Complete List of Fleetwood Mac Albums And Songs

Fleetwood Mac Albums

Feature Photo: Randy Miramontez / Shutterstock.com

Fleetwood Mac’s journey from a British blues band to an iconic rock institution is a story filled with transformations, personal struggles, and musical evolution. Formed in London in 1967 by guitarist Peter Green, the band initially featured Mick Fleetwood on drums, Jeremy Spencer on guitar, and Bob Brunning on bass. John McVie replaced Brunning shortly after their debut performance at the National Jazz & Blues Festival. By 1968, guitarist Danny Kirwan joined, marking the beginning of their classic blues era with hits like “Albatross,” which reached number one in the UK, and other notable songs like “Man of the World” and “Oh Well.”

Fleetwood Mac’s early years were dominated by the blues influence of Peter Green. The band achieved success with their instrumental pieces and emotionally charged songs, establishing themselves in the British music scene. However, Green’s departure in 1970, following his struggles with mental health and substance abuse, signaled the end of their blues era. Christine McVie joined as a vocalist and keyboardist, bringing a new dynamic to the band’s sound. The next few years saw more lineup changes, with Bob Welch and Bob Weston briefly joining the group, and experimentation with their musical direction.

In the mid-1970s, Fleetwood Mac’s lineup stabilized when Mick Fleetwood discovered American duo Buckingham Nicks (Lindsey Buckingham and Stevie Nicks) in Los Angeles. He invited them to join the band in 1974, resulting in a shift towards a more pop-rock sound. This new lineup released Fleetwood Mac in 1975, which marked a commercial breakthrough, reaching the top of the Billboard 200 chart. However, it was their 1977 album Rumours that solidified their status as rock legends. Created amidst intense personal turmoil, with relationships within the band unraveling, Rumours produced multiple hits, including “Go Your Own Way” and “Dreams,” and won a Grammy for Album of the Year. It remains one of the best-selling albums of all time, with over 40 million copies sold.

Following the massive success of Rumours, Fleetwood Mac released Tusk in 1979, an ambitious and experimental double album led by Lindsey Buckingham’s creative vision. Although it was not as commercially successful as its predecessor, Tusk demonstrated the band’s willingness to explore new sounds and push musical boundaries. The subsequent tour was extensive, covering multiple continents, and the live album Fleetwood Mac Live captured the energy of their performances during this period.

The 1980s brought further changes to Fleetwood Mac’s lineup and sound. After the release of Mirage in 1982, a more commercially oriented album that produced hits like “Hold Me” and “Gypsy,” the band members pursued solo projects. The group reconvened for Tango in the Night in 1987, a major success driven by singles like “Little Lies” and “Big Love.” However, tensions between band members, particularly between Buckingham and the others, led to Buckingham’s departure shortly before the tour. He was replaced by guitarists Billy Burnette and Rick Vito, ushering in a new era for the band.

The 1990s were marked by departures and reunions. After Stevie Nicks and Rick Vito left the band in 1991, Fleetwood Mac continued with new members Bekka Bramlett and Dave Mason but struggled to find the same success as before. A brief reunion of the classic Rumours lineup in 1993 for President Bill Clinton’s inauguration sparked renewed interest, and by 1997, the band reunited fully for The Dance, a live album that celebrated the 20th anniversary of Rumours. It became their fourth number-one album in the U.S. and reignited their popularity.

Christine McVie left the band in 1998, citing a desire to retire from touring. The remaining members continued with the album Say You Will in 2003, which featured Buckingham and Nicks as the primary songwriters. Despite the absence of Christine McVie, the album was well-received, and the band embarked on a successful tour. McVie rejoined Fleetwood Mac in 2014 for the On with the Show tour, bringing back the full Rumours lineup for the first time in 16 years.

In 2018, Lindsey Buckingham was dismissed from Fleetwood Mac, reportedly due to conflicts over the band’s touring plans. He was replaced by Mike Campbell of Tom Petty and the Heartbreakers and Neil Finn of Crowded House. This new lineup embarked on the An Evening with Fleetwood Mac tour, proving that the band could continue despite internal changes. However, the loss of founding member Peter Green in 2020 and the death of Christine McVie in 2022 left a significant impact on the group.

Fleetwood Mac’s legacy is one of perseverance, reinvention, and timeless music. They have sold over 120 million records worldwide, making them one of the best-selling bands in history. Their influence on rock and popular music remains undeniable, and their induction into the Rock and Roll Hall of Fame in 1998 and their star on the Hollywood Walk of Fame in 1979 are testaments to their enduring impact on the music industry. Despite the challenges and personal conflicts faced over the years, Fleetwood Mac’s contributions to rock music continue to resonate, with Rumours standing as one of the greatest albums of all time.

FLEETWOOD MAC STUDIO ALBUMS

Fleetwood Mac

Released February 24, 1968

Fleetwood Mac (1968) marked the debut of Fleetwood Mac as a powerhouse in the British blues scene, showcasing the band’s raw, spirited sound that set them apart during the late 1960s. Recorded primarily at CBS Studios in London, with additional sessions at Decca Studios, this album was a culmination of various sessions that began as early as April 1967. Led by guitarist Peter Green, who had recently left John Mayall & the Bluesbreakers, the lineup featured Mick Fleetwood on drums, John McVie on bass (after replacing Bob Brunning), and Jeremy Spencer on guitar and vocals. Produced by Mike Vernon, the album was a confident statement of intent for a band that would later evolve into one of rock’s most enduring acts.

The recording sessions, conducted under Vernon’s watchful eye, captured the band’s enthusiasm and talent. Tracks like “My Heart Beat Like a Hammer,” “Shake Your Moneymaker,” and “Hellhound on My Trail” were all recorded in a span of a few months between November and December 1967. The band’s disciplined approach allowed them to record most tracks in just a couple of takes, demonstrating the chemistry and professionalism already present among its members. Green’s virtuosic guitar work and Spencer’s slide guitar style, influenced heavily by Elmore James, are prominently featured throughout the album, giving it a gritty and authentic blues character.

Released in February 1968 under the Blue Horizon label, Fleetwood Mac combined blues covers and original compositions from both Peter Green and Jeremy Spencer. Notably, Christine McVie, who would later become a central figure in the band, did not participate in this debut. Despite this, the album thrived on its minimalist yet potent arrangements. The absence of keyboard embellishments allowed the guitar work and rhythm section to shine, creating a pure blues experience that resonated deeply with British audiences. The album climbed to number four on the UK Albums Chart, staying there for 37 weeks, despite the absence of a standout single.

CD Track Listings:

1. My Heart Beat Like a Hammer
2. Merry Go Round
3. Long Grey Mare
4. Hellhound on My Trail
5. Shake Your Moneymaker
6. Looking for Somebody
7. No Place to Go
8. My Baby’s Good to Me
9. I Loved Another Woman
10. Cold Black Night
11. The World Keeps on Turning
12. Got to Move

Mr. Wonderful

Released August 23, 1968

Mr. Wonderful (1968) showcases Fleetwood Mac’s continued exploration of the British blues sound, following the success of their debut album. Released on August 23, 1968, this album marked their second studio effort and saw the band retaining their all-blues approach while introducing some new elements to freshen their sound. The recording sessions, led by producer Mike Vernon, took place over four days and, in a departure from traditional studio practices, were captured live with miked amplifiers and PA systems, rather than through direct input into the mixing board. This technique gave the album a raw, live feel, as if the listener were right there in the studio with the band.

This time around, Fleetwood Mac expanded their sound by incorporating a horn section and enlisting Christine Perfect of Chicken Shack (later known as Christine McVie) to play keyboards, adding depth and texture to their blues arrangements. The lineup for Mr. Wonderful featured Peter Green on guitar and vocals, Jeremy Spencer on slide guitar and vocals, John McVie on bass, and Mick Fleetwood on drums. This personnel choice maintained the band’s core while pushing their sonic boundaries.

Interestingly, the band initially had some unconventional ideas for the album’s title and cover art. They first proposed A Good Length, with a cheeky, suggestive cover that the record label ultimately rejected. Their second attempt, Udder Sucker, involved Fleetwood posing under a cow, but this concept was also vetoed. In the end, Mick Fleetwood posed for the cover of Mr. Wonderful, which gave the album a playful yet bluesy aesthetic.

The album includes tracks such as “Stop Messin’ Round” and “Love That Burns,” which showcase Peter Green’s emotive guitar work and deep connection to the blues tradition. Jeremy Spencer’s slide guitar playing remains prominent, especially on tracks like “Doctor Brown” and “Dust My Broom,” which reflect the band’s affinity for the Elmore James style. However, some critics noted that several songs, like “Doctor Brown,” “Coming Home,” and “Need Your Love Tonight,” begin with similar riffs, causing the album to feel repetitive at times.

Tracklisting:

  1. “Stop Messin’ Round” (Green, Adams) – 2:22
  2. “I’ve Lost My Baby” (Spencer) – 4:17
  3. “Rollin’ Man” (Green, Adams) – 2:54
  4. “Dust My Broom” (James, Arranged by Green) – 2:51
  5. “Love That Burns” (Green, Adams) – 5:03
  6. “Doctor Brown” (James) – 3:45
  7. “Need Your Love Tonight” (James) – 3:27
  8. “If You Be My Baby” (Green, Adams) – 3:56
  9. “Evenin’ Boogie” (Spencer) – 2:42
  10. “Lazy Poker Blues” (Green, Adams) – 2:36
  11. “Coming Home” (James) – 2:40
  12. “Trying So Hard to Forget” (Green) – 4:48

Then Play On

Released September 19, 1969

Then Play On, Fleetwood Mac’s third studio album, marks an important moment in the band’s early evolution. Released on September 19, 1969, it introduced a shift from their initial blues roots to a more expansive and experimental sound that incorporated elements of folk, hard rock, art rock, and psychedelia. This album also showcased the arrival of guitarist Danny Kirwan, whose presence added a new layer of melodic complexity and songwriting prowess. Although Jeremy Spencer, a founding member, was still officially with the band, he did not actively contribute to the album, aside from a brief piano part on “Oh Well (Part 2).” The album is also notable as the last Fleetwood Mac release featuring the legendary Peter Green, whose influence loomed large over the record’s creation.

The album was recorded at CBS Studios in London and produced by the band itself. It was the first Fleetwood Mac album released under Reprise Records, following the band’s departure from Blue Horizon and their brief stint with Immediate Records. Then Play On takes its title from the opening line of William Shakespeare’s Twelfth Night: “If music be the food of love, play on.” This literary reference sets the tone for an album that strays beyond the boundaries of conventional blues and ventures into more sophisticated territory.

The album’s musical variety is one of its most compelling features. Unlike their previous work, which adhered strictly to the blues, Then Play On allowed for extensive use of improvisation and studio experimentation. For instance, tracks like “Underway,” “Searching for Madge,” and “Fighting for Madge” evolved from long studio jams that Peter Green edited and compiled into album cuts. These tracks, built from hours of studio improvisations, highlight the band’s willingness to explore new sounds and break away from their established blues template.

Peter Green and Danny Kirwan’s collaboration on this album was a showcase of mutual respect and shared creativity. Green, who had been the band’s leader and driving force, generously allowed Kirwan to take on a significant role, resulting in a balanced mix of their individual songwriting talents. Songs like “Closing My Eyes” and “Although the Sun Is Shining” demonstrate Kirwan’s melodic sensibility, while Green’s own compositions, such as the blues-infused “Show-Biz Blues” and the iconic “Oh Well,” blend his guitar mastery with lyrical depth. “Oh Well” went on to become a major hit, reaching No. 2 in the UK Singles Chart, and is one of the band’s most enduring tracks.

The album’s art is equally intriguing. The cover features a mural by English artist Maxwell Armfield, originally designed for a London mansion’s dining room. This artistic touch reflects the band’s intention to create a sophisticated, multi-layered record that transcended their previous blues image.

Critically, Then Play On was a success in the UK, where it climbed to No. 6 on the UK Albums Chart, making it the band’s third Top 10 album in a row. The album’s commercial performance and experimental approach solidified Fleetwood Mac’s reputation as one of the leading bands in the British rock scene at the time. However, the US release was slightly different, as it omitted two tracks—”One Sunny Day” and “Without You”—which had already appeared on the American compilation album English Rose. The second US pressing further altered the tracklist by adding the single “Oh Well” and removing other tracks.

Then Play On has undergone several reissues, the most notable being the 2013 remastered edition. This version includes all tracks from the various original releases, along with the single “The Green Manalishi (With the Two-Pronged Crown)” and its B-side “World in Harmony” as bonus tracks, providing fans with the most comprehensive collection of this pivotal album.

Overall, Then Play On stands as a critical milestone in Fleetwood Mac’s history. It captures the band at a transitional moment, as they began to push the boundaries of their sound, laying the groundwork for their later evolution. The album’s blend of blues, rock, and experimentation makes it an essential listen for fans and a testament to Peter Green’s legacy and Danny Kirwan’s emerging brilliance.

CD Track Listings:

1. Coming Your Way
2. Closing My Eyes
3. Fighting for Madge
4. When You Say
5. Show Biz Blues
6. Under Way
7. One Sunny Day
8. Although the Sun Is Shining
9. Rattlesnake Shake
10. Without You
11. Searching for Madge
12. My Dream
13. Like Crying
14. Before the Beginning
15. Oh Well, Part 1
16. Oh Well, Part 2
17. The Green Manalishi (With the Two Prong Crown)
18. World in Harmony

Kiln House

Released September 18, 1970

The album was recorded at Kiln House, a converted oast house in Hampshire, where the band lived communally for six months in 1970. The name itself inspired the album title. The sessions were engineered by Martin Birch and produced by the band members themselves, capturing a lively, raw feel that nods to the 1950s Sun Records era Spencer admired. This back-to-basics, rockabilly vibe pervades the album, with Spencer taking center stage on several tracks, such as “Hi Ho Silver” (based on Johnny Burnette’s “Honey Hush”) and “Buddy’s Song,” a tribute to Buddy Holly, cleverly weaving in several of Holly’s song titles.

The album opens with “This Is the Rock,” a Spencer-led track that sets the tone for the album’s nostalgic energy. It’s followed by “Station Man,” a standout collaboration between Kirwan, Spencer, and John McVie. This track showcases Kirwan’s ability to meld his blues roots with rock sensibilities, creating a dynamic and enduring song that has remained a fan favorite. Other highlights include Kirwan’s “Jewel Eyed Judy” and the instrumental “Earl Gray,” demonstrating his growing influence within the band’s sound.

The album also includes bonus tracks in its 2020 remastered edition, such as Kirwan’s “Dragonfly” and the atmospheric “Purple Dancer,” both of which further highlight Kirwan’s growing artistic contributions.

Critically, Kiln House saw mixed responses, particularly in the UK, where fans were still adjusting to Peter Green’s absence. However, it was much better received in North America, where it peaked at No. 69 on the Billboard 200 and No. 67 in Canada’s RPM Magazine. At the time, it became Fleetwood Mac’s best-selling album in the US. The band’s new direction, blending Kirwan’s evolving style with Spencer’s throwback energy, marked an era of transformation and experimentation.

Christine McVie’s unofficial contributions on keyboards and vocals added a new depth to the band’s sound, foreshadowing her eventual full-time role within the group. Her artistic touch is also felt in the album’s cover, which captures the playful spirit of the Kiln House sessions. Five days before the band left for their American tour, McVie officially joined, rehearsing with them before embarking on the road.

While Kiln House may not have reached the same commercial heights as later Fleetwood Mac albums, it stands as a fascinating snapshot of a band in transition—evolving their sound, adding new influences, and building the foundation for their future. It captures both the nostalgia of rock ‘n’ roll’s past and the promise of Fleetwood Mac’s creative journey ahead.

CD Track Listings:

1. This Is the Rock
2. Station Man
3. Blood on the Floor
4. Hi Ho Silver
5. Jewel Eyed Judy
6. Buddys Songall
7. Earl Grey
8. One Together
9. Tell Me All the Things You Do
10. Mission Bell

Future Games

Released September 3, 1971

Future Games, Fleetwood Mac’s fifth studio album, showcases a band evolving and embracing a new sound. Released on September 3, 1971, this record marked a turning point for the group, incorporating new members and taking bold steps away from their blues roots. Recorded during the summer of 1971 at Advision Studios in London, Future Games was the first album to feature Christine McVie as an official member. It also introduced American guitarist Bob Welch, whose jazzy and R&B influences helped steer the band in a fresh direction. Mick Fleetwood later noted how Welch’s unique style was a perfect fit for the band’s next chapter.

Christine McVie’s presence in the band was already felt during the recording of Kiln House, but Future Games truly allowed her to shine as a songwriter and vocalist. Her melodic touch and piano work added depth to Fleetwood Mac’s evolving sound. The album also demonstrated the band’s growing shift toward a more pop-oriented and progressive approach, moving away from the blues-heavy sound of their earlier work, especially after the abrupt departure of guitarist Jeremy Spencer, who left the band in early 1971.

Welch’s influence is particularly evident throughout the album. His contributions, combined with Danny Kirwan’s guitar work and McVie’s vocals, helped shape a more atmospheric, moody sound that defined Fleetwood Mac’s transitional period. Songs like “Sands of Time” display this new musical direction, blending dreamy instrumentals with layered vocals. However, according to McVie, recording “Sands of Time” proved challenging due to its complex structure and the pressure of recording it live from start to finish without error.

The album was recorded at Advision Studios in London under the band’s own supervision. The cover image, taken by Mick Fleetwood’s sister Sally, features two children, and it has become an iconic visual representation of the album. John McVie, always a character, opted to replace his headshot on the back cover with a photograph of a penguin, an animal he was particularly fond of. Notably, the original UK and US releases displayed the cover with a yellow background, though this was later changed to green in subsequent reissues. The 2013 vinyl reissue by Warner/Rhino restored the original yellow background, offering fans a nostalgic nod to the album’s early editions.

When the band initially completed the album, they turned in a collection of seven tracks. The label, however, insisted on a minimum of eight, leading Fleetwood Mac to quickly record “What a Shame,” a jam session track featuring John Perfect on saxophone. This spontaneous addition rounded out the album, highlighting the band’s flexibility and willingness to experiment.

Future Games debuted modestly at number 186 on the US Billboard 200 chart in October 1971, eventually reaching its peak at number 91 in December of that year. Though not an immediate commercial hit, the album spent 12 weeks on the chart and has since grown in popularity. In 2000, nearly three decades after its release, Future Games was certified gold by the Recording Industry Association of America (RIAA), a testament to its enduring appeal.

Critically, the album is seen as a turning point for Fleetwood Mac, setting the stage for their later mainstream success. With its mix of ethereal, introspective tracks and the distinctive blend of Welch’s and Kirwan’s guitar work, the album holds a unique place in the band’s discography.

CD Track Listings:

1. Woman Of A Thousand Years
2. Morning Rain
3. What A Shame
4. Future Games
5. Sands Of Time
6. Sometimes
7. Lay It All Down
8. Show Me A Smile

Bare Trees

Released March 1972

The Bare Trees album featured a lineup of  Mick Fleetwood, Bob Welch, Christine McVie Danny Kirwan and John McVie.

CD Track Listings:

1. Child of Mine
2. The Ghost
3. Homeward Bound
4. Sunny Side of Heaven
5. Bare Trees
6. Sentimental Lady
7. Danny’s Chant
8. Spare Me a Little of Your Love
9. Dust
10. Thoughts on a Grey Day

Penguin

Released March 1, 1973

The Penguin album featured musicians Bob Welch, Christine McVie, John McVie, and Mick Fleetwood with guest appearances by Bob Weston, Dave Walker and Jeremy Spencer

CD Track Listings:

1. Remember Me
2. Bright Fire
3. Dissatisfied
4. (I’m A) Road Runner
5. The Derelict
6. Revelation
7. Did You Ever Love Me
8. Night Watch
9. Caught In The Rain

Mystery to Me

Released October 15, 1973

CD Track Listings:

1. Emerald Eyes
2. Believe Me
3. Just Crazy Love
4. Hypnotized
5. Forever
6. Keep On Going
7. The City
8. Miles Away
9. Somebody
10. The Way I Feel
11. For Your Love
12. Why

Heroes Are Hard to Find

Released September 13, 1974

The album featured musicians Bob Welch, Christine McVie, John McVie,  Mick Fleetwood and

CD Track Listings:

1. Heroes Are Hard To Find
2. Coming Home
3. Angel
4. Bermuda Triangle
5. Come A Little Bit Closer
6. She’s Changing Me
7. Bad Loser
8. Silver Heels
9. Prove Your Love
10. Born Enchanter
11. Safe Harbour

Fleetwood Mac

The 1975 Fleetwood Mac album featured what would become the classic lineup of Mick Fleetwood, Christine McVie, John McVie, Lindsey Buckingham, and Stevie Nicks.

Released July 11, 1975

CD Track Listings:

1. Monday Morning
2. Warm Ways
3. Blue Letter
4. Rhiannon
5. Over My Head
6. Crystal
7. Say You Love Me
8. Landslide
9. World Turning
10. Sugar Daddy
11. I’m So Afraid

Rumours

The Rumours album featured the lineup of Mick Fleetwood, Christine McVie, John McVie, Lindsey Buckingham, and Stevie Nicks.

Released February 4, 1977

CD Track Listings:

Disc 1:
1. Second Hand News
2. Dreams
3. Never Going Back Again
4. Don’t Stop
5. Go Your Own Way
6. Songbird
7. Silver Springs
8. The Chain
9. You Make Loving Fun
10. I Don’t Want To Know
11. Oh Daddy
12. Gold Dust Woman

Anniversary Edition included a second disk of outtakes and demos

Disc 2:
1. Second Hand News
2. Dreams
3. Brushes (Never Going Back Again)
4. Don’t Stop
5. Go Your Own Way
6. Songbird
7. Silver Springs
8. You Make Loving Fun
9. Gold Dust Woman #1
10. Oh Daddy
11. Think About It
12. Never Going Back Again [Early Demo]
13. Planets Of The Universe [Early Demo]
14. Butter Cookie (Keep Me There) [Early Demo]
15. Gold Dust Woman [Early Demo]
16. Doesn’t Anything Last [Early Demo]
17. Mic The Screecher
18. For Duster (The Blues)

Tusk

Released October 12, 1979

The Rumours album featured the lineup of Mick Fleetwood, Christine McVie, John McVie, Lindsey Buckingham, and Stevie Nicks.

CD Track Listings:

1. Over & Over
2. The Ledge
3. Think About Me
4. Save Me a Place
5. Sara (edit)
6. What Makes You Think You’re the One
7. Storms
8. That’s All for Everyone
9. Not That Funny
10. Sisters of the Moon
11. Angel
12. That’s Enough for Me
13. Brown Eyes
14. Never Make Me Cry
15. I Know I’m Not Wrong
16. Honey Hi
17. Beautiful Child
18. Walk a Thin Line
19. Tusk
20. Never Forget

Mirage

Released June 18, 1982

The Mirage album featured the lineup of Mick Fleetwood, Christine McVie, John McVie, Lindsey Buckingham, and Stevie Nicks.

CD Track Listings:

1. Love In Store
2. Can’t Go Back
3. That’s Alright
4. Book Of Love
5. Gypsy
6. Only Over You
7. Empire State
8. Straight Back
9. Hold Me
10. Oh Diane
11. Eyes Of The World
12. Wish You Were Here

Tango in the Night

Released April 13, 1987

The Tango In The Night album featured the lineup of Mick Fleetwood, Christine McVie, John McVie, Lindsey Buckingham, and Stevie Nicks.

CD Track Listings:

1. Big Love
2. Seven Wonders
3. Everywhere
4. Caroline
5. Tango In The Night
6. Mystified
7. Little Lies
8. Family Man
9. Welcome To The Room… Sara
10. Isn’t It Midnight
11. When I See You Again
12. You And I, Part II

Behind the Mask

Released April 9, 1990

The Behind The Mask album featured the lineup of Mick Fleetwood, Christine McVie, John McVie, Rick Vito,  Billy Burnette, and Stevie Nicks.

CD Track Listings:

1. Skies the Limit
2. Love Is Dangerous
3. In the Back of My Mind
4. Do You Know
5. Save Me
6. Affairs of the Heart
7. When the Sun Goes Down
8. Behind the Mask
9. Stand on the Rock
10. Hard Feelings
11. Freedom
12. When It Comes to Love
13. The Second Time

Time

Released October 10, 1995

The Time album featured the lineup of Mick Fleetwood, Christine McVie, John McVie, Dave MasonBilly Burnette, and Bekka Bramlett.

CD Track Listings:

1. Talkin’ to My Heart
2. Hollywood (Some Other Kind of Town)
3. Blow by Blow
4. Winds of Change
5. I Do
6. Nothing Without You
7. Dreamin’ the Dream
8. Sooner or Later
9. I Wonder Why
10. Nights in Estoril
11. I Got It for You
12. All Over Again
13. These Strange Times

Say You Will

Released  April 15, 2003

The Say You Will album featured the lineup of Mick Fleetwood, John McVie, Lindsey Buckingham, and Stevie Nicks.

CD Track Listings:

1. What’s the World Coming To
2. Murrow Turning Over in His Grave
3. Illume (9-11)
4. Thrown Down
5. Miranda
6. Red Rover
7. Say You Will
8. Peacekeeper
9. Come
10. Smile at You
11. Running Through the Garden
12. Silver Girl
13. Steal Your Heart Away
14. Bleed to Love Her
15. Everybody Finds Out
16. Destiny Rules
17. Say Goodbye
18. Goodbye Baby

FLEETWOOD MAC LIVE ALBUMS

Live

Released December 8, 1980

CD Track Listings:

Disc 1:
1. Monday Morning
2. Say You Love Me
3. Dreams
4. Oh Well
5. Over & Over
6. Sara
7. Not That Funny
8. Never Going Back Again
9. Landslide

Disc 2:
1. Fireflies
2. Over My Head
3. Rhiannon
4. Don’t Let Me Down Again
5. One More Night
6. Go Your Own Way
7. Don’t Stop
8. I’m So Afraid
9. The Farmer’s Daughter

Live in Boston

Released February 1985

CD Track Listings:

  1. “Oh Well” (Peter Green) – 3:36
  2. “Like It This Way” (Danny Kirwan) – 4:18
  3. “World in Harmony” (Kirwan, Green) – 3:46
  4. “Only You” (Kirwan) – 4:26
  5. “Black Magic Woman” (Green) – 6:25
  6. “Jumping at Shadows” (Duster Bennett) – 5:00
  7. “Can’t Hold On” (Elmore James) – 6:59

Live at the Marquee 1967

Released April 3, 1992

Live At The BBC

Released 1995

CD Track Listings:

Disc 1:
1. Rattlesnake Shake
2. Sandy Mary
3. Believe My Time Ain’t Long
4. Although the Sun Is Shining
5. Only You
6. You Never Know What You’re Missing
7. Oh Well
8. Can’t Believe You Wanna Leave
9. Jenny Lee
10. Heavenly
11. When Will I Be Loved
12. When I See My Baby
13. Buddy’s Song
14. Honey Hush
15. Preachin’
16. Jumping at Shadows
17. Preachin’ Blues
18. Need Your Love So BadDisc 2:
1. Long Grey Mare
2. Sweet Home Chicago
3. Baby Please Set a Date
4. Blues With a Feeling
5. Stop Messing Around
6. Tallahassee Lassie
7. Hang on to a Dream
8. Linda
9. Mean Mistreatin’ Mama
10. World Keeps Turning
11. I Can’t Hold Out
12. Early Morning Come
13. Albatross
14. Looking for Somebody
15. A Fool No More
16. Got to Move
17. Like Crying Like Dying
18. Man of the World

The Dance

Released August 19, 1997

CD Track Listings:

1. The Chain
2. Dreams
3. Everywhere
4. Rhiannon
5. I’m So Afraid
6. Temporary One
7. Bleed to Love Her
8. Big Love
9. Landslide
10. Say You Love Me
11. My Little Demon
12. Silver Springs
13. You Make Loving Fun
14. Sweet Girl
15. Go Your Own Way
16. Tusk
17. Don’t Stop

London Live ’68

Released March 30, 1998

Shrine ’69

Released 1999

CD Track Listings:

  1. “Tune Up” – 2:10
  2. “If You Be My Baby” (Peter Green, C.G. Adams) – 4:28
  3. “Something Inside of Me” (Danny Kirwan) – 4:03
  4. “My Sweet Baby” (Homesick James) – 4:26
  5. “Albatross” (Green) – 3:26
  6. “Before the Beginning” (Green) – 3:05
  7. “Rollin’ Man” (Green, Adams) – 5:33
  8. “Lemon Squeezer” (James A. Lane) – 5:29
  9. “Need Your Love So Bad” (Little Willie John, Mertis John Jr.) – 6:59
  10. “Great Balls of Fire” (Otis Blackwell, Jack Hammer) – 3:37

Fleetwood Mac: Live in Boston

Released June 2004

FLEETWOOD MAC COMPILATION ALBUMS

English Rose – 1968

The Pious Bird of Good Omen – 1969

Black Magic Woman – 1971

The Original Fleetwood Mac – 1971

Greatest Hits – 1971

Vintage Years – 1975

Albatross -1977

Fleetwood Mac Albums

Man of the World – 1978

Fleetwood Mac Albums

The Collection – 1987

Fleetwood Mac Albums

Greatest Hits -1988

Original Fleetwood Mac: The Blues Years -1991

25 Years – The Chain -1992

FLEETWOOD MAC ORIGINAL ALBUM CLASSICS

Updated October 28, 2024

Complete List of Fleetwood Mac Albums And Songs article published on Classic RockHistory.com© 2024

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