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There are very few bands in heavy metal as influential as Iron Maiden. To many people, they are THE band that springs to mind when the genre is mentioned due to their melodic style of guitar playing, epic songwriting, Bruce Dickinson’s powerful voice, and their mascot, the undead skeleton Eddie. One of Britain’s finest metal exports, many of the biggest bands to have come after them owe them a debt, from Metallica to Cradle of Filth, all the way up to modern stars of the genre such as Slipknot and Trivium.
Formed in East London in 1975 by bassist Steve Harris, the band went through several lineup changes before releasing its self-titled debut in 1980. Iron Maiden has released seventeen studio albums, from Iron Maiden through 2021’s Senjutsu, along with an extensive catalog of live albums, singles, EPs, and compilations.
Originating from the New Wave of British Heavy Metal movement, Iron Maiden became one of the most successful rock bands of the 1980s. After Bruce Dickinson replaced Paul Di’Anno on vocals, the band released a string of albums now considered classics of the metal genre, including 1982’s The Number of the Beast, 1983’s Piece of Mind
, 1984’s Powerslave
, and 1986’s Somewhere in Time
.
The band entered a more difficult period in the 1990s when Dickinson departed and was replaced by Blaze Bayley. Bayley was not a terrible vocalist, but Dickinson’s boots were ultimately too big for him to fill in the eyes of many fans, and the two albums he recorded with Maiden remain among the most divisive in the band’s catalog. In 1999, Dickinson and guitarist Adrian Smith both returned, transforming Iron Maiden into the six-piece lineup that powered the band’s remarkable second wave of popularity.
Despite being largely ignored by mainstream American radio and television, Iron Maiden has become one of the most successful heavy metal bands of all time. By 2026, the band had sold more than 100 million records worldwide and performed almost 2,500 concerts across 64 countries. Here is our list of ten songs that show what makes Iron Maiden so special to its adoring and extremely loyal fan base.
# 10 – These Colours Don’t Run
The second track on 2006’s A Matter of Life and Death is undoubtedly one of the most poignant Maiden songs of the post-millennial era. Seen by some as a song promoting nationalistic flag-waving, the point of view is more complicated than that. The song deals with soldiers going to war and the ideas of duty, sacrifice, loyalty, and death. The opening riff shows Iron Maiden at their melodic best, starting quietly before the rest of the group quickly kicks into action. The highlight, though, is undoubtedly Dickinson’s “whoa” chant before the epic chorus is performed for the final time.
# 9 – The Wicker Man
“The Wicker Man” was the lead single and opening track from Bruce Dickinson and Adrian Smith’s comeback album, 2000’s Brave New World. The title evokes the cult horror film of the same name, and musically the song is classic Maiden through and through. Dickinson’s voice was back, Smith’s guitar was back, and the band suddenly had three lead guitarists. The song opened the album with a declaration that one of metal’s greatest bands had entered a new era.
# 8 – Wrathchild
One of the best-known songs from the Paul Di’Anno era, “Wrathchild” from 1981’s Killers is one of Di’Anno’s finest moments. It has the feel of the band in its early days slogging around clubs and pubs in the London scene, thanks to his gritty, punk-influenced vocal style, even if the band itself resisted being labeled punk. Steve Harris’s bass drives the song from the opening seconds, while Dave Murray and Adrian Smith give it the sharp twin-guitar attack that would become central to Iron Maiden’s sound.
# 7 – Man On The Edge
The Blaze Bayley era may not be everyone’s favorite period of Iron Maiden, but it was not without its moments. “Man on the Edge” was inspired by the 1993 film Falling Down, which follows a man pushed past his breaking point as he moves through Los Angeles. Despite the dark subject matter, the song is fast and energetic, with an urgent tempo and a strong performance from the rhythm and guitar sections. Taken from Bayley’s first album with the band, 1995’s The X Factor, it stands out as one of that record’s highlights.
# 6 – Fear Of The Dark
The title track from the final studio album of Dickinson’s first stint with the band was released in 1992. Dickinson went out with a bang, as “Fear of the Dark” became one of Iron Maiden’s greatest and most enduring songs. With its epic chorus, classic riff, and dramatic build-up, it became an absolute staple of the band’s live sets. Lyrically, the title speaks for itself: the song explores the irrational but deeply human fear of what might be waiting in the darkness.
# 5 – Run To The Hills
Perhaps an obvious choice, but it would seem wrong to have it any other way. It is probably the one Maiden song that people who have never heard any other Iron Maiden song have heard. Released in 1982 as the lead single from The Number of the Beast, it became the band’s first UK Top 10 single, reaching number seven. The song looks at the violent colonization of North America from opposing perspectives, beginning with the viewpoint of Indigenous people and later shifting to the invading Europeans. From its instantly recognizable drum opening through its galloping rhythm and soaring chorus, it is one of the ultimate Iron Maiden songs.
# 4 – The Trooper
If you’re looking to turn people on to Iron Maiden, playing “The Trooper” may be one of the best selections you could make. Iron Maiden’s “The Trooper” was released on the Piece of Mind album in 1983. The song, penned by Steve Harris, draws its narrative from the Charge of the Light Brigade during the 1854 Battle of Balaclava in the Crimean War, with Alfred, Lord Tennyson’s famous poem “The Charge of the Light Brigade” serving as a key inspiration.
Just take a listen to those dual guitar leads by Dave Murray and Adrian Smith in “The Trooper” and you will understand why we ranked this song so high on our Iron Maiden songs list.
# 3 – Seventh Son of a Seventh Son
After the success of Somewhere in Time, Iron Maiden pushed even further into progressive territory. The result was the extraordinary Seventh Son of a Seventh Son, released on April 11, 1988. The album prominently incorporated keyboards alongside the guitar-driven sound, expanding ideas the band had already explored with guitar and bass synthesizers on Somewhere in Time.
Seventh Son of a Seventh Son was also the last studio album featuring the lineup of Bruce Dickinson, Steve Harris, Dave Murray, Adrian Smith, and Nicko McBrain before Smith departed in 1990. That five-man lineup would not record another studio album together until Smith and Dickinson returned for Brave New World in 2000, by which time Janick Gers remained in the band and Maiden had become a six-piece.
The thematic core of the album centers on the folklore of a seventh son of a seventh son and the supernatural abilities supposedly associated with such a figure. Steve Harris’s interest in the idea was sparked in part by Orson Scott Card’s novel Seventh Son. Harris discussed the concept with Dickinson, and the idea expanded into one of the most ambitious records in Iron Maiden’s catalog. The title track is the album’s progressive centerpiece, stretching close to ten minutes and showing the band at its most adventurous.
# 2 – The Number Of The Beast
Iron Maiden’s “The Number of the Beast” stands as a towering achievement in heavy metal, encapsulating the essence of the genre in its powerful melodies and theatrical darkness. Released as a single and as the title track of the band’s landmark 1982 album, the song became one of the recordings most closely identified with Iron Maiden.
Steve Harris has explained that the song grew from a nightmare he had after watching Damien: Omen II, with Robert Burns’ poem Tam o’ Shanter also influencing the lyrics. The track opens with a spoken passage drawn from the Book of Revelation and delivered by actor Barry Clayton. The band had originally hoped to use Vincent Price, but his requested fee sent them in another direction.
Bruce Dickinson’s vocal prowess is unleashed in the iconic scream that punctuates the introduction, a moment that Dickinson has said grew out of the repeated takes demanded by producer Martin Birch. The combination of that scream, Harris’s bass, the twin guitars, and the song’s unforgettable chorus created one of the defining heavy metal recordings of the 1980s.
# 1 – Hallowed Be Thy Name
I will never get tired of listening to this song. While many may pick “The Number Of The Beast” as the band’s number one song, in my opinion, as well as that of many Iron Maiden fans, this is the band’s truly epic masterpiece. Bruce Dickinson delivers one of the most extraordinary vocals of his career on this spellbinding tune. Listen to those dual guitar solos; they will leave you breathless. The ending will blow your mind if you have never heard this one before. “Hallowed Be Thy Name” was the closing track on the band’s 1982 album The Number of the Beast and was written by Iron Maiden’s brilliant bassist Steve Harris.
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Updated August 8, 2026.
Top 10 Iron Maiden Songs article published on ClassicRockHistory.com © 2026




























Really? I realize opinions are opinions and everything is subjective, but….Running Free, Remember Tomorrow, Phantom of the Opera, 22 Acacia Avenue, Children of the Damned, Flight of Icarus, Where Eagles Dare, Revelations, Aces High, Two Minutes to Midnight, Rhyme of the Ancient Mariner, Somewhere in Time, Wasted Years, Stranger in a Strange Land……..c’mon my man.