10 Essential Rock Songs About Liars And Lying

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It’s kind of sad that this one was so easy to do. So many songs have been written about liars, lying, deception, and betrayal that it forces the question, what is wrong with all of us? Why is it so easy to lie, and why do we all do so much of it? Well, thankfully, this is not a class in psychology but rather a celebration of some of the greatest rock songs ever written about liars. Hmmm, I’m not sure if that makes it any better.

# 10 – Would I Lie to You? – Eurythmics

Opening our list of essential rock songs about liars and lying is Eurythmics’ electrifying 1985 single “Would I Lie to You?” With its bold lyrics, commanding vocal performance by Annie Lennox, and driving rock-soul fusion, the song captures the raw emotion of a person fed up with deceit and ready to reclaim their power. “Would I Lie to You?” was recorded at Studio Miraval in Correns, France, and The Church Studios in London, produced by Dave Stewart and Lennox themselves. It marks a departure from the duo’s earlier synth-pop sound, embracing a more guitar-driven rock approach, a change that resonated deeply with listeners and further solidified Eurythmics’ place in the 1980s rock scene.

Musically, “Would I Lie to You?” is propelled by a powerful combination of rock guitars and a sharp, brassy horn section featuring Clem Burke (of Blondie fame) on drums and session players like Tim Pierce on guitar. Lennox’s vocal delivery is intense and commanding, matching the song’s theme of standing firm in the face of betrayal. The lyrics, with lines like “You’re the biggest fake / That much is true / Had all I can take / Now I’m leaving you,” underscore the raw emotion of breaking free from a dishonest relationship. The repeated refrain, “Would I lie to you?” delivered with biting irony, conveys a mix of frustration and defiance as Lennox confronts the dishonesty head-on.

Upon its release, “Would I Lie to You?” was both a critical and commercial success, reaching No. 5 on the Billboard Hot 100 in the United States and No. 17 on the UK Singles Chart. The song’s music video, directed by the legendary Mary Lambert, further amplifies the message of empowerment. It begins with Lennox confronting a lover at a party before launching into a high-energy performance that captures her walking out with confidence, her defiant lyrics echoing throughout the scene. The video’s visuals and the song’s raw sound marked a new era for Eurythmics, proving that they could evolve and experiment beyond their synth-pop roots.

Read More: Top 10 Eurythmics Songs

# 9 – Sammy Hagar – Little White Lies

“Little White Lie,” the lead single from Sammy Hagar’s 1997 album Marching to Mars, captures the Red Rocker in a moment of raw introspection, addressing the nature of deceit and the consequences that follow. Recorded at The Plant Studios in Sausalito, California, the track marks Hagar’s first solo release after his departure from Van Halen, and it quickly became a definitive statement of his return to the rock scene. Produced by Hagar himself, along with Mike Clink, known for his work with Guns N’ Roses, the song features a tight ensemble of musicians, including Denny Carmassi on drums, Jesse Harms on keyboards, and Victor Johnson on guitar, creating a sound that’s both hard-hitting and emotionally resonant.

Musically, “Little White Lie” blends Hagar’s signature hard rock style with blues-inflected riffs and a driving beat, capturing a sense of urgency that complements its lyrical content. Hagar’s gritty vocals deliver the message with conviction as he reflects on the destructive power of lies, both big and small. The chorus, “Little white lie / Come back to haunt you,” underscores the theme of deception’s inevitability catching up to the liar. The lyrics further explore this idea with lines like “Got one you got two / Little white lie,” emphasizing how lies can multiply and spiral out of control. The song’s raw energy and straightforward message resonate with listeners, making it a standout track that cuts through with clarity and force.

In comparison to other songs on this list, such as Eurythmics’ “Would I Lie to You?”, which opens our collection with a spirited declaration of independence from deceit, “Little White Lie” takes a more introspective approach. While Annie Lennox sings with defiance and power, Hagar’s delivery is reflective, almost weary, suggesting the toll that lies and betrayal can take on both the liar and the one deceived. The song’s bluesy undertone sets it apart from the funk-infused rock of “Would I Lie to You?”, offering a different musical flavor that still tackles the same universal theme of dishonesty.

“Little White Lie” achieved moderate success on the charts, reaching No. 1 on the Billboard Mainstream Rock Tracks, marking a successful comeback for Hagar as a solo artist. The music video, directed by Michael Bay, features Hagar performing the song with his band, intercut with images of shadowy figures and fragmented imagery, reinforcing the song’s themes of suspicion and the unseen consequences of deception. The stark visuals and powerful performance showcased Hagar’s renewed energy and commitment to his solo career, affirming his position as a formidable force in rock music.

Read More: Top 10 Sammy Hagar 70s Songs

# 8 – Hands Off The Man (Flim Flam Man) – Laura Nyro

Laura Nyro’s “Hands Off the Man (Flim Flam Man)” is probably a song that was not at the forefront of most music fans’ minds when they are thinking of songs about liars. That’s a shame, because more people need to know about the beautiful music of Laur Nyro. The song was released on Nyro’s 1967 debut album More Than a New Discovery. Recorded at Bell Sound Studios in New York City and produced by Milt Okun, the song captures Nyro’s unique blend of jazz, soul, and pop while serving as a biting commentary on deceit and the dangers of falling for a charming con artist. “Flim Flam Man” is a term used to describe a swindler, and Nyro’s lyrics paint a vivid picture of a silver-tongued hustler whose mind is “up his sleeve” and whose talk is “make believe.” With its memorable melody and sharp lyrical observations, the song became one of Nyro’s signature compositions, reflecting her knack for storytelling and complex musical arrangements.

Musically, “Hands Off the Man (Flim Flam Man)” is driven by Nyro’s commanding piano work, accompanied by seasoned session musicians such as Chuck Rainey on bass and Artie Schroeck on drums. The song’s arrangement is rich with brass accents and soulful backing vocals, creating a dynamic, jazz-inflected pop sound that was distinctive for its time. Nyro’s vocal delivery combines a theatrical flair with an undercurrent of urgency, conveying both the allure and the danger of the titular “flim flam man.” Lyrically, she warns against this seductive charmer who’s described as a “fox” and an “artist,” using metaphor and wit to highlight the duplicity of his nature.

In comparison to other songs on this list, like Sammy Hagar’s “Little White Lie” and Eurythmics’ “Would I Lie to You?” Nyro’s track takes a more narrative approach. While “Would I Lie to You?” channels defiance and “Little White Lie” explores the consequences of deceit, “Hands Off the Man (Flim Flam Man)” unfolds like a short story, with its colorful cast of characters and vivid descriptions. The song’s lyrical style is almost cinematic, painting scenes that could easily fit into a noir film, with Nyro’s voice acting as both narrator and participant in the unfolding drama.

Read More: Top 10 Laura Nyro Songs

# 7 – Wouldn’t Want to Be Like You – Sheryl Crow

“Wouldn’t Want to Be Like You” is a powerful collaboration between Sheryl Crow and St. Vincent, featured on Crow’s 2019 album Threads. Recorded at The Village Studios in Los Angeles, California, and produced by Crow, the song marks a biting return to her roots in rock and blues while incorporating a contemporary edge with St. Vincent’s unique style. The track features Crow on vocals and guitar, St. Vincent (Annie Clark) on guitar, Fred Eltringham on drums, and other session musicians. The production combines a gritty rock sound with layered guitars and a driving beat, underscoring the song’s acerbic lyrics.

The song is a sharp, critical look at the greed, deceit, and moral bankruptcy prevalent in modern society, particularly in the pursuit of wealth and status. Crow’s lyrics lay bare the superficiality and consequences of living a life based on lies, with lines like “Money is the Bentley parked on Wall Street” and “Money is the orange jumpsuit you’re wearing.” The repeated chorus, “You tell a lie, you tell a lie, you tell a lie, but that don’t make it true,” reinforces the theme that truth will eventually surface, no matter how many lies are told. Crow’s vocal delivery, combined with St. Vincent’s edgy guitar work, creates a compelling blend of rock and blues, filled with both urgency and defiance.

In the context of this list of essential rock songs about liars and lying, “Wouldn’t Want to Be Like You” offers a modern take that complements tracks like Eurythmics’ “Would I Lie to You?” and Sammy Hagar’s “Little White Lie.” While Annie Lennox confronts personal betrayal and Hagar reflects on the consequences of deceit, Crow’s song casts a wider net, taking aim at the broader systemic issues of dishonesty in contemporary culture. Compared to Laura Nyro’s “Hands Off the Man (Flim Flam Man),” which focuses on a specific individual, Crow’s track is a critique of a culture obsessed with material wealth and social status.

# 6 – All Men Are Liars – Nick Lowe

Nick Lowe’s “All Men Are Liars,” from his 1990 album Party of One, offers a clever and sardonic take on the age-old theme of dishonesty. Recorded at Ocean Way Studios in Los Angeles and produced by Dave Edmunds, this track showcases Lowe’s trademark wit and musical versatility, blending rock, country, and pop elements to create a catchy and thought-provoking sound. With a straightforward arrangement featuring Lowe on vocals and guitar, along with contributions from Paul Carrack (keyboards), Jim Keltner (drums), and John Hiatt (backing vocals), “All Men Are Liars” stands out as an irreverent critique of the male species’ propensity for dishonesty.

Lowe’s lyrics are filled with sharp humor and biting satire. He opens with a bold declaration: “All men are liars, their words ain’t worth no more than worn-out tires,” immediately setting a tone of playful cynicism. The chorus, which invites listeners to “bring rusty pliers to pull this tooth,” suggests a painful extraction of truth, a metaphor for the difficulty of uncovering honesty amidst deceit. Lowe’s tongue-in-cheek reference to Rick Astley’s hit song, “Never Gonna Give You Up,” adds a humorous cultural jab, painting Astley as “a clown” and suggesting that even seemingly earnest promises are often hollow. The line “I’d bet it all that he knows by now” hints at a deeper, perhaps personal disillusionment with the concept of male integrity.

Comparatively, “All Men Are Liars” takes a more humorous approach than other songs on this list, such as Sheryl Crow’s “Wouldn’t Want to Be Like You” or Sammy Hagar’s “Little White Lie,” both of which tackle deceit with a more direct and serious tone. While Crow and Hagar delve into the darker consequences of dishonesty and corruption, Lowe turns the theme on its head, using wit and irony to highlight the absurdity and ubiquity of lying. His delivery is almost nonchalant, backed by a jaunty, upbeat melody that contrasts with the bitter observations in the lyrics, much like Laura Nyro’s “Hands Off the Man (Flim Flam Man),” which also employs a light-hearted musical style to tell a story of deception.

Despite its sharp humor and catchy melody, “All Men Are Liars” did not chart significantly, but it has remained a beloved track among Lowe’s fans and is often highlighted as a quintessential example of his songwriting style. Its music video, directed by Daniel Kleinman, features Lowe delivering the song with a wry smile, surrounded by images of deceit and duplicity, reinforcing the song’s satirical tone. The song remains relevant as a commentary on human nature and the small and large lies that pervade everyday life.

By using humor and clever wordplay, Lowe’s “All Men Are Liars” fits well within this list of essential rock songs about lying, adding a unique perspective to the lineup. While other tracks on the list, like Eurythmics’ “Would I Lie to You?” and Sammy Hagar’s “Little White Lie,” focus on personal betrayal and disillusionment, Lowe’s song takes a broader, more light-hearted swipe at human dishonesty. It’s a song that makes listeners think, laugh, and perhaps nod in reluctant agreement, proving once again that rock music can tackle serious themes without taking itself too seriously.

# 5 – Lying Eyes – The Eagles

Eagles - One of These Nights [Vinyl LP] (1 LP)

We thought about not adding this song to the list because it’s so obvious, and we try to pick some songs out that most people may not have thought of or at least not the first ones that come to mind. However, we knew if we had not placed this song on this list, we would have gotten so many grievances it would have been like eating the last piece of shrimp and Thanksgiving dinner if we had not included it. “Lyin’ Eyes,” released in 1975 on The Eagles’ fourth studio album, One of These Nights, is a masterful narrative song that explores themes of infidelity, deception, and the inevitable consequences that follow. Recorded at Criteria Studios in Miami, Florida, and produced by Bill Szymczyk, “Lyin’ Eyes” stands out in The Eagles’ catalog as a perfect example of their seamless blend of country and rock. Written by band members Glenn Frey and Don Henley, the song captures the bittersweet melancholy that comes from living a double life and the harsh truths that lie behind a forced smile. It’s a narrative-driven track that paints a vivid picture of a woman trapped in a loveless marriage who finds solace in an affair but ultimately faces the futility of her choices.

Musically, “Lyin’ Eyes” features Glenn Frey on lead vocals and guitar, Don Henley on drums and backing vocals, Bernie Leadon on guitar and harmony vocals, Don Felder on guitar, and Randy Meisner on bass and backing vocals. The arrangement is characterized by its laid-back, mid-tempo rhythm, rich harmonies, and twangy acoustic guitars that lend the song its distinctive country-rock flavor. The lyrics tell the story of a woman who marries a wealthy older man to secure a comfortable life, only to find herself lonely and unfulfilled. Lines such as “Late at night a big old house gets lonely / I guess every form of refuge has its price” highlight the emotional cost of her decisions. The repeated chorus, “You can’t hide your lyin’ eyes / And your smile is a thin disguise,” serves as both a condemnation and a lament, revealing the depth of the woman’s internal conflict.

In the context of this list, “Lyin’ Eyes” shares thematic elements with other songs about deceit and betrayal, such as Sheryl Crow’s “Wouldn’t Want to Be Like You” and Nick Lowe’s “All Men Are Liars.” However, while Crow and Lowe adopt a more direct, confrontational tone, “Lyin’ Eyes” takes a subtler, more reflective approach. The song uses a narrative style similar to Laura Nyro’s “Hands Off the Man (Flim Flam Man),” telling the story from an almost cinematic perspective, allowing listeners to empathize with the characters while simultaneously recognizing their flaws. The gentle delivery of the vocals and the warm, acoustic-driven arrangement provide a stark contrast to the dark theme of deceit, enhancing the emotional impact of the song.

“Lyin’ Eyes” was a commercial success, reaching No. 2 on the Billboard Hot 100 and winning the band a Grammy Award for Best Pop Performance by a Duo or Group with Vocal in 1976. The song’s popularity was further cemented by its accompanying music video, which visually narrated the story of a woman caught between two worlds, providing a poignant visual representation of the lyrics’ themes. The Eagles’ ability to tell a story that resonates with such authenticity and emotional depth is what makes “Lyin’ Eyes” a standout in their discography and a classic in the country-rock genre.

# 4 – Little Lies – Fleetwood Mac

“Little Lies,” one of Fleetwood Mac’s most recognizable hits, comes from their 1987 album Tango in the Night. Recorded at the band’s own Studio D in Sausalito, California, and produced by band members Lindsey Buckingham and Richard Dashut, “Little Lies” showcases Fleetwood Mac’s signature blend of rock, pop, and synth-driven soundscapes that defined their music in the late 1980s. Written by keyboardist Christine McVie and her then-husband, Eddy Quintela, the song reflects the bittersweet themes of disillusionment, regret, and the complex dance between truth and deception in relationships. McVie’s clear, wistful vocals are supported by rich harmonies from Stevie Nicks and Lindsey Buckingham, creating a sound that is both polished and emotionally resonant.

The lyrics of “Little Lies” delve into the fragile balance between truth and falsehood in the pursuit of emotional comfort. The repeated refrain, “Tell me lies, tell me sweet little lies,” captures the paradoxical longing for comfort in deception when facing a painful reality. The verses express a yearning to “turn the page” and start anew, but the singer admits to the futility of such efforts: “I couldn’t find a way / So I’ll settle for one day to believe in you.” Though seemingly harmless, the song suggests that small lies can become crutches that prevent healing and acceptance. Musically, “Little Lies” is driven by a blend of synthesizers, a strong bassline from John McVie, and Mick Fleetwood’s steady, understated drumming, providing a bright, pop-rock sound that contrasts with the melancholy of the lyrics.

In the context of this list, “Little Lies” aligns with the themes explored in other songs, like The Eagles’ “Lyin’ Eyes” and Sheryl Crow’s “Wouldn’t Want to Be Like You.” While “Lyin’ Eyes” presents a more straightforward narrative of infidelity and Crow takes on societal deception, “Little Lies” offers a more introspective exploration of the lies we tell ourselves and each other to avoid pain. It is reminiscent of the reflective storytelling style found in Laura Nyro’s “Hands Off the Man (Flim Flam Man).” Yet, it is delivered with the polished pop sensibility that Fleetwood Mac honed throughout their career. The song’s upbeat, melodic quality—marked by the soaring harmonies and sleek production—starkly contrasts its lyrical theme, a duality that is a hallmark of Fleetwood Mac’s best work.

“Little Lies” was a major commercial success, reaching No. 4 on the Billboard Hot 100 in the United States and No. 1 on the Billboard Adult Contemporary chart. It also climbed to No. 5 on the UK Singles Chart, marking one of the band’s last significant chart successes in the 1980s. The song’s music video, directed by Dominic Sena, featured the band performing against a pastoral backdrop, interspersed with scenes of a misty, dreamlike countryside, effectively capturing the song’s themes of elusive truth and romantic nostalgia.

# 3 – Liar – Three Dog Night

Oh, this is such a good one. “Liar” was released by Three Dog Night on their 1971 album Naturally. Recorded at Wally Heider Studios in Los Angeles, California, and produced by Richard Podolor, the song was originally written by Russ Ballard of Argent. Three Dog Night’s version takes Ballard’s composition and amplifies its emotional intensity, transforming it into a soulful, gritty exploration of dishonesty in relationships. The band’s characteristic three-part harmonies—courtesy of vocalists Danny Hutton, Chuck Negron, and Cory Wells—are on full display, set against a backdrop of powerful instrumentation that builds in intensity throughout the track.

“Liar” begins with a deceptively soft introduction, as the singer recounts being repeatedly misled by a lover who promises commitment but never delivers: “You want me to stay / Nothin’ you could do / That could turn me away.” As the song progresses, the emotion mounts, and the lyrics become more desperate and accusatory, culminating in the repeated refrain of “Liar, liar,” shouted with increasing fervor. This vocal escalation is mirrored in the music, with Jimmy Greenspoon’s keyboard work and Michael Allsup’s guitar riffs adding layers of tension, while Floyd Sneed’s powerful drumming drives the song toward its explosive conclusion. The arrangement captures the internal conflict of the narrator, who finds himself caught between love and the painful realization of deceit.

Within the context of our list of essential rock songs about liars and lying, “Liar” shares thematic similarities with tracks like Fleetwood Mac’s “Little Lies” and The Eagles’ “Lyin’ Eyes.” While “Little Lies” offers a softer, more pop-inflected take on deception, and “Lyin’ Eyes” tells a story of infidelity with a reflective, country-rock tone, “Liar” stands out for its raw intensity and direct confrontation of betrayal. Where Nick Lowe’s “All Men Are Liars” employs humor to critique dishonesty, “Liar” is earnest, expressing the pain of being misled in a way that is both visceral and relatable. The contrast between the song’s quiet verses and explosive chorus reflects the volatility of emotions experienced when trust is broken.

“Liar” achieved significant chart success, reaching No. 7 on the Billboard Hot 100 in 1971, solidifying Three Dog Night’s reputation for turning cover songs into hits. The song’s popularity was boosted by its dynamic live performances, where the band’s ability to convey emotion through their harmonies and instrumentation came to the forefront. The track remains one of Three Dog Night’s most memorable hits, recognized for its emotional depth and powerful delivery.

Read More: Top 10 Three Dog Night Deep Tracks

# 2 – Liar – Queen

This is one of those songs that longtime Queen fans love. We couldn’t leave this one off the list, and we had to make sure to rank this one pretty high. It’s so legendary. “Liar” was released on Queen’s 1973 self-titled debut album. Recorded at Trident Studios and De Lane Lea Studios in London, “Liar” was produced by Roy Thomas Baker and the band members themselves. Written by Freddie Mercury, the song showcases Queen’s early penchant for blending rock, operatic elements, and theatrical storytelling into a cohesive musical experience. The track is an early example of Queen’s ability to craft complex songs that traverse various moods and tempos, driven by Mercury’s commanding vocals and Brian May’s signature guitar work.

“Liar” begins with a confessional plea—“I have sinned, dear Father / Father, I have sinned”—setting the stage for a narrative that explores guilt, betrayal, and accusation themes. The lyrics unfold like a theatrical monologue, with Mercury assuming the role of a man tormented by his own deceit and the judgment of those around him. As the song progresses, the narrator shifts from self-recrimination to defiance, challenging the accusations hurled against him. This tension is mirrored in the music, which moves from brooding, organ-driven verses to explosive choruses punctuated by May’s aggressive guitar riffs and Roger Taylor’s thunderous drumming. John Deacon’s bass lines provide a solid foundation, helping to anchor the song’s shifting dynamics and add depth to its complex arrangement.

Within the context of this list, “Liar” stands apart for its operatic grandeur and narrative complexity. While other songs like Fleetwood Mac’s “Little Lies” and Three Dog Night’s “Liar” explore deception in a more straightforward or emotionally raw manner, Queen’s “Liar” uses a multi-layered approach that combines heavy rock instrumentation with theatrical storytelling. It shares a thematic connection with Rollins Band’s “Liar,” particularly in its portrayal of deceit from the perspective of the accused, but where Rollins’ delivery is direct and confrontational, Queen’s version is more nuanced, using dramatic shifts in tempo and style to convey the internal struggle between guilt and resistance.

Despite its early placement in Queen’s discography, “Liar” became a staple in their live performances throughout the 1970s, highlighting its importance to the band’s evolving sound. Although it did not chart as a single, “Liar” was instrumental in establishing Queen’s reputation for complex compositions and dynamic live shows. The song’s intensity and theatricality foreshadowed the band’s later masterpieces, such as “Bohemian Rhapsody,” and demonstrated their ability to fuse rock with elements of opera and musical theater, creating a unique sonic landscape that would set them apart from their contemporaries.

# 1 – Liar – Rollins Band

We close this one out with hands-down the greatest song and video about liars ever created. “Liar,” the standout track from Rollins Band’s 1994 album Weight, is a searing examination of deceit and psychological manipulation. Recorded at Echo Creek Ranch in Lake Sherwood, California, and produced by Theo Van Rock, “Liar” showcases the raw, visceral power of Henry Rollins’ intense vocal delivery paired with the aggressive, hard-hitting instrumentation of his bandmates: Chris Haskett (guitar), Melvin Gibbs (bass), and Sim Cain (drums). The song is an unflinching, confrontational declaration of duplicity, delivered with the fury and conviction that have become hallmarks of Rollins’ career.

The song unfolds as a monologue from the perspective of a pathological liar, who lures in the listener with promises of comfort and understanding before revealing his true nature. Rollins alternates between a calm, almost soothing tone and explosive outbursts, emphasizing the duplicitous nature of the character he embodies. Lines such as “Everything I say is everything you’ve ever wanted to hear” and “I’m perfect in every way” are followed by the stark admission of “I’m a liar!” The chorus, shouted with manic energy, strips away any pretense of trust, revealing the darkness and manipulation at the song’s core. This dynamic shift between calm and rage is mirrored in the instrumentation, where moments of groove-heavy bass lines and tight drumming explode into a cacophony of noise, reflecting the chaos and confusion caused by the liar’s deceit.

In the context of this list, “Liar” offers a more direct, aggressive take on the theme of deception than other songs such as Fleetwood Mac’s “Little Lies” or The Eagles’ “Lyin’ Eyes.” While those songs use more subtle melodies and introspective lyrics to explore personal betrayals, “Liar” is a raw, unfiltered expression of deceit from the liar’s point of view. In contrast to Nick Lowe’s satirical “All Men Are Liars,” which employs humor and irony to critique dishonesty, “Liar” is unrelenting in its intensity, leaving no room for ambiguity or levity. The song’s confrontational style aligns more closely with the urgency of Sammy Hagar’s “Little White Lie,” but it takes the concept further by placing the listener directly in the mind of the deceiver.

“Liar” achieved moderate success on the charts, reaching No. 20 on the Billboard Modern Rock Tracks, but its impact went beyond mere numbers. The music video, directed by Anton Corbijn, became iconic for its stark, minimalist visuals of Rollins dressed in a Superman outfit, juxtaposed with his increasingly manic expressions, reinforcing the song’s themes of duality and deceit. This striking visual representation helped cement the song as a cultural touchstone, amplifying its message and bringing Rollins Band to a broader audience.

In closing our list of essential rock songs about liars and lying, “Liar” stands out for its brutal honesty and directness. Rollins doesn’t just describe deceit; he embodies it, forcing listeners to confront the darker aspects of human nature. In doing so, the song reminds us that lies can be seductive, manipulative tools wielded with intent and malice, adding a raw, unapologetic perspective to our exploration of rock’s treatment of dishonesty. With its relentless energy and unflinching self-awareness. And wow, he is so genuine in this video …or is he just lying, lying, lying, lying………?

Read More: Top 10 Henry Rollins Songs