10 Best Songs With The Word 'Long' In The Title

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In rock and roll, certain words capture universal feelings and evoke an unmistakable sense of nostalgia, yearning, and distance. Among them, “long” has cemented itself as one of the most evocative terms in music, a word that speaks to memories stretching back, relationships tested over time, or journeys that span far and wide. It’s no coincidence that so many rock and pop songs with “long” in the title convey emotions tied to the passage of time, often reflecting on the past or recalling stories that linger in the heart and mind.

This word, featured in countless song titles, can denote a sense of longing or hint at time’s inevitable march—moments lost, distances traveled, or the bittersweet passage of love and life. From The Beatles’ reflective “The Long and Winding Road” to the Doobie Brothers’ energetic “Long Train Runnin’,” these songs capture a range of experiences that stretch across eras, places, and emotions. This list of ten standout songs featuring “long” in their titles spans decades, inviting listeners to journey through themes of love, loss, resilience, and self-discovery, each track offering a unique perspective on how far we’ve come and how far we still may go.

# 10 – Long, Long, Long – The Beatles

As the opening entry in our list of songs with the word “Long” in the title, Long, Long, Long by the Beatles showcases George Harrison’s distinctive spiritual and introspective songwriting style. Written during the Beatles’ 1968 trip to Rishikesh, India, this song reflects Harrison’s journey back to both faith and the guitar after a hiatus spent studying Indian music and philosophy. The song appears on The White Album, a record known for its stark contrasts and personal explorations by each band member, and highlights Harrison’s reflective sensibility and maturing spiritual outlook. With its tranquil, almost haunting arrangement, “Long, Long, Long” stands out as an ambient and personal ballad, offering a deeply spiritual meditation wrapped in the structure of a love song.

Recorded at Abbey Road Studios toward the close of The White Album sessions, Long, Long, Long captures a somber yet tender atmosphere that contrasts sharply with the tense, often tumultuous dynamics within the band at that time. The Beatles were facing internal strife, exacerbated by their time in India and disagreements about creative directions. Despite this discord, Harrison’s understated track exudes peace and introspection, qualities that Harrison said were inspired by his personal connection to the divine. George Martin, the Beatles’ producer, helped frame Harrison’s delicate vocals with an arrangement that fuses acoustic guitar with subtle organ notes from Paul McCartney, alongside Ringo Starr’s sensitive, nuanced drumming. This balance of instrumental elements enhances the track’s ethereal feel, especially in the haunting outro, where an accidental vibration from a wine bottle on an organ speaker created a unique, ghostly effect, adding to the song’s mystique.

The lyrics of “Long, Long, Long” unfold like a revelation of spiritual reunion, expressed in the simple, repeated phrase “How I love you.” While Harrison revealed that the song was ultimately directed toward God, the language allows for multiple interpretations; listeners can view it as a traditional love song or a hymn of gratitude. Lines like “It’s been a long, long, long time” convey a sense of longing and fulfillment, almost as though Harrison is finally reconnecting with a lost but cherished presence. The minimalist phrasing and gentle repetition add to the song’s contemplative aura, inviting listeners to immerse themselves in the peaceful yet intense emotion that pervades each line.

This dual nature of “Long, Long, Long” blending the personal with the spiritual, makes it a fitting choice to open this list, setting the tone for an exploration of songs that not only linger in the memory but also evoke a deep emotional resonance. As the song closes with that unintentional yet fittingly eerie vibration, it captures an almost mystical final note—a reminder that Harrison’s quiet reflections within The White Album marked one of his most profound contributions to the Beatles’ legacy.

# 9 – Long Time Gone – Crosby Stills & Nash

“Long Time Gone” by Crosby, Stills & Nash serves as a powerful second entry on this list of songs with “Long” in the title, capturing a unique period of social and political reflection. Written by David Crosby and recorded in 1969, the song was included on the band’s self-titled debut album, which quickly became a defining record of the era. Long Time Gone was produced by the band with Bill Halverson as the engineer at Wally Heider Studios in Los Angeles, a legendary recording spot for many acts of the late 1960s. Crosby’s raw, emotive vocals and the trio’s layered harmonies brought depth to this blues-rock number, turning it into a timeless statement on loss, frustration, and the hope for change.

The song’s lyrics are a heartfelt reaction to the assassination of Robert F. Kennedy in 1968, an event that shook Crosby deeply and inspired him to express his disillusionment with the state of America. Lines such as, “It’s been a long time comin’/It’s going to be a long time gone” reflect Crosby’s yearning for a more just society and his awareness of how elusive that change might be. Unlike the gentle, folk-based harmonies that CSN often embraced, “Long Time Gone” carries a gritty, almost angry tone, underpinned by Stephen Stills’ soulful organ and guitar work, which create a sense of urgency fitting Crosby’s lyrics. The steady bass line, played by Stills, and Dallas Taylor’s driving drums add to the song’s intensity, grounding its message in a robust and determined rhythm.

Critically, “Long Time Gone” has been hailed as one of the standout tracks on the debut album, capturing the unrest and hopes of a generation eager for societal progress. The vocal harmony, a hallmark of CSN, finds a dynamic twist here, blending folk rock with elements of blues and jazz in a way that pushed the boundaries of rock music at the time. Unlike the meditative tone of “Long, Long, Long” by The Beatles, this track reflects a louder, more direct call to action, making it an ideal next step in this list of reflective yet forceful songs with “Long” in the title. Its lasting influence and the emotional weight behind Crosby’s words continue to resonate, reminding listeners of the urgency of change and the perseverance required in its pursuit.

Read More: Top 10 Crosby, Stills & Nash Songs

# 8 – Long Misty Days – Robin Trower

“Long Misty Days,” the title track from Robin Trower’s 1976 album, is a captivating piece that showcases Trower’s distinctive blend of soulful blues and psychedelic rock. Produced by Trower and recorded with his long-time collaborators—James Dewar on bass and vocals and Bill Lordan on drums—this track marks a standout moment in his post-Procol Harum career. The album, also titled Long Misty Days, was recorded at several studios including AIR Studios in London, known for its state-of-the-art acoustics. Released during Trower’s peak period, the song and album were embraced by fans who valued Trower’s complex, emotive guitar work and resonant lyrics.

The lyrics of “Long Misty Days” reflect a sense of longing and nostalgia, with phrases like “Misty days linger on and on” and “The thrill is gone” conveying a reflective mood. The theme of enduring love intertwined with sadness is deepened by the line, “I love someone crying to be free,” suggesting a complicated relationship. Trower’s composition here complements Dewar’s rich, soulful voice, while Trower’s guitar creates a haunting backdrop, accentuating the emotional weight of the lyrics. This balance between yearning and tranquility makes the track a unique addition to the list, particularly as it emphasizes atmosphere and introspection over narrative.

“Long Misty Days” is a striking fusion of blues rock and psychedelic influences. Trower’s guitar is layered with reverb, producing a misty, almost hypnotic sound that complements the song’s melancholic lyrics. The rhythmic groove laid down by Lordan provides a strong yet subtle foundation, allowing Trower’s lead guitar to take center stage. In comparison to Crosby, Stills & Nash’s “Long Time Gone,” which carries a message of political unrest, “Long Misty Days” captures a more personal, introspective experience, making it a song for moments of reflection rather than activism. This track stands as a testament to Trower’s skill in creating an immersive sonic landscape that speaks to the listener’s emotions, adding depth to this curated list of songs featuring the word “Long” in the title.

# 7 – Long Live Rock – The Who

As the first song on this list, “Long Live Rock” by The Who captures the essence of rock’s rebellious spirit, blending a love of music with nostalgia for rock culture. Written by Pete Townshend and recorded in 1972, this track was intended for the shelved Rock Is Dead—Long Live Rock! album, a project that later evolved into the iconic Quadrophenia. Though not initially released with the original recording sessions, it found its way onto Odds & Sods in 1974 and then as a single in 1979, coinciding with The Kids Are Alright documentary, which helped bring the song to a broader audience. Produced by Townshend and recorded at Olympic Studios in London, the song includes the classic lineup: Roger Daltrey on vocals, Townshend on guitar, John Entwistle on bass, and Keith Moon on drums, all of whom bring the band’s explosive sound to life.

The lyrics of “Long Live Rock” are a tongue-in-cheek celebration of the rock-and-roll lifestyle and all its gritty, chaotic, and endearing aspects. The song recalls the band’s experiences in clubs and concert halls, with lyrics like “We were the first band to vomit at the bar” painting a colorful image of rock culture’s untamed side. The recurring refrain, “Rock is dead they say, long live rock,” defies the critics and doubters, asserting the music’s resilience and continued importance. This playful, almost defiant tone makes the song both an homage and a proclamation, perfect for leading this list of songs that champion “long” in both their lyrics and themes.

Musically, Long Live Rock stays true to The Who’s high-energy rock style, filled with powerful guitar riffs, dynamic drumming, and Daltrey’s forceful vocals. It contrasts with other songs on this list in its celebratory, anthem-like feel, making it more of a rallying cry than an introspective piece. Where songs like Robin Trower’s “Long Misty Days” carry a contemplative mood, “Long Live Rock” is fast-paced and communal, capturing the essence of rock as a shared experience. With its bold affirmation of rock’s endurance, Long Live Rock sets the tone for this list as a spirited tribute to music’s lasting impact.

# 6 – Long Train Running – The Doobie Brothers

Opening with a rhythmic pulse that would become a signature of The Doobie Brothers, “Long Train Runnin'” became one of the band’s most celebrated songs and a 1973 hit, climbing to No. 8 on the Billboard Hot 100. Originally a jam piece without lyrics, it was transformed by Tom Johnston, who, under producer Ted Templeman’s encouragement, wrote lyrics that added depth to the song’s unmistakable beat and rhythm. This track is a highlight on the band’s third album, The Captain and Me, with Johnston’s harmonica and guitar riff creating a dynamic backdrop that propels the song.

The lyrics evoke images of endless trains traveling through rural America, with the chorus “Without love, where would you be now?” serving as a haunting reminder of the struggles faced by those who rely on these lines. Johnston’s vocals convey an underlying urgency, punctuated by references to people who have lost homes and families, like “Miss Lucy,” reflecting the consequences of separation and movement. The song captures both a love of travel and an underlying sense of melancholy, as it speaks to the theme of resilience and the human drive to keep moving, even in challenging circumstances.

Musically, “Long Train Runnin'” stands out for its rich instrumental layering and complex rhythm, combining Johnston’s sharp guitar riffs with dual drummers John Hartman and Michael Hossack, who add texture with congas and timbales. This rich, polyrhythmic sound contrasts sharply with the straightforward rock rhythms found on this list, showcasing the Doobie Brothers’ unique fusion of rock, soul, and funk. Its energetic groove, rooted in American folk and blues traditions, has made the song a timeless classic, influencing numerous artists and securing its place as one of the best songs with “Long” in the title.

# 5 – Long Long Time – Linda Ronstadt

Linda Ronstadt’s 1970 ballad “Long Long Time,” penned by Gary White, is a beautifully haunting exploration of unrequited love, marked by Ronstadt’s emotional vocal delivery and profound lyrical depth. Released as a single from her album Silk Purse, the song resonated with audiences, spending twelve weeks on the Billboard Hot 100 and peaking at No. 25. It also earned Ronstadt her first Grammy nomination for Best Contemporary Female Vocal Performance in 1971, marking a significant milestone in her career. With its introspective lyrics and Ronstadt’s soulful interpretation, the song encapsulates the longing and ache of loving someone who cannot or will not reciprocate.

The production of “Long Long Time,” led by Elliot F. Mazer, places Ronstadt’s voice front and center, supported by a sparse, melancholy arrangement that allows the song’s emotional weight to come through with each line. The song’s recording sessions likely took place in Los Angeles, where Ronstadt was establishing herself as a distinctive voice in rock and country music. Her poignant vocals paired with gentle guitar strumming, understated strings, and subtle orchestration create a feeling of intimacy that amplifies the lyrics’ sense of vulnerability.

Lyrically, “Long Long Time” expresses the pain of one-sided affection, where love lingers despite its lack of fulfillment. The line “I’ve done everything I know to try and make you mine” captures the helplessness of unreturned love, while “And I think I’m gonna love you for a long long time” underscores the lasting impact of a love that is felt deeply but never realized. Ronstadt’s delivery of this message is both fragile and powerful, adding to the song’s reputation as a timeless classic in her catalog and within the broader tapestry of love ballads. In the context of this list, Long Long Time stands out for its emotional depth and is a vivid example of Ronstadt’s ability to convey complex feelings, securing its place as one of the greatest songs with “Long” in the title.

# 4 – Long Cool Woman (In a Black Dress) – The Hollies

“Long Cool Woman (In a Black Dress)” stands as one of The Hollies’ most iconic tracks, showcasing a shift in style for the British rock group. Released as a single in April 1972 from their Distant Light album, the song was penned by Allan Clarke, Roger Cook, and Roger Greenaway. Clarke, the group’s lead vocalist, took a pivotal role in creating this gritty, Southern rock-influenced song, which marked a notable departure from the band’s usual harmonic pop-rock style. The song quickly gained traction on the Billboard Hot 100, peaking at No. 2 in the U.S. charts, where it sold a remarkable 1.5 million copies.

The track, set against a backdrop of a Prohibition-era undercover scene, captures a detective’s run-in with a mysterious woman in a black dress in a bar filled with nefarious characters. The lyrics evoke an atmospheric setting of whiskey-filled nights and tension, as Clarke sings about a “long cool woman” who captivates him amidst the chaos. This femme fatale figure becomes the focal point, with lines like “Just one look I was a bad mess / ‘Cause that long cool woman had it all.” The protagonist’s mix of admiration and the suspenseful law enforcement operation creates a blend of intrigue and allure that propels the song forward, each verse adding another layer of tension.

Musically, the song departs from The Hollies’ usual pop sensibilities, leaning instead on a driving guitar riff and a stripped-down arrangement that recalls the sound of Creedence Clearwater Revival. Clarke’s raspy vocal tone, reminiscent of American Southern rock, adds to the song’s intensity, while the guitar riff emphasizes its raw and rugged edge. With its gritty feel and story-driven lyrics, “Long Cool Woman (In a Black Dress)” captures a timeless energy and has remained a favorite, underscoring the band’s versatility and marking a standout in their catalog of hits. Its inclusion on this list highlights its resonance as a song that perfectly encapsulates the allure and danger of a classic “long” tale.

Read More: 10 Best Songs Of The Hollies

# 3 – How Long – Ace

“How Long” by Ace became an instant hit with its smooth blend of soul, pop, and rock influences, marking a notable debut for the English band in 1974. Released on their first album, Five-A-Side, the single quickly climbed the charts, reaching No. 3 in both the U.S. and Canada and peaking at No. 20 on the UK Singles Chart. The song’s success is largely due to its memorable chorus, lead singer Paul Carrack’s powerful and soulful vocal performance, and the unmistakable guitar riff by Phil Harris, which cemented its appeal across genres and audiences.

Contrary to popular belief, “How Long” isn’t about romantic betrayal. Instead, it stems from a band conflict: Carrack wrote the song after discovering that bassist Terry “Tex” Comer had been clandestinely playing with Sutherland Brothers and Quiver. In this light, the repeated line “How long has this been going on?” gains an ironic twist, addressing professional, not personal, disloyalty. This nuance adds depth to the song’s theme, setting it apart from typical songs of heartbreak. The reflective verses, filled with phrases like “But I can’t help but have my suspicions” and “I ain’t quite as dumb as I seem,” highlight Carrack’s clever lyrics, which subtly communicate both anger and disappointment over the situation.

Recorded at Rockfield Studios in Wales, the song’s smooth production by the band itself features Carrack not only on vocals but also on organ, piano, and electric piano, lending the track a laid-back, almost Motown-inspired sound. Phil Harris’ guitar solo is a standout moment, while Alan “Bam” King’s rhythm guitar and Fran Byrne’s drums round out the sound, creating a seamless groove that has remained timeless. “How Long” resurfaced on the charts in 2020, 45 years after its initial release, spurred by a new generation discovering its catchy riff through an Amazon Prime ad. This lasting appeal underscores the song’s classic status and Ace’s skill at blending narrative-driven lyrics with an irresistible melody.

Read More: 10 Essential Paul Carrack Songs

# 2 – The Long And Winding Road – The Beatles

“The Long and Winding Road,” one of Let It Be‘s most poignant tracks, reflects both the Beatles’ imminent dissolution and Paul McCartney’s private struggles. Released in 1970 as a posthumous single following the band’s breakup, the song marked the Beatles’ twentieth and final No. 1 hit on the Billboard Hot 100 in the United States. McCartney, inspired by the isolation of his Scottish farm, wrote the song as a ballad contemplating longing, distance, and nostalgia, embodying a bittersweet look at relationships that never reach resolution. Although originally recorded as a minimalistic piano ballad, the final release bore producer Phil Spector’s distinctive touch, marked by lush orchestration and a chorus of choral voices that McCartney famously disliked, sparking tensions that contributed to his decision to leave the Beatles.

Recorded in January 1969, “The Long and Winding Road” started as a sparse arrangement featuring piano, bass, guitar, and drums. Spector’s later additions of orchestral and choral overdubs, performed at Abbey Road Studios, added drama and grandeur, yet also diluted the song’s original intimacy. McCartney’s dissatisfaction with Spector’s version became one of six official grievances he presented in his case to dissolve the Beatles’ legal partnership. The differences in artistic vision emphasized the growing distance among the band members, with McCartney longing for simplicity while Spector sought grandiose embellishment. Despite this, the song’s public reception was overwhelmingly positive, affirming its emotional depth and broad appeal.

The song’s lyrical structure and emotional ambiguity draw listeners into McCartney’s reflections on unattainable desires. Opening with “The long and winding road / That leads to your door,” the lyrics suggest a journey filled with heartbreak, love, and yearning for closure. The repeated refrain, “Why leave me standing here?” evokes feelings of abandonment, suggesting a relationship—whether personal or professional—that has grown irreparably distant. McCartney himself viewed the song as an exploration of “the unattainable; the door you never quite reach,” an expression of his growing disillusionment with the Beatles. The lack of a traditional chorus and the unusual structure of the melody mirror the unresolved tension within the song, reinforcing the themes of longing and emotional ambiguity.

Over the years, “The Long and Winding Road” has remained one of the Beatles’ most beloved ballads, with its universal themes of love and longing resonating across generations. The 2003 release of Let It Be… Naked allowed listeners to hear McCartney’s original vision for the song, free from Spector’s orchestration. This stripped-back version highlights the song’s original intent, offering a more intimate interpretation of the Beatles’ final era. The track endures as a testament to the creative tensions that ultimately shaped—and ended—one of rock’s greatest collaborations.

# 1 – Foreplay / Long Time – Boston

“Foreplay / Long Time” stands as one of Boston’s most dynamic and beloved rock tracks, merging the instrumental power of “Foreplay” with the driving momentum of “Long Time.” Released in 1976 on Boston’s self-titled debut album, this track showcases Tom Scholz’s meticulous craftsmanship and technical prowess, with “Foreplay” famously written and recorded by Scholz in his basement on a two-track machine as early as 1969. When released as a single, “Long Time” climbed to No. 22 on the Billboard Hot 100 and resonated especially in Canada, where it broke into the Top 10. The song’s blend of progressive rock elements with radio-friendly appeal cemented Boston’s reputation and set a new standard for guitar-centric rock.

The song’s construction is an intricate blend of instrumental and vocal performance. The opening instrumental, “Foreplay,” delivers a prog-rock inspired build-up, highlighted by Scholz’s innovative use of an ARP synthesizer and space pedal effects. This complex introduction flows seamlessly into “Long Time,” marked by Brad Delp’s rich and powerful vocals, which replaced Scholz’s original demo vocals. Delp’s delivery, filled with emotion and urgency, complements the song’s theme of chasing dreams and moving forward despite nostalgia. Scholz’s layered guitar work throughout “Long Time” elevates the track, with fellow guitarist Barry Goudreau contributing three memorable electric guitar solos, which pulse with energy and emphasize the longing in the lyrics.

Lyrically, “Long Time” explores themes of moving on and self-discovery, with lines like “I’ve got to keep on chasin’ a dream, though I may never find it.” The song reflects a restless journey, one that resonates with listeners navigating personal or emotional distances. Scholz’s evocative production combines these lyrics with instrumental complexity, allowing listeners to feel the blend of nostalgia and forward momentum. The song remains an enduring piece of Boston’s catalog, speaking to both fans of technical musicality and the universal longing for change and growth. As the closing song on this list, Foreplay / Long Time not only captures the essence of 1970s rock but also serves as a timeless anthem for those in pursuit of their dreams.

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2 Comments

Howard Alperin October 30, 2024

great movie “Roadie” has an awesome scene in which Trowers’ Long Misty Days is featured…so cool
Take the Long Way Home-Supertramp is a good one too.
Baybluesman November 1, 2024

Thoroughly enjoy all the selections on the article’s listing – Here are a few more that immediately popped into my head while reading:

Long Tall Sally – Little Richard; (covers by The Beatles along with numerous others)
“The Long Run – The Eagles
“Long As I Can See The Light” – Creedence (CCR)
“Take The Long Way Home” – Supertramp