# 10 – The Beat Goes On – Sonny And Cher
“The Beat Goes On” serves as the perfect opening track for this list of the 10 Best Songs with the Word ‘Beat’ in the Title. Written and composed by Sonny Bono, this 1967 hit captured the evolving culture of the late 1960s, addressing the unstoppable march of time and the unchanging patterns of life. Recorded by Sonny & Cher and included on their album In Case You’re in Love, the song peaked at number six on the Billboard Hot 100, firmly establishing itself as one of the duo’s most iconic tracks. With its timeless rhythm and lyrics, “The Beat Goes On” remains a cultural touchstone, symbolizing both the continuity of life and the changes within society.
The recording, produced by Sonny Bono, took place on December 13, 1966, at Gold Star Studios in Hollywood. The instrumental backing for the track was provided by The Wrecking Crew, a renowned group of session musicians, with Carol Kaye’s syncopated bassline standing out as one of the song’s most defining features. The arrangement, credited to Harold Battiste, was given extra depth by Kaye’s creative input. The song’s steady, driving rhythm—a reflection of its central theme—was further emphasized by the drums that “keep pounding a rhythm to the brain.” Bono’s production combined the infectious groove of the music with thoughtful and observational lyrics, making the track a commentary on the changing cultural and social landscape of the 1960s.
As the first song on this list, “The Beat Goes On” establishes the thematic foundation for the exploration of music that uses the word ‘beat’ as a metaphor for time, love, and change. Its reflection on the constancy of rhythm in life and music ties into the broader concept of how beats, both literal and symbolic, drive so much of our experience. As this list continues, we will see how other artists interpret the idea of a ‘beat,’ but none will capture the era-defining cultural reflection quite like Sonny & Cher’s “The Beat Goes On.”
Read More: Top 10 Sonny & Cher Songs
# 9 – Beat On The Brat – The Ramones
“Beat on the Brat,” featured on The Ramones’ groundbreaking debut album Ramones (1976), is one of the most iconic examples of early punk rock and remains a hallmark of the band’s stripped-down, no-frills style. Written by Joey Ramone, the song captures the band’s rebellious spirit and tongue-in-cheek attitude, blending humor with a raw energy that defined the emerging punk scene of the mid-1970s. The song was recorded in January 1976 at Plaza Sound Studios in New York City with producer Craig Leon, who helped shape the minimalist sound that became The Ramones’ signature. The entire album was recorded in just seven days with a budget of $6,400, reflecting the DIY ethos of the punk movement.
“Beat on the Brat” is straightforward, featuring a rapid-fire tempo, distorted guitars, and Joey Ramone’s deadpan vocals. The simplicity of the song’s structure is part of its charm, with repetitive lyrics and a catchy, aggressive rhythm that channels the frustration of its narrative. The song’s title and lyrics—”Beat on the brat with a baseball bat”—are both absurd and direct, capturing a kind of juvenile frustration that is both relatable and cartoonishly exaggerated. Joey Ramone once mentioned that the inspiration for the song came from seeing spoiled kids throwing tantrums in the upscale New York neighborhoods where he grew up, making it a reflection on the frustrations of modern parenting and bratty behavior. The humor in the song helps keep it from feeling too aggressive, balancing violence with satire.
“Beat on the Brat” taps into themes of frustration and rebellion, common throughout the punk genre. The repetitive chorus and the simple imagery of using a baseball bat to deal with an insufferable child emphasize both the mundane nature of frustration and the exaggerated response it provokes. Much like The Ramones’ other songs, the lyrics are concise and sharp and leave a strong impact despite their minimalism. The song’s relentless rhythm drives home the sense of pent-up anger, but it’s delivered with a wink, reinforcing the punk ethos of challenging authority and societal norms in an irreverent way.
As the second song on this list of the 10 Best Songs with the Word ‘Beat’ in the Title, “Beat on the Brat” stands out for its mix of humor, aggression, and punk simplicity. Its raw energy and straightforward message pave the way for other explorations of how “beat” can symbolize rhythm, conflict, and rebellion throughout this article. The track encapsulates the essence of The Ramones’ early work and the emerging punk rock scene, setting a standard for the rest of the songs on this list.
Read More: 11 Essential Ramones Songs
# 8 – Eat To The Beat – Blondie
“Eat to the Beat” by Blondie is a high-energy track from their 1979 album Eat to the Beat, which is a quintessential example of the band’s ability to blend punk rock with new wave sensibilities. The song, much like the rest of the album, represents Blondie’s willingness to experiment while staying connected to the beats that made them a household name. Released on Chrysalis Records, the album was produced by Mike Chapman and cemented Blondie’s reputation for creating chart-topping hits. Both the album and the song showcase the band at the peak of their commercial success, with the album reaching No. 1 in the UK and being certified Platinum in both the UK and the U.S.
Blondie’s characteristic mix of punk and new wave is on full display. Clem Burke’s frenetic drumming propels the track, while Chris Stein’s guitar gives it a gritty edge, contrasted by Jimmy Destri’s synths that lend a pop sheen. In comparison to other songs on this list of “Best Songs with the Word ‘Beat’ in the Title,” Blondie’s approach in “Eat to the Beat” stands out for its playful tone and high-energy feel. This differs greatly from the introspective and social commentary present in songs like The Beat Goes On by Sonny & Cher, which focuses more on the cyclical nature of history and life, while Blondie focuses on indulgence and living in the moment.
Where “The Beat Goes On” reflects a broader, more universal theme about how history repeats itself, Blondie takes the concept of the “beat” and brings it into the realm of personal pleasure and physical experience. Blondie’s approach is more rebellious, fitting their punk ethos, while Sonny & Cher maintain a softer, more traditional take on rhythm as a force that binds society. This juxtaposition between reflective and indulgent interpretations of “beat” adds depth to the list, showing how different artists can take the same concept and spin it in completely different directions.
Read More: Top 10 Blondie Songs
# 7 – Quick Is The Beat Of My Heart – Styx
Read More: Top 10 Styx Songs
# 6 – We Got The Beat – The Go-Go’s
Read More: Top 10 Go-Go’s Songs
# 5 – With Every Beat Of My Heart – Taylor Dayne
Released in October 1989 as the lead single from her second studio album, Can’t Fight Fate, “With Every Beat of My Heart” solidified Dayne’s standing as a leading voice in pop music. Written by Lotti Golden, Tommy Faragher, and Arthur Baker, and produced by Ric Wake, the song showcases the seamless blend of dance-pop and romantic balladry that defined much of Dayne’s early career. This track became Dayne’s fifth consecutive top-ten single, peaking at number five on the Billboard Hot 100, and reaching similar success in Canada, where it also claimed the number five spot.
“With Every Beat of My Heart” is driven by a pulsating rhythm that mirrors the intensity of its lyrics, where the narrator describes the growing closeness to a lover with each heartbeat. Lyrics like “With every beat of my heart, I keep getting closer to you” evoke the imagery of a love that strengthens with every moment, giving the song a sense of urgency and passion. The song’s instrumentation, with its dance beats and layered synthesizers, complements Dayne’s rich vocal performance, which shifts effortlessly between powerful and tender. The chorus is particularly memorable, capturing the emotional climax of the song as Dayne belts out the title phrase, evoking a sense of both longing and triumph.
Critically, the song was well-received, praised for its catchy melody and Dayne’s impressive vocal range. Its placement as the lead single for Can’t Fight Fate set the stage for the album’s success, marking a period where Dayne was transitioning from a rising star to an established pop sensation. The song’s performance on multiple charts, including the top ten of the Billboard Dance Club Songs chart, solidified its crossover appeal, showing Dayne’s ability to dominate both pop and dance floors alike.
Read More: Top 10 Taylor Dayne Songs
# 4 – To Beat The Devil – Kris Kristofferson
Read More: Top 10 Kris Kristofferson Songs
# 3 – Two Hearts Beat As One – U2
“Two Hearts Beat as One” by U2 brings a raw, intense energy to the exploration of songs with the word “beat” in the title. Released on March 21, 1983, as the second single from U2’s War album, this song reflects the band’s early political and emotional intensity. Produced by Steve Lillywhite, the song was recorded at Windmill Lane Studios in Dublin and showcases U2’s signature sound during this era—layered guitars, driving basslines, and impassioned vocals from Bono. The rhythm section, featuring Adam Clayton on bass and Larry Mullen Jr. on drums, powers the track, giving it a heartbeat-like pulse that complements the song’s lyrical themes of love and urgency.
The lyrics of “Two Hearts Beat as One” explore the complexities of love and connection, but unlike some of the other songs on this list that focus on romance in a more straightforward or optimistic way, U2 delves into the anxieties and uncertainties that can come with deep emotional attachment. The opening lines, “I don’t know which side I’m on / I don’t know my right from left,” introduce a sense of confusion and conflict, themes that are carried throughout the song. The phrase “Two hearts beat as one” serves as both a declaration of unity and a reminder of the difficulty in maintaining that connection. Bono’s vocal delivery—urgent and pleading—reinforces the tension within the lyrics, making it clear that the song is as much about the struggle to stay together as it is about love itself.
“Two Hearts Beat as One” is a key track on U2’s War album and stands out for its driving beat, emotional depth, and powerful delivery. It reflects a more mature and introspective take on love, with a sense of urgency that is mirrored in both the music and the lyrics. This combination of intense emotion and rhythmic force makes it a distinctive addition to the list of songs centered on the word “beat,” as it addresses the complexities of human connection in a way that feels both personal and universal.
Read More: Top 10 U2 Songs
# 2 – Beat Of Your Drum – David Bowie
“Beat Of Your Drum” is a track from Never Let Me Down, David Bowie’s 1987 album, recorded between September and November 1986 at Mountain Studios in Montreux, Switzerland, and Power Station in New York City. Produced by Bowie alongside David Richards, the song finds Bowie returning to more guitar-driven rock, though still incorporating elements of pop and art rock. This song offers an intriguing mix of glossy 1980s production and Bowie’s characteristic avant-garde lyrical exploration.
Lyrically, “Beat Of Your Drum” presents an ambiguous and slightly provocative theme, blending ideas of obsession, desire, and power dynamics. The line “I like the beat of your drum / I like the smell of your flesh” has a visceral quality, evoking a sense of primal attraction that Bowie wraps in metaphor. The recurring use of “I’d like to beat on your drum” suggests both admiration and control, adding complexity to the seemingly straightforward notion of being captivated by someone. The lyrics, rich with imagery like “vanity’s child” and “disco brat,” paint a portrait of someone who stands out and enthralls, making it a song about both fascination and objectification. Compared to other songs on this list, such as U2’s “Two Hearts Beat as One,” where love and connection are central, Bowie’s track leans more into the darker sides of human attraction and desire.
Musically, the song is built on a strong, driving rhythm, anchored by bass and drums, which gives the track a pulsating, almost hypnotic feel. This rhythmic intensity aligns it with other beat-centric songs on the list, such as Blondie’s “Eat to the Beat,” though Bowie’s approach here is less playful and more brooding. The song’s instrumentation, particularly the guitar work, emphasizes the art-rock elements Bowie was known for, and the production gives it a slick, polished sound that was typical of his mid-1980s output.
In comparison to songs like The Ramones’ “Beat on the Brat,” which offers a raw, punk energy, “Beat Of Your Drum” has a more refined, polished edge, but both tracks share a focus on rhythm and control. Bowie’s lyrics also reflect a layered complexity absent in the more straightforward aggression of punk, showing the ways in which different artists can interpret the same thematic foundation of “the beat” in vastly different ways.
Read More: 10 Best David Bowie Songs
# 1 – Beat It – Michael Jackson with Eddie Van Halen and Steve Lukather
“Beat It,” one of the most iconic tracks from Michael Jackson’s 1982 album Thriller, remains a defining moment in both pop and rock music. Released on February 14, 1983, and produced by Quincy Jones and Michael Jackson, the song blends rock and pop seamlessly, drawing significant attention with the legendary guitar contributions from Eddie Van Halen and Steve Lukather of Toto. Recorded at Westlake Recording Studios in Los Angeles, Thriller became the best-selling album of all time, and “Beat It” played an essential role in its success. The song topped the Billboard Hot 100 for three weeks, cementing Jackson’s crossover appeal between pop and rock audiences.
The collaboration with Eddie Van Halen, who delivered one of the most iconic guitar solos in rock history, elevated “Beat It” into a genre-defying masterpiece. Van Halen’s fiery solo added a gritty edge to Jackson’s otherwise smooth pop sound, helping to bridge the gap between rock and pop. Additionally, Steve Lukather of Toto provided rhythm guitar work, further enhancing the song’s dynamic. Lukather’s contribution as a session musician has often been praised for its driving, riff-heavy foundation that perfectly complements Van Halen’s explosive lead. The combination of Jackson’s vocal power, Van Halen’s rock virtuosity, and Lukather’s impeccable rhythm guitar transformed “Beat It” into a track that appealed equally to pop fans and rock purists.
Lyrically, “Beat It” is a strong anti-violence anthem, a call to walk away from fights rather than give in to aggression. The lyrics, such as “You better run, you better do what you can, don’t wanna see no blood, don’t be a macho man,” emphasize the value of avoiding conflict and rejecting toxic masculinity. Compared to other songs on this list, like U2’s “Two Hearts Beat As One,” which focuses on emotional and romantic unity, “Beat It” takes a broader societal stance, urging peace over violence in everyday conflicts. Its rhythmic, percussive structure stands out, driven by both guitar and drums, and stands in contrast to the synth-heavy arrangements of many 1980s tracks, marking it as both a pop song with a rock heart.
In terms of impact, “Beat It” also redefined music videos, with Jackson’s groundbreaking visual featuring choreographed street gang fights, a cultural landmark in the early days of MTV. This visual narrative reinforced the song’s message, while the guitar contributions from Van Halen and Lukather played a significant role in pulling rock music into mainstream pop culture. Compared to other songs in this list, Jackson’s powerful message and collaboration with rock icons give “Beat It” a timeless quality that continues to resonate across genres.
Read More: Top 10 Michael Jackson Songs