This list takes a deep dive into some of the best examples of songs with the word ‘year in the title highlighting both well-known classics and deeper cuts that showcase the diverse ways artists have approached this theme. Starting with Al Stewart’s “Year of the Cat,” we have a cinematic and atmospheric track that uses the metaphor of a feline year to describe an elusive, mysterious experience. Led Zeppelin’s “Ten Years Gone” reflects on love lost and the emotional impact of time with its rich, layered guitar work and introspective lyrics. Steely Dan’s “Reelin’ In the Years” captures the frustration of hindsight and unfulfilled promises, all wrapped up in a dynamic, guitar-driven arrangement. George Harrison’s tribute to John Lennon, “All Those Years Ago,” stands as a poignant and heartfelt homage to his fallen bandmate, combining nostalgia and admiration. Simply Red’s soulful ballad “Holding Back the Years” examines personal growth and emotional restraint, delivering a powerful, introspective vocal performance from Mick Hucknall.
Mike + The Mechanics bring another emotional dimension to the list with “The Living Years,” a song that poignantly addresses regret and missed opportunities between generations, resonating deeply with listeners through its universal message. Tori Amos’s “Silent All These Years” is an introspective and hauntingly beautiful track about reclaiming one’s voice, blending her ethereal piano work with poignant, personal lyrics. David Bowie’s “Golden Years” brings a funky, groove-infused energy that hints at optimism, while also encouraging reflection on past choices and experiences. Zager and Evans’ “In the Year 2525” offers a dystopian vision of humanity’s future, a speculative look at where society could be heading, and serves as a cautionary tale wrapped in a catchy pop melody.
Each of these songs demonstrates the power of using the concept of years as a storytelling device in rock music. From reflections on personal growth and love to speculations on the future and heartfelt tributes to lost friends, these tracks illustrate that time is not just a concept; it’s an emotional, sometimes bittersweet journey. This diverse list, featuring legends like Led Zeppelin, David Bowie, and George Harrison alongside unique voices like Tori Amos and Al Stewart, invites listeners to reflect on their own experiences while enjoying the rich tapestry of rock music’s take on the passage of time.
# 10 – Silent All These Years – Tori Amos
“Silent All These Years” is the opening song on this list and serves as a powerful and introspective exploration of personal and emotional silence. It was originally released in the United Kingdom in November 1991 as the second single from Tori Amos’s debut studio album, Little Earthquakes, and later in North America in 1992 through Atlantic Records. The song was recorded at Trident Studios in London in January 1990, with Eric Rosse producing alongside Amos. Its haunting piano riff and poetic lyrics quickly became emblematic of Amos’s style, and the song’s re-release in 1997 further highlighted its impact as it was used to promote the Rape, Abuse & Incest National Network (RAINN), showcasing its lasting influence both musically and socially.
Amos crafted “Silent All These Years” during a period of self-reflection, following the commercial failure of her previous band, Y Kant Tori Read. The song emerged from her journey to find her voice as a solo artist, and its composition was inspired by Hans Christian Andersen’s The Little Mermaid, which she read to her niece. The metaphorical imagery in the lyrics, such as the mermaid longing for a voice, reflects Amos’s own struggle with self-expression. Lines like “Years go by, will I still be waiting / For somebody else to understand” resonate with listeners on a deeply emotional level, emphasizing the longing for recognition and understanding that often comes from feeling silenced. The piano’s light, almost childlike, riff contrasts with the weight of the song’s message, creating a haunting juxtaposition that remains one of Amos’s signature elements.
Critically acclaimed upon its release, “Silent All These Years” became a defining track for Amos and a staple in her live performances. Its significance only grew over the years, making it an essential part of her discography. The song’s vulnerability and lyrical complexity invite listeners to explore their own silences, making it an apt choice for this list’s exploration of songs with the word “Year” in the title. As the first song on the list, it sets a contemplative tone and opens up the thematic exploration of time, reflection, and the passage of years that will continue through the subsequent tracks.
Read More: Complete List Of Tori Amos Albums And Songs
# 9 – Sixty Years On – Elton John
Read More: Top 10 Elton John Songs
# 8 – All Those Years Ago – George Harrison
“All Those Years Ago” is a deeply personal and poignant song by George Harrison, released in May 1981 as a tribute to his late Beatles bandmate John Lennon, following Lennon’s tragic murder in December 1980. The track, featured on Harrison’s ninth studio album Somewhere in England, represents one of the few post-Beatles recordings that reunite three of the original members, with contributions from Paul McCartney, Ringo Starr, and other notable musicians like Al Kooper. Originally intended for Ringo Starr with different lyrics, the song was reworked by Harrison to reflect his grief and admiration for Lennon. The single reached number two on the US Billboard Hot 100 and was a number one hit on Billboard’s Adult Contemporary chart, demonstrating the resonance of its message and the impact of the Beatles’ legacy even years after their breakup.
The recording of “All Those Years Ago” took place at Harrison’s home studio, Friar Park, in November 1980. Starr initially laid down the drumming track before Harrison reworked the song’s lyrics to serve as a tribute to Lennon. After Starr expressed difficulty with the original lyrics and vocal range, Harrison adapted the song following Lennon’s death, capturing his memories and feelings for his friend. Paul McCartney, along with Linda McCartney and Denny Laine from Wings, provided backing vocals, uniting three of the Beatles for the first time since “I Me Mine” in 1970. The collaboration between these bandmates, especially given the context of mourning Lennon, adds a deeply emotional layer to the track and showcases the sense of unity and respect the surviving members had for each other, despite their past tensions.
Lyrically, “All Those Years Ago” weaves references to Lennon’s iconic work, including “All You Need Is Love” and “Imagine,” making it an introspective tribute that highlights Lennon’s influence on the world. The line “You were the one who Imagined it all” directly alludes to Lennon’s vision and impact as a peace advocate, underscoring the song’s purpose as a heartfelt homage. Harrison’s reflective tone contrasts with other songs on this list, such as Elton John’s “Sixty Years On,” which explores the themes of aging and time in a more personal and existential way rather than as a tribute to another person. Both songs, however, are steeped in contemplation and carry a sense of nostalgia—Harrison’s song for a lost friend and collaborator, while John’s expresses a more inward, melancholic look at the future.
Musically, the song blends elements of Harrison’s classic guitar style with the lush, harmonious backing vocals of McCartney and Starr’s steady drumming, creating a layered, heartfelt atmosphere. The production, handled by Harrison and Ray Cooper, retains a sense of intimacy and raw emotion, matching the song’s lyrical depth. The song’s bittersweet tone and reflective lyrics, combined with its historic importance as a rare post-Beatles collaboration, make “All Those Years Ago” a standout tribute piece that captures the complex emotions of losing a friend and a musical partner. It serves as a moving tribute not only to Lennon but also to the legacy of the Beatles, bridging the past and the present while highlighting the enduring impact of their music.
Read More: Our Favorite George Harrison Albums
# 7 – Living Years – Mike + The Mechanics
“Living Years” is a powerful and emotive track by Mike + The Mechanics, released as the second single from their 1988 album The Living Years. The song was recorded at The Farm, the band’s studio in Surrey, England, and produced by Christopher Neil. Written by Mike Rutherford and B.A. Robertson, it became the band’s most iconic and successful song, reaching number one on the Billboard Hot 100 chart in the United States and number two on the UK Singles Chart in early 1989. The song’s universal message about reconciliation, regret, and unspoken words struck a chord with audiences worldwide, making it a timeless ballad about the complexities of familial relationships.
Musically, the track features the soulful lead vocals of Paul Carrack, whose emotive delivery is central to the song’s impact. The rest of the band includes Mike Rutherford on guitar and bass, Adrian Lee on keyboards, and Peter Van Hooke on drums. The production incorporates rich instrumentation, blending keyboards with a gospel-inspired choir, which enhances the song’s emotional intensity and adds depth to its reflective tone. The addition of the choir in the chorus underscores the song’s theme of reconciliation and collective human experience, creating an atmosphere that is both intimate and expansive.
Lyrically, “Living Years” is a deeply personal song that explores the pain of unresolved conflict between a father and son. The song’s chorus—“Say it loud, say it clear / You can listen as well as you hear”—encourages open communication and stresses the importance of expressing feelings before it’s too late. It reflects on the regret of missing the chance to make amends before the father’s death, a sentiment that resonated deeply with listeners. When compared to other songs on this list, such as George Harrison’s “All Those Years Ago,” which also deals with loss, “Living Years” takes a more introspective approach, focusing on personal reconciliation rather than a tribute to someone else’s legacy. The emphasis on communication and the pain of unspoken words set it apart as a poignant reminder of the importance of cherishing relationships while they are still within reach.
The music video for “Living Years,” directed by Tim Broad, enhances the song’s reflective mood. Filmed in black and white, it shows Carrack singing amidst various evocative images of life and passing time, capturing the essence of nostalgia and the fleeting nature of relationships. The use of monochrome visuals aligns with the song’s theme, emphasizing its message of loss and the beauty of missed opportunities. The video’s visual storytelling complements the track’s lyrical themes, making it an essential piece that adds to the overall impact of the song.
“Living Years” stands as a deeply moving track that transcends its era, resonating with audiences who have experienced loss or the pain of unresolved relationships. Its message continues to inspire reflection and communication, reminding listeners of the importance of living fully in the present and mending relationships while time allows.
Read More: Top 10 Mike + The Mechanics Songs
# 6 – Holding Back The Years – Simply Red
“Holding Back the Years” is one of Simply Red’s most iconic songs, featuring as the third single from their debut album Picture Book, released in 1985. Recorded at various studios including Battery Studios in London and produced by Stewart Levine, the track became a breakout success for the band, highlighting Mick Hucknall’s emotive vocal style and soulful delivery. It climbed to number one on the Billboard Hot 100 chart in the United States in 1986 and reached number two on the UK Singles Chart, establishing Simply Red as a significant force in the 1980s pop and blue-eyed soul scenes.
The song’s lineup showcases the band’s tight musicianship, with Hucknall’s vocal performance at the forefront. Fritz McIntyre plays the keyboards, infusing the song with a moody, atmospheric quality. Tim Kellett on trumpet adds a poignant layer that complements the melancholy tone of the track. The arrangement, characterized by its simplicity, allows Hucknall’s voice to shine through, emphasizing the song’s emotional depth. The track’s production focuses on a minimalist approach, using subtle instrumentation to create a haunting and reflective atmosphere that resonates with the listener.
Lyrically, “Holding Back the Years” is an intensely personal song for Hucknall, dealing with themes of loss and emotional abandonment. The lyrics reveal his struggles with feelings of isolation, inspired by his early life experiences, particularly the departure of his mother when he was a child. The song’s chorus, “Holding back the years / Thinking of the fear I’ve had so long,” captures the essence of regret and the difficulty of moving on from past trauma. The simplicity and repetition in the lyrics emphasize the lingering nature of these feelings, mirroring other reflective tracks in this list, such as Mike + The Mechanics’ “Living Years.” Both songs explore the pain of unresolved emotions and the impact of family dynamics on one’s sense of self, but “Holding Back the Years” does so through a more introspective and personal lens.
The music video for “Holding Back the Years,” directed by Steve Lowe, is a visual representation of the song’s somber mood. It features Hucknall alone, traveling through empty landscapes and rural settings, reflecting the song’s theme of isolation and longing. The solitary imagery reinforces the idea of emotional distance and the passage of time, tying in perfectly with the song’s lyrics. The use of stark, open spaces in the video amplifies the song’s sense of vulnerability and adds a visual depth to its introspective narrative.
“Holding Back the Years” remains a timeless ballad, connecting deeply with audiences through its universal themes of loss, longing, and the passage of time. Its success not only solidified Simply Red’s place in music history but also demonstrated the power of soulful, personal storytelling in pop music.
Read More: Complete List Of Simply Red Songs And Discography
# 5 – In the Year 2525 – Zager & Evans
“In the Year 2525 (Exordium & Terminus)” is a 1969 hit single by the American duo Zager & Evans, notable for its dystopian view of humanity’s future. Written by Rick Evans and recorded in a single take at a studio in Odessa, Texas, the song explores mankind’s technological advances and their eventual consequences, spanning over 10,000 years of speculative history. The song became a massive success, reaching number one on the Billboard Hot 100 chart for six weeks starting in July 1969 and also topping the UK Singles Chart. Despite its worldwide success, Zager & Evans became known as the ultimate one-hit wonder, with no other songs matching the impact of “In the Year 2525.”
The song’s production, led by Tommy Allsup, captures a haunting atmosphere with minimal instrumentation that allows the prophetic lyrics to take center stage. With Denny Zager and Rick Evans providing acoustic guitar and vocals, Mark Dalton on bass, and Dave Trupp on drums, the track has a stripped-down sound, complemented by additional orchestration from the Odessa Symphony. The recording’s simplicity adds to its eerie and prophetic tone, effectively mirroring the apocalyptic vision presented in the lyrics. The success of the song is notable given its unconventional structure and dark thematic focus, showing that its stark, cautionary tale resonated with audiences during a time of social upheaval and technological advancement in the late 1960s.
Lyrically, “In the Year 2525” predicts the gradual decline of humanity through an increasingly mechanized and dehumanized future. The song cycles through various future years—2525, 3535, and beyond—depicting a world where humans rely on pills for thoughts, machines replace physical functions, and genetic engineering alters the essence of family and procreation. Each verse progresses further into the future, painting a bleak picture of humanity’s surrender to technology and loss of autonomy. The climax arrives in the verses set in the years 7510 and 8510, where even divine judgment is considered, questioning whether humanity will face an apocalyptic reckoning or be granted redemption.
In comparison to other songs in this list, such as George Harrison’s “All Those Years Ago,” which reflects on the legacy of John Lennon and carries a nostalgic tone, “In the Year 2525” takes a much darker and more speculative approach. Where Harrison’s song mourns a specific individual and his ideals, Zager & Evans’ track critiques the trajectory of all humanity. Both songs engage with the concept of time and legacy, but while “All Those Years Ago” is rooted in personal memory, “In the Year 2525” projects a distant and impersonal vision of the future, making it a cautionary anthem about the potential consequences of unchecked technological progress.
The song’s legacy endures not only as a cultural snapshot of its time but also as a warning that remains relevant in modern discourse about technology and humanity’s future. Its presence in films, television shows, and even parodies speaks to its lasting impact. The dystopian narrative of “In the Year 2525” serves as a reminder of the fragile balance between progress and preservation, urging listeners to consider the long-term effects of their actions in the ever-evolving story of mankind.
Read More: 1969’s Best Rock Albums
# 4 – Golden Years – David Bowie
“Golden Years” is one of David Bowie’s most iconic tracks, released as the lead single from his tenth studio album, Station to Station, on November 21, 1975. The song was recorded at Cherokee Studios in Los Angeles in September 1975, co-produced by Bowie himself and Harry Maslin. At the time, Bowie was heavily influenced by his experiences in Los Angeles and was struggling with cocaine addiction, leading to a blurred memory of the album’s recording process. Despite these challenges, “Golden Years” emerged as a standout track that captured the essence of Bowie’s evolving sound, blending elements of funk and disco while retaining the distinct grit that characterized much of his mid-1970s work.
Musically, “Golden Years” carries the sophisticated funk and soul flavors that Bowie explored in his previous album, Young Americans, but with a more polished, rhythmic edge. The song’s groove, driven by a hypnotic bassline and crisp percussion, recalls the smooth, infectious style of “Fame.” Bowie’s vocal delivery here is both crooning and urgent, reflecting a blend of doo-wop influences, as evidenced by the rhythmic repetition of “gold whop whop whop.” The instrumentation is tight, featuring contributions from guitarist Carlos Alomar, bassist George Murray, and drummer Dennis Davis, all of whom helped define Bowie’s “plastic soul” era. Bowie’s vision for the track was further enhanced by its sleek production, making it accessible yet sophisticated, and its crossover appeal contributed to its success on both sides of the Atlantic.
Lyrically, “Golden Years” is enigmatic, as is often the case with Bowie’s work, but it offers an optimistic and romantic message beneath its catchy exterior. The song speaks of renewal, escape, and a promise of protection and stability. Bowie invites his companion to “run for the shadows” in these golden years, suggesting a time of refuge and bliss, despite the challenges that may lie outside. The refrain, “I’ll stick with you, baby, for a thousand years / Nothing’s gonna touch you in these golden years,” is both a declaration of loyalty and a promise of better times ahead, echoing a theme of resilience found in other songs on this list, like George Harrison’s “All Those Years Ago.” Both tracks, while different in their approach, reflect on time—one looking back with a sense of tribute and the other looking forward with a sense of hope and preservation.
In terms of critical reception, “Golden Years” was lauded for its smooth production and innovative sound. It peaked at number eight in the UK and number ten in the US, demonstrating Bowie’s ability to blend experimental music with commercial appeal. Notably, the song became a visual icon when Bowie mimed the track on Soul Train, one of the first white artists to perform on the show. Although he appeared disoriented due to his substance issues, the performance remains a memorable moment in Bowie’s career. “Golden Years” continues to be celebrated as a high point in Bowie’s discography, appearing in multiple films such as A Knight’s Tale, where it was reimagined by Tony Visconti, further solidifying its timeless appeal.
Read More: Complete List Of David Bowie Albums And Discography
# 3 – Reelin’ In The Years – Steely Dan
“Reelin’ In The Years” stands as one of Steely Dan’s most enduring and recognizable songs, released in 1972 as the second single from their debut album, Can’t Buy a Thrill. Written by Donald Fagen and Walter Becker, the song combines witty, sardonic lyrics with a catchy shuffle groove, a signature trait that would become a hallmark of Steely Dan’s style. It quickly became a commercial success, reaching number 11 on the Billboard Hot 100 chart in the United States and number 15 in Canada. Its mix of sharp commentary and musical sophistication ensures its status as a classic rock staple.
The song is perhaps best known for its iconic guitar solo, performed by session guitarist Elliott Randall, which was recorded in just one take. The solo has been lauded by critics and fellow musicians alike, with Led Zeppelin’s Jimmy Page reportedly calling it his favorite guitar solo of all time. This intricate yet fluid guitar work, combined with Fagen’s unique vocals and the band’s intricate arrangements, makes “Reelin’ In The Years” a standout track, not only from the Can’t Buy a Thrill album but also in Steely Dan’s extensive catalog. The song’s complex structure, including Randall’s solos, highlights the band’s knack for blending rock with jazz and other sophisticated influences, setting them apart from their contemporaries.
Lyrically, “Reelin’ In The Years” is a biting commentary on wasted potential and failed relationships. The opening lines, “Your everlasting summer you can see it fading fast,” set the tone for a reflection on the fleeting nature of youth and misplaced priorities. The song’s repeated refrain, “Are you reelin’ in the years? Stowin’ away the time,” asks whether the person being addressed is simply letting life slip away while ignoring the more meaningful aspects of existence. This theme of looking back on lost time and opportunities ties directly into the overarching theme of this list, where the passing of years is often seen as a moment of reflection. Like other songs on this list, such as David Bowie’s “Golden Years,” there is a focus on time, memory, and what is lost or gained in the process. While Bowie’s song looks toward the future with hope and nostalgia, Steely Dan’s track is a cutting reflection on what might have been.
The song was critically acclaimed upon its release, with Rolling Stone describing it as an early example of Steely Dan’s ability to combine “a sardonic kiss-off” with a musically complex arrangement. The biting lyrics, paired with upbeat instrumentation, create a contrast that remains one of Steely Dan’s trademarks. “Reelin’ In The Years” continues to be celebrated as a high point in the band’s career and as a defining track in the era of 1970s rock music.
Read More: Steely Dan’s Best Song On Each Of Their Studio Albums
# 2 – Ten Years Gone – Led Zeppelin
“Ten Years Gone,” a track from Led Zeppelin’s 1975 double album Physical Graffiti, is a reflective and emotive piece that captures the band’s ability to blend lyrical depth with musical complexity. Originally intended as an instrumental by guitarist Jimmy Page, the song evolved into a poignant narrative when Robert Plant added his lyrics, which reflect on a past relationship. The track stands as a testament to Led Zeppelin’s prowess in weaving together personal storytelling with intricate instrumentation, making it one of their most celebrated deep cuts. It offers listeners a meditative look at love, loss, and the passage of time.
The song was recorded at Headley Grange, a remote mansion in Hampshire, England, known for its acoustic properties and its connection to other legendary recordings by the band. Produced by Page and engineered by Keith Harwood, the track showcases Page’s layered guitar work, with approximately 14 guitar tracks overdubbed to create a lush, immersive soundscape. The intertwining guitar harmonies form the core of the composition, providing a melancholic yet hypnotic backdrop that is both atmospheric and haunting. Bassist John Paul Jones adds depth with his bass lines and keyboard work, while John Bonham’s restrained drumming gives the song its steady, pulsing rhythm, allowing the guitars to shine. The production quality highlights Page’s meticulous attention to detail, ensuring that every element—whether the delicate acoustic picking or the heavy electric riffs—contributes to the track’s emotional weight.
Lyrically, Plant delves into the complexities of memory and longing. The song reflects on a choice Plant made a decade earlier when he chose his musical career over a romantic relationship. His lyrics evoke the bittersweet nature of reflecting on past decisions, as he questions what might have been while acknowledging the inevitable passage of time. Lines like “Did you ever really need somebody / And really need ’em bad” and “We are eagles of one nest / The nest is in our soul” reveal a deep emotional connection that remains vivid even years later. The imagery of eagles and rivers in the song serves as metaphors for growth, distance, and inevitability, connecting the personal with the universal.
Comparatively, “Ten Years Gone” shares thematic similarities with other tracks on this list that explore the passage of time and its impact on relationships, such as George Harrison’s “All Those Years Ago.” However, while Harrison’s song reflects on the loss of a friend and bandmate, Plant’s introspection is more intimate and personal, focusing on lost love rather than collective nostalgia. The song’s exploration of regret, choice, and the weight of memory ties it into the broader theme of the article, highlighting how the passage of years leaves indelible marks on both individuals and their relationships.
Read More: 10 Of Our Favorite Led Zeppelin Songs
# 1 – Year Of The Cat – Al Stewart
“Year of the Cat” is an iconic track from Scottish singer-songwriter Al Stewart, released as the title track and lead single of his 1976 album. The song was recorded at Abbey Road Studios in London in January 1976, with production helmed by Alan Parsons, known for his meticulous engineering work. Blending soft rock with folk and jazz influences, “Year of the Cat” showcases Stewart’s storytelling prowess and the instrumental talents of his supporting musicians. The track peaked at number eight on the Billboard Hot 100 in the United States in March 1977, marking one of Stewart’s most commercially successful singles and establishing it as his signature song. Although his later single “Time Passages” achieved a slightly higher chart position, “Year of the Cat” remains a staple on classic rock and folk rock radio stations.
The song features a memorable arrangement that includes a rich blend of piano, electric guitar, saxophone, and strings, all of which create a cinematic atmosphere. Parsons’ production expertise shines through, layering each instrumental element to build a lush and intricate soundscape that complements Stewart’s narrative lyrics. Guitarist Tim Renwick and saxophonist Phil Kenzie contribute standout performances, enhancing the song’s evocative and dreamlike quality. The production captures a sense of timelessness and sophistication, reflecting the song’s blend of contemporary 1970s rock and elements reminiscent of classic film scores, tying in well with the song’s imagery of a “Bogart movie.”
Lyrically, “Year of the Cat” paints a vivid picture of an enigmatic encounter in an exotic location. The song’s narrative transports the listener into a world reminiscent of a film noir, complete with mysterious characters and uncertain outcomes. References to classic Hollywood figures like Peter Lorre evoke a sense of nostalgia and intrigue, while the recurring metaphor of the “Year of the Cat” adds a mystical and elusive quality to the story. Stewart’s protagonist finds himself captivated by a woman who leads him on an adventure, compelling him to abandon logic and follow her into the unknown. The lyrics play with themes of fate and the passage of time, suggesting a moment of surrender to a transient but transformative experience. The line “You’ve thrown away your choice, you’ve lost your ticket, so you have to stay on” captures the feeling of being swept up in a moment that one cannot—or perhaps does not want to—escape.
In comparison to other tracks on this list, such as Led Zeppelin’s “Ten Years Gone,” which reflects on the passage of time in a deeply personal and introspective way, “Year of the Cat” presents a more fantastical and cinematic interpretation of time. Both songs explore the idea of moments that leave an indelible mark, but Stewart’s approach is less about personal loss and more about immersing oneself in the present, even if it is fleeting. While Led Zeppelin’s song contemplates the emotional weight of memories over a decade, Stewart’s narrative is rooted in a single encounter that feels simultaneously timeless and ephemeral.
“Year of the Cat” remains a quintessential example of Stewart’s ability to craft immersive stories within his music, aided by Parsons’ lush production and the outstanding contributions of the musicians involved. Its enduring appeal lies in its ability to transport listeners into a world that is both familiar and mysterious, capturing the essence of moments that linger, even as they pass into memory.
Read More: Top 10 Al Stewart Songs