Photo: Michael Morel from Barcelona, Spain, CC BY 2.0 <https://creativecommons.org/licenses/by/2.0>, via Wikimedia Commons
# 10 – Gravity Rides Everything
Leading the lineup of our top 10 Modest Mouse songs is “Gravity Rides Everything,” featured on their acclaimed 2000 album, The Moon & Antarctica. This period in the band’s history was significant as it coincided with their signing to Epic Records, providing them access to enhanced production capabilities and resources. The song employs the concept of gravity as a symbolic representation of destiny, weaving a narrative that reassures listeners about the eventual resolution and order of life’s complexities. “Gravity Rides Everything” stands out for its lyrical depth and as a testament to the band’s evolving sound under the auspices of a major label, marking a notable chapter in Modest Mouse’s musical journey.
# 9 – 3rd Planet
Another gem from The Moon & Antarctica is “3rd Planet,” which gracefully opens the album and ushers listeners into Modest Mouse’s evolved musical landscape. This track stands as a testament to the band’s matured approach to songwriting and composition, setting it apart from much of their earlier work. The simplicity of the acoustic guitar’s chord progression lays the foundational tone for the album, creating an inviting atmosphere for the intricate themes that follow. Isaac Brock’s vocals are compelling as he navigates through the song’s introspective lyrics, delving into themes of existence, the natural world, and personal identity, further establishing “3rd Planet” as a pivotal piece in Modest Mouse’s discography.
# 8 – Trailer Trash
“Trailer Trash,” a standout track from Modest Mouse’s 1997 album The Lonesome Crowded West, is celebrated for its unadorned elegance. The song offers a deeply personal glimpse into the life of the band’s lead vocalist, Isaac Brock, touching on his complex feelings toward his family and upbringing. Despite a sense of disdain for his familial circumstances, Brock conveys a poignant sense of longing and regret, acknowledging the missed connections and seeking reconciliation for past grievances. The emotional resonance of the song’s instrumentation complements Brock’s raw and introspective lyrical delivery, making “Trailer Trash” a key piece in Modest Mouse’s repertoire that showcases their ability to weave personal narrative with compelling musicality.
# 7 – Night on the Sun
“Night on the Sun,” a track from Modest Mouse’s 1999 repertoire, serves as a poignant reminder of the band’s era just before their transition to Epic Records. This nine-minute ballad is characterized by its somber tone and enigmatic lyrics, painting a picture of a bleak existence. The song’s thematic elements resonate with the band’s earlier work from the 1990s, maintaining the introspective and existential undertones that have defined their music. Despite the dark lyrical content, the instrumental arrangement of “Night on the Sun” is captivating, showcasing Modest Mouse’s exceptional ability to blend complex emotions with their unique sound.
# 6 – The World at Large
Recorded in 2003, “The World at Large” found its place on Modest Mouse’s album Good News for People Who Love Bad News. This track is notable for being created during a period when Jeremiah Green was absent from the band due to a nervous breakdown, leading to Benjamin Weikel stepping in to provide the drumming. Weikel’s contribution demonstrated his capability to mesh with Modest Mouse’s distinctive sound. The song’s lyrical depth, credited to Isaac Brock, Eric Judy, and Dann Gallucci, played a significant role in establishing “The World at Large” as one of the band’s standout tracks.
# 5 – King Rat
“King Rat,” initially unveiled as a promotional single for Modest Mouse’s 2007 album We Were Dead Before the Ship Even Sank, later found a spot as the penultimate track on their 2009 EP, No One’s First and You’re Next. The song retains the band’s signature melodic essence, despite its somewhat theatrical presentation. Notably, the music video for “King Rat” stands out for its animated style, a project that was envisioned in great detail but left incomplete by the late, acclaimed actor Heath Ledger, who took on the role of director for this creative endeavor. Ledger’s artistic vision for the video adds a layer of intrigue and depth to the song, blending visual artistry with Modest Mouse’s distinctive musical style.
# 4 – Dramamine
“Dramamine,” a compelling track from Modest Mouse’s debut album This Is a Long Drive for Someone with Nothing to Think About (1996), delves into the theme of escapism through the use of the motion sickness medication, Dramamine. Known for its mood-altering effects, the drug serves as a metaphor in the song for seeking relief and disconnection during long, introspective journeys, possibly inducing a state akin to the tranquility brought on by opiates. Yet, the song transcends its literal references to medication, exploring deeper themes of emotional disorientation and the struggle with personal anguish. Isaac Brock’s poignant lyrics, coupled with the track’s mesmerizing composition, make “Dramamine” not just a reflection on pain and escapism, but also a hypnotic and enduring piece in Modest Mouse’s catalog.
# 3 – Ocean Breathes Salty
“Ocean Breathes Salty,” the evocative second single from Modest Mouse’s Good News for People Who Love Bad News, carries the profound weight of a contemplation on mortality, weaving references to the afterlife throughout its narrative. Isaac Brock’s distinctive vocal delivery enhances the song’s introspective lyrics, which navigate the themes of life, death, and the existential uncertainties that accompany them. The track’s nuanced exploration of these themes resonated widely, propelling “Ocean Breathes Salty” to notable success. It reached the number 6 spot on the US Alternative Airplay Chart and also made its mark on the UK Singles Chart, peaking at number 96. This critical and commercial reception underscores the song’s impact and its ability to engage listeners with its deep philosophical inquiries.
# 2 – Dashboard
“Dashboard,” a standout track from Modest Mouse’s 2007 album We Were Dead Before the Ship Even Sank, showcases a rare optimistic perspective from vocalist and songwriter Isaac Brock, especially in the face of adversity. The song marks a significant moment for the band, being created on the inaugural day of their collaboration with esteemed guitarist Johnny Marr. This union brought a fresh dynamic to the band’s sound, evident in the upbeat and engaging rhythm of “Dashboard.” The song was warmly received, climbing to number 5 on the US Alternative Airplay Chart and achieving a commendable position of number 61 on the US Billboard Hot 100.
# 1 – Float On
Topping our list is “Float On,” the iconic track from Modest Mouse’s 2004 album Good News for People Who Love Bad News. This song stands out for its uplifting message, offering solace and the promise of brighter days ahead, a theme that resonates deeply with many listeners. Isaac Brock, the band’s lead vocalist and songwriter, drew inspiration for the song from personal loss, channeling the grief from the passing of two close friends into the song’s hopeful narrative. “Float On” achieved remarkable success, making a significant impact on the charts and leaving a lasting impression on fans. Its widespread appeal was further solidified by its inclusion in the popular video game Guitar Hero: World Tour, introducing the song to an even broader audience.