This Complete List Of Killer Dwarfs Albums And Songs presents the full discography of Killer Dwarfs studio albums. The Killer Dwarfs was first formed in 1981. The group hails from the area of Oshawa, Ontario. This complete Killer Dwarfs discography also includes every single live album. All these rowdy fun Killer Dwarfs albums have been presented below in chronological order. We have also included all original release dates with each Killer Dwarfs album as well as all original album covers. Every Killer Dwarfs album listed below showcases the entire album tracklisting.
KILLER DWARFS STUDIO ALBUMS
Killer Dwarfs
Released 1983
Killer Dwarfs, the self-titled debut album from the Canadian hard rock band, was released in 1983. It showcased the band’s raw and energetic hard rock style, characterized by catchy riffs and powerful vocals. The original lineup featured Russ “Dwarf” Graham on vocals, Bryce “Dwarf” Trewin on guitar, Ange “Dwarf” Fodero on bass, and Darrell “Dwarf” Millar on drums. This album, recorded at Sounds Interchange in Toronto, Canada, was produced by Doug Hill. While it didn’t achieve significant commercial success, it gained a cult following and established the band’s presence in the Canadian hard rock scene.
CD Track Listings:
- “Are You Ready” – 3:07 – Our top pick for this album!
- “Can’t Lose” – 3:37
- “Drifter” – 5:05
- “Prisoner” – 3:57
- “Heavy Metal Breakdown” – 3:09
- “Read Between the Lines” – 4:17
- “Gotta Lose to Win” – 3:19
- “Outlaw of a Modern Man” – 3:58
- “Time to Move On” – 4:06
- “Fire in Your Eyes” – 3:54
Stand Tall
Released 1986
Stand Tall, released in 1986, marked a significant step forward for Killer Dwarfs. The album featured a more refined sound with a blend of catchy melodies and hard-hitting rock. This time the band consisted of Russ Graham, Mike Hall on guitar, Ron Mayer on bass, and Darrell Millar. Recorded at Phase One Studios in Toronto and produced by Simon Brierley with the assistance of the band, Stand Tall gained more attention and popularity, particularly with the title track “Stand Tall (Stick to Your Guns).” The album’s mix of humor, anthemic rock, and engaging performances showcased the band’s evolving artistry.
CD Track Listings:
- “Stand Tall (Stick to Your Guns)” – 4:30
- “Human Survival” – 3:40 – Love this song; it is our fav from the album.
- “Up to You and Me” – 4:17
- “Borderline” – 3:25
- “Through Animal Eyes” – 3:15
- “Keep the Spirit Alive” – 4:46
- “Believe in Me” – 4:13
- “Do or Die” – 4:54
- “Out on the Streets” – 3:43
- “Bite the Hand That Feeds” – 3:08
Big Deal
Released 1988
Big Deal, the third studio album by Killer Dwarfs, was released in 1988. Continuing the momentum from their previous album, Big Deal featured catchy hooks and robust rock compositions. The band, consisting of Russ Graham, Mike Hall, Ron Mayer, and Darrell Millar, recorded this album at Phase One Studios in Toronto. Produced by Simon Hanhart, known for his work with British rock acts, the album solidified Killer Dwarfs’ reputation in the hard rock genre. Songs like “Startin’ to Shine” and “Doesn’t Matter” were notable for their melodic yet powerful rock sound.
CD Track Listings:
- “Tell Me Please” – 4:21
- “Startin’ to Shine” – 3:50
- “Breakaway” – 3:39
- “Union of Pride” – 3:48
- “Lifetime” – 4:27
- “Power” – 3:39
- “I’m Alive” – 3:33
- “Burn it Down” – 4:24
- “Desperados” – 4:27
- “Doesn’t Matter” – 3:18
Dirty Weapons
Released 1990
Dirty Weapons, released in 1990, is often considered the pinnacle of Killer Dwarfs’ career. The album featured a perfect blend of hard rock energy and melodic sensibilities. Recorded at Phase One Studios and produced by Andy Johns, renowned for his work with Led Zeppelin and The Rolling Stones, the album showcased the band’s ability to write catchy, yet powerful songs. The lineup of Russ Graham, Mike Hall, Ron Mayer, and Darrell Millar delivered tracks like “Dirty Weapons” and “Doesn’t Matter.”
CD Track Listings:
- “Dirty Weapons” – 3:38 – Such an amazing track!
- “Nothin’ Gets Nothin'” – 3:24
- “All That We Dream” – 4:42
- “Doesn’t Matter” – 4:32
- “Last Laugh” – 4:06
- “Comin’ Through” – 4:04
- “One Way Out” – 4:02
- “Appeal” – 4:02
- “Not Foolin'” – 4:13
- “Want It Bad” – 4:28
Method to the Madness
Released 1992
Method to the Madness, released in 1992, continued Killer Dwarfs’ trajectory in the hard rock genre. The album, recorded at Phase One Studios and produced by Andy Johns, featured the same lineup and delivered a potent mix of hard-hitting rock and melodic hooks. Despite the changing musical landscape of the early 1990s, with the rise of grunge, Method to the Madness maintained the band’s signature style and showcased their musical versatility.
CD Track Listings:
- “Hard Luck Town” – 4:10
- “Just as Well” – 3:30
- “Driftin’ Back” – 5:06
- “All My Heroes” – 3:48
- “Union of Pride” – 4:02
- “Doesn’t Matter” – 4:42
- “Can’t Lose” – 4:48
- “Cowboys and Conmen” – 3:50
- “Startin’ to Shine” – 3:58
- “Method to the Madness” – 4:02
The intro to this song sounds like something from the Coverdale Page album.
Start @ One
Released September 5, 2013
Start @ One, released on September 5, 2013, marked a significant return for Killer Dwarfs, coming over two decades after their last studio album. This album was actually recorded in 1993 but remained unreleased until 2013. The recording took place at Powerlines Studios in Toronto, Canada, and was produced by the band itself, showcasing a very authentic and unfiltered sound. The lineup for this album included Russ “Dwarf” Graham, Mike “Dwarf” Hall, Ron “Dwarf” Mayer, and Darrell “Dwarf” Millar. Start @ One is characterized by its classic hard rock sound, echoing the band’s earlier work but with a more mature perspective. Tracks like “Lonely Road” and “Solid Ground” reflect the band’s knack for combining catchy melodies with hard-hitting rock.
CD Track Listings:
- “Lonely Road” – 4:22
- “Solid Ground” – 4:08 – Great song, the intro sounds like Thin Lizzy
- “Sky Is Falling” – 4:24
- “Adrift” – 5:23
- “Come and Get It” – 3:33
- “One Way Out” – 4:31
- “Throw That Stone” – 3:57
- “Start @ One” – 4:00
- “Down in Hollywood” – 4:18
- “Your Turn to Cry” – 3:30
Live, No Guff
Released April 24, 2001
Live, No Guff, released on April 24, 2001, is a live album capturing Killer Dwarfs in their element on stage. The album was a testament to the band’s live performance energy and ability to connect with the audience. Recorded during their performances in the late 1990s, this album featured the lineup of Russ “Dwarf” Graham, Gerry “Dwarf” Finn on guitar, Mike “Dwarf” Hall, Bad Ronbo “Dwarf” Mayer on bass, and Darrell “Dwarf” Millar. The tracklist included some of their most beloved songs, performed with the raw intensity and passion that Killer Dwarfs were known for in their live shows.
CD Track Listings:
- “Hard Luck Town” – 4:28
- “Stand Tall” – 4:24
- “Starting to Shine” – 4:00
- “Breakaway” – 3:36
- “Driftin’ Back” – 6:00
- “Union of Pride” – 4:02
- “Doesn’t Matter” – 4:39
- “Can’t Lose” – 4:46
- “Dirty Weapons” – 4:00
- “Heavy Metal Breakdown” – 3:37
Complete List Of Killer Dwarfs Albums And Discography article published on Classic RockHistory.com© 2023
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![Rob De Luca of Spread Eagle, Sebastian Bach & UFO: 10 Albums That Changed My Life From humble East Coast origins to grandest stages worldwide, veteran bassist Rob De Luca has seen and done it all. De Luca first hit the local Boston rock and metal scene in the late 80s after meeting guitarist Paul DiBartolo, bonding over Van Halen before forming Bang. Regional success came quickly, but eventually, the members of Bang went their separate ways, with De Luca and drummer Tommi Gallo heading to NYC and hooking up with Ray West and, later, DiBartolo to form Spread Eagle. By 1990, Spread Eagle was on the fast track, with a contract through MCA Records and a self-titled debut album poised to crush skulls. But poor timing and MCA's sad indifference left Spead Eagle out in the cold despite being a hard-boiled answer to Guns N' Roses's West Coast sleaze. Spread Eagle's first chapter came to an end in '95. As for Rob De Luca, his nimble fingers and gift for melody and songwriting kept him moving forward. Soon, he found a gig with former Skid Row frontman Sebastian Bach and the legendary outfit UFO. And in 2010, after coupling up with Ray West and his cousin Rik De Luca, Spread Eagle retook flight. During a break from Spread Eagle's increasingly busy touring schedule, Rob De Luca dialed in with ClassicRockHistory.com to run through the ten albums that changed his life. But only after adding, "I made a playlist of these songs, including some I've written or co-written. Do you hear any of these albums' influence on me?" Listen here: https://open.spotify.com/playlist/3LWJuhDrE8JmzhsmTeIDUq 10) Gentlemen by Afghan Whigs (1993) Here's an entry that was so important to me. This may be the darkest break-up album of all time. Greg Dulli has been in many projects, but I feel Gentlemen is his zenith. Somewhat undefinable at times but always profound and honest. 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However, I was at the right place at the right time for this one. Steve Ostromogilsky had a Berklee College of Music lunch card and used to sneak out sandwiches for me. One day, he invited me to hang out at his place and listen to music. As we got off the train, he put Sony Walkman headphones on my ears and said, "Hey, check out this brand-new group." A song like "It's So Easy" was so different from the popular Sunset Strip sound at that time. Me and about 499 other informed rockers were lucky enough to see them on their first East Coast tour at the sold-out Paradise on Commonwealth Avenue, Boston (the same street Aerosmith started on). I saw Gn'R every tour after until I took a break when Buckethead joined. Gn'R is the band I've been lucky enough to see the most times live, almost 100! Everyone on this album is just stellar. Axl [Rose] had the tones, power, melodic sensibilities, and foresight to do what no other singer did then. Slash's playing was beyond memorable. Duff [McKagan] is one of the most underrated bassists in rock history, and learning his Appetite basslines is a masterclass. Steven [Adler] had the natural swing, and Izzy [Stradlin] was the secret weapon songwriter. Everything that's been heralded about this gem is deserved and true. Check out "It's So Easy," "Out Ta Get Me," and "Mr. Brownstone.' 7) Wish You Were Here by Pink Floyd (1975) Another contender for my favorite album and band of all time. Using The Beatles machine (same recording studio, engineer, record label), Pink Floyd made what I feel is their strongest, most cohesive album (my second favorite of theirs would be Animals). This list mainly consists of bands with an instantly recognizable sound. Floyd is certainly no exception to that! This album included a solid handful of undeniable rock radio classics, bookended by two halves of the mind-blowing song "Shine on You Crazy Diamond.' That song was written about former band member and founder Syd Barrett. It would be hard to live in a world without this album. Check out "Welcome to The Machine," "Shine on You Crazy Diamond (parts 6-9),' or even better yet, listen to the whole thing in one sitting! 6) Decade by Neil Young (1977) About this time, I started playing guitar. As a beginner, it was comfortable jamming to this album because the chord changes were simple—a great "first ten years" retrospective of Neil's stunning, unique songwriting. Neil is a treasure who always writes from the heart and stands up for what's right. Check out "Southern Man," "A Man Needs a Maid," "Down by The River," and "After the Goldrush." 5) Highway to Hell by AC/DC (1979) When I heard this album, I was firmly "me." My life would be 100% focused on hard rock music forever. AC/DC are like air; they're ubiquitous. Everyone knows them and their incredible songs. However, as a young teen in Wilmington, Delaware, I only had WMMR 93.3 FM Philadelphia and a few friends to inform me about the world of Rock outside my bedroom. AC/DC had not gone mainstream, and their albums were available primarily in the USA as imports. To put things more in perspective, I only knew two people in the world who had heard of AC/DC. A friend had an import that we played in Steve Buckley's basement, which sounded ripping. When Highway to Hell was released, WMMR started spinning the title track, and I immediately bought the album, listening to it every single day after school. Then WMMR announced AC/DC was coming to the Spectrum in Philly, supporting Ted Nugent! I liked Ted but loved AC/DC, so my good friend Mick Cummins and I bought tickets, and he drove us up to the Spectrum (where we saw most of our concerts). Bon Scott was in fine form, and the band went over great. Although the crowd knew Ted better, Angus [Young] wouldn't let anyone upstage him. I'll never forget it! Unfortunately, Bon would be gone in 6 months. Check out "Walk All Over You," "Touch Too Much," "Shot Down in Flames," and "If You Want Blood (You Got It)." 4) Toys in the Attic by Aerosmith (1975) By the time I heard this, I was now in my teens. I had a childhood friend up the street, Jim Linberg (we're still good buddies). His older sister had a great album collection, including Toys in The Attic. Once I heard that groove, my taste changed. I lost interest in rock music that didn't have some sort of "swing" feel to it. I think Rocks is a slightly better Aerosmith album (and possibly my favorite album of all time), but both are perfect or very close. Check out "Uncle Salty," "Adam's Apple," "No More No More," "Round and Round," and "You See Me Crying." 3) Alive! by Kiss (1975) When I was still a little kid, I asked for Cheech and Chong's Up in Smoke album for Christmas. The entire family came over for an enormous feast, and I dropped the needle. When my mother heard the content, she turned off the album and said I had to exchange it. My mom was cool, but I was young and knew much more about life than she suspected. Anyway, the next day, she drove me back to the store. In the music section, promoted on an "endcap" was a Kiss Alive! display. I had never heard of Kiss, but that cover picture told me I had to have it! My first foray into hard rock. Check out “Strutter.” I went through my Kiss phase very quickly, I believe in a matter of months because I discovered the previous entry, Aerosmith's Toys in the Attic. 2) Honky Chateau by Elton John (1972) When I was a wee lad, my parents bought a used Volkswagen camper van from my uncle Ozzie. My favorite Elton John album is Yellow Brick Road, but Honky Chateau is great and easily one of his best. It sent me down a lifelong rabbit hole of loving everything about the 1970s partnership between Elton and lyricist Bernie Taupin. The simple beauty of voice, the master songwriting, the perfect backing band, the clear, unobtrusive recordings, and always Bernie's incredible lyrics. The day this album was released, Elton became an unstoppable force that conquered the music industry. Check out "Mona Lisas and Mad Hatters" and "Rocket Man." 1) Sergeant Pepper's Lonely Hearts Club Band by The Beatles (1967) Another tape that was included in the VW Camper. The van had a bunch of music tapes, and one was Sgt Pepper. I was too young to understand the sophistication of the music, but that was one of the many skills of The Beatles. They attracted listeners at every level, even little kids. I still feel that immediate connection to Sgt Pepper; now, I hear so much more. It's an album that changed the world and the world of music. Check out "Lucy in The Sky with Diamonds," "A Day In The Life," and "Fixing a Hole."](http://www.classicrockhistory.com/wp-content/uploads/2023/11/Shutterstock_1815495569-1-300x200.jpg)
