10 Best Songs With The Word 'Mind' In The Title

Feature Photo: Greg Rakozy

These ten rock songs tap into the intricate workings of the mind, each offering a unique perspective on life’s struggles and reflections. Steely Dan’s “Time Out of Mind” captures the dangerous allure of temptation, while Billy J. Kramer’s “The Grass Won’t Pay You No Mind” drifts into the peacefulness of love’s quiet moments. Ringo Starr’s “Memphis in Your Mind” is a nostalgic ride through rock and roll history, and George Harrison’s “Got My Mind Set on You” brims with focused determination. John Lennon’s “Mind Games” speaks to the desire for unity and peace, contrasting with the heartbreaking introspection of Gordon Lightfoot’s “If You Could Read My Mind.”

Billy Joel’s “New York State of Mind” finds solace in the familiar streets of home, while Kansas’s “What’s on My Mind” contemplates personal growth and self-discovery. Elvis Presley’s “Suspicious Minds” explores the destructive power of doubt in relationships. Boston’s “Peace of Mind” concludes the list by urging a break from societal competition to find personal clarity. Together, these songs create a powerful reflection on the complexities of the mind, showing how rock music can express everything from conflict to inner calm.

# 10 – Time Out Of Mind – Steely Dan

Kicking off the list is Steely Dan’s “Time Out of Mind,” a track from their 1980 album Gaucho. It’s an intriguing opener, known for its upbeat sound yet deeply layered meaning, making it the perfect song to dive into the complexities of the word “mind.” Released during a tumultuous time for the band, the song’s sunny jazz-rock vibe contrasts sharply with its underlying theme of addiction and longing for escape. Written by Donald Fagen and Walter Becker, the song subtly references heroin use, using coded language like “chase the dragon” to speak about the pursuit of elusive highs.

The “Time Out of Mind” recording process was as intense as the song. Steely Dan’s perfectionism in the studio peaked during the production of Gaucho, with obsessive overdubs and mixing sessions pushing the limits of the recording tape. Guitarist Mark Knopfler of Dire Straits was brought in for the track, contributing his signature style to the mix, though the process was reportedly painstaking. Meanwhile, Becker was largely absent from the sessions due to personal struggles, communicating remotely due to a car accident that left him sidelined. Despite these challenges, the song emerged as a standout on Gaucho and became the band’s last charting hit before they disbanded later that year.

Lyrically, “Time Out of Mind” plays with themes of temptation and the allure of stepping outside the boundaries of everyday life. Lines like “the water may change to cherry wine” and “the silver will turn to gold” hint at transformation, but they also carry a darker edge, referencing the fleeting escape that addiction can offer. The repeated phrase “time out of mind” suggests a desire to lose oneself entirely, to escape the present moment and disappear into a different reality. The song’s jazzy groove almost hides these dark themes, creating a juxtaposition that’s characteristic of Steely Dan’s music—bright on the surface, but complex and layered underneath.

# 9 – The Grass Won’t Pay You No Mind – Billy J. Kramer

The Best Of Billy J Kramer With The Dakotas

Billy J. Kramer’s rendition of “And the Grass Won’t Pay No Mind” brings a unique charm to a song originally penned by Neil Diamond. The song, written in 1969 and first recorded by Diamond on his Brother Love’s Travelling Salvation Show album, showcases his poetic talent with lyrics that evoke a peaceful, pastoral romance. Neil Diamond’s original version also gained further attention when it was featured on his renowned Hot August Night live album. While Diamond’s version was a minor hit in Australia, the song found new life in other hands, including Mark Lindsay’s hit version in 1970 and, of course, Billy J. Kramer’s heartfelt single release in 1971. Kramer’s cover was issued as a non-album single primarily for the European market, adding a British pop flavor to Diamond’s folksy Americana tone.

Lyrically, “And the Grass Won’t Pay No Mind” paints a serene, almost dreamlike picture of love in nature, with the grass symbolizing the timeless and unspoken beauty of the world as the lovers lay together. The imagery in the song—like the soft falling of hair, the stream, and the kiss of the sun—speaks to a delicate moment suspended in time, where the only focus is the bond between two people. Billy J. Kramer’s delivery of the song emphasizes this tenderness, with his vocals lending an air of earnest simplicity to the composition. While Diamond’s original feels more deeply embedded in folk-rock traditions, Kramer’s version brings a lighter, almost wistful touch, which gives the song a new dimension.

Musically, the song is carried by its gentle melody, with acoustic arrangements complementing the calm, idyllic lyrics. Kramer’s vocals highlight the softness of the lyrics, with particular emphasis on lines such as “And the time will be our time / And the grass won’t pay no mind,” capturing the idea that love transcends time and place. The music flows as naturally as the imagery of nature that Diamond crafted, reflecting a sense of peace and eternal connection.

Although Kramer’s version didn’t achieve the same level of commercial success as some of his earlier hits or the original Diamond recording, it stands as a noteworthy contribution to his career and to the song’s journey through different artists’ hands. The combination of gentle instrumentation and sentimental lyrics makes it a perfect fit for fans of melodic ballads, and Kramer’s ability to make the song his own only adds to its enduring appeal.

# 8 – Memphis In Your Mind – Ringo Starr

Released on Ringo Rama, Ringo Starr’s thirteenth studio album in 2003, “Memphis in Your Mind” is a lively homage to the city known for shaping rock and roll. The song draws on the rich history of Memphis, home to Sun Records and icons like Elvis Presley, blending Starr’s charm with an infectious rockabilly sound. The album was recorded at Rocca Bella, Starr’s studio in London, and Mark Hudson’s Whatinthewhatthe? Studios in Los Angeles. Alongside Starr, the song features notable musicians such as David Gilmour, Eric Clapton, and Timothy B. Schmit, creating a robust musical foundation for the track. Production was led by Starr, Hudson, and Gary Nicholson, continuing the successful collaboration they had developed on previous albums.

The lyrics of “Memphis in Your Mind” paint a vivid picture of the legendary city, tying it to the spirit of rock and roll’s golden age. With playful lines like “You can have two left feet, and you can still keep the beat,” Starr captures the idea that anyone can embrace the energy and spirit of Memphis, regardless of background or skill. References to classic songs such as “Heartbreak Hotel” and figures like Peggy Sue reinforce the idea that Memphis, in Starr’s mind, is a symbol of rock’s timeless appeal. These nostalgic references tie well into the other songs on the list, such as Time Machine by Grand Funk Railroad, which similarly taps into the power of memory and musical history. Just as “Time Machine” evokes a sense of reliving the past, “Memphis in Your Mind” takes listeners on a journey through the iconic city, but this time, Starr creates the journey within the listener’s imagination rather than through literal time travel.

Critically, “Memphis in Your Mind” showcases Starr’s ability to blend nostalgia with fun. It’s a track that doesn’t take itself too seriously, yet it’s steeped in musical history, much like “Time the Avenger” by The Pretenders. Both songs reflect on the past in unique ways: where The Pretenders take a more somber tone about the passage of time, Starr opts for an upbeat, celebratory mood. The upbeat tempo of “Memphis in Your Mind” complements its carefree lyrical tone, inviting listeners to dance along in their own version of the iconic city. This connection between imagination and nostalgia gives the song its heart, while Starr’s timeless charm shines through.

Lyrically, “Memphis in Your Mind” tells listeners that to be the “king,” they must embrace the spirit of Memphis, reinforcing the city’s legendary status as the birthplace of rock and roll. The song’s playful attitude—evident in lines like “Well I kissed Peggy Sue, and you could have too”—reminds listeners that Starr is celebrating rock’s origins, calling on a past full of rebellion, fun, and freedom. The connection to classic rock themes and its upbeat, inviting atmosphere make “Memphis in Your Mind” a fitting addition to a list of rock songs celebrating introspection, imagination, and reflection, further highlighting the song’s deep connection to the mind’s ability to relive and recreate the magic of rock history.

Read More: Top 10 Ringo Starr Songs

# 7 – Got My Mind Set On You – George Harrison

George Harrison’s 1987 hit “Got My Mind Set on You” is one of the most enduring tracks from his solo career and a standout on Cloud Nine. Originally written by Rudy Clark and first recorded by James Ray in 1962, Harrison’s version transformed the song into a lively, infectious anthem of perseverance. Produced by Harrison alongside Jeff Lynne, the track was recorded at Friar Park Studios, Harrison’s home studio in Oxfordshire, with sessions running from January to August 1987. The lineup of musicians contributing to the song included Jim Keltner on drums, Jim Horn on saxophone, Ray Cooper on percussion, and Lynne himself on bass and keyboards. The strong production quality and Lynne’s polished touch helped rejuvenate Harrison’s sound, bringing the former Beatle back to the top of the charts.

The lyrics of “Got My Mind Set on You” revolve around the theme of determination and the resolve to achieve a goal. Harrison sings with single-minded focus: “I got my mind set on you,” repeating the phrase like a mantra. This persistence is highlighted in the verses, where Harrison notes, “It’s gonna take time, a whole lotta precious time,” underlining that patience and effort are key to success. Comparatively, Steely Dan’s “Time Out of Mind” also touches on mental resolve, though Steely Dan’s track delves into more complex themes of addiction and longing. Where “Got My Mind Set on You” offers an optimistic outlook, “Time Out of Mind” suggests an escape through darker means, reflecting two very different paths toward mental clarity and fulfillment.

Commercially, “Got My Mind Set on You” was a major success, becoming Harrison’s third—and final—number one hit in the United States. It also marked the last time a solo Beatle would top the Billboard Hot 100, cementing its place in music history. The song’s upbeat and infectious energy resonated with listeners, helping it maintain a strong presence on the charts throughout late 1987 and into 1988. In the UK, the track reached number two, only held off the top spot by T’Pau’s “China in Your Hand.” The song’s success was further boosted by its memorable music video, featuring Harrison in a whimsical room where the furniture and décor come to life, a playful visual that matched the song’s lighthearted tone.

While the song may seem lyrically straightforward, its repetition and simplicity give it a universal appeal. Harrison’s playful delivery, combined with the upbeat arrangement, creates a sense of joy and optimism. This contrasts with the more introspective tone of other songs on this list, such as Billy J. Kramer’s “The Grass Won’t Pay You No Mind,” which reflects a more serene and peaceful connection with nature. Harrison’s track, in contrast, is all about action—about setting one’s sights on a goal and pursuing it with relentless energy. It’s a fitting representation of mental focus and drive, making “Got My Mind Set on You” a perfect addition to the list of the best songs with “mind” in the title.

Read More: Top 10 George Harrison Songs

# 6 – Mind Games – John Lennon

John Lennon’s “Mind Games,” the lead single from his 1973 album of the same name, is a quintessential track from his post-Beatles solo career. Released on October 29, 1973, in the U.S. and a few weeks later in the U.K., “Mind Games” reflects Lennon’s continued commitment to promoting peace, unity, and personal transformation during a turbulent period in his life. The track peaked at number 18 on the U.S. Billboard Hot 100 and number 10 on the Cashbox Top 100, while in the U.K. it reached number 26. Although it did not achieve the same chart-topping success as some of Lennon’s earlier solo works, “Mind Games” remains a significant song in his catalog, embodying both his philosophical musings and his personal struggles.

Recorded at the Record Plant Studios in New York between July and August 1973, the song was produced by Lennon himself, marking a departure from his previous collaborations with Phil Spector. The personnel on the track included Lennon on vocals and guitar, with David Spinozza on additional guitar, Ken Ascher on keyboards, Gordon Edwards on bass, and Jim Keltner on drums. The track’s sonic landscape is rich, blending rock with subtle layers of mysticism and philosophical undertones. Critics at the time praised Lennon’s vocal performance, with Cash Box highlighting its “top flight vocal performance backed by that steady, yet driving, tempo.”

Lyrically, “Mind Games” reflects Lennon’s shift towards themes of spiritual awakening and inner peace. Drawing inspiration from Robert Masters and Jean Houston’s book Mind Games: The Guide to Inner Space, Lennon explores concepts of mindfulness, mental freedom, and collective consciousness. The song’s recurring line, “Love is the answer,” reiterates Lennon’s belief in love and peace as universal truths. The lyric “Yes is the answer” is also a personal nod to Yoko Ono’s conceptual art piece that had played a role in bringing them together. This message of positivity aligns with the overarching theme of love and connection seen in other songs on this list, such as Steely Dan’s “Time Out of Mind.” Both tracks explore the mind as a space for escape, though Steely Dan’s interpretation focuses on addiction and a darker form of liberation, while Lennon’s “Mind Games” advocates for peace and harmony through mental and spiritual practices.

Musically, “Mind Games” balances between rock and a reflective, almost meditative atmosphere. The driving rhythm and lush instrumentation complement Lennon’s impassioned vocal delivery. The lyrics urge listeners to “keep on playing those mind games together,” suggesting that through collective mental effort, humanity can rise above its struggles. This theme of unification through shared thought is echoed in Ringo Starr’s “Memphis in Your Mind,” where the power of imagination and memory creates a personal journey for the listener. However, while Starr’s song focuses more on rock and roll nostalgia, Lennon’s “Mind Games” calls for a deeper form of societal and personal transformation.

Ultimately, “Mind Games” is a testament to Lennon’s enduring message of peace and love, emphasizing the power of the mind in shaping one’s reality. Its timeless appeal lies in its ability to inspire reflection, both personal and collective, making it a fitting addition to this list of the best songs with “mind” in the title.

# 5 – If You Could Read My Mind – Gordon Lightfoot

Released in 1970, “If You Could Read My Mind” is one of Gordon Lightfoot’s most celebrated songs, both commercially and critically. Written during a period of personal turmoil, the song reflects Lightfoot’s emotional state as he was going through a divorce. Its deeply introspective lyrics and haunting melody have resonated with audiences for decades, helping it reach number one on the Canadian Singles Chart and number five on the U.S. Billboard Hot 100. Produced by Lenny Waronker and Joe Wissert, the track was recorded at Sunwest Recording Studios in Los Angeles, with strings arranged by Nick DeCaro. The delicate string arrangements and Lightfoot’s acoustic guitar create a rich, melancholy atmosphere that perfectly matches the song’s themes of loss, reflection, and the irrevocable end of a relationship.

Lyrically, “If You Could Read My Mind” uses cinematic and literary imagery to express the dissolution of a marriage, comparing it to an “old time movie” and a “paperback novel.” The line “But heroes often fail” reflects the vulnerability and failure Lightfoot feels as he grapples with the end of his relationship. The recurring metaphor of a ghost — “as long as I’m a ghost, you can’t see” — emphasizes the emotional distance between the partners, with Lightfoot acknowledging the haunting presence of unresolved emotions. This theme of trying to understand and process the emotional distance is also reflected in John Lennon’s “Mind Games,” where Lennon advocates for unity and inner peace, though with a more hopeful outlook. Both songs explore the complexity of human emotions, but where “Mind Games” calls for collective healing, “If You Could Read My Mind” is deeply personal and introspective, reflecting the difficulty of emotional reconciliation.

Critically, “If You Could Read My Mind” has been lauded for its lyrical depth and haunting melody. At the time of its release, the song showcased Lightfoot’s remarkable ability to write evocative, storytelling lyrics that could capture universal emotions. Its success on the charts, particularly its number one position on the Canadian Singles Chart and its top-five position on the U.S. Billboard Hot 100, solidified Lightfoot’s place as one of the most influential singer-songwriters of his generation. In 2023, the song re-entered the U.S. Hot Rock & Alternative Songs chart at number 17, following Lightfoot’s passing, a testament to its lasting impact on listeners. This revival reflects the song’s enduring ability to connect with new generations, much like Ringo Starr’s “Memphis in Your Mind” taps into a sense of nostalgia for rock and roll’s golden age, albeit through a different lens.

Lightfoot’s introspective lyrics are further enriched by his vocal delivery, which conveys both sorrow and resignation. The line “I don’t know where we went wrong, but the feeling’s gone and I just can’t get it back” perfectly captures the helplessness and finality that often accompanies the end of a relationship. Similar to Billy J. Kramer’s “The Grass Won’t Pay You No Mind,” where nature acts as a serene backdrop for the unfolding emotions, Lightfoot uses metaphors to explore the inner landscape of a relationship gone wrong. However, while Kramer’s song finds peace in nature, Lightfoot’s narrative remains unresolved, mirroring the complexities of human relationships. This depth, combined with its memorable melody, ensures that “If You Could Read My Mind” continues to be regarded as one of the greatest songs of its era.

# 4 – New York State Of Mind – Billy Joel

“New York State of Mind,” featured on Billy Joel’s 1976 album Turnstiles, is one of the artist’s most beloved tracks, despite never being released as a single. Written upon Joel’s return to New York after a brief period living in Los Angeles, the song captures the deep emotional connection the singer has with his hometown. Recorded at Columbia Recording Studios in New York City, the track features Billy Joel on piano and vocals, Richie Cannata on saxophone, Liberty DeVitto on drums, and Doug Stegmeyer on bass, with orchestral arrangements by Ken Ascher. The song’s blend of jazz, pop, and blues perfectly mirrors the complexity of New York City itself, making it an anthem for those who feel a deep bond with the city’s vibrant and often chaotic energy.

Lyrically, the song reflects a longing for the familiar sights and sounds of New York. Joel contrasts the allure of other glamorous destinations like “Miami Beach” and “Hollywood” with the gritty, yet comforting reality of his home city. In lines such as “But now I need a little give and take, The New York Times, The Daily News,” Joel evokes the everyday rhythm of life in New York, suggesting that there is a balance between chaos and peace that only the city can provide. This theme of returning to one’s roots and seeking solace in a familiar place echoes Gordon Lightfoot’s “If You Could Read My Mind,” where personal reflection and introspection also play a central role. However, while Lightfoot’s song grapples with the end of a relationship, Joel’s “New York State of Mind” finds comfort in reconnection and the stability that the city represents.

Critically, “New York State of Mind” has been praised for its timeless quality, both musically and lyrically. Joel’s delivery of the song is heartfelt, and Richie Cannata’s saxophone solo enhances its nostalgic feel, giving the track an almost cinematic atmosphere. Over the years, the song has become an enduring staple of Joel’s live performances, gaining even more resonance during times of crisis. Notably, Joel performed the song at The Concert for New York City following the 9/11 attacks, where his lyrics took on a new depth of meaning for the people of New York. Similarly, his 2012 performance at The Concert for Sandy Relief further cemented the song as an anthem of resilience and unity, qualities that can also be seen in John Lennon’s “Mind Games.” Both songs call for reflection, but where Lennon’s track speaks to the power of collective consciousness, Joel’s focuses on personal reconnection with a place that feels like home.

Overall, “New York State of Mind” is a powerful ode to the city that never sleeps, combining rich lyrical imagery with Joel’s signature piano-based sound. Its universal themes of longing, identity, and belonging resonate just as deeply today as they did upon its release, making it a timeless classic. The song’s ability to evoke strong emotions through its blend of jazz and pop elements makes it a fitting addition to this list of the best songs with “mind” in the title.

Read More: Top 10 Billy Joel Songs

# 3 – What’s On My Mind – Kansas

“What’s on My Mind,” written by Kansas guitarist and primary songwriter Kerry Livgren, has always been one of our favorite songs from the band’s 1976 album Leftoverture. Although it didn’t achieve the same level of commercial success as the album’s lead single “Carry On Wayward Son,” it still holds a special place in Kansas’s catalog. Recorded at Studio in the Country in Bogalusa, Louisiana, and produced by Jeff Glixman, the track captures the band’s unique fusion of progressive rock and melodic hooks. The song was released as a single in May 1977, reaching number 87 on the Cash Box Top 100 and number 89 in Canada. While it didn’t chart on the Billboard Hot 100, its significance as the first song written for Leftoverture laid the groundwork for the rest of the album’s iconic tracks.

Musically, “What’s on My Mind” is built on a foundation of soaring guitar riffs and dynamic changes, showcasing Kansas’s signature blend of rock and complex arrangements. Livgren’s guitar work shines throughout, supported by the tight rhythm section of Phil Ehart on drums and Dave Hope on bass. Vocalist Steve Walsh delivers a powerful performance, adding emotional depth to the song’s themes of reflection and growth. Richie Cannata’s saxophone work on Billy Joel’s “New York State of Mind” brings a similar sense of passion and emotional weight to its composition, but Kansas opts for a more driving and energetic delivery. The interplay between Livgren’s guitar and Robby Steinhardt’s violin creates a unique texture, adding a layer of complexity that distinguishes Kansas from other progressive rock bands of the era.

Lyrically, “What’s on My Mind” reflects a theme of personal evolution and emotional clarity, similar to Gordon Lightfoot’s introspective reflections in “If You Could Read My Mind.” Livgren’s lyrics detail a journey of self-discovery and reconciliation with the past, expressed through lines like, “Well, I found you, or maybe I found myself, and I think we knew it all of the time.” The song’s protagonist looks back on a relationship that helped shape him, yet acknowledges that he has emerged stronger and more self-aware. In contrast to the more somber tone of Lightfoot’s song, “What’s on My Mind” has an optimistic edge, emphasizing personal growth and the relief that comes from healing.

Overall, “What’s on My Mind” is an essential track on Leftoverture, showcasing Kansas’s signature blend of progressive complexity and emotional intensity. While it may not have reached the commercial heights of “Carry On Wayward Son,” the song remains a fan favorite and a testament to Livgren’s songwriting prowess. Its themes of self-discovery and resilience resonate, making it a perfect fit for this list of songs that explore the mind and its emotional landscape. The combination of intricate musicianship and reflective lyrics makes “What’s on My Mind” a worthy addition to Kansas’s rich legacy and to this collection of great songs with “mind” in the title.

# 2 – Suspicious Minds – Elvis Presley

“Suspicious Minds” is one of the most iconic songs of Elvis Presley’s career, marking his triumphant return to the top of the charts in 1969. Written by Mark James and originally recorded by him in 1968, the song did not achieve commercial success until Elvis took it to new heights. Produced by Chips Moman and recorded at American Sound Studio in Memphis, “Suspicious Minds” was released on August 26, 1969, and quickly climbed to number one on the Billboard Hot 100. It became Presley’s eighteenth—and final—number one single, a defining moment in his comeback era after the ’68 Comeback Special. The song’s blend of rock, country, and soul, combined with Elvis’s emotionally charged performance, made it an enduring classic.

The song’s lyrics revolve around a troubled relationship poisoned by jealousy and mistrust. Lines such as “We can’t go on together with suspicious minds” capture the emotional strain of constant suspicion, while the repeated refrain “caught in a trap” echoes the feeling of being stuck in a cycle of doubt. Much like Gordon Lightfoot’s “If You Could Read My Mind,” “Suspicious Minds” delves deep into the complexities of relationships, though Elvis’s track focuses on the erosion of trust rather than the introspective regret of Lightfoot’s song. The emotionally raw content of the lyrics is amplified by Presley’s impassioned vocal delivery, which moves from tenderness to frustration, capturing the tumult of a failing relationship. The production is equally dynamic, with the song building towards a dramatic crescendo, only to fade out and return, mirroring the emotional push and pull in the narrative.

Recorded during the early morning hours of January 23, 1969, “Suspicious Minds” was a crucial part of the From Elvis in Memphis sessions, which helped solidify Presley’s return to the forefront of the music world. The musicians on the track included Reggie Young on guitar, Tommy Cogbill on bass, and Gene Chrisman on drums, with backing vocals from the Holladay Sisters. Moman’s production brought out the best in Elvis, blending lush arrangements with a soulful, gritty sound that reflected the Memphis musical heritage. The track’s horns, strings, and driving rhythm created a rich, textured sound that helped elevate the song beyond a typical pop record.

“Suspicious Minds” has been criticized as one of Presley’s best post-1960s recordings. The song’s seamless combination of rock and soul and its emotionally charged lyrics allowed Elvis to reconnect with his audience in a deeply personal way. Like John Lennon’s “Mind Games,” “Suspicious Minds” explores emotional conflict, but where Lennon’s song focuses on internal struggles and collective consciousness, Presley’s is a raw portrayal of relational mistrust. Both tracks reflect the complexities of human emotion but approach them from different angles—one philosophical and reflective, the other passionate and immediate.

“Suspicious Minds” resonates with listeners decades after its release, earning its place in the Grammy Hall of Fame in 1999. Its timeless message, powerful production, and Presley’s unforgettable performance make it a cornerstone of his musical legacy and an essential inclusion in this list of the best songs with “mind” in the title.

# 1 – Peace Of Mind – Boston

“Peace of Mind” by Boston, featured on their 1976 self-titled debut album, delivers a message that goes beyond the typical rock anthem. Written by Tom Scholz, the song is about stepping away from the pressures of corporate ambition and choosing a path of inner peace and contentment. While many songs of the era focused on rebellion or romantic themes, “Peace of Mind” taps into a more introspective narrative. It reflects Scholz’s personal experiences working at Polaroid, where he found himself disillusioned with the idea of climbing the corporate ladder. The song’s lyrics—”People livin’ in competition, all I want is to have my peace of mind”—invite listeners to consider what really matters in life.

Musically, the track is driven by Scholz’s intricate guitar work and Brad Delp’s soaring vocals, blending seamlessly with the rich production. Scholz originally worked on the demo in his basement, long before the band had a record deal, and the final version didn’t stray far from that early recording. The clean, harmonized guitar lines and layered instrumentation became a hallmark of Boston’s sound. Recorded at Studio in the Country, the track features Sib Hashian on drums, delivering a rhythmic foundation that complements Scholz’s meticulous production. The craftsmanship of “Peace of Mind” helped make Boston’s debut album one of the defining records of the late ’70s rock scene.

In comparison to other songs on this list, such as Billy Joel’s “New York State of Mind,” which focuses on reconnecting with one’s roots, “Peace of Mind” emphasizes a personal journey of self-awareness and rejection of societal expectations. Both songs share themes of clarity and introspection, yet Boston’s track offers a rock-driven, anthemic take on finding fulfillment beyond material success. Its enduring appeal on rock radio, paired with its reflective lyrics, makes it a fitting close for this list exploring the deeper meanings behind songs with “mind” in the title.