10 Best Songs About Mondays

# 10 – Welcome To The Working Week – Elvis Costello

“Welcome to the Working Week” kicks off Elvis Costello’s 1977 debut album My Aim Is True with a biting, sardonic take on the grind of daily life. The song, which lasts just over a minute, is a brief yet impactful commentary on the frustrations of the working world, specifically aimed at a privileged woman who seems to float above the realities of everyday labor. Written during the summer of 1977, Costello described the song as one of several penned in just two or three weeks, reflecting the urgency and raw energy of his early work. It was recorded with the American country-rock band Clover, who played on much of the album. Produced by Nick Lowe at Pathway Studios in London, the track is notable for its unpolished, almost spontaneous feel, which adds to its raw charm and aligns with the punk and new wave ethos of the time.

# 9 – The Day Will Come Between Sunday And Monday – Kiki Dee

Kiki Dee’s “The Day Will Come Between Sunday and Monday” is a soulful, Motown-inspired single released in 1970, showcasing her powerful vocal abilities and capturing the emotional intensity of a love that will never fade. Produced by Frank Wilson, one of Motown’s legendary producers known for his work with artists like Marvin Gaye and The Supremes, the song encapsulates the classic Motown sound of the era—lush instrumentation, tight grooves, and a vocal performance filled with passion. Recorded during Kiki Dee’s short but notable tenure with the Motown label, this track stands out for its lyrical poignancy and its ability to merge soul and pop seamlessly. While the exact recording date remains unspecified, the song is a product of Motown’s golden years, likely recorded in Detroit, where the label’s famous “Hitsville U.S.A.” studios were churning out some of the greatest hits of the time.

Read More: Top 10 Kiki Dee Songs

# 8 – Long Monday – John Prine

“Long Monday” is a tender, melancholy track from John Prine’s 2005 album Fair & Square, capturing the feeling of longing and heartache that can make a Monday seem to stretch forever. Released on Prine’s own label, Oh Boy Records, Fair & Square marked his first album of original material in nine years and earned widespread acclaim for its intimate, reflective tone. “Long Monday,” one of the album’s standout songs, is a masterclass in Prine’s ability to turn simple observations into emotionally resonant stories. Recorded in Nashville, the album was produced by John Prine and Gary Paczosa, and featured contributions from renowned musicians like guitarist Jason Wilber and multi-instrumentalist David Jacques, whose contributions help shape the song’s folksy, laid-back sound.

Read More: Top 10 John Prine Songs

# 7 – Monday’s Rain – Bee Gees

“Monday’s Rain” is an early Bee Gees track from 1966, which features on their Australian album Spicks and Specks. This song is a prime example of the group’s signature sound before their international breakthrough and subsequent evolution into disco icons. Written by Barry Gibb, “Monday’s Rain” showcases the Bee Gees’ ability to craft melancholic yet melodic pop songs, blending lush harmonies with reflective lyrics. Recorded at Ossie Byrne’s St. Clair Studio in Hurstville, New South Wales, the track is a part of the Bee Gees’ foundational years when they were developing their sound, fusing elements of folk, pop, and soft rock. Though it didn’t gain significant attention upon its initial release, “Monday’s Rain” offers a glimpse into the band’s potential for songwriting, which would later flourish with their international success.

Read More: Top 10 Bee Gees Songs

# 6 – I Don’t Like Mondays – Boomtown Rats

Released in 1979, “I Don’t Like Mondays” is one of the most iconic songs by The Boomtown Rats, written by lead singer Bob Geldof. It became a massive international hit, reaching the number one spot on the UK Singles Chart for four weeks and charting in several other countries. The song was part of their third studio album, The Fine Art of Surfacing, and stands out for its dark, socially-conscious narrative. Unlike most other Monday-themed songs, which often focus on mundane frustrations or longing, “I Don’t Like Mondays” was inspired by a real-life tragic event: a school shooting in San Diego, California, committed by 16-year-old Brenda Ann Spencer, who, when asked why she did it, replied, “I don’t like Mondays.” The song’s stark subject matter gives it a much deeper and haunting tone compared to other entries in this list.

Read More: Top 10 Boomtown Rats Songs

# 5 – Rainy Days And Mondays – The Carpenters

“Rainy Days and Mondays” by The Carpenters is a classic ballad that perfectly encapsulates the melancholy often associated with both rainy days and the start of the workweek. Released in 1971 as the lead single from their self-titled album Carpenters, the song became one of the duo’s most memorable hits, reaching number two on the Billboard Hot 100 and topping the Easy Listening chart. Written by the legendary songwriting duo Paul Williams and Roger Nichols, and produced by Richard Carpenter, “Rainy Days and Mondays” is a poignant reflection on loneliness and the feelings of sadness that many people associate with Mondays.

Read More: Top 10 Carpenters Songs

# 4 – Monday Morning – Fleetwood Mac

“Monday Morning” opens Fleetwood Mac’s 1975 self-titled album, a landmark record that marked the beginning of the band’s transformation into one of the biggest rock acts of the 1970s. Written by Lindsey Buckingham, who had recently joined the band alongside Stevie Nicks, “Monday Morning” captures the restless energy and emotional uncertainty that often accompany the start of a new week. With its upbeat tempo and catchy melody, the song is a lively contrast to many of the more melancholic tracks that often define Monday-themed songs. It set the tone for Fleetwood Mac’s new era, with Buckingham’s crisp, energetic guitar work and the band’s trademark harmonies at the forefront.

# 3 – Monday Monday – The Mamas And The Papas

“Monday, Monday” by The Mamas & The Papas is one of the most iconic songs associated with the start of the week, released in 1966 as part of their second studio album, If You Can Believe Your Eyes and Ears. Written by John Phillips, the song became the group’s first and only number one hit on the Billboard Hot 100, spending three weeks in the top spot. It also won a Grammy Award for Best Pop Performance by a Duo or Group with Vocal, solidifying the band’s place in music history. With its rich harmonies, melancholic yet hopeful lyrics, and smooth production, “Monday, Monday” remains a quintessential track about the mixed emotions associated with the beginning of the week.

“Monday, Monday” was a commercial success, not only reaching number one in the U.S. but also charting in several countries worldwide, making it one of the most recognizable songs about the start of the week.

# 2 – Manic Monday – The Bangles

“Manic Monday” is one of The Bangles’ most iconic hits, released in 1986 as the lead single from their second studio album, Different Light. Written by Prince under the pseudonym Christopher, the song catapulted the band into mainstream success, reaching number two on the Billboard Hot 100, only held back from the top spot by Prince’s own “Kiss.” The track perfectly captures the chaotic, hurried energy often associated with the start of the workweek, making it one of the quintessential songs about Mondays. With its infectious melody, shimmering pop-rock arrangement, and relatable lyrics, “Manic Monday” remains a fan favorite and a defining track of 1980s pop music.

# 1 – Stormy Monday – The Allman Brothers Band

“Stormy Monday,” a standout track from The Allman Brothers Band’s legendary 1971 live album At Fillmore East, is a masterful interpretation of the blues classic “Call It Stormy Monday (But Tuesday Is Just as Bad)” written by T-Bone Walker. The Allman Brothers’ version takes the original song’s slow, mournful blues structure and infuses it with the band’s signature southern rock flair and extended improvisational jamming, making it one of the definitive live performances of the song. Recorded during their landmark performances at the Fillmore East in New York City in March 1971, this version of “Stormy Monday” showcases the band’s exceptional musicianship, particularly that of Duane Allman and Dickey Betts on guitars, and Greg Allman’s soulful, bluesy vocals and organ work.