Tulsa, Oklahoma, holds a unique place in American history and culture, standing at the crossroads of the country’s past and its ever-evolving identity. Founded in the late 19th century, Tulsa began as a small settlement in Indian Territory but rapidly transformed into one of the wealthiest cities in the United States during the early 20th century due to the discovery of oil. Known as the “Oil Capital of the World” throughout the early 1900s, Tulsa’s booming oil industry attracted a diverse population of entrepreneurs, laborers, and visionaries, each contributing to the city’s dynamic growth. However, Tulsa is also marked by the tragedy of the 1921 Tulsa Race Massacre, an event that profoundly shaped the city’s social and historical narrative. Today, Tulsa has become a beacon of cultural renaissance, embracing its complex history while celebrating its contributions to music, art, and American culture.
# 10 – The Heart of Rock & Roll – Huey Lewis and the News
“The Heart of Rock & Roll” by Huey Lewis and the News is an energetic anthem that celebrates the power and longevity of rock music across America, specifically highlighting cities known for their vibrant music scenes. Released as the opening track of their 1983 album Sports, this song became a defining moment for the band. Recorded at Fantasy Studios in Berkeley, California, in 1983, the track was produced by Huey Lewis and the band alongside Bob Brown. The musicians on the album include Huey Lewis on vocals and harmonica, Johnny Colla on guitar and saxophone, Bill Gibson on drums, Mario Cipollina on bass, and Chris Hayes on lead guitar. The tightness of the band, known for their polished yet lively sound, shines through in this track, creating an upbeat and catchy tune that embodies the heart of rock music.
“W.O.L.D.” by Harry Chapin is a poignant narrative song from his 1973 album Verities & Balderdash, which tells the bittersweet story of a middle-aged disc jockey reflecting on his life’s trajectory. The track was recorded in 1973 at Elektra Sound Recorders in Los Angeles, California, and produced by Paul Leka. The musicians involved on the album include Chapin on guitar and vocals, John Wallace on bass, Ron Palmer on electric guitar, and Stephen Chapin on piano and organ. The track captures the personal struggles of the protagonist, touching on themes of lost love, aging, and the transient nature of fame, making it a reflective and somewhat melancholic contrast to other celebratory songs on this list.
Elle King released “Tulsa” on her 2022 album, Come Get Your Wife. The song blends country rock with King’s signature gritty, unapologetic vocal style, delivering a punchy narrative about betrayal, revenge, and independence. Come Get Your Wife was recorded in Nashville, Tennessee, capturing the spirit of the city’s musical heritage. The album was produced by Elle King herself alongside Ross Copperman, a Grammy-nominated country music producer. Musicians contributing to the album include Copperman on guitar and keys, as well as other prominent session musicians known for their work in the country and rock genres. King’s approach to the song encapsulates her genre-blending style, pulling from rock, country, and blues traditions.
Co-written by Harris and Rodney Crowell, the song tells a story of loss and longing, with the Tulsa Queen, a symbolic train, serving as a metaphor for a departed lover. Luxury Liner was recorded at Enactron Truck Studio in Los Angeles, California, and produced by Harris’s longtime collaborator, Brian Ahern. Musicians featured on the album include some of the most respected figures in country and folk rock, such as Albert Lee on guitar, Hank DeVito on pedal steel, Emory Gordy Jr. on bass, and Glen D. Hardin on piano. This rich combination of musicians contributes to the song’s melancholic, yet enchanting atmosphere, blending country with a touch of folk and rock.
Released in 1963, “24 Hours from Tulsa” became one of the singer’s most memorable hits. Written by the legendary songwriting duo Burt Bacharach and Hal David, the song was recorded at Bell Sound Studios in New York City. Pitney’s version, produced by Bacharach, features lush orchestral arrangements, signature to the songwriting pair’s style, with intricate piano work and sweeping strings that give the song its dramatic, cinematic feel. Pitney’s distinctive tenor voice conveys both the emotion and the tension of the narrative. The musicians on the recording include New York’s top session players, further solidifying the track’s polished sound. The song became a commercial success, reaching No. 5 on the UK Singles Chart and No. 17 on the Billboard Hot 100 in the U.S., making it a staple in Pitney’s discography.
“Jack Straw” is from their 1972 live album Europe ’72. Recorded during their iconic European tour in April and May of 1972, the album captures the band at their peak as live performers. The song, written by Bob Weir and lyricist Robert Hunter, tells a dark and complex story about two outlaws traveling through the Midwest, with Tulsa being one of the key locations referenced. Produced by the Grateful Dead and recorded across various European venues, including the Olympia Theatre in Paris and the Lyceum Theatre in London, Europe ’72 is a defining moment in the band’s career, combining elements of rock, folk, and country. The musicians on the track include Jerry Garcia on lead guitar and vocals, Bob Weir on rhythm guitar and vocals, Phil Lesh on bass, Bill Kreutzmann on drums, and Keith Godchaux on keyboards, with Donna Jean Godchaux providing backing vocals.
“Take Me Back to Oklahoma” by Chubby Checker is a lesser-known track that highlights his versatility as an artist beyond the iconic dance hits like “The Twist.” Released as part of Checker’s 1964 album Chubby’s Folk Album, this song delves into a more country-tinged sound, blending folk and rock elements. Recorded in Philadelphia at Cameo-Parkway Studios, the album was produced by Kal Mann, known for working with Checker throughout his career. Although this song didn’t chart, its inclusion on the album marked Checker’s attempt to explore different musical genres during the folk revival era of the early 1960s. Musicians on the album included session players from the Philadelphia area, but details on the specific personnel remain sparse, characteristic of many smaller projects of the time.
“Tulsa County” was issued on the 1969 album Ballad of Easy Rider. The song was written by Pamela Polland and originally recorded by her band, The Gentle Soul, before The Byrds gave it their distinct sound. Recorded at Columbia Studios in Hollywood, California, between June and August 1969, Ballad of Easy Rider was produced by Terry Melcher. The Byrds lineup for the recording included Roger McGuinn on guitar and vocals, Clarence White on lead guitar, Gene Parsons on drums and banjo, and John York on bass. This era of The Byrds was characterized by a shift from their folk-rock roots to a more pronounced country sound, heavily influenced by their earlier work on Sweetheart of the Rodeo.
“Home Sweet Oklahoma” by Leon Russell is a rollicking tribute to Russell’s home state, released on his 1971 album Leon Russell and the Shelter People. Recorded at Shelter Studios in Tulsa, Oklahoma, and Skyhill Studios in Los Angeles, this track reflects Russell’s deep connection to Oklahoma, combining elements of rock, blues, and country. The album was co-produced by Russell and Denny Cordell, and it features an all-star cast of musicians, including Carl Radle on bass, Jim Keltner on drums, and Don Preston on guitar. This song is a celebration of Oklahoma, particularly the Tulsa music scene that nurtured Russell and many of his contemporaries during this period.
We close out our list with “Tulsa Time” by Eric Clapton. The song was featured on his 1978 album Backless. Written by Danny Flowers, the song was originally recorded by Don Williams, but Clapton’s version brought it to a broader audience in the rock world. Backless was recorded at The Village Recorder in Los Angeles and Olympic Studios in London, with Clapton himself producing the album alongside Glyn Johns. The musicians on the album include Eric Clapton on guitar and vocals, Albert Lee on guitar and backing vocals, Carl Radle on bass, Jamie Oldaker on drums, and Dick Sims on keyboards, several of whom were central figures in the Tulsa music scene.
Brian Kachejian was born in Manhattan and raised in the Bronx. He is the founder and Editor in Chief of ClassicRockHistory.com. He has spent thirty years in the music business often working with many of the people who have appeared on this site. Brian Kachejian also holds B.A. and M.A. degrees from Stony Brook University along with New York State Public School Education Certifications in Music and Social Studies. Brian Kachejian is also an active member of the New York Press.