10 Best Songs With The Word 'Sing' In The Title

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From playful anthems to introspective ballads, these tracks demonstrate how a single word can carry profound emotional weight and stylistic variety, weaving through the history of rock and roll like a common thread. Whether used as a literal call to song or a metaphor for life’s complexities, “sing” resonates across generations and genres.

The Beatles, with “And Your Bird Can Sing,” turned a cryptic lyric into a jangly, upbeat tune emblematic of their mid-’60s experimentation. The Grateful Dead’s “Let Me Sing Your Blues Away” offered a rare vocal spotlight for Keith Godchaux, blending jazz and rock in a way that reflected the band’s adventurous spirit. Social Distortion’s “When the Angels Sing” brought raw emotion and punk energy into a deeply reflective and spiritual ballad. Harry Chapin’s “She Sings Songs Without Words” painted a vivid, poetic picture, showcasing his masterful storytelling. Benny Goodman’s “Sing, Sing, Sing (With a Swing)” revolutionized swing music with its high-octane instrumentation and groundbreaking improvisation. Sly and the Family Stone’s “Sing a Simple Song” channeled raw funk energy, layering communal vocals over an irresistible groove.

Heart’s “Sing Child” stood as a fierce and unpredictable showcase of their rock and folk influences. Styx’s “Sing for the Day” brought optimism and lightness to Pieces of Eight, proving their melodic touch could brighten even the darkest album themes. The Moody Blues, with “I’m Just a Singer (In a Rock and Roll Band),” crafted a defiant anthem pushing back against the weighty expectations placed on rock stars. Finally, the songs culminate with the enduring brilliance of The Beatles once more, as “And Your Bird Can Sing” adds a multi-dimensional layer of brilliance to this exploration of “sing.”

Together, these ten songs reflect the depth and diversity of rock and roll, illustrating how a simple word can inspire everything from heartfelt storytelling to musical revolutions.

# 10 – Let Me Sing Your Blues Away – The Grateful Dead

“Let Me Sing Your Blues Away,” a breezy and upbeat track by The Grateful Dead, stands out as an unusual gem within the band’s repertoire. Included on their 1973 album Wake of the Flood, this song is unique for featuring Keith Godchaux, the band’s pianist, on lead vocals—a rare occurrence in their catalog. Recorded at Record Plant Studios in Sausalito, California, between August 6 and September 17, 1973, the track was produced by the band themselves under their independent label, Grateful Dead Records. The musicians involved in this recording included Jerry Garcia on guitar, Phil Lesh on bass, Bob Weir on rhythm guitar, Keith Godchaux on keyboards and vocals, Bill Kreutzmann on drums, and Donna Jean Godchaux providing backing vocals.

# 9 – When the Angels Sing – Social Distortion

“When the Angels Sing,” a poignant and deeply personal track from Social Distortion’s 1996 album White Light, White Heat, White Trash, captures the band at their most reflective. Recorded between February and May of that year at Sound City Studios in Van Nuys, California, the song is emblematic of the album’s raw and introspective tone. The album was produced by Michael Beinhorn, known for his work with Soundgarden and Red Hot Chili Peppers, and features Mike Ness on lead vocals and guitar, Dennis Danell on rhythm guitar, John Maurer on bass, and Deen Castronovo on drums. The track showcases the band’s signature fusion of punk rock energy and heartfelt lyricism, elevated by Ness’s gravelly vocal delivery and a hauntingly melodic arrangement.

# 8 – She Sings Songs Without Words – Harry Chapin

“She Sings Songs Without Words,” a poetic and evocative piece from Harry Chapin’s 1974 album Verities & Balderdash, captures the singer-songwriter’s talent for weaving intricate narratives through his music. Recorded at Elektra Sound Recorders in Los Angeles and produced by Paul Leka, the album showcased Chapin’s gift for storytelling, with this particular track standing out for its ethereal lyricism and lush arrangement. The song features Chapin on vocals and acoustic guitar, supported by John Wallace’s distinctive bass lines, Ron Palmer on electric guitar, and a subtle yet expressive orchestral backing, which enhances the song’s dreamlike quality.

# 7 – Sing, Sing, Sing (With A Swing) – Benny Goodman and His Orchestra

I’m composing an article about songs with the word singing the title, how could we avoid a song in which it appears three times in the title? “Sing, Sing, Sing (With a Swing)” by Benny Goodman and His Orchestra is a timeless jazz classic that revolutionized big band music and solidified Goodman’s status as the “King of Swing.” Recorded on July 6, 1937, at the renowned Victor Hollywood Studio in Los Angeles, this groundbreaking track became synonymous with the vibrant energy of the swing era. The session featured a stellar lineup, including Gene Krupa on drums, Harry James on trumpet, and Jess Stacy on piano, among others, with Goodman himself leading on clarinet. The track was produced by the legendary RCA Victor team, ensuring its technical brilliance matched its artistic impact.

# 6 – Sing a Simple Song – Sly and the Family Stone

“Sing a Simple Song,” a bold and infectious track by Sly and the Family Stone, stands as a quintessential anthem of the late 1960s funk revolution. Released in 1968 on their seminal album Stand!, this song embodies the band’s signature blend of funk, soul, and rock, driven by its syncopated rhythms, dynamic vocal interplay, and a groove that is nothing short of irresistible. Recorded at Pacific High Recording Studios in San Francisco and produced by the visionary Sly Stone, the track showcases the band’s exceptional talent and their groundbreaking approach to music.

# 5 – Sing Child – Heart

“Sing Child” by Heart is a fiery and unrelenting track from their 1975 debut album, Dreamboat Annie. While Heart’s sound has always been clearly inspired by Led Zeppelin this one sounds like they were also listening to a little bit of Jethro Tull. Recorded at Can-Base Studios and Mushroom Studios in Vancouver, British Columbia, this song is a testament to the band’s raw energy and creative ambition. Produced by Mike Flicker, Dreamboat Annie introduced Heart’s distinctive blend of hard rock and folk, with “Sing Child” standing out as one of the album’s most electrifying performances. The song showcases the talents of Ann Wilson on vocals and flute, Nancy Wilson on guitar, Steve Fossen on bass, Howard Leese on keyboards and guitar, and Michael Derosier on drums, creating a sound that is both ferocious and intricate.

Read More: 10 Most Rocking Heart Songs

# 4 – Lady Sings the Blues – Billie Holiday

“Lady Sings the Blues,” a haunting and deeply personal composition by Billie Holiday, stands as one of the defining tracks of her illustrious career. Featured on her 1956 album of the same name, Lady Sings the Blues, the song is a poignant reflection of Holiday’s struggles, offering listeners a raw and unflinching glimpse into her life. Recorded at Fine Sound Studios in New York City on June 6, 1956, the track was produced by Norman Granz, whose work with Holiday helped frame her unique voice within lush yet understated arrangements. The musicians accompanying her included Tony Scott on clarinet, Paul Quinichett on tenor saxophone, Carl Drinkard on piano, Kenny Burrell on guitar, Leonard Gaskin on bass, and Osie Johnson on drums.

Read More: Top 10 Billie Holiday Songs

# 3 – Sing for the Day – Styx

“Sing for the Day” by Styx is a radiant and uplifting track from the band’s 1978 album Pieces of Eight. Recorded at Paragon Recording Studios in Chicago and produced by Styx themselves, this song reflects the band’s signature fusion of progressive rock and melodic pop. Featuring Tommy Shaw on lead vocals and guitar, Dennis DeYoung on keyboards, James Young on guitar, Chuck Panozzo on bass, and John Panozzo on drums, the track stands as a hallmark of Styx’s late-1970s sound.

Read More: 10 Most Rocking Styx Songs

# 2 – I’m Just A Singer (In A Rock And Roll Band) – The Moody Blues

https://en.wikipedia.org/wiki/I%27m_Just_a_Singer_(In_a_Rock_and_Roll_Band)

“I’m Just a Singer (In a Rock and Roll Band)” by The Moody Blues is a powerful and defiant track from their 1972 album Seventh Sojourn. Written by bassist John Lodge, the song was recorded at Decca Studios in London, produced by Tony Clarke, and released as a single in 1973. This track is a high-energy rebuttal to the idea that rock musicians are societal leaders or prophets, instead positioning the band as messengers of music rather than ideologues. The song features Justin Hayward on guitar, Graeme Edge on drums, Ray Thomas on flute and tambourine, Mike Pinder on Mellotron and keyboards, and Lodge on bass and lead vocals.

# 1 – And Your Bird Can Sing – The Beatles

“And Your Bird Can Sing,” a sparkling gem from The Beatles’ Revolver album, exemplifies the band’s transition into more experimental and intricate rock compositions. Recorded over two days, April 20 and 26, 1966, at EMI Studios in London, the song was produced by George Martin and features the innovative craftsmanship that defined Revolver. The track showcases John Lennon on lead vocals and rhythm guitar, Paul McCartney on bass and harmony vocals, George Harrison on lead guitar, and Ringo Starr on drums. Its complex, harmonized guitar riff—played jointly by Harrison and McCartney—is one of its most striking features, a vivid example of their growing musical sophistication.