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This Complete List Of Joe Cocker Studio Albums And Songs presents the full discography of Joe Cocker studio albums. Joe Cocker was born on May 20, 1944. He passed away in December of 2014. Joe Cocker hailed from the area of Sheffield, West Riding of Yorkshire, England. All these magnificent Joe Cocker albums have been presented below in chronological order. We have also included all original release dates with each Joe Cocker album as well as all original Joe Cocker album covers. Every Joe Cocker album listed below showcases the entire Joe Cocker album tracklisting.
JOE COCKER STUDIO ALBUMS
With a Little Help from My Friends
Released 1969
This is Joe Cocker’s debut studio album and it made a significant impact on the music scene. The album is most notable for its cover of The Beatles’ song “With a Little Help from My Friends,” which was a chart-topping hit. It showcased Cocker’s gritty voice and emotional delivery.
The album featured Joe Cocker on lead vocals, Jimmy Page and Albert Lee on guitars, Tommy Eyre on keyboards, and producers Denny Cordell and Tony Visconti. The album was released on Regal Zonophone Records in the UK and A&M Records in the US. It was recorded at Olympic Studios, London, and Trident Studios, London between March and May 1969.
CD Track Listings:
- “Feeling Alright” – 4:10
- “Bye Bye Blackbird” – 3:27
- “Change in Louise” – 3:22
- “Marjorine” – 2:38
- “Just Like a Woman” – 5:17
- “Do I Still Figure in Your Life?” – 3:59
- “Sandpaper Cadillac” – 3:16
- “Don’t Let Me Be Misunderstood” – 4:41
- “With a Little Help from My Friends” – 5:12
- “I Shall Be Released” – 4:35
Joe Cocker!
Released 1969
Joe Cocker’s second album continued to define his style of blues-inflected rock with a soulful edge. The album featured covers and original songs that displayed his unique vocal style. It was highly acclaimed by critics and enjoyed commercial success.
The album featured Joe Cocker on vocals, Chris Stainton on keyboards, Henry McCullough on guitar, and was produced by Denny Cordell. It was released on A&M Records. The album was recorded at A&M Studios in Los Angeles, California in the summer of 1969.
CD Track Listings:
- “Dear Landlord” – 3:23
- “Bird on the Wire” – 4:30
- “Lawdy Miss Clawdy” – 2:15
- “She Came in Through the Bathroom Window” – 2:37
- “Hitchcock Railway” – 4:41
- “That’s Your Business Now” – 2:56
- “Something” – 3:32
- “Delta Lady” – 2:51
- “Hello, Little Friend” – 3:52
- “Darling Be Home Soon” – 4:42
Joe Cocker
Released 1972/EU: 1973
This album, often referred to as the “Sheffield Steel” album, included a mix of rock, soul, and blues. It did well commercially and was certified Gold in the United States.
The album featured Joe Cocker on vocals, Chris Stainton on keyboards, Neil Hubbard on guitar, and was produced by Denny Cordell and Nigel Thomas. It was released on A&M Records. The album was recorded at Olympic Studios, London in late 1972.
CD Track Listings:
- “Woman to Woman” – 4:29
- “Midnight Rider” – 3:58
- “St. James Infirmary Blues” – 5:15
- “Sweet Little Woman” – 4:02
- “What Are You Doing With A Fool Like Me” – 4:51
- “Do Right Woman” – 4:01
- “High Time We Went” – 4:28
- “She Don’t Mind” – 3:02
- “Pardon Me Sir” – 3:12
I Can Stand a Little Rain
Released 1974
This album was another milestone for Joe Cocker, featuring the hit single “You Are So Beautiful.” The album was both a commercial and critical success, reinforcing Cocker’s place in the industry.
The album featured Joe Cocker on vocals, Nicky Hopkins on keyboards, Henry McCullough on guitar, and was produced by Jim Price. It was released on A&M Records. The album was recorded at The Village Recorder, Los Angeles, California, in early 1974.
CD Track Listings:
- “Put Out the Light” – 4:12
- “I Can Stand a Little Rain” – 3:33
- “I Get Mad” – 3:38
- “Sing Me a Song” – 2:23
- “The Moon Is a Harsh Mistress” – 3:30
- “Don’t Forget Me” – 3:20
- “You Are So Beautiful” – 2:42
- “It’s a Sin When You Love Somebody” – 3:46
Jamaica Say You Will
Released 1975
“Jamaica Say You Will” was a departure from Cocker’s previous albums, exploring more ballads and softer textures. While it didn’t enjoy the same commercial success as earlier albums, it received favorable reviews for its musical craftsmanship.
The album featured Joe Cocker on vocals, Henry McCullough and Cornell Dupree on guitar, Richard Tee on keyboards, and was produced by Jim Price. It was released on A&M Records. The album was recorded at Clover Recorders, Hollywood, California, in mid-1975.
CD Track Listings:
- “(That’s What I Like) In My Woman” – 3:25
- “Where Am I Now” – 4:14
- “I Think It’s Going to Rain Today” – 3:59
- “Forgive Me Now” – 3:24
- “Oh Mama” – 4:10
- “Lucinda” – 3:15
- “If I Love You” – 3:55
- “Jamaica Say You Will” – 4:15
Stingray
Released 1976
This album continued to diversify Cocker’s style, but it didn’t fare as well in terms of commercial success compared to previous works. Nevertheless, it is notable for its raw emotional intensity.
The album featured Joe Cocker on vocals, Eric Clapton and Cornell Dupree on guitar, Richard Tee on keyboards, and was produced by Rob Fraboni. It was released on A&M Records. The album was recorded at Dynamic Sound Studios, Kingston, Jamaica, in late 1975.
CD Track Listings:
- “The Jealous Kind” – 3:50
- “I Broke Down” – 3:28
- “You Came Along” – 4:35
- “Catfish” – 5:20
- “Moon Dew” – 5:50
- “The Man in Me” – 4:15
- “She Is My Lady” – 4:35
- “Worrier” – 3:15
Luxury You Can Afford
Released 1978
This album is marked by Cocker’s venture into a more polished sound, aiming for a wider mainstream appeal. It had a blend of rock, blues, and soul, featuring a variety of guest musicians.
The album featured Joe Cocker on vocals, Allen Toussaint and Steve Cropper on guitar, Donald “Duck” Dunn on bass, and was produced by Allen Toussaint. It was released on Asylum Records. The album was recorded at Sea-Saint Studios, New Orleans, Louisiana, in early 1978.
CD Track Listings:
- “Fun Time” – 2:40
- “Watching the River Flow” – 3:15
- “Boogie Baby” – 3:50
- “A Whiter Shade of Pale” – 5:27
- “I Can’t Say No” – 2:50
- “Southern Lady” – 3:14
- “I Know (You Don’t Want Me No More)” – 3:00
- “What You Did to Me Last Night” – 3:20
Sheffield Steel
Released 1982
Named after Cocker’s hometown, “Sheffield Steel” saw him returning to his roots. The album was critically acclaimed for its mature, soulful sound.
The album featured Joe Cocker on vocals, Robbie Shakespeare and Robert Palmer on guitar, Wally Badarou on keyboards, and was produced by Chris Blackwell and Alex Sadkin. It was released on Island Records. The album was recorded at Compass Point Studios, Nassau, Bahamas, in late 1981.
CD Track Listings:
- “Look What You’ve Done” – 4:14
- “Shocked” – 3:15
- “Sweet Little Woman” – 4:02
- “Seven Days” – 5:40
- “Ruby Lee” – 7:44
- “Many Rivers to Cross” – 3:46
- “So Good, So Right” – 2:34
- “Talking Back to the Night” – 4:50
Civilized Man
Released 1984
“Civilized Man” was Joe Cocker’s first album for Capitol Records and was aimed at both the pop and adult contemporary markets. It contained covers as well as original compositions, and it was a commercial success.
The album featured Joe Cocker on vocals, Jeff Lorber and Michael Landau on guitar, Greg Phillinganes on keyboards, and was produced by Stewart Levine. It was released on Capitol Records. The album was recorded at Bill Schnee Studios, Los Angeles, California, in early 1984.
CD Track Listings:
- “Civilized Man” – 3:55
- “There Goes My Baby” – 3:45
- “Come On In” – 3:46
- “Tempted” – 4:15
- “Long Drag off a Cigarette” – 2:35
- “I Love the Night” – 3:47
- “Crazy in Love” – 3:50
- “A Girl Like You” – 3:08
Cocker
Released 1986
Joe Cocker’s 1986 self-titled album showcased a blend of pop and rock influences with his signature soulful voice. The album received a warm reception from critics and performed well on the charts, solidifying his place in mainstream music of the 1980s.
The album featured Joe Cocker on vocals, Phil Grande and Cliff Goodwin on guitar, Jeff Levine on keyboards, and was produced by Richie Zito, Terry Manning, Ron Nevison, Albert Hammond, and Diane Warren. It was released on Capitol Records. The album was recorded at several studios including Goodnight LA Studios and Record Plant in 1986.
CD Track Listings:
- “Shelter Me” – 5:36
- “A to Z” – 4:21
- “Don’t You Love Me Anymore” – 5:25
- “Living Without Your Love” – 4:09
- “Don’t Drink the Water” – 3:25
- “You Can Leave Your Hat On” – 4:14
- “Heart of the Matter” – 4:20
- “Inner City Blues” – 5:51
Unchain My Heart
Released 1987
This album continued Cocker’s trend of mixing contemporary styles with his established soulful approach. The album is most notable for the title track, “Unchain My Heart,” which became a big hit. I remember being blown away by the sound of those drums when I first purchased this CD when it came out. It’s such a great album opening cut. The album achieved moderate commercial success and was well-received by critics.
The album featured Joe Cocker on vocals, Phil Grande and Jeff Pevar on guitar, Jeff Levine on keyboards, and was produced by Charlie Midnight and “Instant Replay” Dan Hartman. It was released on Capitol Records. The album was recorded at various studios including The Power Station, New York, in 1987.
CD Track Listings:
- “Unchain My Heart” – 5:04
- “Two Wrongs” – 4:03
- “I Stand in Wonder” – 4:22
- “The River’s Rising” – 4:10
- “Isolation” – 3:51
- “All Our Tomorrows” – 4:24
- “A Woman Loves a Man” – 4:16
- “Trust in Me” – 4:14
Complete List Of Joe Cocker Studio Albums And Songs article published on Classic RockHistory.com© 2023
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![Rob De Luca of Spread Eagle, Sebastian Bach & UFO: 10 Albums That Changed My Life From humble East Coast origins to grandest stages worldwide, veteran bassist Rob De Luca has seen and done it all. De Luca first hit the local Boston rock and metal scene in the late 80s after meeting guitarist Paul DiBartolo, bonding over Van Halen before forming Bang. Regional success came quickly, but eventually, the members of Bang went their separate ways, with De Luca and drummer Tommi Gallo heading to NYC and hooking up with Ray West and, later, DiBartolo to form Spread Eagle. By 1990, Spread Eagle was on the fast track, with a contract through MCA Records and a self-titled debut album poised to crush skulls. But poor timing and MCA's sad indifference left Spead Eagle out in the cold despite being a hard-boiled answer to Guns N' Roses's West Coast sleaze. Spread Eagle's first chapter came to an end in '95. As for Rob De Luca, his nimble fingers and gift for melody and songwriting kept him moving forward. Soon, he found a gig with former Skid Row frontman Sebastian Bach and the legendary outfit UFO. And in 2010, after coupling up with Ray West and his cousin Rik De Luca, Spread Eagle retook flight. During a break from Spread Eagle's increasingly busy touring schedule, Rob De Luca dialed in with ClassicRockHistory.com to run through the ten albums that changed his life. But only after adding, "I made a playlist of these songs, including some I've written or co-written. Do you hear any of these albums' influence on me?" Listen here: https://open.spotify.com/playlist/3LWJuhDrE8JmzhsmTeIDUq 10) Gentlemen by Afghan Whigs (1993) Here's an entry that was so important to me. This may be the darkest break-up album of all time. Greg Dulli has been in many projects, but I feel Gentlemen is his zenith. Somewhat undefinable at times but always profound and honest. Listen to "Gentlemen," "Fountain and Fairfax," and "What Jail Is Like." 9) In on the Kill Taker by Fugazi (1993) By this time, I had been sucked in and spit out by the major-label record industry. Glam came and went; grunge was history, too. I was searching for new sounds. When I heard Fugazi's twin guitar approach, I knew this was what was missing. Fugazi may be considered a less polished sound than the albums above; however, once you "get it," it hits you like a ton of bricks, and there's no going back. From the moment I heard Fugazi, I went to every NYC show after. It's easily some of the best concerts of my life, and possibly my favorite bassist in Joe Lally. And their DIY ethics refused to charge us more than $5 a show! In on the Kill Taker is a powerful album demonstrated in songs such as "Smallpox Champion," "Great Cop," and "Public Witness Program." 8) Appetite for Destruction by Guns N' Roses (1987) I discovered many of these albums (sometimes long) after they were released. However, I was at the right place at the right time for this one. Steve Ostromogilsky had a Berklee College of Music lunch card and used to sneak out sandwiches for me. One day, he invited me to hang out at his place and listen to music. As we got off the train, he put Sony Walkman headphones on my ears and said, "Hey, check out this brand-new group." A song like "It's So Easy" was so different from the popular Sunset Strip sound at that time. Me and about 499 other informed rockers were lucky enough to see them on their first East Coast tour at the sold-out Paradise on Commonwealth Avenue, Boston (the same street Aerosmith started on). I saw Gn'R every tour after until I took a break when Buckethead joined. Gn'R is the band I've been lucky enough to see the most times live, almost 100! Everyone on this album is just stellar. Axl [Rose] had the tones, power, melodic sensibilities, and foresight to do what no other singer did then. Slash's playing was beyond memorable. Duff [McKagan] is one of the most underrated bassists in rock history, and learning his Appetite basslines is a masterclass. Steven [Adler] had the natural swing, and Izzy [Stradlin] was the secret weapon songwriter. Everything that's been heralded about this gem is deserved and true. Check out "It's So Easy," "Out Ta Get Me," and "Mr. Brownstone.' 7) Wish You Were Here by Pink Floyd (1975) Another contender for my favorite album and band of all time. Using The Beatles machine (same recording studio, engineer, record label), Pink Floyd made what I feel is their strongest, most cohesive album (my second favorite of theirs would be Animals). This list mainly consists of bands with an instantly recognizable sound. Floyd is certainly no exception to that! This album included a solid handful of undeniable rock radio classics, bookended by two halves of the mind-blowing song "Shine on You Crazy Diamond.' That song was written about former band member and founder Syd Barrett. It would be hard to live in a world without this album. Check out "Welcome to The Machine," "Shine on You Crazy Diamond (parts 6-9),' or even better yet, listen to the whole thing in one sitting! 6) Decade by Neil Young (1977) About this time, I started playing guitar. As a beginner, it was comfortable jamming to this album because the chord changes were simple—a great "first ten years" retrospective of Neil's stunning, unique songwriting. Neil is a treasure who always writes from the heart and stands up for what's right. Check out "Southern Man," "A Man Needs a Maid," "Down by The River," and "After the Goldrush." 5) Highway to Hell by AC/DC (1979) When I heard this album, I was firmly "me." My life would be 100% focused on hard rock music forever. AC/DC are like air; they're ubiquitous. Everyone knows them and their incredible songs. However, as a young teen in Wilmington, Delaware, I only had WMMR 93.3 FM Philadelphia and a few friends to inform me about the world of Rock outside my bedroom. AC/DC had not gone mainstream, and their albums were available primarily in the USA as imports. To put things more in perspective, I only knew two people in the world who had heard of AC/DC. A friend had an import that we played in Steve Buckley's basement, which sounded ripping. When Highway to Hell was released, WMMR started spinning the title track, and I immediately bought the album, listening to it every single day after school. Then WMMR announced AC/DC was coming to the Spectrum in Philly, supporting Ted Nugent! I liked Ted but loved AC/DC, so my good friend Mick Cummins and I bought tickets, and he drove us up to the Spectrum (where we saw most of our concerts). Bon Scott was in fine form, and the band went over great. Although the crowd knew Ted better, Angus [Young] wouldn't let anyone upstage him. I'll never forget it! Unfortunately, Bon would be gone in 6 months. Check out "Walk All Over You," "Touch Too Much," "Shot Down in Flames," and "If You Want Blood (You Got It)." 4) Toys in the Attic by Aerosmith (1975) By the time I heard this, I was now in my teens. I had a childhood friend up the street, Jim Linberg (we're still good buddies). His older sister had a great album collection, including Toys in The Attic. Once I heard that groove, my taste changed. I lost interest in rock music that didn't have some sort of "swing" feel to it. I think Rocks is a slightly better Aerosmith album (and possibly my favorite album of all time), but both are perfect or very close. Check out "Uncle Salty," "Adam's Apple," "No More No More," "Round and Round," and "You See Me Crying." 3) Alive! by Kiss (1975) When I was still a little kid, I asked for Cheech and Chong's Up in Smoke album for Christmas. The entire family came over for an enormous feast, and I dropped the needle. When my mother heard the content, she turned off the album and said I had to exchange it. My mom was cool, but I was young and knew much more about life than she suspected. Anyway, the next day, she drove me back to the store. In the music section, promoted on an "endcap" was a Kiss Alive! display. I had never heard of Kiss, but that cover picture told me I had to have it! My first foray into hard rock. Check out “Strutter.” I went through my Kiss phase very quickly, I believe in a matter of months because I discovered the previous entry, Aerosmith's Toys in the Attic. 2) Honky Chateau by Elton John (1972) When I was a wee lad, my parents bought a used Volkswagen camper van from my uncle Ozzie. My favorite Elton John album is Yellow Brick Road, but Honky Chateau is great and easily one of his best. It sent me down a lifelong rabbit hole of loving everything about the 1970s partnership between Elton and lyricist Bernie Taupin. The simple beauty of voice, the master songwriting, the perfect backing band, the clear, unobtrusive recordings, and always Bernie's incredible lyrics. The day this album was released, Elton became an unstoppable force that conquered the music industry. Check out "Mona Lisas and Mad Hatters" and "Rocket Man." 1) Sergeant Pepper's Lonely Hearts Club Band by The Beatles (1967) Another tape that was included in the VW Camper. The van had a bunch of music tapes, and one was Sgt Pepper. I was too young to understand the sophistication of the music, but that was one of the many skills of The Beatles. They attracted listeners at every level, even little kids. I still feel that immediate connection to Sgt Pepper; now, I hear so much more. It's an album that changed the world and the world of music. Check out "Lucy in The Sky with Diamonds," "A Day In The Life," and "Fixing a Hole."](http://www.classicrockhistory.com/wp-content/uploads/2023/11/Shutterstock_1815495569-1-300x200.jpg)
