10 Best Songs With The Word 'Belong' In The Title

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One of the greatest joys in creating lists like the “10 Best Songs with the Word ‘Belong’ in the Title” is diving into the music, rediscovering classic songs that might have slipped off our playlists, and uncovering hidden gems that deserve renewed appreciation. Articles like this serve as a musical time machine, reminding long-time fans of songs they may have loved years ago while introducing newer generations to legendary tracks that helped shape the musical landscape. This website is dedicated to celebrating music’s rich history, offering both nostalgia and discovery, especially for those just beginning their journey through the immense catalog of rock, pop, and beyond. Each of these songs captures a unique perspective on the theme of belonging, adding layers of depth and resonance to a simple word that speaks volumes.

Carly Simon’s You Belong to Me brings her distinct blend of jazz-infused pop to a story of longing and possessiveness, while The Doobie Brothers’ take on the same track infuses it with rock energy, demonstrating how one song can resonate in multiple ways. Pat Benatar’s We Belong channels raw emotion into an anthem of resilience and togetherness, a celebration of enduring unity even through hardship. England Dan & John Ford Coley’s It’s Sad to Belong portrays the bittersweet reality of missed chances, adding an aching regret to the theme of belonging. Bread’s Belonging shifts the focus to joy and comfort, depicting a fulfilled connection that warms the soul. Ratt’s We Don’t Belong tackles the difficult realization that sometimes, letting go is the only way forward, blending hard rock with introspective lyrics. She Belongs to Me by The Ramones, influenced by the stylings of Phil Spector, offers a more possessive view on belonging with an understated ballad. Rickie Lee Jones’s We Belong Together layers poetic storytelling over jazz-rock instrumentation, making a case for lasting love even amid life’s turbulence. Glenn Frey’s You Belong to the City, the closing track of this list, turns belonging into a haunting connection to place, capturing the solitary magnetism of urban life with a shadowy, saxophone-laden soundscape.

These songs celebrate, challenge, and redefine the concept of belonging, taking us on a journey through time and genre that is both personal and universal. Whether these tracks remind us of past favorites or introduce us to new sounds, they ultimately underscore the timeless power of music to resonate deeply with each of us, no matter the decade.

# 10 – We Belong – Pat Benatar

Launching this list of songs with “belong” in the title, Pat Benatar’s “We Belong” sets a powerful, emotional tone with its themes of resilience and connection. Released on October 16, 1984, as the lead single from her fifth studio album, Tropico, the song was written by Eric Lowen and Dan Navarro and showcases Benatar’s ability to blend rock intensity with emotional vulnerability. Recorded at MCA Whitney Recording Studio in Glendale, California, and produced by Neil Giraldo and Peter Coleman, “We Belong” quickly climbed the charts, reaching number five on the Billboard Hot 100 and solidifying its place among Benatar’s most iconic hits. Its success also earned Benatar a Grammy nomination for Best Female Pop Vocal Performance, marking it as one of her most celebrated songs alongside “Love Is a Battlefield.”

Lyrically, “We Belong” explores the deep, often complicated ties that bind people together, despite challenges and conflicts. The chorus, “We belong to the light, we belong to the thunder / We belong to the sound of the words we’ve both fallen under,” captures the duality of strength and vulnerability in relationships. Benatar’s voice, both powerful and tender, brings intensity to these lyrics, expressing a commitment to staying together through ups and downs. The line, “Whatever we deny or embrace for worse or for better, we belong, we belong, we belong together,” emphasizes the enduring nature of this bond, portraying love as something that transcends differences and difficulties. This sentiment of belonging, despite challenges, provides an introspective take on what it means to belong to someone emotionally.

Musically, “We Belong” combines rock and pop elements with a sense of grandeur. Benatar’s emotive delivery, alongside Giraldo’s skillful guitar work and a subtle orchestration, enhances the song’s reflective mood. The arrangement, particularly the interplay between the steady rhythm and Benatar’s soaring vocals, creates an almost anthemic quality that resonates with listeners. Compared to many love songs that focus on romanticized views, “We Belong” captures the raw, enduring reality of connection, touching on themes of doubt and determination. As the opening track for this list, “We Belong” introduces the idea of belonging as an emotional anchor, setting the stage for an exploration of how artists interpret the concept in varied ways. Through its memorable lyrics and evocative melody, Benatar’s “We Belong” remains a timeless anthem of devotion and resilience, making it a fitting start to this exploration of songs about belonging.

Read More: 10 Most Rocking Pat Benatar Songs

# 9 – Up Where We Belong – Joe Cocker and Jennifer Warrens

Read More: Top 10 Joe Cocker Songs

“Up Where We Belong” by Joe Cocker and Jennifer Warnes is an emotional ballad that captures the uplifting power of love as a source of strength and elevation. Released in 1982 as the theme song for the film An Officer and a Gentleman, the track was written by Jack Nitzsche, Buffy Sainte-Marie, and Will Jennings, blending rock, soul, and orchestral elements into a poignant and inspirational piece. Produced by Stewart Levine and recorded at A&M Studios in Los Angeles, the song became a massive hit, reaching number one on the Billboard Hot 100 and winning the Academy Award for Best Original Song. This timeless duet highlights the chemistry between Cocker’s gritty voice and Warnes’ smooth delivery, creating a dynamic that resonates with listeners and makes the song a standout love ballad of the early 1980s.

Lyrically, “Up Where We Belong” speaks to the way love can lift individuals above life’s challenges and struggles, conveying both resilience and aspiration. The line, “Love lifts us up where we belong / Where the eagles cry, on a mountain high,” suggests a sense of transcendence, portraying love as a force that can elevate people beyond ordinary, sometimes painful, experiences. This perspective on belonging is unique because it emphasizes love as a transformative power that brings individuals to new heights. Unlike Pat Benatar’s “We Belong,” which centers on staying grounded in a relationship despite conflict, “Up Where We Belong” celebrates the power of love to inspire and lift individuals to a better place emotionally and spiritually.

Musically, the song’s arrangement combines soft, orchestral strings with steady percussion, creating a gentle yet powerful soundscape that complements the lyrics’ theme of elevation. Cocker’s raw, soulful voice blends seamlessly with Warnes’ warm tones, enhancing the song’s emotional depth. As the second entry on this list, “Up Where We Belong” continues the exploration of belonging by portraying love as an uplifting, almost spiritual experience that allows people to rise above life’s obstacles. This duet provides an intimate and inspiring interpretation of belonging, contrasting with the more grounded perspective in “We Belong,” and underscores the variety of ways artists have explored this theme. Through its timeless melody and moving lyrics, “Up Where We Belong” remains an unforgettable anthem of love’s transformative power, making it a fitting addition to this list of songs about belonging.

# 8 – We Don’t Belong – RATT

Starting with a grittier edge and a departure from their classic glam metal roots, Ratt’s “We Don’t Belong” introduces a more blues-influenced rock sound that reflects the band’s evolving style. Featured on their 1999 self-titled album Ratt, this song was part of a broader transformation for the band, marked by a mature and introspective tone. Produced by Richie Zito and recorded at A&M Studios in Los Angeles, Ratt represented the band’s shift towards a darker, harder rock sound, influenced by the changing landscape of rock music at the time. This album also marked the debut of bassist Robbie Crane, who brought fresh energy and a raw edge to the group’s dynamic.

Lyrically, “We Don’t Belong” delves into the bittersweet realization that a relationship has run its course, capturing the inevitable end of a connection that no longer serves either party. Lines like “What’s good for you ain’t always good for me / I really do enjoy your company” express a sense of respect and nostalgia, balanced by the understanding that it’s time to move on. The refrain “We don’t belong / I told you for the last time” echoes a finality, as the narrator accepts the need for separation. This idea of not belonging, especially in relationships that have grown strained or stagnant, contrasts with the aspirational unity found in songs like Pat Benatar’s “We Belong.” Instead of fighting for togetherness, “We Don’t Belong” highlights the relief and clarity that comes from recognizing a mismatch.

Musically, “We Don’t Belong” underscores its themes with bluesy guitar riffs from Warren DeMartini and a steady, grounding rhythm by drummer Bobby Blotzer. Stephen Pearcy’s vocals deliver a gruff, emotional edge that complements the song’s lyrical message, adding depth to the sense of farewell. As the third entry on this list, “We Don’t Belong” contributes a different view of belonging—one that acknowledges that sometimes, the healthiest choice is to let go. Through its blues-rock tone and reflective lyrics, the track explores the emotional complexity of realizing when a connection no longer fits, making it a compelling addition to this exploration of songs about belonging. Ratt’s nuanced approach in “We Don’t Belong” reminds listeners that not all relationships are meant to last, and that finding peace in separation can be as powerful as staying together.

Read More: Top 10 RATT Songs

# 7 – Back Where You Belong – 38 Special

“Back Where You Belong” by 38 Special is a lively anthem of reconciliation and rekindling love, capturing the spirit of Southern rock with its upbeat rhythm and heartfelt lyrics. Released in 1984 as the second single from the band’s album Tour de Force, the song quickly became a hit, reaching number twenty on the Billboard Hot 100 and solidifying 38 Special’s status as Southern rock mainstays. Produced by Rodney Mills and recorded at Studio One in Doraville, Georgia, the track showcases 38 Special’s signature blend of rock, pop, and country influences, driven by Don Barnes’ compelling vocals and the band’s tight musicianship.

Lyrically, “Back Where You Belong” tells the story of a love that’s faced challenges but ultimately finds its way back to solid ground. The chorus, “I want you back where you belong, back in my arms,” expresses the narrator’s longing for a second chance, capturing the sweetness and intensity of a rekindled romance. Lines like “Too many nights on your own / I get this feeling you’re better off alone” reflect a moment of doubt and separation, but the song’s overall message is one of hope and reconciliation. Unlike Ratt’s “We Don’t Belong,” which deals with the realization of a relationship’s end, “Back Where You Belong” emphasizes the power of reconnecting and finding resolution in love. The sentiment of wanting someone to return reflects a unique aspect of belonging, where both parties realize that they are better together than apart.

Musically, the song is anchored by energetic guitar riffs and a driving beat, embodying the Southern rock sound that 38 Special is known for. The production combines rock and pop elements with a touch of country flair, making it both radio-friendly and deeply rooted in the band’s Southern heritage. Don Barnes’ vocal delivery adds an earnest quality to the track, making the lyrics feel sincere and relatable. As the fourth entry on this list, “Back Where You Belong” offers a perspective of belonging centered on reconciliation and hope, contrasting with previous entries that explore separation or distance. If you get a chance check out the video below, it’s a lot of fun.

# 6 – It’s Sad To Belong – England Dan And John Ford Coley

“It’s Sad to Belong” by England Dan & John Ford Coley is a wistful, reflective ballad that captures the bittersweet feeling of realizing you’ve found the right person—only to be bound to someone else. Released in 1977 as a single from their album Dowdy Ferry Road, this song resonated with listeners, becoming a significant hit on the Adult Contemporary chart where it reached number one. Produced by Kyle Lehning and recorded in Los Angeles, the song showcases the duo’s soft rock sound, with a gentle melody and harmonized vocals that convey the song’s poignant message. Known for their easygoing style and insightful lyrics, England Dan & John Ford Coley crafted this track to explore the melancholy that comes with missed romantic opportunities, solidifying its place as a fan favorite.

Lyrically, “It’s Sad to Belong” narrates a story of love and regret. The lines “It’s sad to belong to someone else / When the right one comes along” express a longing for an alternate reality, where the narrator could be with the person he believes is his true match. This sentiment is deepened by lyrics like, “I wish I had a time machine / I could make myself go back until the day I was born,” revealing a desire to rewrite his own history to create a future with this newfound love. Unlike 38 Special’s “Back Where You Belong,” which speaks to the joy of rekindling a lost love, “It’s Sad to Belong” reflects a sense of permanence in unfulfilled desire, portraying a relationship that exists only in dreams and regrets.

Musically, the song’s soft arrangement, marked by acoustic guitar and light piano, allows the lyrics to shine while enhancing the feeling of longing. England Dan & John Ford Coley’s harmonized vocals add a layer of warmth and intimacy to the song, making the narrative feel personal and relatable. As the fifth entry on this list, “It’s Sad to Belong” offers a different perspective on belonging—one filled with yearning for a life that could have been, contrasting with the commitment found in Pat Benatar’s “We Belong.” The song speaks to the universal experience of wondering about the path not taken, making it a touching addition to this exploration of songs about belonging. With its heartfelt lyrics and gentle melody, “It’s Sad to Belong” resonates as a timeless reflection on love, fate, and the bittersweet reality of missed chances.

# 5 – Belonging – Bread

“Belonging” by Bread stands out as a warm, tender ballad that expresses the comforting joy of finding a true connection. Written and sung by David Gates, the song appears on Bread’s final studio album, Lost Without Your Love, released in 1977. Known for their poignant and often melancholy songs, Bread brings a different tone with “Belonging,” offering a message of hope and happiness within its delicate melody. Produced by Gates and recorded with band members James Griffin on guitar, Larry Knechtel on bass and keyboards, and Mike Botts on drums, the track showcases the soft rock style that made Bread a favorite of the 1970s. Although the album is best known for its title track, which reached the Top 10 on the Billboard Hot 100, “Belonging” remains a memorable and uplifting piece within Bread’s catalog.

Lyrically, “Belonging” captures the essence of finding solace in companionship and the importance of sharing life with someone special. Gates sings, “Belonging to someone I find is very necessary / The load is lighter on your mind when someone helps to carry,” revealing the strength that comes from unity and shared burdens. The song explores a different kind of belonging, one that goes beyond romantic attraction to a deeper, more profound sense of connection and partnership. Unlike “It’s Sad to Belong” by England Dan & John Ford Coley, which deals with missed opportunities in love, “Belonging” celebrates the joy of being with someone who provides emotional stability and purpose. Gates’s lyrics express a longing that has been fulfilled, showcasing the beauty of togetherness.

Musically, “Belonging” is built on gentle guitar strums, soft keyboard accents, and Gates’s comforting vocals, creating a soothing atmosphere that aligns with the song’s message of emotional fulfillment. The production and arrangement enhance the sentimentality of the lyrics, enveloping listeners in a sense of warmth and reassurance. As the sixth entry on this list, “Belonging” adds a hopeful note to the exploration of songs about belonging, presenting love as a source of strength and contentment. Through its heartfelt lyrics and soothing sound, Bread’s “Belonging” underscores the positive impact of true companionship, making it a fitting addition to this collection of songs that celebrate different forms of connection and the universal desire to find a place to belong.

# 4 – She Belongs to Me – The Ramones

“She Belongs to Me” by The Ramones stands out as one of the band’s more reflective and underrated tracks, embodying a Phil Spector-inspired feel that gives it a unique place in their discography. Featured on their 1986 album Animal Boy, the song is a medium-paced ballad that recalls the smoother, layered production style The Ramones explored six years earlier on End of the Century, which was indeed produced by Spector himself. Written by Dee Dee Ramone and Jean Beauvoir, “She Belongs to Me” showcases a departure from the aggressive punk style the band is often associated with, instead blending softer tones with a heartfelt message that highlights the versatility of The Ramones’ musical expression.

Lyrically, “She Belongs to Me” is sung from the perspective of a lover who feels a deep, possessive connection to his partner, warning any would-be rival to keep their distance. The repeated line “Don’t tell me how to love my baby” emphasizes a fierce loyalty that borders on obsession, capturing the emotional weight of a relationship in which belonging is tied to devotion and protectiveness. This interpretation of belonging contrasts with the sweetness in Bread’s “Belonging” and the regretful tone of England Dan & John Ford Coley’s “It’s Sad to Belong.” Instead, “She Belongs to Me” delves into the intense, sometimes possessive nature of love, reflecting how attachment can bring out a sense of protectiveness.

Musically, the song embraces the textured, wall-of-sound influence of Spector with its layered production and smoother arrangement. The medium-paced tempo and melodic instrumentation make it more of a ballad than a typical Ramones track, with Richie Ramone’s steady drumming providing a subtle yet firm backbone and Johnny Ramone’s guitar softened to fit the song’s contemplative tone. As the seventh entry on this list, “She Belongs to Me” enriches the exploration of belonging by introducing a nostalgic sound that recalls The Ramones’ experimentation with pop-rock influences. Its layered production and emotional lyrics show how belonging can resonate as both romantic and fiercely protective, adding depth to the list’s exploration of this theme. Through its heartfelt delivery and Spector-esque feel, “She Belongs to Me” captures an often-overlooked side of The Ramones and deserves recognition as one of their hidden gems.

Read More: 11 Essential Ramones Songs

# 3 – We Belong Together – Rickie Lee Jones

“We Belong Together” by Rickie Lee Jones is an evocative and cinematic exploration of love, loss, and connection, steeped in complex imagery and emotional intensity. Featured on her critically acclaimed second album, Pirates, released on July 15, 1981, this track reflects the aftermath of Jones’s breakup with fellow musician Tom Waits, bringing a raw, personal element to her songwriting. Produced by Russ Titelman and Lenny Waronker, the album was recorded at Warner Bros. Recording Studios in Los Angeles and features contributions from a talented roster of musicians. “We Belong Together” showcases Jones’s deeply poetic style and her ability to weave intricate narratives within her music, elevating it to one of her most poignant compositions. The album itself achieved commercial success, reaching number five on the Billboard 200 and earning a Gold certification, affirming Jones’s place as a significant voice in 1980s singer-songwriter circles.

The lyrics of “We Belong Together” are rich with symbolism and storytelling, following a narrative filled with vivid characters and intimate moments. Lines like “Johnny the King made a spit ring / And all the skid kids saw a very, very proud man” paint a picture of a bygone, rebellious romance set against the gritty backdrop of urban streets. Jones invokes figures like “Johnny” and references cultural icons such as Natalie Wood and Brando, capturing a blend of nostalgia and melancholy that lingers throughout the song. The refrain, “We belong together,” serves as both a lament and a declaration, symbolizing a bond that feels inescapable, even if it is no longer sustainable. Unlike the regretful tone of England Dan & John Ford Coley’s “It’s Sad to Belong,” where belonging is tied to lost opportunities, Jones’s song expresses belonging as an eternal connection, a sense of unity with someone from whom you can never truly separate.

Musically, “We Belong Together” embodies a haunting beauty that complements its lyrical themes, with Jones’s soft, expressive voice carrying both vulnerability and resilience. The track blends elements of jazz, rock, and folk, creating a soundscape that is as immersive as it is melancholic. Compared to Pat Benatar’s “We Belong,” which celebrates an enduring partnership despite hardships, Jones’s song explores the complexities of love marked by heartbreak and longing. As the eighth song on this list, “We Belong Together” offers a nuanced perspective on belonging, showcasing it as a connection that survives even in the face of separation. With its poetic lyrics, layered instrumentation, and emotionally charged delivery, “We Belong Together” remains a powerful testament to the intensity of love that feels destined, making it an essential addition to this exploration of songs about belonging.

# 2 – You Belong To Me – Both Versions – Carly Simon / Doobie Brothers

Carly Simon’s and The Doobie Brothers’ versions of “You Belong to Me” are both powerful interpretations of this song, each delivering a unique blend of style and sentiment. Written by Carly Simon and Michael McDonald, “You Belong to Me” was released in 1978 by both artists, each imbuing the song with their own distinct artistry. Simon’s version appears on her album Boys in the Trees, while The Doobie Brothers included it on their album Livin’ on the Fault Line. The song’s universal appeal and engaging melody made it a success for both Simon and The Doobie Brothers, reaching significant chart positions in the same year and establishing the track as a classic in both artists’ repertoires.

In Carly Simon’s rendition, the song takes on an introspective, soulful tone, with Simon’s warm and slightly smoky vocals delivering the lyrics with vulnerability and a touch of longing. Produced by Arif Mardin, Simon’s version is infused with elements of jazz and soft rock, underscored by a smooth saxophone solo that enhances the song’s intimate feel. The lyrics “You don’t have to prove to me you’re beautiful to strangers” convey an ache for reassurance, a theme that Simon’s soft vocal delivery brings to life. Her interpretation has an air of introspection, as if she’s contemplating the relationship rather than confronting it directly, distinguishing it from the more assertive approach heard in The Doobie Brothers’ version. The song charted well, peaking at number six on the Billboard Hot 100 and cementing Simon’s version as a soulful take on longing and connection.

The Doobie Brothers’ version, led by Michael McDonald’s distinctive baritone, contrasts sharply with Simon’s in its instrumentation and delivery. Their version infuses the song with a more upbeat, rock-oriented sound, driven by McDonald’s rich, resonant vocals and layered harmonies that add depth and urgency to the lyrics. The Doobie Brothers’ take on “You Belong to Me” has a bolder feel, reflecting a more outward confrontation in lines like “Why’d you tell me this, were you looking for my reaction?” McDonald’s vocal tone introduces a slightly defensive edge to the song, conveying a sense of assertiveness and strength. This interpretation, though slightly less commercially successful, also resonated with audiences, contributing to Livin’ on the Fault Line’s acclaim and adding to The Doobie Brothers’ growing catalog of hits.

Together, these two versions of “You Belong to Me” present contrasting takes on the same themes of jealousy and connection, reflecting each artist’s style and perspective on belonging. As both songs occupy the number two and three positions on this list, they offer a dual perspective on what it means to feel a sense of ownership and vulnerability in love. Carly Simon’s version is softer, inward-looking, and soulful, while The Doobie Brothers bring a stronger, rock-infused sound, making it a more direct statement. These two interpretations enrich the list’s exploration of belonging by showcasing how one song can shift dramatically in tone and emotion through the hands of different artists.

Read More: Top 10 Carly Simon Songs

Read More: Top 10 Doobie Brothers Songs

# 1 – You Belong To The City – Glenn Frey

Closing this list, “You Belong to the City” by Glenn Frey brings a moody and atmospheric take on belonging, capturing the gritty essence of urban life and the introspective allure of the night. Written by Frey and Jack Tempchin for the popular 1980s TV series Miami Vice, the song was recorded at Fool on the Hill Studios in New York City in late 1984. Frey, who played nearly all instruments on the track except for the saxophone (performed by Bill Bergman) and drums (by Michael Huey), delivered a polished and haunting sound, highlighted by the iconic Yamaha DX7 synthesizer. Released in 1985, it achieved commercial success, peaking at number two on the Billboard Hot 100 and reaching the top spot on Billboard’s Top Rock Tracks chart. This track, tied to its Miami Vice roots, became emblematic of the urban nightlife scene of the 1980s, underscoring the duality of city life: its excitement and loneliness.

Lyrically, “You Belong to the City” taps into the feeling of being part of an environment that is both exhilarating and isolating. Frey’s lyrics, “You belong to the night / Living in a river of darkness beneath the neon light,” evoke the hypnotic yet solitary pull of the city. The song’s protagonist is a man who feels his identity fused with the city, marked by “concrete under [his] feet” and “neon light.” Frey captures the emotional distance and anonymity of city life, where crowds blur into a “river of darkness.” This theme of detachment and belonging contrasts sharply with other songs on this list, such as Rickie Lee Jones’s “We Belong Together,” which centers on an intimate and unbreakable connection between people. In Frey’s track, belonging is more about environment and lifestyle, illustrating how one’s identity can be inseparable from the place they inhabit rather than the relationships they hold.

Musically, the song’s smooth, dark production and Frey’s laid-back vocal style add layers of tension and depth. The atmospheric saxophone riffs, played by Bergman, lend a sense of mystery, complementing the track’s narrative of a city’s endless rhythm. This contrasts with the upbeat vibe of Pat Benatar’s “We Belong,” where belonging is a positive affirmation of unity and resilience. Instead, “You Belong to the City” portrays belonging as an acceptance of an often harsh reality—a surrender to the streets. As the last song on the list, it offers a distinctive take on belonging, portraying it as an affinity with an unforgiving, often isolating world. Frey’s portrayal of urban life serves as a compelling counterpoint to the more hopeful or romantic songs on this list, rounding out the exploration of belonging with a powerful reminder of how place and identity intertwine in ways both haunting and profound.

Read More: Top 10 Glenn Frey Solo Songs