20 Best Elton John Songs To Turn Up To Eleven

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Our article on the 20 Elton John songs that you turn up to 11 is a presentation of simply songs by Elton John that we love so much we turn the volume all the way up—and just a little bit more. You know what I’m talking about, baby. Of course, most of these songs are going to be the rockers, but not all of them. This is not a top 10 Elton John songs list. It’s not a list showcasing what we believe are the best Elton John songs, the best Elton John B-sides, or the most underrated Elton John songs. We’ve done tons of lists like that, and man, they were fun.

This one’s a little different—and it was also a lot of fun to put together. No, this is all about the songs that, when we’re in the mood to rock or just want to hear some loud Elton John music, these are the ones we go to. There are some mid-tempo ballads in here too, but even those, like “Danny Bailey” and “Tinderbox,” are such great songs with fantastic melodies and chord changes that we turn them all the way up as well.

So here are 20 of our favorite Elton John songs that have brought us so much joy throughout the years. What are yours?

# 20 – Midnight Creeper – Don’t Shoot Me I’m Only the Piano Player

Don't Shoot Me I'm Only The Piano Player [LP]

Bursting with rock-and-roll swagger, “Midnight Creeper” has always been one of our favorite cuts from Don’t Shoot Me I’m Only the Piano Player. The album was recorded in June 1972 at the iconic Château d’Hérouville in France. Produced by Gus Dudgeon, the song features Elton John on vocals and piano, with Davey Johnstone on guitar, Dee Murray on bass, and Nigel Olsson on drums.

Bernie Taupin’s cheeky lyrics, such as “Well, I got a reputation of being one to love,” infuse the track with mischievous charm, and Paul Buckmaster’s subtle string arrangements add depth to the rollicking tempo. The song is a perfect introduction to the list chosen from one of our favorite Elton John albums. If you don’t have this record and you need to get it and get one of the original copies where I had this full like 12 page booklet full of pictures and lyrics what a package this was. You can read more about it on our website.

# 19 – Looking Up – Wonderful Crazy Night

There are probably a lot of Elton John fans here, even the hardcore Elton John fans who dont know this song. And that’s sad because it’s a great one and it’s one of the reasons why we develop articles like this to showcase songs that we think people will fall in love with for the first time – even old school Classic Rock Fans who grew up loving Elton John. From Wonderful Crazy Night (2016), “Looking Up” is a joyous, guitar-driven track that was recorded at The Village in Los Angeles and produced by Elton John and T-Bone Burnett.

Featuring Elton’s longtime band members—Davey Johnstone on guitar, Nigel Olsson on drums, and the great Matt Bissonette on bass—the song exudes infectious optimism, perfectly complemented by bright piano riffs. The lyrics reflect a sense of resilience, with lines like “I’m looking up more than I look down,” emphasizing the uplifting nature of the song. Its upbeat energy resonates with the fun, carefree vibe of “Grow Some Funk of Your Own” from Rock of the Westies, while its modern production keeps it fresh for newer audiences. As a celebration of positivity, “Looking Up” is a natural fit for a list dedicated to songs meant to be cranked up.

# 18 – You’re So Static – Caribou

Taken from Caribou (1974), “You’re So Static” combines funky grooves with a biting lyrical edge, recorded at Caribou Ranch in Colorado and produced by Gus Dudgeon. Elton’s band shines, with Dee Murray’s bass and Davey Johnstone’s guitar adding depth to the track, while Ray Cooper’s percussion injects a lively pulse. The lyrics convey a sarcastic frustration with stagnation, as Elton sings, “You’re so static, it’s driving me insane.” Its energetic swagger places it alongside “Midnight Creeper” in terms of brash, danceable appeal. Chart-wise, Caribou was a significant success, lending “You’re So Static” a legacy as a deep cut worthy of blasting at full volume.

# 17- Tinderbox – The Captain & the Kid

From The Captain & the Kid (2006), “Tinderbox” offers a poignant reflection on Elton’s decades-long partnership with Bernie Taupin, recorded at The Village in Los Angeles and produced by Elton John and Matt Still. The lineup includes Elton’s trusted bandmates, Davey Johnstone, Nigel Olsson, and Guy Babylon, whose textured keyboard work enriches the song’s reflective mood. The lyrics, including “And suddenly it’s a tinderbox,” evoke themes of change and fragility, contrasting with the more carefree energy of “Looking Up.” As a heartfelt narrative, “Tinderbox” showcases Elton’s ability to infuse power into personal storytelling, making it an emotional yet uplifting addition to this list.

# 16 – Grow Some Funk of Your Own – Rock Of The Westies

This rollicking number from Rock of the Westies (1975) crackles with rebellious energy, recorded at Caribou Ranch in Colorado and produced by Gus Dudgeon. Featuring a band lineup that included Elton John, Davey Johnstone, Caleb Quaye, Roger Pope, and Kenny Passarelli, the song rides on a thundering rhythm section and gritty guitar riffs. The lyrics tell a humorous tale of a misguided romantic pursuit in Mexico, with Elton belting out, “You better grow some funk of your own.” The playful tone mirrors the mischief of “Midnight Creeper,” while its high-octane tempo makes it a prime example of Elton’s ability to deliver songs perfect for turning up and letting loose.

# 15 – I Guess That’s Why They Call It the Blues – Too Low for Zero

Few songs capture the bittersweet ache of separation as powerfully as “I Guess That’s Why They Call It the Blues,” where Elton John’s emotive delivery and Stevie Wonder’s soulful harmonica create a perfect union of sound and sentiment. This Too Low for Zero standout, recorded at AIR Studios in London under the guidance of producer Chris Thomas, features Elton’s core band—Davey Johnstone, Dee Murray, and Nigel Olsson—delivering a polished yet heartfelt performance. Bernie Taupin’s poignant lyrics, such as “Laughing like children, living like lovers,” resonate with an aching nostalgia, contrasting with the playful exuberance of entries like “Grow Some Funk of Your Own.” Peaking at number four on the Billboard Hot 100, it’s a timeless ballad worthy of cranking up to let its emotional richness wash over you.

# 14 – (Gotta Get a) Meal Ticket – Captain Fantastic & The Brown Dirt Cowboy

Captain Fantastic & Brown Dirt Cowboy [CD]

With a relentless energy that feels like a musical steamroller, “(Gotta Get a) Meal Ticket” rages against the struggles of making it in the music industry. Elton John’s performance on this Captain Fantastic and the Brown Dirt Cowboy gem is electrifying, bolstered by the dynamic trio of Davey Johnstone on guitar, Dee Murray on bass, and Nigel Olsson on drums, all recorded at Caribou Ranch in Colorado with Gus Dudgeon at the helm. Bernie Taupin’s biting lyrics, such as “I need a meal ticket to survive,” underscore the song’s raw frustration, making it a thematic cousin to the grit and determination of “Crazy Water.” Its furious tempo and layered instrumentation demand to be played loud, embodying the rebellious spirit that defines this list.

# 13 – All the Girls Love Alice – Goodbye Yellow Brick Road

Daring and provocative, “All the Girls Love Alice” dives into a tale of heartbreak and rebellion with the kind of fearless storytelling that sets Elton John apart. This unforgettable track from Goodbye Yellow Brick Road, recorded at the Château d’Hérouville, combines Elton’s thunderous piano with Davey Johnstone’s blazing guitar work and a tight rhythm section courtesy of Dee Murray and Nigel Olsson. Bernie Taupin’s lyrics, “Alice, it’s a shame she was a victim of her fame,” weave a haunting narrative that contrasts with the buoyant defiance of “Hercules.” With its driving beat and evocative story, this is a song that cries out to be turned up loud, immersing the listener in its raw emotional intensity.

Read More: Top 10 Elton John Songs

# 12 – Crazy Water – Blue Moves

Swirling with complexity, “Crazy Water” flows through layers of funk and jazz-inflected rock, showcasing Elton John’s adventurous artistry. Recorded across Eastern Sound in Toronto and Abbey Road Studios in London for Blue Moves, this track shines with contributions from Caleb Quaye on guitar, Kenny Passarelli on bass, and Roger Pope on drums, all under Gus Dudgeon’s meticulous production. The lyrics, “When the crazy water takes me home,” suggest a journey through turbulence toward clarity, standing as a reflective counterpoint to the punchy confidence of “(Gotta Get a) Meal Ticket.” Its intricate arrangement is an invitation to dive deep into its soundscape and turn it up to hear every nuance of Elton’s fearless experimentation.

# 11- Hercules – Honky Château

Playful and rollicking, “Hercules” closes Honky Château with a wink and a grin, offering listeners a joyous farewell. Elton John’s effervescent piano leads the charge, backed by Davey Johnstone’s lively guitar and the steady rhythm of Dee Murray and Nigel Olsson, all recorded at the renowned Château d’Hérouville under Gus Dudgeon’s direction. Taupin’s lyrics, “I don’t know what it is but I’m acting like a hero,” inject humor and charm, contrasting with the darker themes of “All the Girls Love Alice.” Its buoyant rhythm and carefree vibe make it a perfect track to crank up and end any day with a smile.

# 10 – Bitter Fingers – Captain Fantastic and the Brown Dirt Cowboy

Captain Fantastic And The Brown Dirt Cowboy [LP]

“Bitter Fingers” offers a sharp glimpse into the struggles of creativity, with Elton John and Bernie Taupin reflecting on the pressures of songwriting. Recorded at Caribou Ranch in Colorado and produced by Gus Dudgeon, this track from Captain Fantastic and the Brown Dirt Cowboy features Elton on piano and vocals, Davey Johnstone on guitar, Dee Murray on bass, and Nigel Olsson on drums, delivering a lush and heartfelt arrangement. Taupin’s lyrics, such as “It’s just another song for the money,” convey a biting commentary on the commercial demands placed on artists, contrasting with the buoyant energy of songs like “Grow Some Funk of Your Own.” With its soaring melody and introspective theme, “Bitter Fingers” blends melancholy and defiance, making it a deeply resonant entry on this list of songs meant to be played loud and savored.

# 9 – The Bitch Is Back – Caribou

A defiant anthem of swagger and self-assurance, “The Bitch Is Back” from Caribou (1974) explodes with raw energy and unfiltered attitude. Recorded at Caribou Ranch in Colorado and produced by Gus Dudgeon, the track features Elton John’s forceful piano playing, backed by Davey Johnstone on guitar, Dee Murray on bass, and Nigel Olsson on drums, with the Tower of Power horns adding a brassy edge. Bernie Taupin’s bold lyrics, including the infamous refrain “The bitch is back,” revel in unapologetic self-expression. Its rebellious tone aligns perfectly with the fiery confidence of “Grow Some Funk of Your Own,” creating an electrifying addition to the list. Peaking at number four on the Billboard Hot 100, this hit demands to be cranked up to appreciate its full, rebellious glory.

# 8 – The Ballad of Danny Bailey (1909–34) – Goodbye Yellow Brick Road

A cinematic tale of crime and redemption, “The Ballad of Danny Bailey (1909–34)” from Goodbye Yellow Brick Road (1973) paints a vivid picture of an outlaw’s downfall. Recorded at the Château d’Hérouville and produced by Gus Dudgeon, this track features Elton John’s haunting piano and vocals, paired with Davey Johnstone’s dramatic guitar work, Dee Murray’s brooding bassline, and Nigel Olsson’s emotive drumming. Bernie Taupin’s storytelling shines, with lyrics like “And he made a reputation for making young girls cry” capturing the tragic glamour of the outlaw archetype. Its moody narrative provides a striking counterpoint to the exuberant defiance of “The Bitch Is Back,” adding depth to the list while showcasing Elton’s ability to tackle complex themes with equal intensity.

# 7 – Honky Cat – Honky Château

Playful and brimming with New Orleans-inspired rhythm, “Honky Cat” is an exuberant highlight from Honky Château (1972). Recorded at the Château d’Hérouville and produced by Gus Dudgeon, this track features Elton John’s lively piano, anchored by Davey Johnstone’s guitar, Dee Murray’s bass, and Nigel Olsson’s drums, while the horns add a jazzy flair. Bernie Taupin’s lyrics, including “It’s like trying to drink whiskey from a bottle of wine,” celebrate the clash between rural roots and city life, evoking both humor and nostalgia. This rollicking tune aligns with the buoyancy of “Teacher I Need You,” reinforcing Elton’s gift for crafting infectious melodies that invite listeners to turn up the volume and lose themselves in the fun.

Read More: Top 10 Elton John Love Songs

# 6 – Rotten Peaches – Madman Across The Water

“Rotten Peaches,” a soulful track from Madman Across the Water (1971), captures the wistful melancholy of those searching for meaning in desolate places. Recorded at Trident Studios in London and produced by Gus Dudgeon, the song features Elton John’s poignant piano work, accompanied by Davey Johnstone’s acoustic guitar, Dee Murray’s bass, and Nigel Olsson’s drums. Bernie Taupin’s lyrics, such as “Oh, rotten peaches are hanging on trees,” use vivid imagery to explore themes of despair and fleeting hope, making it a reflective counterpart to the lighthearted exuberance of “Honky Cat.” The song’s haunting melody and layered instrumentation beg to be turned up, allowing the listener to fully absorb its introspective beauty.

# 5 – Teacher I Need You – Elton John

Don't Shoot Me I'm Only The Piano Player (CD)

Injecting a touch of humor and adolescent longing, “Teacher I Need You” from Don’t Shoot Me I’m Only the Piano Player (1973) is a buoyant ode to youthful infatuation. Recorded at the Château d’Hérouville and produced by Gus Dudgeon, the track features Elton John’s signature piano flourishes, with Davey Johnstone’s guitar, Dee Murray’s bass, and Nigel Olsson’s drums providing a vibrant foundation. Bernie Taupin’s playful lyrics, such as “Teacher, I need you, I need you here to wipe the tears away,” deliver a cheeky narrative that captures the naivety of a schoolboy crush. Its breezy tempo and infectious charm echo the fun of “The Bitch Is Back,” offering a lighter moment on the list while remaining irresistibly turn-up-worthy.

Opening Tumbleweed Connection (1970) with grit and swagger, “Ballad of a Well-Known Gun” tells the tale of a weary outlaw on the run. Recorded at Trident Studios in London and produced by Gus Dudgeon, the track features Elton John’s earthy piano playing, supported by Caleb Quaye’s guitar, Dee Murray’s bass, and Nigel Olsson’s drums, with added vocal harmonies by Lesley Duncan and Madeline Bell. Bernie Taupin’s lyrics, “It seems like a shame but they’ve all known my name,” evoke the loneliness and inevitability of the outlaw lifestyle, making this track thematically similar to “The Ballad of Danny Bailey (1909–34).” With its country-inspired rock and evocative storytelling, the song stands as a foundational piece in Elton’s repertoire, perfect for cranking up to appreciate its rugged charm.

**# 3 – Funeral for a Friend/Love Lies Bleeding –*Goodbye Yellow Brick Road***

A masterwork of epic proportions, “Funeral for a Friend/Love Lies Bleeding” from Goodbye Yellow Brick Road (1973) is a seamless blend of instrumental grandeur and emotional rock. Recorded at Château d’Hérouville and produced by Gus Dudgeon, the track begins with an ethereal instrumental introduction driven by Elton John’s piano and David Hentschel’s synthesizer work, before transitioning into the fiery “Love Lies Bleeding.” Featuring Davey Johnstone’s soaring guitar, Dee Murray’s driving bass, and Nigel Olsson’s thunderous drums, the song encapsulates heartbreak and betrayal with lines like “It seems to me a change is really needed.” Its dramatic scope contrasts with the tight storytelling of “Ballad of a Well-Known Gun” but shares the list’s overall energy, making it a song that demands to be turned up to fully experience its cinematic power.

# 2 – Take Me To The Pilot – Live 11/17/70

Electrifying in its live performance on 11/17/70, “Take Me to the Pilot” showcases Elton John’s ability to ignite an audience with nothing but a piano, bass, and drums. Recorded live at A&R Studios in New York City, the stripped-down arrangement features Elton’s fervent piano playing, Nigel Olsson’s dynamic drumming, and Dee Murray’s inventive bass lines. The enigmatic lyrics, including “Take me to the pilot of your soul,” add a layer of mystery, making it a fiery contrast to the narrative clarity of “Ballad of a Well-Known Gun.” The live setting amplifies the song’s raw energy, cementing its place as one of Elton’s most powerful performances and a must-play track for maximum impact.

# 1 – Saturday Night’s Alright For Fighting – Goodbye Yellow Brick Road

Few songs embody pure rock-and-roll rebellion like “Saturday Night’s Alright for Fighting” from Goodbye Yellow Brick Road (1973). Recorded at Château d’Hérouville and produced by Gus Dudgeon, the track bursts with energy thanks to Davey Johnstone’s snarling guitar riffs, Dee Murray’s pulsating bass, and Nigel Olsson’s explosive drumming, all anchored by Elton John’s rollicking piano. Bernie Taupin’s lyrics, “Get about as oiled as a diesel train,” celebrate the rowdy joy of a night out, making it a perfect companion to the rebellious attitude of “The Bitch Is Back.” As the ultimate party anthem on this list, “Saturday Night’s Alright for Fighting” demands to be blasted at full volume, leaving no doubt why it’s the number one song to turn up to eleven.

Updated April 12, 2025

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One Response

Baybluesman November 15, 2024

So many great songs from Sir Elton, so many deserving to be turned up to 11.

“Goodbye Yellow Brick Road” was/is such a masterpiece and had so many noteworthy songs, therefore, I would like to add one more to this list from GYBR – “Your Sister Can’t Twist (But She Can Rock ‘N’ Roll)”.
A calliope of sounds – a combination of rock, rock ‘n’ roll, somewhat of a circus riff, along with even some Beach Boys’ harmony choruses.
When I have GYBR on the disc player, or on the turntable, I always crank up “Your Sister Can’t Dance” a couple of notches.
Great article and background info.