Affinity, a progressive rock and jazz fusion band from England, emerged in the late 1960s as part of the burgeoning British jazz-rock movement. The group was formed by students from the University of Sussex, initially as part of the college jazz club. Their lineup coalesced around vocalist Linda Hoyle, guitarist Mike Jopp, bassist Mo Foster, keyboardist Lynton Naiff, and drummer Grant Serpell. With their shared interest in jazz, blues, and the experimental spirit of the era, Affinity began to craft a sound that blended sophisticated musicality with the visceral energy of rock.
The band signed with Vertigo Records and released their self-titled debut album Affinity in 1970, produced by John Anthony. Featuring ambitious arrangements and Hoyle’s powerful, blues-tinged vocals, the album included standout tracks such as their cover of “I Am the Walrus” and the original composition “Three Sisters.” Despite its critical acclaim and the band’s potential, Affinity disbanded in 1971 due to internal disagreements and changing musical directions. Hoyle’s departure marked the end of the original lineup, and the band’s subsequent recordings were released posthumously.
Though their time as an active band was brief, Affinity’s work has since gained a devoted following among fans of progressive rock and jazz fusion. The band’s innovative approach to blending genres, combined with their technical proficiency, left a lasting impression, solidifying their place in the annals of experimental 1970s music.
AFFINITY STUDIO ALBUMS
Affinity
Released 1970
The self-titled debut album Affinity by the British jazz-rock band Affinity marked a remarkable fusion of progressive rock and jazz. Released in 1970 on the iconic Vertigo Records label, the album showcased the band’s ability to blend intricate musicianship with emotive vocals, spearheaded by lead singer Linda Hoyle. Produced by John Anthony, the album was recorded at Trident Studios in London, a hub for groundbreaking albums of the era. Affinity quickly became a touchstone for fans of progressive music, its sophisticated arrangements and experimental approach resonating with the emerging jazz-rock audience.
Three Sisters
The band’s lineup for the album featured Linda Hoyle on vocals, Lynton Naiff on keyboards, Mo Foster on bass, Mike Jopp on guitar, and Grant Serpell on drums. Each member brought their expertise to create a lush, dynamic sound that balanced technical precision with soulful expression. From the haunting rendition of “I Am the Walrus” to the original compositions “Three Sisters” and “Night Flight,” the album pushed boundaries and explored new sonic landscapes. The combination of Hoyle’s powerful vocals and the band’s instrumental virtuosity established Affinity as a standout in the progressive rock movement.
I Am The Walrus
While Affinity did not achieve commercial chart success upon release, it received critical acclaim for its innovative style and has since become a cult favorite among aficionados of jazz and progressive rock. The album’s reissues over the years have introduced new generations to its groundbreaking tracks, ensuring its legacy within the canon of 1970s experimental music.
Track Listing:
“I Am the Walrus” – 4:03
“Night Flight” – 7:15
“Three Sisters” – 4:57
“Coconut Grove” – 5:18
“All Along the Watchtower” – 11:37
“Elegy” – 3:40
Night Flight
1971–1972
Released 1973
The compilation album 1971–1972 by Affinity serves as a fascinating exploration of the band’s post-debut years, offering an eclectic mix of unreleased tracks and alternate takes that highlight their musical evolution. Released in 1973, this collection captured the creativity and experimentation that defined the band during this transitional period. Recorded at Advision Studios in London, the album showcases the artistry of Linda Hoyle on vocals, Lynton Naiff on keyboards, Mo Foster on bass, Mike Jopp on guitar, and Grant Serpell on drums. The production by Mike Vernon further accentuates the band’s distinctive blend of jazz, rock, and progressive elements.
What makes 1971–1972 particularly engaging is its ability to draw listeners into Affinity’s boundary-pushing compositions. Tracks like “Grey Skies” and “Cream on Your Face” reveal a more introspective and refined side of the band, while the driving rhythms of “Walk on By” highlight their ability to reimagine classic tracks through a progressive lens. Hoyle’s commanding vocal performances are complemented by intricate instrumentation, from Naiff’s virtuoso keyboard solos to Foster’s rhythmic basslines, all woven together by Vernon’s crisp production.
The album, while not charting commercially, has garnered critical praise for its insightful look into Affinity’s experimental phase. Its significance lies in how it bridges the gap between the band’s initial success and their creative journey afterward. Over the years, 1971–1972 has become a treasure trove for fans and collectors, cementing Affinity’s place in the annals of jazz-rock history.
Track Listing:
“Moira’s Hand” – 5:09
“Grey Skies” – 3:39
“Cream on Your Face” – 4:58
“Sunshower” – 7:40
“All Along the Watchtower” (Bob Dylan cover) – 11:36
“Walk on By” – 7:55
“Highgate” – 3:28
“Little Lonely Man” – 3:57
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