
Feature Photo: Photography Stock Ruiz / Shutterstock.com
# 10 – Let Em In – Paul McCartney & Wings
“Let ‘Em In” by Paul McCartney & Wings, released in 1976 on the album Wings at the Speed of Sound, opens with the distinctive sound of a doorbell chime, setting the tone for its theme of welcoming various individuals. The track was recorded between January and March 1976 at EMI Studios in London, with McCartney producing alongside the band. The lineup featured Paul McCartney on vocals and piano, Linda McCartney on keyboards and backing vocals, Denny Laine on guitar and backing vocals, Jimmy McCulloch on guitar, and Joe English on drums. Upon its release, “Let ‘Em In” achieved significant chart success, reaching number two on the UK Singles Chart and number three on the US Billboard Hot 100.
Read More: Top 10 Paul McCartney & Wings Songs
# 9 – Ring Out, Solstice Bells – Jethro Tull
“Ring Out, Solstice Bells” by Jethro Tull was recorded between September and November 1976 at Morgan Studios in London and released on November 22, 1976, as part of the EP Ring Out, Solstice Bells. The track was produced by Ian Anderson and features Anderson on vocals and flute, Martin Barre on electric guitar, John Glascock on bass guitar, John Evan on piano and organ, Dee Palmer on synthesizers, and Barriemore Barlow on drums and percussion.
Read More: 10 Jethro Tull Songs Fans Love The Most
# 8 – Tubular Bells (Pt.1) – Mike Oldfield
https://www.youtube.com/watch?v=Bnb-v9fmmCA
# 7 – Carol of the Bells – Trans-Siberian Orchestra
There may be some people who are scratching their heads, thinking, “This is a rock songs article, why is Carol of the Bells in it?” Well then, those people scratching their heads are probably not familiar with the great trance of you in Orchestra because man, this man rocks out on this legendary piece. “Carol of the Bells” is a renowned Christmas carol that originated from the Ukrainian song “Shchedryk,” composed by Mykola Leontovych in 1914. The English lyrics were later added by Peter J. Wilhousky in 1936.
The Trans-Siberian Orchestra (TSO) reimagined this classic in their 1996 debut album, Christmas Eve and Other Stories, under the title “Christmas Eve/Sarajevo 12/24.” This instrumental piece merges “God Rest Ye Merry, Gentlemen” with “Carol of the Bells,” creating a dynamic rock rendition that has become a signature performance for TSO.
The album was produced by Paul O’Neill and recorded at Soundtrack Studios in New York City. The ensemble featured Jon Oliva on keyboards, Al Pitrelli on guitar, Johnny Lee Middleton on bass, and Jeff Plate on drums, among others. “Christmas Eve/Sarajevo 12/24” received critical acclaim for its innovative fusion of classical and rock elements, propelling the album to multi-platinum status. The track has since become a staple in holiday music playlists and is celebrated for its energetic arrangement and emotive power.
The song’s instrumental nature allows it to convey a narrative without words, using the interplay of electric guitars, orchestral strings, and percussion to evoke the spirit of the holiday season. The use of bells is central to the composition, aligning it with the theme of this article. Unlike Jethro Tull’s “Ring Out, Solstice Bells,” which incorporates vocals to celebrate the winter solstice, TSO’s rendition relies solely on instrumental prowess to deliver its festive message. This approach showcases the versatility of “Carol of the Bells” and its adaptability across different musical genres.
Read More: Jeff Scott Soto of the Trans-Siberian Orchestra: 10 Albums That Changed My Life
# 6 – Ring Them Bells – Bob Dylan
“Ring Them Bells” is a poignant track from Bob Dylan’s 1989 album Oh Mercy. Recorded in March 1989 at the Teatro Studio in Oxnard, California, the song was produced by Daniel Lanois, who also contributed guitar and percussion. Dylan’s evocative piano and vocal performance are central to the track, with additional instrumentation by Tony Hall on bass and Brian Stoltz on guitar.
Lyrically, the song serves as a call to action, urging the ringing of bells for various figures such as “St. Peter” and “Sweet Martha,” symbolizing a plea for awakening and redemption. The recurring motif of bells aligns it with other tracks in this list, such as Jethro Tull’s “Ring Out, Solstice Bells,” which also utilizes bell imagery to convey themes of renewal and celebration. Dylan’s use of religious and apocalyptic imagery adds depth, making “Ring Them Bells” a profound exploration of faith and humanity’s collective conscience.
Read More: Best Bob Dylan Songs Of The 1990’s
# 5 – Jingle Bell Rock – Bobby Helms
“Jingle Bell Rock” by Bobby Helms, released in 1957, is a seminal Christmas song that seamlessly blends rockabilly and holiday music. Recorded on October 29, 1957, at Bradley Film & Recording Studios in Nashville, Tennessee, the track was produced by Paul Cohen under Decca Records. The recording features Bobby Helms on vocals, with Hank Garland on guitar, Floyd Cramer on piano, Bob Moore on bass, and Buddy Harman on drums.
Upon its release, “Jingle Bell Rock” achieved significant commercial success, reaching number six on the Billboard Hot 100 chart. Its enduring popularity has led to frequent re-entries into the charts during the holiday season, including a peak position of number seven on the UK Singles Chart in 2017.
Read More: 10 Essential Original Rock Christmas Songs
# 4 – Bells of Rhymney – The Byrds
“Bells of Rhymney,” featured on The Byrds’ 1965 debut album Mr. Tambourine Man, is an adaptation of Idris Davies’ poem set to music by Pete Seeger. Recorded at Columbia Studios in Hollywood and produced by Terry Melcher, the track highlights Roger McGuinn’s jangly 12-string Rickenbacker guitar alongside the band’s signature harmonized vocals.
The song explores themes of social injustice, with the bell imagery symbolizing the struggles of Welsh coal miners. While not a charting single, it played a key role in solidifying The Byrds’ reputation for blending folk and rock. The use of bells as a metaphor for hardship contrasts sharply with the celebratory tone of “Jingle Bell Rock,” demonstrating the diverse emotional range this instrument can evoke.
Read More: 10 Best Byrds Songs Including Readers Picks
# 3 – Wedding Bell Blues – Laura Nyro
“Wedding Bell Blues,” written and recorded by Laura Nyro in 1966, is a soulful reflection on unrequited love and the longing for commitment. The track was recorded at Bell Sound Studios in New York City and produced by Milt Okun, featuring Nyro on vocals and piano, with Herb Bernstein arranging and conducting the session. Despite its initial modest chart performance, peaking at number 103 on Billboard’s “Bubbling Under” chart, the song gained significant acclaim when covered by The 5th Dimension in 1969, reaching number one on the Billboard Hot 100.
Read More: Top 10 Laura Nyro Songs
# 2 – For Whom The Bell Tolls – Metallica
“For Whom the Bell Tolls,” from Metallica’s 1984 album Ride the Lightning, is a powerful meditation on the horrors of war and mortality. Recorded at Sweet Silence Studios in Copenhagen, Denmark, and produced by Flemming Rasmussen, the track features James Hetfield on rhythm guitar and vocals, Kirk Hammett on lead guitar, Cliff Burton on bass, and Lars Ulrich on drums. The song opens with an iconic bass riff created by Burton using a distortion pedal, paired with tolling bells that set a somber and ominous tone.
Read More: Top 10 Metallica Songs
# 1 – Hells Bells – AC/DC
“Hells Bells” is the opening track on AC/DC’s 1980 album Back in Black, marking the band’s first release following the death of lead singer Bon Scott. Recorded between April and May 1980 at Compass Point Studios in Nassau, Bahamas, the album was produced by Robert John “Mutt” Lange. The lineup featured Brian Johnson on vocals, Angus Young on lead guitar, Malcolm Young on rhythm guitar, Cliff Williams on bass, and Phil Rudd on drums. The song begins with the tolling of a large bell, setting a somber tone that transitions into a powerful guitar riff.
Critically acclaimed, “Hells Bells” is considered one of AC/DC’s signature songs. The track contributed to the commercial success of Back in Black, which has sold over 50 million copies worldwide, making it one of the best-selling albums of all time. The song’s lyrics, such as “I’m rolling thunder, pouring rain,” convey a sense of unstoppable force, reflecting the band’s resilience in the face of adversity.
Read More: 10 Best 1970s AC/DC Songs
Updated November 14, 2025
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