In Memory of Elizabeth Reed – John Pizzarelli
John Pizzarelli’s version of “In Memory of Elizabeth Reed” appears on his 2012 album Double Exposure, where he takes Dickey Betts’ classic Allman Brothers instrumental and pulls it directly into the jazz world. Pizzarelli’s arrangement is far more compact than the extended Allman Brothers performances and incorporates ideas from Wes Montgomery’s “Four on Six,” allowing the song’s melody and chord structure to shine through his clean, inventive jazz guitar playing. It is one of the most original reinventions of an Allman Brothers song on this list.
# 4 – Dreams – The Black Crowes
I love the Black Crowes, so finding this cranking live version was fun. Gregg Allman’s “Dreams” became a regular Allman Brothers cover in the Black Crowes’ live repertoire, and their version brings Chris Robinson’s soulful vocals together with the band’s loose, guitar-heavy attack. Rather than radically rearranging the song, the Crowes lean into the qualities they shared with the Allman Brothers—blues, soul, improvisation, and a deep respect for American roots music—which makes “Dreams” feel completely natural in their hands.
# 3 – Midnight Rider – Stephen Stills
Like the Allman Brothers Band, Stephen Stills is a true musical treasure. His cover of Gregg Allman’s “Midnight Rider” appeared on the 1978 album Thoroughfare Gap, and Stills approaches the song with the same mixture of rock, folk, country, and blues that has defined so much of his own career. From Buffalo Springfield and Crosby, Stills & Nash to CSNY and his solo work, Stills has always been able to make a great song sound like it belongs to him, and his version of “Midnight Rider” is no exception.
Read More: 10 Essential Stephen Stills Songs In Chronological Order
# 2 – Kind Of Bird – Gov’t Mule featuring John Scofield
While we tried to avoid including many Allman Brothers Band offshoots in this covers list, we simply couldn’t leave this one out. “Kind of Bird,” written by Dickey Betts and Warren Haynes for the Allman Brothers Band’s 1991 album Shades of Two Worlds, becomes a remarkable jazz-rock workout in the hands of Gov’t Mule and John Scofield. Haynes and Scofield are two extraordinary guitarists with very different voices, and hearing them work through this Charlie Parker-inspired instrumental together creates exactly the kind of jazz-rock fusion the Allman Brothers themselves always seemed to encourage.
Read More: Complete List Of John Scofield Albums And Discography
# 1 – Whipping Post – Frank Zappa
The world lost a brilliant musical mind in 1993 with the passing of Frank Zappa, and it is a true joy to close out this list with his sensationally inventive cover of Gregg Allman’s “Whipping Post.” Zappa became fascinated with learning the song after an audience member famously requested it at a 1974 concert in Helsinki, and once vocalist Bobby Martin joined his band, Zappa finally added it to the repertoire. A studio version appeared on Them or Us in 1984, while a live version followed on Does Humor Belong in Music?; both show how easily Zappa could take a Southern-rock classic and pull it into his own world of rock, jazz, virtuosity, and controlled chaos.
Updated September 4, 2026.
10 Best Covers Of Allman Brothers Band Songs article published on ClassicRockHistory.com © 2026




























From the highly overlooked and underappreciated 1973 LP “Joe Cocker” (a.k.a. the “High Time We Went ” LP),
Joe Cocker and band’s version of “Midnight Rider” is an exceptional take on the original, infusing well-timed doses of funk, r&b, and soul, while simultaneously staying true to the blues-rock foundation of the ABB
classic.
CRH readers should take the time to check out Cocker’s cover, and will be treated to a very interesting and energetic version.