Best Songs With The Name “Laura” In The Title

Best Songs With The Name "Laura" In The Title

Feature Photo: usbotschaftberlin, Public domain, via Wikimedia Commons

The name Laura has a long and fascinating history, with roots in Latin meaning “laurel,” symbolizing honor and victory. In the United States, the name became particularly popular in the mid-20th century, especially during the 1960s and 1970s, when it was one of the top choices for baby girls. Thousands of parents chose this name during that time, drawn to its classic, elegant sound and cultural significance. Yet, despite its widespread popularity, our research for this article uncovered an interesting phenomenon: unlike names like Mary, Susan, or Elizabeth, Laura doesn’t appear in the titles of nearly as many songs.

It’s a curious observation, especially given how frequently songwriters turn to female names as inspiration for their lyrics. One possible reason for this could be that Laura is simply a more difficult name to rhyme compared to names like Mary or Elizabeth. Though it ends with a vowel sound, it lacks the easy flexibility of names that can seamlessly fit into rhyming schemes. Perhaps another explanation lies in the personal experiences of songwriters themselves—maybe fewer artists had their hearts broken by a Laura, a common source of inspiration for love songs.

Because Laura doesn’t have the extensive catalog of songs associated with other popular names, we had to dig deep into the archives of different genres and decades to compile a rich collection of tracks featuring the name. From rock and pop to folk and jazz, this article highlights the best songs that celebrate, reflect, or mourn a Laura. We hope you enjoy this journey through the musical landscape of a name that, despite its popularity, has left a unique and lasting imprint on the world of songwriting.

Willie & Laura Mae Jones – Dusty Springfield

“Willie & Laura Mae Jones” is the opening song in this brand-new list, kicking things off with a soulful narrative that transports the listener to the rural American South. Originally written by Tony Joe White and first released in 1969, Dusty Springfield’s version of the song captures the heartfelt storytelling and Southern soul that defined White’s songwriting. Springfield recorded this track with the iconic production team of Jerry Wexler, Tom Dowd, and Arif Mardin, three legendary figures in the world of soul and R&B music. Their collaboration on “Willie & Laura Mae Jones” helped to infuse it with a rich, authentic sound that resonated with listeners. The track was later included on her See All Her Faces album in 1972, which was released in the UK but not in the US, adding a layer of intrigue to its place in Springfield’s catalog.

Recorded between 1969 and 1971, “Willie & Laura Mae Jones” reflects a deep cultural narrative about race, community, and the changes brought by time. The song’s lyrics recount the close relationship between the narrator’s family and their neighbors, Willie and Laura Mae Jones, two African Americans who lived nearby. In a time of racial division, the song focuses on how the two families shared a bond while working the land, playing music, and enjoying each other’s company. The simplicity of life is painted vividly in lines like “The cotton was high and the corn was growing fine,” symbolizing a time of prosperity and unity. However, the song carries a melancholic undertone as it reflects on the inevitable separation caused by economic hardship, as both families are forced to move away in search of a better livelihood. The line “That was another place and another time” is repeated like a refrain, emphasizing the bittersweet nature of nostalgia.

Musically, Springfield’s rendition of “Willie & Laura Mae Jones” stays true to the swamp rock origins of Tony Joe White’s original version, but her delivery adds a smoother, soulful touch. The acoustic guitar, laid-back rhythm, and Springfield’s emotive vocals draw the listener into the story with a quiet intensity. The production team of Wexler, Dowd, and Mardin ensures that the instrumentation complements the lyrics, enhancing the feeling of simplicity and connection between the two families. Springfield’s version was produced during the same sessions that yielded other notable tracks from her career, but “Willie & Laura Mae Jones” stands out for its vivid storytelling and reflection on themes of race and change in America, even though it never achieved major commercial success.

In this opening song on the list, “Willie & Laura Mae Jones” sets the tone for a journey through songs that touch on deep emotions and moments of reflection. The lyrics convey not only the passage of time but also the strength of human connection, even as circumstances change. Its inclusion on this list highlights the song’s emotional depth and Dusty Springfield’s unique ability to deliver a poignant narrative with grace and power. As the first song on this list, it serves as a strong introduction to themes of change, nostalgia, and loss, paving the way for deeper exploration of these ideas through the other tracks to come.

Read More: Top 10 Dusty Springfield Songs

Laura Lee – Sweet

“Laura Lee” from Sweet’s 1977 Off the Record album showcases the band’s shift towards a more experimental sound in the latter part of their career, blending glam rock with a touch of hard rock and progressive elements. The track was recorded at Audio International Studios in London between October 1976 and January 1977, with the production led by the band itself, alongside engineers Louis Austin and Nick Ryan. The song reflects Sweet’s evolving style as they moved away from their bubblegum pop beginnings, embracing a more mature and complex sound. The Off the Record album didn’t achieve major chart success, peaking at No. 151 on the Billboard 200, but it remains a significant part of the band’s legacy, with “Laura Lee” standing out as a notable track.

Musically, “Laura Lee” features the signature Sweet sound, with a powerful rhythm section led by Steve Priest on bass and Mick Tucker on drums. Andy Scott’s guitar work adds a rich, melodic layer to the song, and his use of keyboards and synthesizers gives the track a unique, textured quality. Brian Connolly’s distinctive vocals guide the listener through a dream-like narrative, weaving together themes of love, nostalgia, and longing. The lyrical content paints a vivid picture of Laura Lee, a figure who represents both a source of affection and a haunting presence in the protagonist’s life. The recurring line “I can’t give enough of my lovin’ to Laura Lee” reflects the emotional intensity of the song, as the narrator is consumed by his feelings for her.

In terms of lyrical analysis, “Laura Lee” is filled with poetic imagery, particularly in lines like “Years of gold, her wings unfold / Carry me back to when I was young.” These lyrics suggest a yearning for the past and a deep emotional connection that transcends time. The song’s haunting tone is enhanced by the way Sweet blends their typical rock sound with more introspective, atmospheric elements. This track is a testament to the band’s ability to push the boundaries of their music, while still staying true to their glam rock roots. In the context of this list, “Laura Lee” serves as an interesting contrast to other songs with the name “Laura” in the title, offering a complex portrayal of love and memory.

Read More: Top 10 Sweet Songs

Goodnight Laura – Spoon

“Goodnight Laura,” from Spoon’s 2010 album Transference, stands out as one of the most intimate and tender songs in the band’s discography. The track was recorded in 2009 during sessions split between Rare Book Room in Brooklyn, New York, and The Catacomb and Crystal Ballroom in Portland, Oregon. Produced by Spoon frontman Britt Daniel and drummer Jim Eno, the album marks the band’s seventh studio release and showcased a raw, lo-fi aesthetic compared to their previous efforts. Transference debuted at number four on the Billboard 200, solidifying Spoon’s reputation as one of the leading bands in indie rock during the early 2000s.

“Goodnight Laura” is a lullaby-like ballad, offering a stark contrast to the rest of Transference, which is often characterized by its more experimental indie and art-rock sounds. The track is stripped down, primarily featuring piano and delicate vocals from Daniel, conveying a soothing, almost maternal message to someone named Laura. The lyrics are direct and calming, with lines such as “Don’t you know love, you’re alright” and “Be very still and let your worry leave you” underscoring the song’s gentle reassurances. Musically, the song departs from the more jagged, percussive elements of the album, showcasing Spoon’s versatility in crafting softer, more introspective moments.

Lyrically, “Goodnight Laura” speaks to the importance of letting go of daily anxieties and finding peace in the present moment, a theme that resonates universally. In the context of this list of songs about Laura, the track provides a soothing respite from the more emotionally charged narratives present in other songs. The lyrics suggest a personal connection, offering a comforting hand to someone dealing with their own struggles. While the song doesn’t focus on a dramatic relationship fallout or romantic tension, its simple, tender message sets it apart and adds depth to the overall theme of this list.

Read More: Top 10 Songs From The Spoons

 Flogging Molly

“Laura,” the poignant opening track on Whiskey on a Sunday, showcases Flogging Molly’s ability to blend their signature Irish-American punk sound with deeply emotional storytelling. Released in 2006, Whiskey on a Sunday combines both live and studio recordings, and “Laura” marks a standout moment on the album. The song was originally featured on the live album Alive Behind the Green Door, but it gained new depth in this studio recording, capturing a raw and reflective sentiment that permeates through its melancholic lyrics and passionate delivery.

The song tells the story of a woman named Laura, who has passed away, yet remains an indelible presence in the narrator’s life. Dave King’s vocals pour out grief and reverence, as he sings lines like “Bye, bye Laura / There’s no one could take your place.” This track is both a tribute and a cathartic expression of loss. Musically, “Laura” maintains the high-energy instrumentation Flogging Molly is known for, while also delivering moments of quiet reflection. The acoustic elements mixed with the band’s characteristic Celtic punk energy offer a balance between sorrow and celebration, fitting the themes of remembrance and mourning.

Lyrically, “Laura” is steeped in heartfelt emotion. The song explores the pain of losing someone beloved, while simultaneously acknowledging the lasting impact they leave behind. “The love that you leave will never be left behind,” King sings, emphasizing the idea that while Laura is no longer physically present, her memory and influence continue to resonate. The song’s melancholy tone and powerful chorus create a deeply moving tribute that ties into the larger theme of loss and remembrance, making “Laura” an unforgettable entry on Whiskey on a Sunday. The band’s ability to capture both sorrow and joy in this song adds emotional weight to its place as one of the best songs named after “Laura.”

Read More: Top 10 Flogging Molly Songs

 

Laura – Carly Simon

We couldn’t do a top 10 songs list about songs with Laura and the title and not include one of the most legendary ones ever written. While many people point towards the Frank Sinatra version of this classic song we wanted to bring it a little more closer to modern times even though it was still over 25 years ago that Carly Simon recorded this song.

Carly Simon’s rendition of “Laura,” featured on her 1997 album Film Noir, pays homage to one of the most iconic jazz standards, originally composed by David Raksin for the 1944 film Laura. The melody, famously born out of a personal heartbreak Raksin experienced over a weekend while working on the film’s score, has since been covered by over 400 artists, including Frank Sinatra, Julie London, and Charlie Parker. Simon’s version, while released decades after the song’s initial creation, demonstrates her skill in interpreting jazz standards with a fresh and emotive perspective. Film Noir, co-produced by Simon and the legendary Jimmy Webb, is an album dedicated to capturing the essence of cinematic classics, and “Laura” stands out as a centerpiece in its lush, atmospheric arrangement.

Recorded with an orchestral backdrop provided by Webb’s orchestration, the song captures the melancholic, haunting beauty that made it a staple in jazz. Simon’s delivery of the song is understated yet full of depth, fitting perfectly with the album’s theme of vintage Hollywood glamour and emotional complexity. Her version doesn’t stray far from the original mood but adds her own warmth and vocal sincerity, making it feel personal and intimate. Simon’s version benefits from the deep, cinematic production that ties into the broader mood of Film Noir, an album celebrated for evoking the timeless allure of classic films and jazz standards.

Lyrically, “Laura” is a song full of longing and mystery, much like the character from the film it was written for. The line “Laura is the face in the misty light” evokes a sense of distance, unattainable beauty, and lost love—fitting seamlessly into the overarching themes of Film Noir. Simon’s tender and deliberate phrasing accentuates the song’s romantic yet tragic undertones, making her interpretation a standout among the many versions. This recording stands as a testament to Simon’s ability to breathe new life into timeless standards, while staying true to the song’s haunting origins.

Read More: Top 10 Carly Simon Songs

Think Of Laura – Christopher Cross

“Think of Laura,” written by Christopher Cross and produced by Michael Omartian, is a heartfelt tribute to Laura Carter, a young woman tragically killed in 1982. The song was recorded in 1983 for Cross’s album Another Page and features Cross’s signature soft rock sound, characterized by his smooth vocals and gentle instrumentation. The song, which became Cross’s third single to reach No. 1 on the Adult Contemporary chart and peaked at No. 9 on the Billboard Hot 100, is both a personal reflection and a universal ode to those we’ve lost too soon.

The recording sessions for Another Page took place in 1983, with Cross working closely with Omartian, a veteran producer known for his ability to blend emotional depth with polished, radio-friendly production. Musically, “Think of Laura” features a soft, understated arrangement, with Cross’s vocals supported by delicate piano and acoustic guitar lines. The simplicity of the production allows the lyrics to take center stage, emphasizing the song’s emotional core. Omartian’s contribution as a producer shines in the way he crafts the soundscape, enhancing the feeling of bittersweet reflection.

The lyrics of “Think of Laura” tell a poignant story of remembering a lost friend, encouraging listeners to find comfort in memories rather than focusing on grief. Cross begins the song with “Every once in a while, I’d see her smile / And she’d turn my day around,” immediately setting the tone of deep personal loss. Laura’s presence is described as uplifting and transformative, and her absence leaves a palpable void. In the chorus, Cross sings, “Think of Laura, but laugh don’t cry / I know she’d want it that way,” offering solace by suggesting that Laura’s memory should be cherished with joy, rather than sorrow. The line, “She was a friend ’til the end,” encapsulates the depth of their bond.

As the song progresses, the lyrics continue to explore the themes of remembrance and enduring connection, with lines like, “Hey Laura, where are you now? Are you far away from here?” These questions speak to the universal longing to understand where loved ones go after they’ve passed. The song closes on a hopeful note, as Cross reassures listeners that Laura’s spirit remains close, even though she is no longer physically present: “I don’t think so, I think you’re here / Taking our tears away.”

In comparison to other songs on this list, “Think of Laura” shares a similar emotional thread with tracks that explore themes of loss, but it stands out for its message of finding peace in remembrance rather than dwelling in despair. Like “Willie and Laura Mae Jones” by Dusty Springfield, which reflects on the passage of time and how people grow apart, “Think of Laura” emphasizes the importance of cherishing memories. However, while Springfield’s song is tinged with a sense of longing for the past, Cross’s “Think of Laura” is more about finding comfort and positivity in the face of loss.

“Think of Laura” is a deeply personal yet universally resonant song. It captures the way love and loss intertwine, offering a message that is comforting to anyone who has experienced the pain of losing someone close. Cross’s tender vocals, combined with Omartian’s understated production, create a timeless track that continues to touch listeners decades after its release.

Read More: Top 10 Christopher Cross Songs

Laura – Billy Joel

The song “Laura,” from Billy Joel’s 1982 album The Nylon Curtain, stands out as one of his most introspective and emotionally complex pieces. Released during a period when Joel was known for producing piano-driven ballads, “Laura” takes a darker turn, reflecting on a toxic and emotionally draining relationship. Produced by Phil Ramone and written by Joel, the song’s composition mirrors the influence of The Beatles, a band Joel often drew inspiration from. The verses are reminiscent of John Lennon’s raw introspection, while the more melodic refrains evoke Paul McCartney’s lighter, whimsical touch. The recording took place at A&R Studios in New York, with Phil Ramone and Billy Joel meticulously crafting a sound that blended rock elements with deeply personal lyrics.

Musically, “Laura” is a blend of the introspective tones often associated with Lennon’s solo work, and the layered instrumentation reminiscent of The White Album-era Beatles. The string arrangement and guitar work are direct nods to George Martin and George Harrison’s style, while the rhythm section channels the steady, minimalist approach Ringo Starr was known for. Joel himself has acknowledged these influences, even pointing out how the “la la’s” in the song were a direct homage to the Beatles’ style of vocal harmonies.

The lyrics of “Laura” delve into the theme of a toxic relationship. In what appears at first to be a portrayal of an ex-lover, the lyrics eventually reveal the subject to be a more personal figure: Billy Joel’s mother. The singer describes a person who calls at all hours, emotionally manipulates him, and keeps a figurative umbilical cord attached, long past when it should have been severed. The frustration is palpable in lines like “Here I am, feeling like a f**king fool”—one of the few moments in Joel’s catalog where he uses explicit language to convey emotional intensity. The song details how “Laura” (a stand-in for his mother, according to Joel’s drummer, Liberty DeVitto) knows how to push the singer’s emotional buttons, making it clear how deeply entangled their relationship is, even though it’s draining.

Critics have often noted that “Laura” is a sharp departure from Joel’s typical hits and that it provides a glimpse into his darker, more complex emotional state. The song wasn’t released as a single, but it remains a fan favorite for its rawness and complexity. Despite its heavy themes, the track stands as a testament to Joel’s ability to craft deeply personal songs while maintaining the musical prowess that characterized his work in the ’80s.

Read More: Billy Joel’s Best Song On Each Of His Albums

Tell Laura I Love Her – Ray Peterson

The closing song on this list, “Tell Laura I Love Her,” is a poignant teenage tragedy that became one of Ray Peterson’s most well-known hits. Released in 1960, the song reached No. 7 on the Billboard Hot 100 chart, marking a significant moment in the genre of teenage tragedy songs. Written by Jeff Barry and Ben Raleigh, the song tells the heartbreaking story of a young man named Tommy, who dies in a tragic car race accident while trying to win money to buy his girlfriend, Laura, a wedding ring. With its dramatic narrative, the song became an international success, selling over seven million copies and resonating with listeners around the world.

Musically, “Tell Laura I Love Her” follows the popular structure of early rock ballads, but its lyrical content sets it apart, delivering a vivid and emotional narrative that captured the imagination of listeners at the time. The instrumentation, which includes organ, guitars, bass, saxophone, and drums, underscores the drama of the story, with a solemn church organ used during the final verse where Laura prays for Tommy in a chapel, hearing his voice echo his last words. The recording took place at RCA Victor Studios, with producers capitalizing on the growing trend of teenage tragedy songs, similar in style to hits like “Teen Angel.”

The lyrics of “Tell Laura I Love Her” convey the depth of Tommy’s devotion, even in the face of death. The refrain, “Tell Laura I love her / Tell Laura I need her,” reflects the pure, unwavering love that drives Tommy to his fate, making the song both a love story and a cautionary tale. The song’s emotional intensity, amplified by the tragic twist, allowed it to remain a popular favorite over the decades.

Despite initial controversy and censorship, particularly in the UK, where the song was banned by the BBC for being too morbid, it achieved great success across multiple countries. Ricky Valance’s UK cover of the song, also released in 1960, topped the UK Singles Chart, where it remained No. 1 for three weeks. In comparison to other songs on this list, “Tell Laura I Love Her” stands out for its tragic storytelling and the way it pulls listeners into its narrative, making it a fitting conclusion to this collection of songs about love, loss, and the enduring power of a name like “Laura.”

Best Songs With The Name “Laura” In The Title article published on Classic RockHistory.com© 2024

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