Top 10 Spinners Songs

Photo: Motown, Public domain, via Wikimedia Commons

# 10 – That’s What Girls Are Made For

“That’s What Girls Are Made For” stands as the debut single for the legendary R&B vocal group The Spinners, released in 1961 on Harvey Fuqua’s Tri-Phi Records label. As the first song on our list of Top 10 Spinners Songs, it marks the beginning of a remarkable career that saw the group become one of the most influential acts in R&B and soul music. With lead vocals by Bobby Smith, who would later be a defining voice for the group, this track set the tone for their future success. Notably, it also features a young Marvin Gaye on drums, making it a significant collaboration at the dawn of two major careers.

Recorded in Detroit, this song was produced by Harvey Fuqua and Gwen Gordy, both key figures in shaping the early sound of The Spinners. Fuqua, a Motown legend himself, brought his signature production style, blending smooth vocal harmonies with rhythmic instrumentation. The involvement of Marvin Gaye, who was just starting to build his legacy, adds a layer of historical importance to the track. The song peaked at number 27 on the Billboard Hot 100 and reached number 5 on the R&B charts, an impressive achievement for a debut single, and it helped put The Spinners on the map.

Lyrically, “That’s What Girls Are Made For” presents a lighthearted and affectionate ode to romance, with a catchy refrain that celebrates the joy of love, affection, and companionship. The lyrics—“To hug and to kiss, to love and to miss”—capture the playful, yet sincere nature of the song’s message. The repetition of lines like “You gotta hug ’em, then you kiss ’em, you gotta love ’em, then you miss ’em” emphasizes the cyclical and inevitable emotions that come with relationships. The song’s simple yet effective structure makes it memorable, and it serves as a great example of the early ’60s R&B sound that balanced emotional depth with pop sensibility.

Musically, the song’s upbeat rhythm, driven by Gaye’s drumming and supported by a smooth, doo-wop style vocal arrangement, foreshadowed The Spinners’ ability to blend soulful melodies with catchy hooks. The group’s harmonies—featuring George Dixon, Pervis Jackson, Henry Fambrough, and Billy Henderson—are tight and polished, reflecting the influence of gospel music on their sound. This track also paved the way for the group’s future explorations of romantic themes, which would later define their work, especially during their Atlantic Records years in the 1970s.

In conclusion, “That’s What Girls Are Made For” introduced The Spinners to the world and laid the foundation for their enduring career. It not only showcases their vocal talent but also positions them as pioneers of a sound that would dominate the R&B scene for decades. As the first song on our list, it highlights the group’s early potential and sets the stage for comparisons to their later, more polished hits. From this point forward, we’ll explore how The Spinners evolved musically and lyrically, and how songs like this one were the building blocks of their future success.

# 9 – I’ll Always Love You

“I’ll Always Love You,” released in 1965, marks a key moment in The Spinners’ early Motown career. Co-written by Motown’s William “Mickey” Stevenson and Ivy Jo Hunter, this song was produced by the duo and stands out as the group’s first charting single under the Motown label. Reaching number 35 on the Billboard Hot 100 and number 8 on the R&B chart, it showcased the group’s ability to craft heartfelt, melodic R&B while solidifying their relationship with Motown. Lead vocalist Bobby Smith, whose smooth yet emotionally powerful voice guided many of the group’s biggest hits, delivered an impeccable performance that laid the groundwork for their future success.

The recording of “I’ll Always Love You” took place in Detroit, with production helmed by Stevenson and Hunter, two prominent figures at Motown during the 1960s. The Funk Brothers, Motown’s legendary session musicians, provided the instrumental backing, bringing their signature polished and soulful sound to the track. Additional background vocals were performed by The Andantes, a female vocal group who contributed harmonies to many Motown hits. This combination of talent helped elevate The Spinners’ vocal work, blending their smooth harmonies with Motown’s crisp production style.

Lyrically, “I’ll Always Love You” is a lament of lost love, with a sense of vulnerability and regret running through its verses. Lines like “So, you’re breakin’ my heart, takin’ my sunshine away” reflect the pain of losing someone dear, while the refrain, “I’ll always love you, baby,” underscores the singer’s devotion despite the heartache. The song’s emotional weight is carried by Bobby Smith’s lead vocals, which express both sorrow and hope. His ability to convey the depth of the lyrics makes this track stand out as one of the group’s early masterpieces.

As the second song on this list, “I’ll Always Love You” continues the exploration of The Spinners’ evolving sound during their Motown years, providing a contrast to their debut hit, “That’s What Girls Are Made For.” While the earlier song had a lighter, playful tone, “I’ll Always Love You” delves into deeper emotional territory, highlighting the versatility of The Spinners as they navigated different themes of love and loss in their music. This track remains a crucial piece of The Spinners’ early catalog, offering a glimpse of the vocal prowess and emotional depth that would define their later success with Atlantic Records.

# 8 – Games People Play

Released in 1975, “Games People Play” became one of The Spinners’ most iconic hits, showcasing the group’s mastery of soulful harmonies and the unique Philadelphia soul sound. Produced by the legendary Thom Bell and recorded at Philadelphia’s Sigma Sound Studios, the track was a million-seller that solidified the group’s presence in both the pop and R&B worlds. The song reached number five on the Billboard Hot 100 and claimed the number one spot on the Billboard U.S. Hot Soul Singles chart. Lead vocals were handled by Bobby Smith, whose expressive voice gave life to the song’s themes of confusion and frustration, while the background harmonies featured contributions from Spinners members Philippé Wynne, Pervis Jackson, Henry Fambrough, and Billy Henderson, along with the female trio Barbara Ingram, Carla Benson, and Evette Benton, also known as the Sigma Sweethearts.

Musically, “Games People Play” is a smooth, sophisticated production typical of Bell’s work during this era. It featured the house band MFSB (Mother, Father, Sister, Brother), a collective of top-tier session musicians who were instrumental in creating the lush, orchestrated sound that defined much of Philadelphia soul. The song’s lush arrangements, featuring strings and horns, provided a rich backdrop for the intricate vocal work of The Spinners. Bell’s production allowed each element of the song to shine, from the rhythmic interplay between vocals and instruments to the soaring harmonies that give the track its distinctive feel.

Lyrically, the song explores the emotional rollercoaster of love, confusion, and games people play in relationships. Bobby Smith’s plaintive delivery of the opening lines—“Can’t get no rest, don’t know how I work all day”—captures a sense of weariness and frustration. Throughout the song, the recurring theme of miscommunication and the struggle to find peace in a relationship is echoed by the group’s harmonies. The refrain “Games people play, night or day, they’re just not matchin’ what they should do” emphasizes the disconnect between intentions and actions, a timeless theme that resonates with listeners. The song also provides a rare vocal spotlight for Pervis Jackson, whose deep bass tones during the bridge add depth and contrast to the otherwise smooth arrangement.

Comparing “Games People Play” to earlier tracks like “I’ll Always Love You”, we can see how The Spinners’ sound evolved. While the earlier hit focused on heartbreak with a simpler production, “Games People Play” embodies the sophisticated Philadelphia soul sound that would come to define much of their later work. The introspective nature of the lyrics in both songs showcases The Spinners’ ability to convey complex emotions, but “Games People Play” introduces a level of frustration and resignation, reflecting a more mature take on the ups and downs of relationships.

Overall, “Games People Play” is a quintessential Spinners track that highlights the group’s impeccable harmonies, powerful lead vocals, and the orchestral grandeur of Thom Bell’s production. As the third song on this list, it represents both the commercial peak of The Spinners’ career and a milestone in the evolution of 1970s soul music. The song’s success further cemented The Spinners as one of the most beloved and influential groups of their time.

# 7 – Then Came You

“Then Came You” was a groundbreaking 1974 duet between The Spinners and Dionne Warwick, marking a significant achievement for both artists. The song reached number one on the Billboard Hot 100, becoming The Spinners’ first and only song to top the chart. While the group had seen success on the Billboard R&B charts, “Then Came You” gave them the crossover hit they had been striving for. For Dionne Warwick, known for her iconic work with Burt Bacharach in the 1960s, this song also marked her first number-one hit on the Hot 100, an interesting twist considering her illustrious career.

Produced by the legendary Thom Bell and recorded at Sigma Sound Studios in Philadelphia, the song exemplified the Philly soul sound that Bell and The Spinners had perfected. With smooth orchestration and lush arrangements provided by MFSB (Mother, Father, Sister, Brother), “Then Came You” showcased the seamless blend of The Spinners’ harmonies with Warwick’s elegant vocal delivery. Bobby Smith led the vocals for The Spinners, with backing harmonies by Philippé Wynne, Pervis Jackson, Henry Fambrough, and Billy Henderson. Warwick’s polished voice paired beautifully with the group’s soulful harmonies, creating a dynamic interplay that contributed to the song’s success.

Lyrically, “Then Came You” revolves around the theme of newfound love. The chorus—“I never knew love before, then came you”—conveys the transformative power of love, as the narrators reflect on how their lives have changed since meeting their romantic partner. The joyful and celebratory tone of the lyrics is mirrored in the upbeat arrangement, with strings and horns enhancing the song’s emotional impact. Lines like “Ever since I met ya, seems I can’t forget ya” and “How did I live without ya?” express a sense of wonder and gratitude, capturing the exhilaration of being in love.

Compared to earlier Spinners hits such as “I’ll Always Love You”, which dealt with the pain of lost love, “Then Came You” is a more optimistic and exuberant track. While both songs showcase The Spinners’ vocal abilities, “Then Came You” stands out for its uplifting energy and crossover appeal. The collaboration with Dionne Warwick adds a new dimension to the group’s sound, allowing them to reach a broader audience while staying true to their soulful roots.

As the fourth song on this list, “Then Came You” exemplifies The Spinners’ ability to adapt and evolve, continuing their legacy of creating memorable, emotionally resonant music. This song is a testament to the magic that can happen when two musical forces come together, and its success on the charts remains a defining moment in both The Spinners’ and Dionne Warwick’s careers.

# 6 – Mighty Love

Released in December 1973, “Mighty Love” became one of The Spinners’ most defining tracks, showcasing the group’s seamless vocal interplay and the signature Philadelphia soul sound that Thom Bell had mastered. The song, co-written by Joseph B. Jefferson, Bruce Hawes, and Charles Simmons, was the lead single from the Mighty Love album and was recorded at Sigma Sound Studios in Philadelphia. It features the powerhouse session band MFSB, who provided the rich, instrumental foundation that perfectly complemented The Spinners’ harmonies. The song was released in two parts, with “Mighty Love – Pt. 1” achieving significant chart success, reaching number one on the Billboard R&B chart and peaking at number 20 on the Billboard Hot 100.

Vocally, “Mighty Love” highlights the talents of both Bobbie Smith and Philippé Wynne, with Smith leading the first half of the track before Wynne takes over for the song’s final two and a half minutes. Wynne’s ad-libbing towards the end became a signature element during live performances, demonstrating his extraordinary vocal range and ability to captivate an audience. The song’s lyrics reflect on the power of love, with lines like “A mighty love will sometimes make you weep and moan” capturing both the pain and euphoria that love can bring. The contrast between the verses, which narrate the struggles of finding love, and the chorus, which celebrates the transformative power of “a mighty love,” showcases the emotional depth that defined many of The Spinners’ greatest hits.

Lyrically, the song explores the complexities of love with philosophical undertones, particularly in the line “There’s no sign in the sky to follow, ’cause that’s the way love goes,” which suggests that love is unpredictable and can’t always be guided. The idea that love can both strengthen and weaken—“A mighty love will sometimes make a-a weak man strong, a mighty love will sometimes make a-a rich man weak”—resonates throughout the song, capturing the emotional highs and lows of relationships. The passionate delivery of the chorus by Wynne intensifies the song’s message, with his dynamic vocals expressing both the joy and the struggles associated with love.

Comparing “Mighty Love” to earlier songs on this list, such as “Then Came You,” the difference in tone and lyrical content becomes evident. While “Then Came You” focuses on the thrill of discovering new love, “Mighty Love” delves deeper into the complex nature of long-lasting relationships. The interplay of lead vocals between Smith and Wynne provides a contrast to the duet with Dionne Warwick on “Then Came You,” highlighting the group’s versatility and ability to adapt their sound across different emotional landscapes.

Overall, “Mighty Love” solidified The Spinners’ place in soul music history and demonstrated the staying power of the Philadelphia sound that defined much of their 1970s output. As the fifth song on this list, it represents a critical moment in the group’s career, where their harmonies, musical arrangements, and emotional depth came together to create a timeless classic.

# 5 – Working My Way Back To You

In 1979, The Spinners released their version of “Working My Way Back to You”, a medley that became one of their biggest hits, combining the classic Four Seasons song with a new bridge, “Forgive Me, Girl”. Written by Denny Randell and Sandy Linzer, the original “Working My Way Back to You” was a 1966 hit for The Four Seasons, but The Spinners’ version, produced by Michael Zager, reached new heights. Peaking at number two on the Billboard Hot 100 in the United States and number one on the UK Singles Chart, this single brought The Spinners into the disco era with a fresh, updated sound that resonated with audiences across genres. It became a defining song of the late 1970s for the group.

Recorded at Blue Rock Studios in New York City, The Spinners infused “Working My Way Back to You” with their signature soulful harmonies, while also adapting the track to the disco style that was dominating the charts at the time. The song’s instrumental backing was provided by a mix of session musicians, who brought the upbeat, rhythmic sound typical of the disco era. The addition of “Forgive Me, Girl”, a bridge composed by Zager, gave the song a new dimension, allowing it to stand out from the original Four Seasons version. The medley’s extended album version runs for over six minutes, giving it plenty of space for the lush arrangements to shine.

Lyrically, “Working My Way Back to You” tells the story of a man seeking redemption after his own infidelity led to the end of his relationship. The remorse and longing in the lyrics—“I’ll keep working my way back to you, babe, with a burning love inside”—are palpable, with the narrator reflecting on his past mistakes and vowing to make things right. The addition of “Forgive Me, Girl” adds even more emotional weight, as the protagonist pleads for another chance, acknowledging his regret and hoping for reconciliation. The juxtaposition of the upbeat disco arrangement with the song’s themes of loss and redemption makes for an interesting dynamic, as the music conveys energy and hope while the lyrics dive into personal accountability.

Compared to other songs on this list, “Working My Way Back to You” showcases The Spinners’ ability to adapt to changing musical trends, from the classic Motown sound of the 1960s to the smooth soul of the 1970s, and finally to the disco-influenced hits that closed out the decade. In contrast to tracks like “Mighty Love”, which explore the complex emotional terrain of love and heartache through classic soul arrangements, “Working My Way Back to You” reflects the group’s evolution, merging soul with the vibrant, danceable rhythms of disco. Despite the genre shift, The Spinners maintained their characteristic vocal harmonies and emotional depth, making this medley a standout moment in their discography.

As the sixth song on this list, “Working My Way Back to You” represents The Spinners’ versatility and continued relevance throughout the 1970s. The song’s chart success, particularly in the UK where it hit number one, underscores its lasting appeal and the group’s ability to navigate both the R&B and pop markets with equal ease.

# 4 – It’s A Shame

“It’s A Shame” stands out as one of The Spinners’ funkiest and most enduring hits, released in 1970 as the lead track from their 2nd Time Around album. Written by Stevie Wonder, Lee Garrett, and Syreeta Wright, the song not only marked a turning point in The Spinners’ career but also in their collaboration with Motown Records. Wonder’s influence is evident throughout the song, as he not only co-wrote the track but also played drums, adding his signature rhythmic flair. The single peaked at number fourteen on the Billboard Hot 100 and became a major hit on the R&B charts, further establishing The Spinners as one of the most promising acts of the era.

Recorded at Motown’s Hitsville U.S.A. in Detroit, “It’s A Shame” features a tight, funky groove with an infectious rhythm that perfectly complements the group’s soulful vocal harmonies. The song’s production, overseen by Wonder, showcases a sophisticated blend of funk and soul, a sound that would come to define much of The Spinners’ work during the 1970s. With Bobbie Smith on lead vocals, the group delivers a dynamic performance that balances emotional intensity with the upbeat, danceable rhythm provided by Motown’s in-house band, The Funk Brothers.

Lyrically, “It’s A Shame” tells the story of a man who feels mistreated by his partner, lamenting how she “messes around” with his emotions. The chorus—“It’s a shame, the way you mess around with your man”—echoes the pain of unrequited love, while the verses express frustration and helplessness as the protagonist grapples with his feelings of betrayal. The emotional depth of the lyrics is contrasted by the funky, energetic arrangement, creating a dynamic tension that makes the song both heartfelt and irresistibly catchy. The themes of heartache and frustration are common in The Spinners’ catalog, yet “It’s A Shame” stands out for its directness and the raw emotion in Bobbie Smith’s delivery.

Compared to other tracks on this list, like “Working My Way Back to You”, which explores similar themes of regret and redemption, “It’s A Shame” feels more immediate and visceral. While both songs feature an upbeat tempo paired with emotionally charged lyrics, “It’s A Shame” leans more heavily into funk, driven by Wonder’s unmistakable production style. This contrast in musical direction highlights The Spinners’ versatility, as they moved from the smooth soul of their earlier hits to the more groove-oriented tracks of the 1970s.

The combination of Wonder’s creative input, the group’s flawless vocal harmonies, and the song’s funk-driven rhythm made it one of the defining hits of their early career, laying the groundwork for the success they would achieve in the years to come.

# 3 – The Rubberband Man

Released in 1976, “The Rubberband Man” became one of The Spinners’ most recognizable and commercially successful hits, reaching number two on the U.S. Billboard Hot 100 and topping the Billboard R&B chart. Written by the powerhouse duo Thom Bell and Linda Creed, the song was inspired by Bell’s son, Mark, who was being teased for his weight. Originally conceived as a way to boost his son’s confidence, the track evolved from being called “The Fat Man” to “The Rubberband Man”, turning into an anthem of individuality and self-confidence. This track would be the last major hit to feature Philippé Wynne on lead vocals, and his dynamic performance, particularly in the final minutes, showcases the energy and talent that made him a standout in the group.

The song was recorded at Sigma Sound Studios in Philadelphia, with Bell once again handling production, arrangement, and conducting duties. The instrumental backing was provided by the renowned MFSB (Mother, Father, Sister, Brother), the in-house band for Philadelphia International Records. Notable musicians included Bob Babbitt on bass, Tony Bell and Bobby Eli on guitar, and Andrew Smith on drums, all contributing to the infectious groove of the track. Additional background vocals were provided by the Sigma Sweethearts—Barbara Ingram, Carla Benson, and Evette Benton—whose harmonies added depth to The Spinners’ already impeccable vocal work.

“The Rubberband Man” is a joyful, funk-infused celebration of individuality and talent. Lyrically, it tells the story of a captivating performer, the Rubberband Man, whose music and energy are so electrifying that audiences “lose control” when he starts to play. The chorus—“Hey y’all, prepare yourself for the Rubberband Man, you’ve never heard a sound like the Rubberband Man”—highlights the awe and amazement felt by those who witness his talent. Philippé Wynne’s playful ad-libs and energetic vocal delivery bring the character to life, making the song feel like a live performance unfolding in real-time. The infectious “do-do-do-do” backing vocals recall the chorus of Stephen Stills’ “Love the One You’re With”, providing a rhythmic undercurrent that enhances the track’s catchy, feel-good vibe.

In comparison to other songs on this list, such as “Working My Way Back to You”, “The Rubberband Man” stands out for its playful and funky approach, whereas songs like “Mighty Love” delve deeper into the emotional complexities of relationships. While “Working My Way Back to You” is a blend of soulful disco, “The Rubberband Man” leans more heavily into funk, showcasing The Spinners’ versatility and ability to adapt to different musical styles while maintaining their signature sound. Philippé Wynne’s improvisational vocal style in the song’s latter half also demonstrates the spontaneity and charisma that made him such an unforgettable frontman.

As the seventh song on this list, “The Rubberband Man” is a testament to The Spinners’ enduring appeal and their ability to craft hits that are both musically sophisticated and irresistibly fun. The track’s success in both pop and R&B charts reflects its broad appeal, and its inclusion on Detroit’s 100 Greatest Songs list underscores its lasting cultural impact.

# 2 – Could It Be I’m Falling in Love

Released in 1972, “Could It Be I’m Falling in Love” stands as one of The Spinners’ most beloved songs, exemplifying their signature blend of smooth R&B and soul. Written by the songwriting duo Melvin and Mervin Steals, also known as “Mystro and Lyric,” the song was produced by the legendary Thom Bell and recorded at Philadelphia’s Sigma Sound Studios. The house band MFSB (Mother, Father, Sister, Brother) provided the lush, orchestral backing that became a hallmark of the Philadelphia soul sound. Bobby Smith takes the lead vocals throughout most of the song, with Philippé Wynne adding his distinctive flair on the outro, showcasing the vocal dynamism that defined The Spinners’ music during this era.

“Could It Be I’m Falling in Love” was released as the follow-up single to “I’ll Be Around”, and it matched the success of its predecessor, peaking at number one on the Billboard Best Selling Soul Singles chart and reaching number four on the Billboard Hot 100. This song further solidified The Spinners’ transition to Atlantic Records and their fruitful collaboration with Bell, who had a unique ability to draw out the group’s vocal strengths. The track’s success extended overseas as well, reaching number 11 on the UK Singles Chart, a testament to its wide-reaching appeal. The song sold over one million copies, making it a commercial triumph for the group.

Lyrically, “Could It Be I’m Falling in Love” is a classic love song about the overwhelming, joyful emotions that come with realizing you’re falling in love. Lines like “Since I met you, I’ve begun to feel so strange, every time I speak your name” capture the giddy confusion and excitement that accompanies new love. The repeated refrain of “Could it be I’m falling in love with you, baby” underscores the song’s central theme, where the protagonist is both surprised and elated by his newfound feelings. The lush, romantic lyrics are matched perfectly by Bell’s production, which features soft strings, gentle horns, and a smooth rhythm section that complements the warmth of the vocals.

Comparing this track to other songs on the list, such as “It’s A Shame”, “Could It Be I’m Falling in Love” presents a more blissful and celebratory take on love. While “It’s A Shame” explores heartbreak and betrayal, “Could It Be I’m Falling in Love” revels in the joy of new romance, showcasing The Spinners’ versatility in expressing the full spectrum of love’s emotions. Bobby Smith’s tender vocal delivery adds a layer of sincerity to the song, while Philippé Wynne’s playful improvisation at the end adds a touch of spontaneity that sets the track apart.

# 1 – I’ll Be Around

Released in 1972, “I’ll Be Around” became a defining hit for The Spinners, marking a significant moment in their career and establishing their fruitful partnership with producer Thom Bell. Co-written by Bell and Phil Hurtt, the song was recorded at Philadelphia’s Sigma Sound Studios, with backing by the legendary MFSB, the studio’s house band. The track was initially released as the B-side to “How Could I Let You Get Away”, but radio DJs quickly began favoring “I’ll Be Around”, prompting Atlantic Records to flip the single. The song’s smooth, mid-tempo groove, anchored by a signature guitar riff played by Norman Harris and a melodic bassline by Ronnie Baker, made it an instant success. It spent five weeks at number one on the Billboard R&B chart and peaked at number three on the Billboard Hot 100, becoming the group’s first million-selling single.

The production on “I’ll Be Around” is a masterclass in the Philadelphia soul sound, with Bell’s arrangements combining lush strings, horns, and a steady rhythm to create a polished, yet deeply emotive backdrop. Bobby Smith’s lead vocals deliver the song’s message of steadfast loyalty with a calm, understated intensity, while the background vocals—provided by fellow Spinners members Philippé Wynne, Pervis Jackson, Henry Fambrough, and Billy Henderson, along with the Sigma Sweethearts—add layers of harmony that enhance the song’s rich texture. The conga work by Larry Washington further grounds the track, giving it a subtle, rhythmic pulse that complements the fluid instrumentation.

Lyrically, “I’ll Be Around” expresses a sense of resigned devotion. The narrator acknowledges the end of a relationship but vows to remain available, offering his unwavering support whenever his former partner needs him. The chorus—“Whenever you call me, I’ll be there”—repeats like a comforting mantra, embodying the themes of patience and unconditional love. Unlike the more turbulent emotions of heartbreak present in songs like “It’s A Shame”, “I’ll Be Around” takes a more reflective approach, accepting the situation with grace and quiet determination. The gentle optimism in lines like “There’s always a chance, a tiny spark will remain” captures the hopeful belief in love’s potential for rekindling.

As the final song on this list, “I’ll Be Around” provides a fitting conclusion to The Spinners’ catalog of hits, representing both their musical versatility and emotional depth. Its blend of smooth soul, sophisticated production, and heartfelt lyrics makes it a timeless classic, one that not only solidified The Spinners’ place in 1970s soul but also remains one of the most memorable love songs of the era. Compared to other tracks on this list, such as the upbeat “Could It Be I’m Falling in Love”, “I’ll Be Around” offers a more introspective, soulful exploration of love, further highlighting The Spinners’ ability to navigate complex emotional landscapes within their music.

Top 10 Spinners Songs article published on Classic RockHistory.com© 2024