10 Best Songs With The Word 'Girl' In The Title

Feature Photo by Ernest Brillo

The word “girl” has been one of the most frequently used terms in song titles throughout rock and roll history, and it has inspired some of the most iconic tracks ever recorded. Many of the most enduring songs with “girl” in the title were written, recorded, and released during the 1960s, a time when music often expressed love and relationships in simple, direct terms. This list highlights just how influential that decade was, showcasing songs that have stood the test of time both for their widespread popularity and emotional resonance.

While the use of “girl” in song titles may have shifted as music evolved, this list predominantly reflects the timeless classics of the 1960s, which continue to captivate audiences with their catchy melodies and heartfelt lyrics. We’ve chosen these tracks for their combination of fame, influence, and sheer musical beauty, celebrating the lasting impact of these unforgettable songs.

# 10 – Diamond Girl – Seals & Crofts

“Diamond Girl” is the first song on our list of the 10 Best Songs With the Word ‘Girl’ in the Title. Released in May 1973 by Seals & Crofts, this soft rock classic quickly became a hit, reaching No. 6 on the Billboard Hot 100 and No. 4 on the Adult Contemporary chart. The song was the title track of their fifth studio album, Diamond Girl, and marked another successful collaboration for the duo, following their earlier top ten hit, “Summer Breeze.” Produced by Louis Shelton, the song features Jim Seals and Dash Crofts on guitar and vocals, with additional session musicians who brought a rich texture to the song’s warm, laid-back sound.

Recorded at Warner Bros. Records, the Diamond Girl sessions captured the signature soft rock blend that defined Seals & Crofts’ sound in the 1970s. The album was produced by Shelton, a talented guitarist and producer known for his precision in crafting the smooth and polished feel that permeates “Diamond Girl.” The instrumentation complements the ethereal quality of the lyrics, with Seals’ lead vocals intertwining seamlessly with Crofts’ harmonies. The production team brought in seasoned musicians to enhance the song’s gentle, flowing melody, including Shelton himself on guitar, Joe Osborn on bass, and Jim Gordon on drums.

Lyrically, “Diamond Girl” uses the metaphor of a diamond to express deep affection and admiration. Lines like “You sure do shine” and “You’re like a precious stone, part of Earth where Heaven has rained on” speak to the awe and reverence the narrator feels for the woman in question. The song beautifully blends the idea of natural beauty with emotional attachment, suggesting that the woman is both grounded and otherworldly. The chorus, which repeats the phrase “Diamond girl, you sure do shine,” reinforces the idea that she is a radiant and irreplaceable presence in the narrator’s life. As the first track on this list, Diamond Girl sets a tone of sincere, heartfelt emotion that resonates through both the lyrics and the timeless soft rock melody, serving as a perfect introduction to this exploration of songs celebrating “girl” in the title.

Read More: Top 10 Seals & Crofts Songs

# 9 – Stupid Girl – The Rolling Stones

Aftermath (UK) - Remastered- Made In USA

“Stupid Girl” by The Rolling Stones is a bold and controversial entry as the second song on our list of the 10 Best Songs With the Word ‘Girl’ in the Title. Released in 1966 as part of their Aftermath album, this track was written by Mick Jagger and Keith Richards and quickly drew attention for its biting, critical tone. It was recorded at RCA Studios in Hollywood, California, during sessions that took place from December 1965 through March 1966. Produced by Andrew Loog Oldham, the song showcases the band’s signature blend of rock and blues, with a sharp lyrical edge that reflected the rebellious nature of The Rolling Stones during the mid-1960s. The lineup on the track includes Jagger on lead vocals, Richards on guitar, Brian Jones on keyboards and harmonica, Bill Wyman on bass, and Charlie Watts on drums.

Musically, “Stupid Girl” is driven by a hard-hitting rhythm section, with Richards’ jagged guitar riff complementing the cynical attitude of the song. The track embodies the raw energy that characterized much of The Rolling Stones’ music during this era, with Jagger delivering the lyrics in a sneering, confrontational manner. The production is sparse yet effective, allowing the biting nature of the lyrics to take center stage. Despite being a B-side to “Paint It Black” in the U.S., “Stupid Girl” gained attention for its unapologetic critique of a certain type of woman, which many listeners interpreted as a reflection of the sexism present in some of the band’s other songs like “Under My Thumb.”

Lyrically, “Stupid Girl” is a scathing portrayal of a vain and shallow woman, with Jagger taking aim at her appearance, behavior, and attitudes. The repeated refrain of “Look at that stupid girl” leaves little ambiguity about the song’s message. Lines like “She bitches ’bout things that she’s never seen” and “The way she powders her nose, her vanity shows” emphasize the narrator’s frustration with superficiality. While some critics have condemned the song for its misogynistic undertones, others have defended it as a critique of materialism and inauthenticity, which were growing themes in the countercultural movements of the 1960s. As the second song on this list, “Stupid Girl” stands out for its confrontational lyrics and rebellious spirit, offering a sharp contrast to the softer, more romantic tone of Seals & Crofts’ “Diamond Girl.” This contrast illustrates the wide range of themes explored in songs with “girl” in the title, from tender admiration to bitter disdain.

# 8 – Surfer Girl – The Beach Boys

“Surfer Girl” is the third song on our list of the 10 Best Songs With the Word ‘Girl’ in the Title, representing a timeless piece of early 1960s American pop culture. Released in July 1963, this song marked a pivotal moment for The Beach Boys as it was the first record to credit Brian Wilson as the official producer. Written and sung by Wilson, “Surfer Girl” was inspired by his early girlfriend, Judy Bowles, and a longing to capture the innocence and beauty of young love by the ocean. Recorded at Western Recorders in Hollywood, the track features Wilson on lead vocals and keyboards, with the rest of the Beach Boys—Carl Wilson, Dennis Wilson, Mike Love, and Al Jardine—providing their signature harmonies. The song, released as a single with “Little Deuce Coupe” as the B-side, became one of the band’s most beloved hits, peaking at No. 7 on the Billboard Hot 100.

The recording of “Surfer Girl” was heavily influenced by the song “When You Wish Upon a Star” by Dion and the Belmonts, borrowing its AABA form and evoking a similar dreamlike quality. This connection to an earlier generation of music, paired with The Beach Boys’ own youthful, surf-centric sound, created a nostalgic yet fresh feeling that resonated with audiences. Wilson’s production was simple but effective, allowing the lush harmonies and heartfelt lyrics to take center stage. The clean arrangement, combined with the emotional depth of the song, helped solidify The Beach Boys as one of the leading acts of the surf music era, with Wilson’s songwriting and production earning critical praise.

Lyrically, “Surfer Girl” captures a dreamy and idealized version of young love. Lines like “Little surfer little one, made my heart come all undone” express the vulnerability of the narrator, who watches the girl from afar, hoping to win her love. The chorus, “Do you love me, do you surfer girl?” is a simple yet poignant question, reflecting the innocence of the early 1960s and the way the ocean and surfing culture became symbols of freedom and romance. As the third song on this list, “Surfer Girl” offers a gentle contrast to the more aggressive tone of The Rolling Stones’ “Stupid Girl” by showcasing a softer, more romantic depiction of youthful admiration. This song sets a tone of wistfulness and purity, celebrating the simpler, carefree emotions associated with first love, making it an enduring favorite in The Beach Boys’ catalog.

Read More: Top 10 Beach Boys Songs

# 7 – Girl – The Beatles

“Girl,” from The Beatles’ 1965 album Rubber Soul, stands as the fourth song on our list of the 10 Best Songs With the Word ‘Girl’ in the Title. Written by John Lennon and credited to the Lennon–McCartney partnership, “Girl” is one of the most introspective and melancholic tracks from the band’s early period. Recorded on November 11, 1965, at EMI Studios in London, and produced by George Martin, the song reflects the folk rock and pop influences that shaped Rubber Soul. Lennon’s lead vocals are complemented by Paul McCartney’s bass, George Harrison’s guitar, and Ringo Starr’s subtle drumming, while the song’s haunting harmonies create a uniquely reflective atmosphere. “Girl” was the last song completed for the album, adding a final layer of emotional depth to the project.

Musically, “Girl” is notable for its sparse, acoustic-driven arrangement, with a distinctive Greek-inspired guitar line played by Harrison that adds an exotic flavor to the song. The melody follows a melancholic yet beautiful pattern, pairing well with the song’s bittersweet lyrics. George Martin’s production brought out the complexity of the harmonies, which were characteristic of the folk rock influence on Rubber Soul, giving the track an ethereal quality. Lennon’s emotional vocal delivery captures the frustration and yearning of a love that is both painful and irresistible, making “Girl” stand out as one of The Beatles’ most complex early love songs.

Lyrically, “Girl” explores the emotional paradox of longing for someone who brings both joy and heartache. Lines like “She’s the kind of girl you want so much, it makes you sorry” reveal the conflicting emotions of desire and regret. The narrator is torn between his love for the “girl” and the realization that she is emotionally distant and dismissive, as seen in the verse, “She’s the kind of girl who puts you down when friends are there, you feel a fool.” Lennon’s introspection deepens with the philosophical musing on life’s struggles, “Was she told when she was young that pain would lead to pleasure?”—a line that reflects his own contemplative nature. As the fourth song on this list, “Girl” contrasts with the romantic optimism of “Surfer Girl” by The Beach Boys, offering a more nuanced and troubled portrayal of love. The song adds a layer of complexity to this exploration of “girl” songs, highlighting the emotional depth that The Beatles brought to their evolving sound.

Read More: Top 10 Beatles Love Songs

# 6 – Oh Girl – The Chi-Lites

The soulful ballad “Oh Girl” by The Chi-Lites is the fifth entry in our list of the 10 Best Songs With the Word ‘Girl’ in the Title. Written and produced by lead vocalist Eugene Record, this 1972 hit captured the hearts of listeners with its heartfelt lyrics and smooth, emotive delivery. Released on Brunswick Records, “Oh Girl” became The Chi-Lites’ first and only No. 1 hit on the Billboard Hot 100, topping the chart in May 1972. It also climbed to the No. 1 position on the Billboard R&B Singles chart the following month, holding steady for two weeks. The song was a major international success, reaching No. 14 on the UK Singles Chart in July 1972 and peaking at No. 5 when reissued in 1975 as a double A-side with “Have You Seen Her.” The song’s timeless appeal has made it one of The Chi-Lites’ signature tracks, cementing its place in soul music history.

Recorded at the famed Brunswick Recording Studios in Chicago, “Oh Girl” features Eugene Record on lead vocals, supported by bandmates Marshall Thompson, Robert Lester, and Creadel Jones. The instrumental arrangement, led by a haunting harmonica melody, perfectly complements the song’s themes of heartache and vulnerability. Record’s smooth and pleading voice takes center stage, while the harmonica, played by the legendary Eddie Silvers, adds a sense of longing that underscores the lyrics. The production is understated yet effective, allowing the emotional weight of the song to shine through, with Record’s tender delivery making the heartbreak feel palpable.

Lyrically, “Oh Girl” tells the story of a man who is on the brink of losing the woman he loves. Lines such as “I’d be in trouble if you left me now, ’cause I don’t know where to look for love” reflect his deep dependence on her, while his internal conflict is expressed in the refrain, “All my friends call me a fool, they say, ‘Let the woman take care of you.'” The song captures the universal feeling of helplessness and confusion that comes with the potential loss of a loved one. As the fifth song on this list, “Oh Girl” stands out for its raw vulnerability, contrasting with the romantic innocence of songs like “Surfer Girl” by The Beach Boys. It highlights the pain of dependency in a relationship, making it one of the most poignant songs on this list of “girl”-themed tracks.

Read More: Top 10 Songs By The Chi-Lites

# 5 – American Girl – Tom Petty & The Heartbreakers

“American Girl” by Tom Petty & The Heartbreakers is the sixth entry on our list of the 10 Best Songs With the Word ‘Girl’ in the Title. Released in 1976 on the band’s self-titled debut album, this track became one of Tom Petty’s signature songs, despite its initial lack of commercial success. Written by Petty and produced by Denny Cordell at Shelter Studios in Hollywood, “American Girl” captures the essence of youthful longing and the pursuit of something more. The song didn’t chart in the United States upon its release but found success in the UK, reaching No. 40 in August 1977. Over the years, “American Girl” grew into a classic rock staple, widely regarded as one of Petty’s finest songs and a defining track in the American rock canon.

Musically, “American Girl” is driven by jangly guitars and an infectious energy that evokes the sound of freedom and the open road. Petty’s raw yet melodic vocals, along with Mike Campbell’s unmistakable guitar riffs, are perfectly complemented by the rhythm section, featuring Ron Blair on bass and Stan Lynch on drums. The song’s upbeat tempo and anthemic feel have made it a favorite among fans, and its classic rock sound continues to resonate with new generations of listeners. While not initially a major hit, “American Girl” has become an enduring piece of Petty’s legacy and a representation of his contributions to rock music.

Lyrically, “American Girl” tells the story of a young woman who dreams of escaping her current life, longing for something bigger and more meaningful. Lines like “Well, she was an American girl, raised on promises” and “She couldn’t help thinkin’ that there was a little more to life” reveal her desire for adventure and fulfillment. The imagery of standing on a balcony, listening to cars passing on Highway 441, captures a moment of deep reflection, where the protagonist feels the painful tension between dreams and reality. As the sixth song on this list, “American Girl” stands out for its poignant exploration of youthful yearning and determination, offering a compelling contrast to the heartache and vulnerability seen in songs like “Oh Girl” by The Chi-Lites. Petty’s ability to blend melancholy with hope makes “American Girl” a timeless anthem of aspiration and resilience.

# 4 – Girl, You’ll Be A Woman Soon – Neil Diamond

“Girl, You’ll Be a Woman Soon” by Neil Diamond takes the seventh spot on our list of the 10 Best Songs With the Word ‘Girl’ in the Title. Released in 1967 on Bang Records, this song became one of Diamond’s early hits, reaching No. 10 on the US pop singles chart. Featured on his album Just for You, the track showcases Diamond’s signature blend of emotive storytelling and dramatic melodies. The song found renewed popularity in 1994 when a cover by Urge Overkill was featured in the Pulp Fiction soundtrack, introducing it to a new generation of listeners. While other notable artists like Cliff Richard and Jackie Edwards have recorded their versions, Diamond’s original remains the definitive take, encapsulating the emotional tension of the narrative with his impassioned delivery.

The song was recorded at the legendary American Sound Studio in Memphis, with Neil Diamond serving as both the songwriter and vocalist. The production of the track, handled by Jeff Barry and Ellie Greenwich, features a rich arrangement with lush strings, which appear earlier in the stereo version of the song than in the mono version. The instrumentation, particularly the orchestral strings and subtle guitar work, perfectly complements Diamond’s deep, resonant voice, building a sense of anticipation and urgency. The difference in the song’s mono and stereo versions, particularly in how the strings are incorporated, adds an interesting layer of depth to the recording, showcasing the producers’ meticulous attention to the song’s dynamic flow.

Lyrically, “Girl, You’ll Be a Woman Soon” centers on a man’s plea to a young woman who is torn between her love for him and the disapproval of her family and friends. Lines such as “They never get tired of putting me down” and “Don’t let them make up your mind” reveal the societal pressure they face, with the narrator urging her to make her own decision about their relationship. The repeated refrain, “Girl, you’ll be a woman soon,” hints at the transition from adolescence to adulthood, with the underlying suggestion that she will soon be able to make her own choices. As the seventh song on this list, “Girl, You’ll Be a Woman Soon” offers a unique perspective on the emotional complexity of relationships, contrasting with the optimism of tracks like “Surfer Girl” by The Beach Boys. Diamond’s ability to capture the intensity of young love and societal conflict gives the song a timeless appeal, making it a standout in his catalog and an essential part of this collection.

# 3 – Young Girl – Gary Puckett & The Union Gap

“Young Girl” by Gary Puckett & The Union Gap takes the eighth spot on our list of the 10 Best Songs With the Word ‘Girl’ in the Title. Released in 1968, this Gold-certified single was written, composed, and produced by Jerry Fuller, with instrumental backing provided by the renowned session musicians of The Wrecking Crew. The song became a massive hit, reaching No. 2 on the Billboard Hot 100 for three weeks, held off the top spot by Otis Redding’s “(Sittin’ On) The Dock of the Bay” and Bobby Goldsboro’s “Honey.” Despite this, “Young Girl” managed to top charts in the UK, Canada, Ireland, and New Zealand, solidifying its international success. The song’s mature arrangement and Puckett’s powerful vocal performance contributed to its widespread popularity.

Recorded at Columbia Studios in Los Angeles, “Young Girl” features a blend of orchestral instrumentation and pop-rock sensibility. Fuller’s production brought out the dramatic flair of the song, with Puckett’s commanding vocals driving the narrative forward. The sophisticated string arrangements and tight rhythm section, courtesy of The Wrecking Crew, elevated the song beyond a typical pop tune, adding a layer of emotional depth to the music. The production’s cinematic quality, combined with the haunting melody, helped “Young Girl” resonate with audiences, even decades after its initial release. The song’s re-release in 1974 as part of CBS Records’ “Hall of Fame Hits” series saw it return to the UK charts, reaching No. 6, further cementing its legacy.

Lyrically, “Young Girl” tells the story of a man discovering that the girl he has been romantically involved with is much younger than she appeared. With lines like “Get out of my mind, my love for you is way out of line” and “You led me to believe you’re old enough to give me love,” the song confronts the uncomfortable reality of the narrator’s situation. He expresses his guilt and desire to end the relationship before things go too far, as seen in the verse, “Get out of here before I have the time to change my mind.” The lyrics’ moral tension and sense of urgency reflect the protagonist’s conflicted emotions. As the eighth song on this list, “Young Girl” contrasts with the romantic longing found in tracks like “Girl, You’ll Be a Woman Soon” by Neil Diamond, offering a more complex and morally charged narrative. The song’s haunting melody and emotionally charged lyrics have made it a memorable and enduring hit from the late 1960s.

# 2 – Brown Eyed Girl – Van Morrison

“Brown Eyed Girl” by Van Morrison is the ninth song on our list of the 10 Best Songs With the Word ‘Girl’ in the Title. Released in June 1967, this iconic track became Morrison’s first major hit as a solo artist, peaking at No. 10 on the Billboard Hot 100 and remaining on the chart for sixteen weeks. Written by Morrison and recorded at A&R Studios in New York City during a two-day session in March 1967, “Brown Eyed Girl” was produced by Bert Berns and features the Sweet Inspirations on backing vocals. The recording captured the joyous, nostalgic feel of the song, making it one of the most enduring classics of the 1960s. The song’s infectious melody and carefree vibe have made it Van Morrison’s signature song and a classic rock staple.

The “Brown Eyed Girl” recording features a stellar lineup of session musicians, including guitarists Eric Gale, Hugh McCracken, Al Gorgoni, bassist Russ Savakus, organist Garry Sherman, and drummer Gary Chester. The upbeat rhythm and bright instrumentation, driven by a calypso-inspired beat, underscore the song’s lighthearted lyrics and carefree energy. Originally titled “Brown-Skinned Girl,” Morrison changed the name to “Brown Eyed Girl” during the recording process, which he later said was accidental but ultimately fitting. The song’s production showcases Berns’ ability to create a polished, radio-friendly sound while maintaining the raw authenticity of Morrison’s vocals and songwriting.

Lyrically, “Brown Eyed Girl” is a nostalgic reflection on youthful love and carefree summer days. With lines like “Laughin’ and a-runnin’, hey, hey / Skippin’ and a-jumpin’ / In the misty morning fog,” the song paints a vivid picture of a romanticized past, filled with innocent adventures and fond memories. The repeated refrain, “Sha-la-la, la-la, la-la,” adds to the song’s infectious charm, evoking the timeless simplicity of love and happiness. As the ninth song on this list, “Brown Eyed Girl” contrasts with the more emotionally complex narratives seen in tracks like “Young Girl” by Gary Puckett & The Union Gap, offering a breezy, feel-good anthem that celebrates the joy of young love. Its lasting appeal and frequent use in movies and TV shows further solidify its place as one of the most beloved “girl” songs in rock history.

Read More: Our 10 Favorite Van Morrison Songs

# 1 – My Girl – The Temptations

“My Girl” by The Temptations holds the final spot on our list of the 10 Best Songs With the Word ‘Girl’ in the Title. Released in 1964 under the Gordy (Motown) label, this soul classic quickly became the group’s first No. 1 hit on the Billboard Hot 100, making it one of Motown’s most beloved and enduring tracks. Written by Smokey Robinson and Ronald White of The Miracles, “My Girl” was inspired by Robinson’s wife, Claudette Rogers Robinson, and serves as a heartfelt ode to love and devotion. The song was featured on The Temptations Sing Smokey album and solidified David Ruffin’s role as lead vocalist, marking a turning point in the group’s career. In 2017, “My Girl” was inducted into the National Recording Registry by the Library of Congress for its cultural, historical, and aesthetic significance.

The song was recorded at Motown’s famous Hitsville U.S.A. Studio in Detroit, with the production handled by Smokey Robinson himself. The instrumental backing was provided by Motown’s house band, The Funk Brothers, whose tight rhythm section and smooth strings elevated the track’s rich, soulful sound. Ruffin’s powerful yet tender vocals, coupled with the song’s lush orchestration, perfectly capture the pure joy and contentment of being in love. The iconic bassline, played by James Jamerson, and Robert White’s melodic guitar riff became instantly recognizable elements that helped “My Girl” become a defining moment in The Temptations’ discography and a staple of the Motown sound.

Lyrically, “My Girl” is a celebration of love and the simple pleasures that it brings. Lines like “I’ve got sunshine on a cloudy day” and “I’ve got so much honey, the bees envy me” reflect the narrator’s overwhelming happiness and fulfillment. The repeated refrain, “My girl, my girl, talkin’ ’bout my girl,” reinforces the song’s theme of devotion and admiration. As the closing track on this list, “My Girl” contrasts with the more melancholic themes of songs like “Young Girl” by Gary Puckett & The Union Gap, offering a jubilant and timeless declaration of love. Its enduring popularity and emotional resonance have made it one of the most celebrated “girl” songs in music history, cementing The Temptations’ place as soul legends.