The 10 Biggest John Mellencamp Hits list hits begins with the singer-songwriter’s big breakthrough hit, “Hurts So Good.” At the time, he performed as John Cougar. Over the span of a recording career that’s over four decades long, this talented musician from Seymour, Indiana, has undergone a few different stage names that include Johnny Cougar, and John Cougar Mellencamp. From 1982 until 1994, Mellencamp was at the top of his game as a popular rocker who continued to come up with one hit after another. Still recording going into 2023, John Mellencamp has rightfully earned his place as one of the most popular American-made performers the music industry has ever known. In 2008, he was inducted into the Rock and Roll Hall of Fame, then inducted into the Songwriters Hall of Fame in 2018. With nearly thirty million records sold worldwide, and a reputation for heartland rock, some of the biggest hits in Mellencamp’s career became staple classic rock favorites.
Born in a Small Town
Born as John J. Mellencamp on October 7, 1951, life from the very beginning met with a challenge known as spina bifida. This is a birth defect that usually affects the lower back area and can be as minor as barely noticeable at first to as severe as requiring corrective surgery. In Mellencamp’s case, he had surgery when he was still an infant. The surgeon who performed it was Dr. Robert Heimburger. Mellencamp was the first of three infants the practitioner operated on and remained the only true survivor. One of the other two died on the operating table while the other lived until she was fourteen years old. In 2014, when Mellencamp met the doctor who saved his life, he was already in his sixty’s.
As for Mellencamp’s childhood, he grew up in a small town whose father and uncle weren’t exactly fan favorites in Seymour. There was a bit of Mellencamp family history that had the better-off members of the community somewhat frown upon them as outcasts. Seymour was a small town that had a wealthier population that capitalized on the Industrial Revolution while the rest of the people were farmers and low-end workers. Mellencamp’s ancestry starts in Germany as his great-great-grandfather, Johann Heinrich Mollenkamp, moved to Indiana in 1851. He started a family farm that would be sold a generation later and would see John Mellencamp’s grandfather drop out of school while still in the third grade to work as a carpenter. Whenever listening to John John Mellencamp’s music, there has been a great deal of rooting for the underdog that came from his lyrics.
John’s path to a musical career began when he was fourteen years old and formed his first band. While in college in Vincennes, Indiana, Mellencamp fell into a pattern of alcoholism and substance abuse before he cleaned himself up before graduation. While in college, he performed with a number of different local bands, before and after he gave up drugs and alcohol. Upon graduation, Mellencamp headed to New York City, hoping to secure a recording contract as a musician.
Reluctant Cougar
In 1976, Mellencamp released his debut album which featured a collection of covers and original songs. He did this as Johnny Cougar the manager he had at the time, Tony DeFries, suggested “Mellencamp” was not marketable enough to turn him to embark on a successful recording career. It was a decision Mellencamp was reluctant to go with but after noticing the name change on the album jacket, he was given an ultimatum. He either had to accept the name or the recording he made would not be released. He did accept, only to witness this album become a commercial flop. In 1977, it was hoped The Kid Inside would be a recording that would turn things around for Mellencamp. Instead, DeFries chose not to release it and the recording contract Mellencamp had with MCA Records ended. It wouldn’t be until 1983 that this album would be released as DeFries wanted to capitalize on John Mellencamp’s popularity after he made his big breakthrough in 1982.
Before Mellencamp realized that stardom, he was contacted by Billy Gaff and moved to London, England. Gaff’s fame comes from managing Rod Stewart’s career and he saw enough potential in Mellencamp to work with him. In 1978, A Biography was an album released in the UK and Europe but not the US. This would be an album that would issue John Mellencamp’s first hit, “I Need a Lover.” This song would be added to John Mellencamp’s next album, 1979’s John Cougar. This would be the album that would be released in the US. “I Need a Lover” became a number twenty-nine hit for Mellencamp as John Cougar. This was the same hit Pat Benatar covered on her debut album, In the Heat of the Night.
Going into 1980, Mellencamp recorded Nothin’ Matters and What If It Did as an album that produced two more hits, “This Time” and “Ain’t Even Done With the Night.” However, they were not impactful enough to give Mellencamp the breakthrough he needed. This wouldn’t happen until 1982’s American Fool. This was the one that brought forth “Hurts So Good” and “Jack & Diane” as John Mellencamp’s two big hits that served as his mainstream music breakthrough. The 1983 Grammy Awards recognized John Cougar and “Hurts So Good” for Best Male Rock Vocal Performance.
Mellencamp Proud
Now as a popular recording artist with an international fan base, John Mellencamp was able to force Riva Records to use his real surname. Now as John Cougar Mellencamp, 1983’s Uh-Huh was an album that produced three more hits that kept America’s favorite heartland rocker in the spotlight. “Pink Houses,” “Crumblin’ Down,” and “Authority Song” earned Mellencamp a bigger fan base that looked upon him as a rockin’ American heartland hero. As he embarked on his concert tour, Mellencamp’s popularity continued to grow as he did more than just perform his own songs. As a proud American, he covered some great rock tunes that were recorded by musical legends he was a fan of himself.
After the tour, 1985’s Scarecrow became the next John Cougar Mellencamp album to be released. This one featured “Lonely Ol’ Night,” “Small Town,” and “R.O.C.K. in the U.S.A” as the album’s three biggest hits. The inspiration of classic 1960s rock was the fuel that ignited the musical material that made Scarecrow one of John Mellencamp’s most successful albums as a recording artist. Just like American Fool, Scarecrow was certified platinum by Music Canada and the RIAA five times each. Scarecrow, however, also became certified platinum four times in Australia. As for Uh-Huh, it also became five-time platinum in Canada.
With the RIAA, it became triple platinum. As for Scarecrow, this was John Mellencamp’s first recording from his own studio in Belmont, Indiana. As far as Mellencamp was concerned, this was the album that sparked the beginning of alternative country music as a genre. it wasn’t long after this he teamed up to organize the first Farm Aid concert in an effort to help struggling farmers overcome hardship. The first concert was held in Champaign, Illinois, on September 22, 1985. Joining him in this first concert were two popular icons, Willie Nelson and Neil Young. Since then, Farm Aid has been an annual concert event that continues to focus on helping farmers who all too often find themselves ignored by the American government.
The next album credited to John Cougar Mellencamp was 1987’s The Lonesome Jubilee. This one produced his next cluster of hits, “Paper in Fire,” “Cherry Bomb,” “Check It Out,” and “Rooty Toot Toot.” This would be the album that Mellencamp fine-tuned his signature sound as the core of American heartland rock. The musical sounds included acoustic and electric guitars, a fiddle, and gospel-like backup vocals that added to John Mellencamp’s rasp as a vocal artist. After this, 1989’s Big Daddy served as John John Mellencamp’s final album as John Cougar Mellencamp. It was also one he felt was the most organic out of all the recordings he made up to that point. This was an album where he performed as himself instead of a personality music executives expected him to be. Unlike his previous albums, Big Daddy was not followed up with a big tour as John Mellencamp’s interest in painting had him choose his focus on that instead.
Keep the Cougar Out
The start of the 1990s witnessed 1991’s Whenever We Wanted as the first album to be credited to John Mellencamp. The Cougar was put to rest, once and for all. This was an album that produced two more hits, “Get a Leg Up” and “Air Tonight.” This was a recording where Mellencamp simply wanted to get back to the basics of rock n’ roll without all the commercial hype.
Two years later, it was Human Wheels and it was a record that had a more R&B feel to it. This was followed by 1994’s Dance Naked. This one featured Mellencamp performing a cover version of Van Morrison’s 1971 hit, “Wild Night.” While on tour promoting the album, Mellencamp experienced a heart attack after a concert performance in New York on August 8, 1994. This wound up cutting the length of the tour down by a few weeks so he could recover. However, he was back on stage early, performing as Pearl Doggy in a few clubs in the American Midwest.
1996 marked the release of Mr. Happy Go Lucky, an album that served as a contemporary experimentation as Mellencamp ventured further into urbanized music. This recording produced John Mellencamp’s final top forty hit, “Key West Intermezzo (I Saw You First).” In Canada, this song, as well as “Just Another Day,” became a number-one hit in Canada. After this, Mellencamp signed a deal with Columbia Records to produce albums for the label. However, only three were made, starting with 1998’s John Mellencamp.
This was followed by 2001’s Cuttin’ Heads and 2003’s Trouble No More. In the meantime, he still had to fulfill recording commitments he still had with Mercury Records. In 1997, The Best That I Could Do was a compilation album that served as the first of two albums he was required to produce. This was followed by 1999’s, Rough Harvest which was released before he was able to move on from that label. It was an album that featured Mellencamp covering his own songs, as well as some from Bob Dylan, and the Drifters.
From 2007 to 2023, John Mellencamp recorded and released six more studio albums, bringing his total collection to twenty-four. There were also two live albums and four compilation albums, along with a tribute album, and seventy-one singles. On the US Billboard Mainstream Rock Tracks chart, John Mellencamp experienced seven number-one hits and at the time of writing this article, holds the record for earning this achievement more than any other recording artist to date.
Acting Up
In addition to a successful recording career, Mellencamp also did well as an actor. In 1992, he directed and appeared in Falling from Grace. His brother, Joe Mellencamp, was the bandleader featured in the movie’s country club scene. Prior to this, Mellencamp was offered to star in 1980’s The Idolmaker but he turned it down as he feared it would take away his desire to make records. Ray Sharkey was cast in the role instead. He was also first offered to appear in Thelma and Louise but turned down a role that would be passed over to Brad Pitt. As fate had it, Pitt became one of Hollywood’s hottest actors in the film industry while Mellencamp stayed on course to become one of the music industry’s most popular rock stars.
Aside from rockin’ up a storm with his guitar and vocals, Mellencamp also composed music for movies and musical theater. In 2000, Mellencamp worked with Stephen King to produce Ghost Brothers of Darkland County. This theatrical production made its debut in 2012 in Atlanta, Georgia, and would later feature a CD/DVD collection that would be released in 2013. 2015’s Ithaca starred Meg Ryan. At the time, Mellencamp and Ryan shared an on-again, off-again relationship that eventually led to an engagement but it would later get broken off before the couple went their separate ways for good.
For Ithaca, Mellencamp wrote “Sugar Hill Mountain,” a fiddling folk song performed by Carlene Carter. There was also “Seeing You Around,” performed by Leon Redbone. 2017’s Sad Clowns & Hillbillies featured John Mellencamp’s cover of “Sugar Hill Mountain’ on his album. For the most part, John Mellencamp’s musical portfolio primarily focused on rootsy rock that’s also been categorized as heartland rock and at times, alternative country. Still a Midwestern by heart, the singer-songwriter continues to call Indiana his home, even though he also has properties out of state.
10 Biggest John Mellencamp Hits
#10 – Crumblin’ Down
Released in 1983 from the album Uh-huh, “Crumblin’ Down” became a number nine hit on the US Billboard Hot 100. On the US Billboard Mainstream Rock chart, it peaked as high as number two. The idea behind “Crumblin’ Down” came to George Green and John Mellencamp when it was realized Uh-huh needed a lead single. The song’s development included Green and Mellencamp exchanging lines in a friendly competition to see who could outdo the other as a lyricist.
“Crumbin’ Down” served as a musical dose of reality when the pinnacle of success is torn down due to unfortunate circumstances. The inspiration first came to Mellencamp after he achieved success as a recording artist. It also dealt with the quality of life deteriorating due to job losses, as well as a mix of political and social issues. As a songwriter, this was John Mellencamp’s specialty as he often criticized the direction of the American government for making decisions that always seemed to work against the best interest of people who were struggling more than others just to make ends meet.
#9 – Paper in Fire
“Paper in Fire” came from John Mellencamp’s ninth studio album, The Lonesome Jubilee. This was a 1987 release that witnessed the hit single peak as high as number nine on the US Billboard Hot 100. It was his third number-one hit on the US Billboard Mainstream Rock chart. The fiery theme behind “Paper Fire” was inspired by John Mellencamp’s experience with his Uncle Joe from his father’s side of the family.
While growing up in the small town of Seymour, Indiana, the family history of the Mellencamps was a bit colorful, at least according to certain social circles who didn’t seem to have much regard for them. Apparently, Uncle Joe’s angry demeanor didn’t help the situation much, which served as the fuel behind “Paper in Fire” to come across as one of Mellencamp’s most aggressive songs as a recording artist.
#8 – Cherry Bomb
On the US Billboard Hot 100, “Cherry Bomb” peaked as high as number eight after it was released as a single in 1987. This came from John Mellencamp’s album, The Lonesome Jubilee. This follow-up single behind “Paper in Fire” also became a number-one hit on the US Billboard Mainstream Rock chart. On the Canadian Top Singles Chart, “Cherry Bomb” peaked as high as number five and was popular enough to sell enough copies in Canada to become certified gold. This song was performed as a piece of nostalgia as Mellencamp takes the listener back in time to the singer-songwriter’s life as a teen. “Cherry Bomb” featured Crystal Taliefero as one of his backup singers which added a bit more flair to a song that became a classic Mellencamp favorite.
#7 – Pink Houses
Released in 1983 as a single, “Pink Houses” was one of the many hits from John Mellencamp’s album, Uh-huh. On the US Billboard Hot 100, it became a number eight hit while on the US Billboard Mainstream Rock chart at number three. The inspiration for this song came to Mellencamp as he drove along an overpass on his way home to Bloomington, Indiana. While doing so, he observed an older black man sitting in front of his pink shotgun house with a cat in his arms.
When Mellencamp waved to the man, he waved back. From what Mellencamp could tell, the traffic speeding along the front of his yard didn’t seem to bother the resident or his cat. When “Pink Houses” was written, it was John Mellencamp’s way of pointing out some of America’s biggest issues. Each time he sang “Ain’t that America,” it was a jab against the divisions that exist due to racism and social issues that continue to plague both the American and the Canadian nations to this day.
#6 – Small Town
“Small Town” was a single John Mellencamp released from his album, Scarecrow. This 1985 hit peaked as high as number six on the US Billboard Hot 100 and at number two on the US Billboard Mainstream Rock chart. John Mellencamp’s lyrics in this song shared the experiences he had while growing up in the smaller communities of Seymour, Indiana, and Bloomington, Indiana. In the music video, both towns are shown as Mellencamp shares a bit of his history with a sense of pride that living a life in a small town is just as fulfilling as the big city.
According to Mellencamp, he was just as content living in a smaller community as he was heading for the city as he sought to make a name for himself in the music industry. Considering Mellencamp still calls Indiana his home now with a house near Bloomington. Prior to John Mellencamp’s“Small Town,” Bloomington’s population sat at just over fifty thousand residents. As of 2020, it sits around the eighty-thousand mark. As for Seymour, it had about ten thousand residents while Mellencamp grew up as a kid there. Nowadays, the population has since doubled and has become a popular attraction for some of John Mellencamp’s most devout fans.
#5 – Lonely Ol’ Night
1985’s “Lonely Ol’ Night” became a number six hit on the US Billboard Hot 100 as one of five successful singles released from Scarecrow. On the US Billboard Mainstream Rock chart, it peaked as high as number one. What triggered Mellencamp to write this song came from the 1963 movie, Hud. The film was about a father-and-son relationship that met with a series of obstacles that made it difficult for these two men to get along. This made an impact on Mellencamp that would dictate much of his songwriting material as he pursued his music career. Some of John Mellencamp’s lyrics included slightly altered lines from the movie, as did the title. It also loosely made reference to a Four Tops’ 1967 hit, “Standing in the Shadows of Love.” This is heard in a line when Mellencamp sang about a certain someone “singing about standing in the shadows of love.”
#4 – Wild Night (featuring Me’Shell Ndegéocello)
The final really big hit released by John Mellencamp was 1994’s “Wild Night.” This came from his thirteenth studio album, Dance Naked. On the US Billboard Mainstream Rock chart, it peaked as high as number seventeen. This song also became the first and only number-one hit for Mellencamp on the US Billboard Adult Contemporary Songs chart. Collaborating with Mellencamp for this memorable Van Morrison cover was Me’Shell Ndegeocello. Where Van Morrison’s 1971 original had his big hit come across as a guitar-rockin’ favorite, Mellencamp and Ndegeocello did the same as an American classic. In one of the music videos the duo shot for their version of “Wild Night,” there is a scene where a cab driver drove past a sign that read “60s-70s Dance Hits.” This seemed to put into perspective the theme of John Mellencamp’s album, as well as perhaps paying homage not just to 60’s rock music but to the Irish singer-songwriter himself.
#3 – R.O.C.K. in the U.S.A. (A Salute to ’60s Rock)
If one is going to pay tribute to the influence of 1960s rock, “R.O.C.K. in the U.S.A. (A Salute to ’60s Rock)” would be a good way to do it. This came from John Mellencamp’s 1985 album, Scarecrow. On the US Billboard Hot 100, it became a number two hit, and on the US Billboard Mainstream Rock chart at number six. This song became anthemic by nature as the Pride of America was sung loud and clear as it paid homage to the beating heart of rock music.
In Canada, “R.O.C.K. in the U.S.A.” became a number seven hit and sold enough copies to become certified gold. It appeared the Canadian fans related so much to Mellencamp’s musical appreciation of his home nation that they made sure his salute to early American rock didn’t go unnoticed. This wouldn’t be the first, nor the last time Music Canada would certify a Mellencamp hit as gold. “Hurts So Good” accomplished this first while 1988’s “Check It Out” did the same.
#2 – Hurts So Good
As John Cougar, Mellencamp made his big breakthrough with “Hurts So Good” in 1982. This came from his fifth studio album, American Fool. This single topped the US Billboard Mainstream Rock chart and peaked as high as number two on the US Billboard Hot 100. It was also immensely popular in Canada as it peaked as high as number three on its Canadian Top Singles Chart. In Australia, it was a number five hit, and in New Zealand at number thirty-nine.
In sales, “Hurts So Good” sold enough copies to be certified platinum with Music Canada, as well as certified gold with the RIAA. This guitar rockin’ favorite came to the songwriting team of George Green and John Mellencamp that started out as a mere phrase. Before long, the two repeated “Hurts so Good” back and forth between each other before realizing this made the perfect formula for a good rock song. After it was released as a single, the fans made it clear they agreed. What Mellencamp did with this song was crank up the intimate relationships shared between couples to a rockin’ new level.
#1 – Jack & Diane
“Jack & Diane” was released as a follow-up single behind “Hurts So Good” while John Mellencamp was introduced to the fans as John Cougar in 1982. This wound up becoming an even bigger hit than its predecessor as it topped the US Billboard Hot 100 and on the Canadian Top Singles Chart. On the US Billboard Mainstream Rock chart, it peaked as high as number three. In Australia and Ireland, the tale of the two American kids doing the best they can became number seven hits on their music charts. This was also Mellencamp’s first hit on the UK Singles Chart as it peaked as high as number twenty-five there. The popularity of “Jack & Diane” had it sell enough copies to become Mellencamp’s second hit to become certified gold by the RIAA, as well as platinum by Music Canada. With the UK’s British Phonographic Industry (BPI), it was certified silver.
The inspiration behind “Jack & Diane” came from the 1962 movie, Sweet Bird of Youth. While this song became the all-time fan favorite, Mellencamp admitted he felt it wasn’t easy to record. The clapping in the song was used as a filler that was originally supposed to be taken out but Mellencamp realized without it, “Jack & Diane” would likely have become a flop. Originally, this was supposed to be a song about an interracial couple but Riva Records insisted to take the issue of race out of it and use “Jack” as a football star instead. This turned “Jack & Diane” into a song that looked at a typical young couple wanting to make the most out of their time together. It also had Mellencamp sing the importance of hanging onto “sixteen as long as you can” as the fast approach of adulthood was just on the horizon that would change one’s life forever.
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![Rob De Luca of Spread Eagle, Sebastian Bach & UFO: 10 Albums That Changed My Life From humble East Coast origins to grandest stages worldwide, veteran bassist Rob De Luca has seen and done it all. De Luca first hit the local Boston rock and metal scene in the late 80s after meeting guitarist Paul DiBartolo, bonding over Van Halen before forming Bang. Regional success came quickly, but eventually, the members of Bang went their separate ways, with De Luca and drummer Tommi Gallo heading to NYC and hooking up with Ray West and, later, DiBartolo to form Spread Eagle. By 1990, Spread Eagle was on the fast track, with a contract through MCA Records and a self-titled debut album poised to crush skulls. But poor timing and MCA's sad indifference left Spead Eagle out in the cold despite being a hard-boiled answer to Guns N' Roses's West Coast sleaze. Spread Eagle's first chapter came to an end in '95. As for Rob De Luca, his nimble fingers and gift for melody and songwriting kept him moving forward. Soon, he found a gig with former Skid Row frontman Sebastian Bach and the legendary outfit UFO. And in 2010, after coupling up with Ray West and his cousin Rik De Luca, Spread Eagle retook flight. During a break from Spread Eagle's increasingly busy touring schedule, Rob De Luca dialed in with ClassicRockHistory.com to run through the ten albums that changed his life. But only after adding, "I made a playlist of these songs, including some I've written or co-written. Do you hear any of these albums' influence on me?" Listen here: https://open.spotify.com/playlist/3LWJuhDrE8JmzhsmTeIDUq 10) Gentlemen by Afghan Whigs (1993) Here's an entry that was so important to me. This may be the darkest break-up album of all time. Greg Dulli has been in many projects, but I feel Gentlemen is his zenith. Somewhat undefinable at times but always profound and honest. Listen to "Gentlemen," "Fountain and Fairfax," and "What Jail Is Like." 9) In on the Kill Taker by Fugazi (1993) By this time, I had been sucked in and spit out by the major-label record industry. Glam came and went; grunge was history, too. I was searching for new sounds. When I heard Fugazi's twin guitar approach, I knew this was what was missing. Fugazi may be considered a less polished sound than the albums above; however, once you "get it," it hits you like a ton of bricks, and there's no going back. From the moment I heard Fugazi, I went to every NYC show after. It's easily some of the best concerts of my life, and possibly my favorite bassist in Joe Lally. And their DIY ethics refused to charge us more than $5 a show! In on the Kill Taker is a powerful album demonstrated in songs such as "Smallpox Champion," "Great Cop," and "Public Witness Program." 8) Appetite for Destruction by Guns N' Roses (1987) I discovered many of these albums (sometimes long) after they were released. However, I was at the right place at the right time for this one. Steve Ostromogilsky had a Berklee College of Music lunch card and used to sneak out sandwiches for me. One day, he invited me to hang out at his place and listen to music. As we got off the train, he put Sony Walkman headphones on my ears and said, "Hey, check out this brand-new group." A song like "It's So Easy" was so different from the popular Sunset Strip sound at that time. Me and about 499 other informed rockers were lucky enough to see them on their first East Coast tour at the sold-out Paradise on Commonwealth Avenue, Boston (the same street Aerosmith started on). I saw Gn'R every tour after until I took a break when Buckethead joined. Gn'R is the band I've been lucky enough to see the most times live, almost 100! Everyone on this album is just stellar. Axl [Rose] had the tones, power, melodic sensibilities, and foresight to do what no other singer did then. Slash's playing was beyond memorable. Duff [McKagan] is one of the most underrated bassists in rock history, and learning his Appetite basslines is a masterclass. Steven [Adler] had the natural swing, and Izzy [Stradlin] was the secret weapon songwriter. Everything that's been heralded about this gem is deserved and true. Check out "It's So Easy," "Out Ta Get Me," and "Mr. Brownstone.' 7) Wish You Were Here by Pink Floyd (1975) Another contender for my favorite album and band of all time. Using The Beatles machine (same recording studio, engineer, record label), Pink Floyd made what I feel is their strongest, most cohesive album (my second favorite of theirs would be Animals). This list mainly consists of bands with an instantly recognizable sound. Floyd is certainly no exception to that! This album included a solid handful of undeniable rock radio classics, bookended by two halves of the mind-blowing song "Shine on You Crazy Diamond.' That song was written about former band member and founder Syd Barrett. It would be hard to live in a world without this album. Check out "Welcome to The Machine," "Shine on You Crazy Diamond (parts 6-9),' or even better yet, listen to the whole thing in one sitting! 6) Decade by Neil Young (1977) About this time, I started playing guitar. As a beginner, it was comfortable jamming to this album because the chord changes were simple—a great "first ten years" retrospective of Neil's stunning, unique songwriting. Neil is a treasure who always writes from the heart and stands up for what's right. Check out "Southern Man," "A Man Needs a Maid," "Down by The River," and "After the Goldrush." 5) Highway to Hell by AC/DC (1979) When I heard this album, I was firmly "me." My life would be 100% focused on hard rock music forever. AC/DC are like air; they're ubiquitous. Everyone knows them and their incredible songs. However, as a young teen in Wilmington, Delaware, I only had WMMR 93.3 FM Philadelphia and a few friends to inform me about the world of Rock outside my bedroom. AC/DC had not gone mainstream, and their albums were available primarily in the USA as imports. To put things more in perspective, I only knew two people in the world who had heard of AC/DC. A friend had an import that we played in Steve Buckley's basement, which sounded ripping. When Highway to Hell was released, WMMR started spinning the title track, and I immediately bought the album, listening to it every single day after school. Then WMMR announced AC/DC was coming to the Spectrum in Philly, supporting Ted Nugent! I liked Ted but loved AC/DC, so my good friend Mick Cummins and I bought tickets, and he drove us up to the Spectrum (where we saw most of our concerts). Bon Scott was in fine form, and the band went over great. Although the crowd knew Ted better, Angus [Young] wouldn't let anyone upstage him. I'll never forget it! Unfortunately, Bon would be gone in 6 months. Check out "Walk All Over You," "Touch Too Much," "Shot Down in Flames," and "If You Want Blood (You Got It)." 4) Toys in the Attic by Aerosmith (1975) By the time I heard this, I was now in my teens. I had a childhood friend up the street, Jim Linberg (we're still good buddies). His older sister had a great album collection, including Toys in The Attic. Once I heard that groove, my taste changed. I lost interest in rock music that didn't have some sort of "swing" feel to it. I think Rocks is a slightly better Aerosmith album (and possibly my favorite album of all time), but both are perfect or very close. Check out "Uncle Salty," "Adam's Apple," "No More No More," "Round and Round," and "You See Me Crying." 3) Alive! by Kiss (1975) When I was still a little kid, I asked for Cheech and Chong's Up in Smoke album for Christmas. The entire family came over for an enormous feast, and I dropped the needle. When my mother heard the content, she turned off the album and said I had to exchange it. My mom was cool, but I was young and knew much more about life than she suspected. Anyway, the next day, she drove me back to the store. In the music section, promoted on an "endcap" was a Kiss Alive! display. I had never heard of Kiss, but that cover picture told me I had to have it! My first foray into hard rock. Check out “Strutter.” I went through my Kiss phase very quickly, I believe in a matter of months because I discovered the previous entry, Aerosmith's Toys in the Attic. 2) Honky Chateau by Elton John (1972) When I was a wee lad, my parents bought a used Volkswagen camper van from my uncle Ozzie. My favorite Elton John album is Yellow Brick Road, but Honky Chateau is great and easily one of his best. It sent me down a lifelong rabbit hole of loving everything about the 1970s partnership between Elton and lyricist Bernie Taupin. The simple beauty of voice, the master songwriting, the perfect backing band, the clear, unobtrusive recordings, and always Bernie's incredible lyrics. The day this album was released, Elton became an unstoppable force that conquered the music industry. Check out "Mona Lisas and Mad Hatters" and "Rocket Man." 1) Sergeant Pepper's Lonely Hearts Club Band by The Beatles (1967) Another tape that was included in the VW Camper. The van had a bunch of music tapes, and one was Sgt Pepper. I was too young to understand the sophistication of the music, but that was one of the many skills of The Beatles. They attracted listeners at every level, even little kids. I still feel that immediate connection to Sgt Pepper; now, I hear so much more. It's an album that changed the world and the world of music. Check out "Lucy in The Sky with Diamonds," "A Day In The Life," and "Fixing a Hole."](http://www.classicrockhistory.com/wp-content/uploads/2023/11/Shutterstock_1815495569-1-300x200.jpg)
