Photo: By manu_gt500 (Bruce) [CC BY-SA 2.0 (http://creativecommons.org/licenses/by-sa/2.0)], via Wikimedia Commons
This is a list of Springsteenβs finest ten endeavors from the decade. One may be surprised to find some of his best tunes in this list. Even though his fans and critics didnβt take well to these records, they were home to some very special tracks. This list includes all three full releases, the MTV live album, and the fresh recordings on his βGreatest Hitsβ album.
# 10Β βRed Headed Womanβ – βBruce Springsteen In Concert MTV Unpluggedβ – 1993
βRed Headed Womanβ was a previously unreleased song in Springsteenβs catalog which he decided to open his MTV live performance with. Sure, the lyrics are pretty crass. Thereβs something fetching about Springsteenβs persona in the recording, though, and the song is darn catchy to boot. The Bossβ Hank Williams-esque yodeling shows an entirely different side of his lively character.
That lively character was also refreshing after a series of slightly depressing albums, such as 1987βs βTunnel Of Love,β which catalogs his first divorce. βRed Headed Womanβ is fun, which is something Springsteen didnβt exactly exude crooning about βbrilliant disguisesβ and being βone step up and two steps back.β
Note: Even streaming catalogs like Spotify donβt seem to care much for Springsteenβs 90s content. Thereβs a few typos in their listings, and this album is actually classified under the wrong year.
# 9 Β βMurder Incorporatedβ – βGreatest Hitsβ – 1995
βGreatest Hitsβ is a very unusual compilation. In 1995, Springsteen opted to release his βgreatest hitsβ on one album. Almost a third of the release, however, was new, unheard songs. As such, Springsteen got panned for not including more classics. The critics didnβt particularly enjoy the new songs, either. Itβs been twenty one years, though, and time has favored those songs. Theyβre actually very good.
βMurder Incorporatedβ is one of the songs Springsteen recorded specifically for βGreatest Hits.β Even though the song had been written many years before the ‘Greatest Hits,’ release and had been bootlegged often, the recording for the ‘Greatest Hits,’ package was brand new. Itβs quintessentially Springsteen with hard, driving βwall of soundβ instrumentation, ferocious lead vocals, and intense subject matter. βMurder Incorporatedβ sits at home perfectly with tracks like βBadlandsβ and βHungry Heart,β which were also included in the compilation.
# 8 –βThe New Timerβ – βThe Ghost of Tom Joadβ – 1995
βThe Ghost of Tom Joadβ was Springsteenβs last album of the 1990s. Itβs mostly just Springsteen and his guitar crooning Americana themes, so itβs essentially the spiritual successor to 1982βs βNebraska.β When Springsteen writes Americana folk music, itβs worth noting that he pulls a lot of influence from 1940s stylings. Woody Guthrie and the Dust Bowl are very heavily infused into these songs. That also means they tend to be quite the downers.
βThe New Timerβ takes its namesake from a phrase coined in the literary world in the 80s. Essentially, βnew timersβ were working class people driven into poverty by economic hardship. In the song, a man has to leave his wife and children to work, ultimately falling victim to the nomadic life of a hobo. He befriends a fellow hobo, Frank, who ends up dying. Itβs a song Guthrie would have written.
# 7 –βBetter Daysβ – βLucky Townβ – 1992
Springsteenβs entry into the 90s was oddly bizarre, perhaps even historic, in a way. He released two full albums on the same exact day in 1992: βHuman Touchβ and βLucky Town.β Fans love to hate both of them, and both were met with a collective shoulder shrug. The two albums have very different atmospheres as well. The former is much more upbeat and in your face, while the latter is more bare and introspective.
βBetter Daysβ opens βLucky Townβ with a good post-relationship endeavor. The song is a really powerful statement when you compare it to the album that preceded it, which included songs like βWhen Youβre Aloneβ and βCautious Man.β βThese are better days,β Springsteen sings with a newfound splendor. These were his βhappy songs,β according to him.
# 6 –Β βI Wish I Were Blindβ – βHuman Touchβ – 1992
βI Wish I Were Blindβ is a song that sounds like it was pulled directly off of βTunnel of Love.β Its production is similar, as is its sentiment. βHuman Touchβ offers a dichotomy to βLucky Townβ not just in sonic quality, but in emotion. While the album is often very upbeat and rocking, it has moments of intense sadness and crisis. (Such as this song.)
βI Wish I Were Blindβ does what Springsteen does better than anyone else: itβs relatable. βI wish I were blind when I see you with your man,β he sings. Who hasnβt felt that in life? Break ups are a dagger through the heart – watching the other person recover from that extends the pain even further. On the bright side, though, that female vocalist on the track is Patti Scialfa, Springsteenβs new wife at the time. (She remains his wife to this day and tours with the E Street Band.) βI Wish I Were Blindβ is a diamond amidst a somewhat forgettable album.
# 5 –Β βThis Hard Landβ – βGreatest Hitsβ – 1995
If βThis Hard Landβ sounds like it was meant to be on the era-defining βBorn In The USA,β thatβs because it was. It was left on the cutting room floor, though, and Springsteen ultimately revisited it to record it for βGreatest Hits.β The song boasts a fantastic harmonica section, Springsteenβs uplifting, even inspirational Americana observations, and a really tight backing band.
βThis Hard Landβ has become a favorite for Springsteenβs live shows, and he still performs it nowadays. Itβs not to be confused with βAmerican Land,β a song thatβs also become a live favorite without a real release on a full album.
# 4 –Β βStreets of Philadelphiaβ – βPhiladelphia Soundtrackβ – 1994
1993βs βPhiladelphiaβ is one of the great American dramas of its time. The film rightfully landed Tom Hanks his first Oscar for Best Actor, and Springsteen won his first Oscar for βStreets of Philadelphia,β the filmβs opening song. (Hanks would later win the next year, too.) The trackβs instrumentation is mostly Springsteen toying with a drum machine and self-production in his basement. Yes, Bruce Springsteen won an Oscar for a song he made in his basement.
The self-production of βStreets of Philadelphiaβ is definitely evident. The beat is clearly a drum machine, and Springsteen has overdubbed his own vocals in layers along with synthesizers. The raw simplicity of this, however, is what makes βStreets of Philadelphiaβ so impactful. Springsteen captures the anguish and pain of Tom Hanksβ Andrew Beckett in an unforgettable fashion, making it one of Springsteenβs best songs ever, not just of the decade.
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# 3 –Β βBlood Brothersβ – βGreatest Hitsβ – 1995
βBlood Brothersβ first saw release as one of the new tracks on βGreatest Hitsβ in β95. The following year, Springsteen released an EP with an βalternate rock version.β Donβt waste your time with that version – the acoustic rendition of βGreatest Hitsβ is where the emotion and fervor of the song lies. The song is a perfect ode to friendship; running up a long, winding road as brothers amidst the hardships of the world. There arenβt a whole lot of songs about friendship. (That arenβt love ballads, anyway.) βBlood Brothersβ is one of the best.
βBlood Brothersβ also marks one of Springsteenβs most lovely compositions. The screeching harmonicas, fingerpicked acoustics, and droning saxophone are superb. Itβs a tiny bit reminiscent of Bob Dylan stylistically, which of course, would be the highest of compliments to Springsteen.
# 2 –Β βThe Ghost of Tom Joadβ – βThe Ghost of Tom Joadβ – 1995
βThe Ghost of Tom Joad,β the title track of its album, may be one of Springsteenβs most enduring bouts through songwriting. It was horribly underappreciated upon its release, and because of that, itβs grown into a cult classic over the years amongst fans. Springsteenβs βGrapes of Wrathβ inspired song is an admirable trek through Dust Bowl era songwriting with a contemporary twist. (It also pulls inspiration from Guthrie, as aforementioned above about this album.)
Now, this song is included on this list since it was written and released in 1995. It would be a disservice, however, to not acknowledge and credit the ultimate incarnation of the song. In 2014, Springsteen teamed up with Rage Against The Machineβs Tom Morello to give the song the treatment it was begging for. The result, which is on the album βHigh Hopes,β eclipses its predecessor in nearly every way.
# 1 –Β βIf I Should Fall Behindβ – βLucky Townβ – 1992
βIf I Should Fall Behindβ is an interesting track of Springsteenβs. Firstly, let it be said that it may not only be one Springsteenβs best ballads, but one of the most enduring and stunning ballads ever written. The song has three notable renditions: its βLucky Townβ debut, the live performance on MTVβs live album, and Springsteenβs re-working in the early 2000s, which appears on βLive in New York City.β This order represents Springsteen continuing to craft the song for the better. The final product is undeniable the strongest.
Thus, letβs touch on why that is. The final version of βIf I Should Fall Behindβ incorporates the whole E Street Band, which was estranged from Springsteen during the songβs release. Uncharacteristically, Springsteen allows each member of the band to sing. As it turns out, they all have enchanting voices – even The Big Man. (Clarence Clemons.)
The vulnerability of the songβs lyricism is exquisite, and at the end of the day, it evolved into the product it was supposed to be. Itβs the epitome of Springsteenβs soft side. Its execution in the later years of its ongoing development is simply jaw-dropping. During this time, Springsteen also stripped down the instrumentation heavily, which served it extraordinarily well. Check out the video below to fall in love with Bruce Springsteen and the E Street Band all over again…
Β article published on Classic RockHistory.comΒ© 2023
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