10 Best Songs With The Word 'Think' In The Title

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Whenever I hear the word “Think,” I am reminded of the old Three Stooges routine when Curly says, “I tried to think, but nothing happens.” In rock music, the word “think” has been used in countless ways, weaving through themes of desire, self-awareness, and resilience.

Fleetwood Mac’s “Think About Me” sets the tone with its polished yet emotionally resonant exploration of love and independence, a hallmark of Tusk. Stevie Nicks takes a more introspective route with “Think About It,” offering heartfelt advice and encouragement on her debut solo album, Bella Donna. Tommy James & The Shondells bring youthful urgency and secrecy with “I Think We’re Alone Now,” a timeless anthem of forbidden romance. Rod Stewart’s “Da Ya Think I’m Sexy?” blends playful flirtation with disco glitz, showing how humor and sensuality can coexist in a genre-bending hit.

Linda Ronstadt and James Taylor’s duet “I Think It’s Gonna Work Out Fine” reimagines an R&B classic with warmth and chemistry, while The Partridge Family’s “I Think I Love You” captures the innocence and thrill of realizing romantic feelings. The Rolling Stones deliver sharp introspection and biting critique in “Think,” contrasting the tender optimism of other entries. George Harrison’s “Think For Yourself” calls for individuality and self-reliance, underpinned by inventive instrumentation that pushed the boundaries of Rubber Soul. Eddie Money’s “Think I’m in Love” adds a burst of 1980s energy, balancing raw passion with catchy hooks.

Finally, Aretha Franklin’s “Think” closes the list with a powerful declaration of freedom and respect, cementing its place as an anthem of empowerment.

# 10 – Think About Me – Fleetwood Mac

Fleetwood Mac’s “Think About Me,” a Christine McVie composition, is a breezy yet emotionally charged song from the band’s iconic 1979 double album, Tusk. Recorded at the famed Village Recorder studios in Los Angeles, the track features the impeccable production of Lindsey Buckingham and the band, blending a crisp pop-rock sound with the layered instrumentation that defines Fleetwood Mac’s signature style. While not as experimental as many of the tracks on Tusk, “Think About Me” showcases McVie’s ability to craft deceptively simple melodies with underlying emotional depth.

# 9 – Think About It – Stevie Nicks

Recorded during the Bella Donna sessions at Studio 55, with overdubs at Goodnight L.A. and Record One, the song highlights Nicks’s evolution as a solo artist. Co-written by Nicks and Roy Bittan and produced by Jimmy Iovine, the recording features Bill Payne on piano, Waddy Wachtel on guitar, and Bob Glaub on bass, bringing warmth and richness to the soundscape and reflecting the album’s polished yet emotionally resonant aesthetic.

Read More: Top 10 Stevie Nicks Albums

# 8 – I Think We’re Alone Now – Tommy James & The Shondells

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Tommy James & The Shondells’ “I Think We’re Alone Now,” released in 1967, is an enduring anthem of youthful rebellion and clandestine romance. Recorded on Christmas Eve 1966 at Allegro Sound Studios in New York City, the track was produced by Ritchie Cordell and Bo Gentry, who helped craft its distinctive bubblegum sound. The recording features studio musicians, including Artie Butler on the ondioline, Al Gorgoni on guitar, and Bobby Gregg on drums, alongside James and Shondells guitarist Eddie Gray. This meticulous layering of instruments and strategic use of dynamics, such as quiet choruses contrasted with driving verses, helped give the recording its distinctive character.

A commercial success, the single peaked at number four on the Billboard Hot 100 and spent an impressive 17 weeks on the charts, solidifying its place as one of the band’s most iconic hits.

# 7 – Da Ya Think I’m Sexy? – Rod Stewart

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Rod Stewart’s “Da Ya Think I’m Sexy?,” released in 1978, represents a bold venture into the disco genre by an artist traditionally associated with rock and blues. Featured on his ninth studio album, Blondes Have More Fun, the song showcases Stewart’s willingness to experiment with his sound. Stewart, Carmine Appice, and Duane Hitchings co-wrote the track, which was recorded at Cherokee Studios in Los Angeles. Produced by Tom Dowd, the recording merges disco’s rhythmic pulse with Stewart’s characteristic rock sensibility. The song draws inspiration from Jorge Ben Jor’s “Taj Mahal” and features elements reminiscent of Bobby Womack’s “(If You Want My Love) Put Something Down On It,” highlighting its layered and eclectic musical foundation.

The song achieved massive commercial success, reaching number one on the Billboard Hot 100 and topping the charts in the UK, Canada, and Australia. While critics were divided over Stewart’s move into disco, the track became a cultural touchstone of the late 1970s. The accompanying music video, with its extravagant visuals, further amplified its appeal. Notably, Stewart donated royalties from the song to UNICEF, adding an altruistic layer to its legacy. “Da Ya Think I’m Sexy?” remains a standout in Stewart’s discography for its audacity and its enduring ability to get audiences moving.

# 6 – Linda Ronstadt – I Think It’s Gonna Work Out Fine (with James Taylor)

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Linda Ronstadt’s collaboration with James Taylor on “I Think It’s Gonna Work Out Fine” is a captivating reinterpretation of Ike and Tina Turner’s 1961 R&B classic, bringing their distinctive voices and musical sensibilities to this playful duet. Featured on Ronstadt’s Get Closer album, released in 1982, the track exemplifies the dynamic versatility both artists were celebrated for during this period. Recorded and mixed at Record One and George Massenburg Studios and produced by Peter Asher, the song blends nostalgic charm with contemporary polish. Ronstadt and Taylor’s chemistry shines through, backed by an ensemble that included Rick Shlosser on drums, Bob Glaub on bass, Dan Dugmore and Waddy Wachtel on electric guitars, Andrew Gold on percussion, and Jim Horn on baritone saxophone. The precise interplay of their voices mirrors the original’s affectionate banter while infusing it with a modern, laid-back groove.

# 5 – I Think I Love You – The Partridge Family

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I wonder how many people looking at this list could say this was one of the first singles they ever bought when they were around ten years old. Do you remember how big this song was? Bursting onto the music scene in 1970, “I Think I Love You” by The Partridge Family became an unforgettable pop phenomenon. Tony Romeo wrote the track, and Wes Farrell produced it at Western Recorders in Los Angeles, crafting its lush, radio-friendly sound. David Cassidy provided the lead vocals with backing from Shirley Jones, while studio musicians from the legendary Wrecking Crew, including Hal Blaine on drums, Joe Osborn on bass, and Dennis Budimir and Louie Shelton on guitar, created the vibrant instrumental foundation. “I Think I Love You” achieved monumental success, reaching number one on the Billboard Hot 100 and earning gold certification.

Read More: Top 10 Partridge Family Songs

# 4 – Think – The Rolling Stones

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“Think” by The Rolling Stones offers a bracing blend of sharp lyricism and biting instrumentation, showcasing the band’s evolving artistry during the mid-1960s. Recorded at RCA Studios in Hollywood during December 1965 and March 1966 sessions for the Aftermath album, the track was produced by Andrew Loog Oldham. Featuring Mick Jagger’s assertive vocals and Keith Richards’ fuzz-driven guitar, the song exudes a raw energy that reflects the band’s willingness to experiment with new textures and themes. Brian Jones on rhythm guitar, Bill Wyman on bass, and Charlie Watts on drums support this dynamic core, with the rhythm section providing a tight backbone for the song’s confrontational tone.

Read More: Top 10 Rolling Stones Album Covers

# 3 – Think For Yourself – The Beatles

“Think For Yourself,” penned by George Harrison for Rubber Soul (1965), represents a pivotal moment in Harrison’s songwriting evolution, signaling his emergence as a creative force alongside Lennon and McCartney. Recorded at Abbey Road Studios on November 8, 1965, under George Martin’s production, the track stands out for its innovative use of tonal ambiguity and unconventional instrumentation. Paul McCartney’s dual bass lines, one clean and the other distorted through a fuzzbox, add a unique texture, marking one of the earliest instances of a fuzzbox being used on a bass guitar. This experimental approach complements the song’s message of independent thought, a theme that resonates throughout its sharp and reflective lyrics.

The song’s lyrics, with lines like “Although your mind’s opaque, try thinking more if just for your own sake,” urge listeners to reject conformity and embrace individuality. While this could be interpreted as a critique of societal norms or a disillusioned lover, the tone evokes the introspective ethos of Rubber Soul. This sentiment contrasts with the playful optimism of The Partridge Family’s “I Think I Love You” and the pointed critique of The Rolling Stones’ “Think.” Where “Think For Yourself” finds strength in its measured wisdom, The Rolling Stones deliver their message with more direct aggression, offering a fascinating dichotomy between introspection and confrontation.

Read More: Top 10 Beatles Love Songs

# 2 – Think I’m In Love – Eddie Money

Eddie Money’s “Think I’m in Love,” a standout track from his 1982 album No Control, marked a pivotal moment in the artist’s career and rejuvenated his presence on the charts. Produced by Tom Dowd, the song paired Money’s gritty vocals with a polished rock arrangement. Written by Money and Randy Oda, the track’s irresistible hooks and dynamic instrumentation captured the energy of early 1980s rock. The song features Ralph Carter on bass, Gary Mallaber on drums, and Marty Walsh, Jimmy Lyon, and Chuck Kirkpatrick on guitar, creating a tight musical foundation that perfectly complements Money’s emotive delivery.

Read More: Top 10 Eddie Money Songs

# 1 – Think – Aretha Franklin

Aretha Franklin’s “Think” is a commanding anthem of empowerment and independence, written by Franklin and her then-husband Ted White. Originally recorded for the Aretha Now album in 1968, the track epitomizes Franklin’s unmatched ability to blend social commentary with irresistible grooves. Produced by Jerry Wexler at Atlantic Records’ New York studios, the song features an outstanding lineup of musicians, including Franklin on piano, Jerry Jemmott on bass, Roger Hawkins on drums, and Spooner Oldham on Hammond organ. The vibrant horn section, led by Willie Bridges and Wayne Jackson, and the soulful harmonies of The Sweet Inspirations add depth and power to the arrangement.

Read More: 10 Essential Aretha Franklin Songs