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Alice Cooper gained fame with a series of successful albums and singles in the early 1970s, and their breakthrough came with the hit single “I’m Eighteen” from the album Love It to Death, which was followed by the even bigger hit “School’s Out” in 1972. The original Alice Cooper band released seven studio albums together: Pretties for You (1969), Easy Action (1970), Love It to Death (1971), Killer (1971), School’s Out (1972), Billion Dollar Babies (1973), and Muscle of Love (1973). After the band’s dissolution in 1974, Alice Cooper continued as a solo artist, adopting the band’s name as his own stage persona. He has released a total of 28 studio albums, including his work both with the band and as a solo artist.
Alice Cooper’s work as a solo artist includes successful albums such as Welcome to My Nightmare (1975) and later efforts like Trash (1989), which featured the hit single “Poison.” His career has seen multiple resurgences, adapting to different rock trends from heavy metal to new wave influences. Throughout his career, Alice Cooper has been known for his social and cultural impact, highlighted by theatrical live shows featuring guillotines, electric chairs, fake blood, and snakes. Cooper’s contributions to rock music have been recognized with induction into the Rock and Roll Hall of Fame in 2011.
ALICE COOPER STUDIO ALBUMS
Alice Cooper Band
Pretties for You
Released: June 25, 1969
Pretties for You was Alice Cooper’s debut studio album, introducing their blend of psychedelic rock and experimental music. The album reflects the band’s early artistic experiments and set the stage for their later, more theatrical direction. It was largely unnoticed in the Billboard charts at its release, showcasing a raw and unrefined sound that hinted at the band’s potential.
The album featured Alice Cooper on vocals, Glen Buxton on lead guitar, Michael Bruce on rhythm guitar and keyboards, Dennis Dunaway on bass guitar, and Neal Smith on drums. Pretties for You was produced by Alice Cooper and recorded at Whitney Studios in Burbank, California, in 1968.
CD Track Listings:
- “Titanic Overture” – 1:12
- “10 Minutes Before the Worm” – 1:39
- “Sing Low, Sweet Cheerio” – 5:42
- “Today Mueller” – 1:48
- “Living” – 3:12
- “Fields of Regret” – 5:44
- “No Longer Umpire” – 2:02
- “Levity Ball” – 4:39
- “B.B. on Mars” – 1:17
- “Reflected” – 3:17
- “Apple Bush” – 3:08
- “Earwigs to Eternity” – 1:19
- “Changing Arranging” – 3:03
Easy Action
Released: March 27, 1970
Easy Action is the second studio album by Alice Cooper, marking a slight shift towards a more accessible rock sound compared to their debut. Like its predecessor, it did not achieve significant commercial success upon release but has since been appreciated for its early signs of the band’s evolving style.
Recorded at RCA’s Music Center of the World in Hollywood, California, in late 1969, the album was produced by David Briggs. The lineup remained the same as their debut.
CD Track Listings:
- “Mr. and Misdemeanor” – 3:05
- “Shoe Salesman” – 2:38
- “Still No Air” – 2:32
- “Below Your Means” – 6:54
- “Return of the Spiders” – 4:25
- “Laughing at Me” – 2:16
- “Refrigerator Heaven” – 1:54
- “Beautiful Flyaway” – 3:00
- “Lay Down and Die, Goodbye” – 7:36
Love It to Death
Released: March 9, 1971
Love It to Death is the third studio album by Alice Cooper and represents a critical breakthrough for the band, featuring their first hit single “I’m Eighteen.” The album’s commercial success helped cement the band’s reputation as a major act in rock music, peaking at number 35 on the Billboard 200 chart.
Produced by Bob Ezrin, who played a crucial role in developing their classic sound, Love It to Death was recorded at RCA Mid-American Recording Center, Chicago, Illinois, in late 1970. This album features more cohesive and potent rock songs, establishing a foundation for their future theatrical shock rock style.
CD Track Listings:
- “Caught in a Dream” – 3:10
- “I’m Eighteen” – 2:58
- “Long Way to Go” – 3:04
- “Black Juju” – 9:11
- “Is It My Body” – 2:39
- “Hallowed Be My Name” – 2:29
- “Second Coming” – 3:04
- “Ballad of Dwight Fry” – 6:33
- “Sun Arise” – 3:50
Killer
Released: November 27, 1971
Killer is the fourth studio album by Alice Cooper, released in the same year as Love It to Death. This album continues the band’s successful collaboration with producer Bob Ezrin, featuring a mix of hard rock and horror-themed theatricality that became their trademark. The album includes hits such as “Under My Wheels” and “Be My Lover,” contributing to its peak at number 21 on the Billboard 200.
Recorded at RCA Studios in Chicago, Illinois, Killer solidifies Alice Cooper’s image as rock’s premier shock performer.
CD Track Listings:
- “Under My Wheels” – 2:50
- “Be My Lover” – 3:15
- “Halo of Flies” – 8:21
- “Desperado” – 3:25
- “You Drive Me Nervous” – 2:24
- “Yeah, Yeah, Yeah” – 3:33
- “Dead Babies” – 5:40
- “Killer” – 6:57
School’s Out
Released: June 30, 1972
School’s Out is one of Alice Cooper’s most iconic albums, driven by the anthemic title track that remains a staple in rock music and a celebration of teenage rebellion. The album captured the spirit of its era and significantly boosted Alice Cooper’s popularity, peaking at number 2 on the Billboard 200 chart. This success marked a turning point, establishing the band as major rock stars.
Produced by Bob Ezrin, the album was recorded at The Record Plant in New York City in early 1972. Its blend of hard rock and theatrical shock rock elements helped define Alice Cooper’s style.
CD Track Listings:
- “School’s Out” – 3:30
- “Luney Tune” – 3:36
- “Gutter Cat vs. the Jets” – 4:39
- “Street Fight” – 0:55
- “Blue Turk” – 5:29
- “My Stars” – 5:46
- “Public Animal #9” – 3:53
- “Alma Mater” – 3:39
- “Grande Finale” – 4:36
Billion Dollar Babies
Released: February 25, 1973
Billion Dollar Babies is Alice Cooper’s best-selling album, reaching number 1 on the Billboard 200 and solidifying their position at the forefront of rock music. Featuring a slew of guest musicians, including Donovan and Steve Hunter, the album is known for its hit singles “Billion Dollar Babies,” “Elected,” and “No More Mr. Nice Guy.” The album’s lyrical themes revolve around the dark side of wealth and fame, critiquing the excesses of rock stardom with Cooper’s characteristic blend of irony and humor.
Recorded at several locations including Morgan Studios in London and The Record Plant in New York, the album was produced by Bob Ezrin during the latter part of 1972. It is celebrated for its innovative production and theatrical flair.
CD Track Listings:
- “Hello Hooray” – 4:15
- “Raped and Freezin'” – 3:19
- “Elected” – 4:05
- “Billion Dollar Babies” – 3:43
- “Unfinished Sweet” – 6:18
- “No More Mr. Nice Guy” – 3:06
- “Generation Landslide” – 4:31
- “Sick Things” – 4:18
- “Mary Ann” – 2:21
- “I Love the Dead” – 5:09
Muscle of Love
Released: November 20, 1973
Muscle of Love, the last album recorded by the classic Alice Cooper band lineup, represents a departure from their previous collaboration with producer Bob Ezrin. This album returns to a more basic rock sound, eschewing the elaborate theatrical concepts of their earlier works but maintaining strong storytelling and characteristic dark humor. Songs like “Muscle of Love” and “Teenage Lament ’74” reflect on adolescence and identity.
Produced by Jack Richardson and Jack Douglas, Muscle of Love was recorded at Sunset Sound and Western Recorders in Hollywood, California. The album reached number 10 on the Billboard 200, showing a solid performance but not matching the chart-topping success of its predecessors.
CD Track Listings:
- “Big Apple Dreamin’ (Hippo)” – 5:10
- “Never Been Sold Before” – 4:28
- “Hard Hearted Alice” – 4:53
- “Crazy Little Child” – 5:03
- “Working Up a Sweat” – 3:32
- “Muscle of Love” – 3:45
- “Man with the Golden Gun” – 4:12
- “Teenage Lament ’74” – 3:52
- “Woman Machine” – 4:31
ALICE COOPER SOLO ALBUMS
Welcome to My Nightmare
Released: March 11, 1975
Welcome to My Nightmare marks Alice Cooper’s first solo album after the disbandment of his original band. This album is a conceptual and theatrical release, telling the story of a child named Steven and his surreal and frightening dreams. It is considered one of Cooper’s most celebrated albums, featuring the hit “Only Women Bleed” and reaching number 5 on the Billboard 200 chart.
Produced by Bob Ezrin, the album was recorded at Soundstage in Toronto, Canada, with additional sessions at Electric Lady Studios in New York City and the Record Plant in Los Angeles. The album was noted for its cinematic scope and ambitious production.
CD Track Listings:
- “Welcome to My Nightmare” – 5:19
- “Devil’s Food” – 3:38
- “The Black Widow” – 3:37
- “Some Folks” – 4:19
- “Only Women Bleed” – 5:49
- “Department of Youth” – 3:18
- “Cold Ethyl” – 2:54
- “Years Ago” – 2:51
- “Steven” – 5:52
- “The Awakening” – 2:25
- “Escape” – 3:20
Alice Cooper Goes to Hell
Released: June 25, 1976
Alice Cooper Goes to Hell is the second solo album by Alice Cooper, following the thematic style of its predecessor with another concept album that explores themes of damnation and redemption. It includes hits such as “I Never Cry” and “Go to Hell,” reaching number 27 on the Billboard 200.
Produced again by Bob Ezrin, the album was recorded at various locations, including the Soundstage in Toronto and the Record Plant in Los Angeles. It continued the theatrical rock style that Cooper had become famous for.
CD Track Listings:
- “Go to Hell” – 5:02
- “You Gotta Dance” – 2:44
- “I’m the Coolest” – 3:57
- “Didn’t We Meet” – 4:16
- “I Never Cry” – 3:44
- “Give the Kid a Break” – 4:14
- “Guilty” – 3:21
- “Wake Me Gently” – 5:03
- “Wish You Were Here” – 4:36
- “I’m Always Chasing Rainbows” – 2:08
- “Going Home” – 3:47
Lace and Whiskey
Released: April 29, 1977
Lace and Whiskey depicts Alice Cooper as a heavy-drinking private eye and includes more of a cabaret and cinematic approach compared to his earlier albums. The album features the hit “You and Me,” and achieved moderate success, reaching number 42 on the Billboard 200.
Produced by Bob Ezrin, the album was recorded at the Cherokee Studios in Los Angeles, California. The album moves away from Cooper’s traditional shock rock genre into a more eclectic and theatrical style.
CD Track Listings:
- “It’s Hot Tonight” – 3:21
- “Lace and Whiskey” – 3:13
- “Road Rats” – 4:51
- “Damned If You Do” – 3:13
- “You and Me” – 5:09
- “King of the Silver Screen” – 5:35
- “Ubangi Stomp” – 2:12
- “(No More) Love at Your Convenience” – 3:49
- “I Never Wrote Those Songs” – 4:34
- “My God” – 5:42
From the Inside
Released: November 17, 1978
From the Inside is a semi-autobiographical concept album focusing on Alice Cooper’s stay in a New York sanitarium to recover from his alcoholism. With contributions from Bernie Taupin, the album includes singles like “How You Gonna See Me Now,” reaching number 60 on the Billboard 200.
The album was produced by David Foster and recorded at the Davlen Sound Studios and Cherokee Studios in Los Angeles, California. It features a softer rock sound and deeply personal lyrics.
CD Track Listings:
- “From the Inside” – 3:55
- “Wish I Were Born in Beverly Hills” – 3:38
- “The Quiet Room” – 3:52
- “Nurse Rozetta” – 4:15
- “Millie and Billie” – 4:15
- “Serious” – 2:44
- “How You Gonna See Me Now” – 3:57
- “For Veronica’s Sake” – 3:37
- “Jackknife Johnny” – 3:45
- “Inmates (We’re All Crazy)” – 5:03
Flush the Fashion
Released: April 28, 1980
Flush the Fashion marked a shift towards a new wave style, featuring a shorter, more polished sound. Singles like “Clones (We’re All)” brought Alice Cooper into the era of 80s synth-pop. The album reached number 44 on the Billboard 200, showcasing a different side of Cooper’s musical personality.
Produced by Roy Thomas Baker, the album was recorded at Cherokee Studios in Los Angeles, California. This album highlights Cooper’s adaptability to new musical trends and his willingness to experiment with different sounds.
CD Track Listings:
- “Talk Talk” – 2:08
- “Clones (We’re All)” – 3:03
- “Pain” – 4:06
- “Leather Boots” – 1:38
- “Aspirin Damage” – 2:56
- “Nuclear Infected” – 2:15
- “Grim Facts” – 3:25
- “Model Citizen” – 2:39
- “Dance Yourself to Death” – 3:09
- “Headlines” – 3:18
Special Forces
Released: September 1981
Special Forces continues Alice Cooper’s exploration of new wave and rock, featuring a militaristic theme and more synthesized sounds. The album did not achieve significant chart success, reflecting a period of lesser commercial visibility for Cooper.
Produced by Richard Podolor, the album was recorded at the Amigo Studios in North Hollywood, California. It includes tracks that emphasize a tougher, more synthesized rock sound, aiming to blend traditional rock elements with emerging 1980s musical styles.
CD Track Listings:
- “Who Do You Think We Are” – 4:21
- “Seven & Seven Is” – 2:41
- “Prettiest Cop on the Block” – 3:13
- “Don’t Talk Old to Me” – 2:54
- “Generation Landslide ’81 (Live)” – 3:50
- “Skeletons in the Closet” – 3:42
- “You Want It, You Got It” – 3:15
- “You Look Good in Rags” – 3:35
- “You’re a Movie” – 3:37
- “Vicious Rumours” – 3:43
Released: August 25, 1982
Zipper Catches Skin is part of Alice Cooper’s early ’80s experimental phase, characterized by its new wave influence and playful lyrics. Despite the creative approach, the album did not chart well and is often regarded as one of the more obscure entries in his discography.
Produced by Alice Cooper himself, along with Erik Scott, the album was recorded at Cherokee Studios in Los Angeles, California. It features a quirky take on pop and rock with satirical and sometimes bizarre lyrics.
CD Track Listings:
- “Zorro’s Ascent” – 3:56
- “Make That Money (Scrooge’s Song)” – 3:30
- “I Am the Future” – 3:45
- “No Baloney Homosapiens” – 5:06
- “Adaptable (Anything for You)” – 2:56
- “I Like Girls” – 2:25
- “Remarkably Insincere” – 2:07
- “Tag, You’re It” – 2:52
- “I Better Be Good” – 2:48
- “I’m Alive (That Was the Day My Dead Pet Returned to Save My Life)” – 3:13
DaDa
Released: September 28, 1983
DaDa, Alice Cooper’s final album of his Warner Bros. contract, is often seen as a return to form, featuring dark themes and elaborate production reminiscent of his earlier work. Produced by Bob Ezrin, who had a significant influence on Cooper’s most successful albums, DaDa did not chart upon its release but has since gained a cult following for its experimental approach and strong songwriting.
The album was recorded at ESP Studios in Buttonville, Ontario, Canada, and features some of Cooper’s most introspective lyrics.
CD Track Listings:
- “DaDa” – 4:45
- “Enough’s Enough” – 4:19
- “Former Lee Warmer” – 4:07
- “No Man’s Land” – 3:51
- “Dyslexia” – 4:25
- “Scarlet and Sheba” – 5:18
- “I Love America” – 3:47
- “Fresh Blood” – 5:54
- “Pass the Gun Around” – 5:46
Constrictor
Released: September 22, 1986
Constrictor marked a significant comeback for Alice Cooper, introducing a heavier sound and featuring the hit “He’s Back (The Man Behind the Mask),” which was used in the soundtrack for Friday the 13th Part VI: Jason Lives. This album helped revitalize his career, showcasing a more metal-oriented direction.
Produced by Beau Hill, Constrictor was recorded at Atlantic Studios in New York City. The album re-established Cooper in the rock scene and charted at number 59 on the Billboard 200.
CD Track Listings:
- “Teenage Frankenstein” – 3:40
- “Give It Up” – 4:13
- “Thrill My Gorilla” – 3:56
- “Life and Death of the Party” – 3:45
- “Simple Disobedience” – 3:30
- “The World Needs Guts” – 3:59
- “Trick Bag” – 4:18
- “Crawlin'” – 3:22
- “The Great American Success Story” – 3:38
- “He’s Back (The Man Behind the Mask)” – 3:50
Raise Your Fist and Yell
Released: September 5, 1987
Following the success of Constrictor, Raise Your Fist and Yell continued with heavy metal vigor and included more horror-themed lyrics, exemplified by tracks like “Freedom” and “Prince of Darkness.” This album was more aggressive than its predecessor and reached number 73 on the Billboard 200.
Produced by Michael Wagener, the album was recorded at Amigo Studios in North Hollywood, California. It continued to build on the momentum of Alice Cooper’s ’80s metal resurgence.
CD Track Listings:
- “Freedom” – 4:10
- “Lock Me Up” – 3:24
- “Give the Radio Back” – 3:34
- “Step on You” – 3:39
- “Not That Kind of Love” – 3:15
- “Prince of Darkness” – 5:11
- “Time to Kill” – 3:39
- “Chop, Chop, Chop” – 3:07
- “Gail” – 2:30
- “Roses on White Lace” – 4:27
Trash
Released: July 25, 1989
Trash is one of Alice Cooper’s most commercially successful albums, featuring the hit single “Poison,” which became his first top 10 hit in the US since the 1970s. The album’s sound was heavily influenced by hair metal, and it included contributions from renowned songwriters and musicians such as Desmond Child, Jon Bon Jovi, and Richie Sambora.
Produced by Desmond Child, Trash was recorded at various studios, including Bearsville Studios in Woodstock, New York. It peaked at number 20 on the Billboard 200 and solidified Cooper’s return to mainstream rock success.
CD Track Listings:
- “Poison” – 4:29
- “Spark in the Dark” – 3:52
- “House of Fire” – 3:47
- “Why Trust You” – 3:12
- “Only My Heart Talkin'” – 4:47
- “Bed of Nails” – 4:20
- “This Maniac’s in Love with You” – 3:48
- “Trash” – 4:01
- “Hell Is Living without You” – 4:11
- “I’m Your Gun” – 3:47
Hey Stoopid
Released: July 2, 1991
Hey Stoopid expanded on the success of Trash, incorporating heavy metal and hard rock with star-studded collaborations including Slash, Ozzy Osbourne, and Vinnie Moore. The album continued Cooper’s resurgence in the rock and metal scenes, featuring the standout title track “Hey Stoopid.”
Produced by Peter Collins, the album was recorded at Rumbo Recorders in Canoga Park, California. It charted at number 47 on the Billboard 200, maintaining Cooper’s presence in the competitive rock market of the early ’90s.
CD Track Listings:
- “Hey Stoopid” – 4:34
- “Love’s a Loaded Gun” – 4:11
- “Snakebite” – 4:33
- “Burning Our Bed” – 4:34
- “Dangerous Tonight” – 4:41
- “Might as Well Be on Mars” – 7:09
- “Feed My Frankenstein” – 4:44
- “Hurricane Years” – 3:58
- “Little by Little” – 4:35
- “Die for You” – 4:16
- “Dirty Dreams” – 3:29
- “Wind-Up Toy” – 5:27
The Last Temptation
Released: July 12, 1994
The Last Temptation marks Alice Cooper’s return to conceptual storytelling, exploring themes of temptation and redemption. This album features a more mature sound and includes contributions from Chris Cornell. It was met with critical acclaim but achieved moderate commercial success, reaching number 68 on the Billboard 200.
Produced by Don Fleming, The Last Temptation was recorded at Bearsville Studios in Woodstock, New York. It is noted for its cohesive narrative and detailed production.
CD Track Listings:
- “Sideshow” – 6:39
- “Nothing’s Free” – 5:01
- “Lost in America” – 3:54
- “Bad Place Alone” – 5:04
- “You’re My Temptation” – 5:09
- “Stolen Prayer” – 5:37
- “Unholy War” – 4:10
- “Lullaby” – 4:28
- “It’s Me” – 4:39
- “Cleansed by Fire” – 6:13
Brutal Planet
Released: June 6, 2000
Brutal Planet showcases a darker, heavier sound for Alice Cooper, delving into industrial and nu-metal influences. This album discusses issues such as war, pollution, and societal decay, representing a stark departure from his earlier theatrical rock. It received positive reviews for its aggressive approach and lyrical content.
Produced by Bob Marlette, the album was recorded at A&M Studios in Hollywood, California. It did not chart highly but was well-received by fans for its intensity and modern sound.
CD Track Listings:
- “Brutal Planet” – 4:40
- “Wicked Young Man” – 3:50
- “Sanctuary” – 4:00
- “Blow Me a Kiss” – 3:18
- “Eat Some More” – 4:36
- “Pick Up the Bones” – 5:14
- “Pessi-Mystic” – 4:56
- “Gimme” – 4:46
- “It’s the Little Things” – 4:11
- “Take It Like a Woman” – 4:12
- “Cold Machines” – 4:14
Dragontown
Released: September 18, 2001
Dragontown is a continuation of the heavier, darker themes explored in Brutal Planet, often considered its conceptual sequel. The album delves deeper into the dystopian and sinister elements, with tracks like “Triggerman” and “Deeper.” Despite its critical acclaim for thematic continuity and sound, it had modest commercial success.
Produced by Bob Marlette, Dragontown was recorded at various studios, including A&M Studios in Hollywood, California. It features a blend of industrial rock and heavy metal elements, reflecting Cooper’s adaptability to the changing music landscape.
CD Track Listings:
- “Triggerman” – 3:59
- “Deeper” – 4:34
- “Dragontown” – 5:05
- “Sex, Death and Money” – 3:38
- “Fantasy Man” – 4:07
- “Somewhere in the Jungle” – 5:22
- “Disgraceland” – 3:32
- “Sister Sara” – 4:34
- “Every Woman Has a Name” – 3:44
- “I Just Wanna Be God” – 3:52
- “It’s Much Too Late” – 4:39
- “The Sentinel” – 3:53
The Eyes of Alice Cooper
Released: September 23, 2003
The Eyes of Alice Cooper marked a return to Cooper’s garage rock roots, moving away from the industrial metal sound of his previous albums. This record embraces a raw, straightforward rock approach, featuring tracks like “Man of the Year” and “Novocaine.” The album received positive reviews for its energetic performance and was noted for its classic rock vibe.
Produced by Andrew Murdock, the album was recorded live with the band in the studio, capturing the spontaneity and energy of Alice Cooper’s early work. It was recorded at Mates Rehearsal Studios in North Hollywood, California.
CD Track Listings:
- “What Do You Want from Me?” – 3:24
- “Between High School & Old School” – 3:02
- “Man of the Year” – 2:52
- “Novocaine” – 3:08
- “Bye Bye, Baby” – 3:27
- “Be with You Awhile” – 4:17
- “Detroit City” – 3:59
- “Spirits Rebellious” – 3:35
- “This House Is Haunted” – 3:30
- “Love Should Never Feel Like This” – 3:32
- “The Song That Didn’t Rhyme” – 3:17
- “I’m So Angry” – 3:36
- “Backyard Brawl” – 2:36
Dirty Diamonds
Released: July 4, 2005
Dirty Diamonds continues the straightforward rock approach seen in The Eyes of Alice Cooper. The album features a mix of hard rock and classic rock with storytelling lyrics, exemplified in tracks like “Dirty Diamonds” and “Sunset Babies (All Got Rabies).” It was well-received for maintaining the raw rock energy that Cooper revisited in his later career.
Produced by Steve Lindsey, the album was recorded in Los Angeles, California, continuing the less polished, more live-feel production style.
CD Track Listings:
- “Woman of Mass Distraction” – 4:00
- “Perfect” – 3:30
- “You Make Me Wanna” – 3:30
- “Dirty Diamonds” – 4:03
- “The Saga of Jesse Jane” – 4:15
- “Sunset Babies (All Got Rabies)” – 3:28
- “Pretty Ballerina” – 3:02
- “Run Down the Devil” – 3:29
- “Steal That Car” – 3:16
- “Six Hours” – 3:25
- “Your Own Worst Enemy” – 2:15
- “Zombie Dance” – 4:27
- “Stand” – 4:04
Along Came a Spider
Released: July 29, 2008
Along Came a Spider is a concept album telling the story of a serial killer named Spider, weaving classic Alice Cooper themes of horror and theatricality. The album features a blend of hard rock, heavy metal, and narrative elements, making it a distinctive entry in Cooper’s discography.
Produced by Danny Saber, Greg Hampton, and Alice Cooper, the album was recorded at Track Record Studios, North Hollywood and Anarchy Studios, Nashville, Tennessee. It explores complex narratives within its tracks, providing a deep, cinematic experience.
CD Track Listings:
- “Prologue/I Know Where You Live” – 4:21
- “Vengeance Is Mine” – 4:26
- “Wake the Dead” – 3:53
- “Catch Me If You Can” – 3:15
- “(In Touch with) Your Feminine Side” – 3:16
- “Wrapped in Silk” – 4:17
- “Killed by Love” – 3:34
- “I’m Hungry” – 3:58
- “The One That Got Away” – 3:21
- “Salvation” – 4:36
- “I Am the Spider/Epilogue” – 5:21
Welcome 2 My Nightmare
Released: September 13, 2011
Welcome 2 My Nightmare is a sequel to Cooper’s successful album Welcome to My Nightmare, revisiting the character Steven in a new set of dreams. The album combines elements of horror, hard rock, and theatrical storytelling. It features collaborations with original members of the Alice Cooper band and notable guest artists like Ke$ha and Rob Zombie.
Produced by Bob Ezrin, like its predecessor, the album was recorded in various locations, including Nashville and Los Angeles. It embraces a diverse range of musical styles, making it a vibrant and dynamic addition to Cooper’s body of work.
CD Track Listings:
- “I Am Made of You” – 5:32
- “Caffeine” – 3:24
- “The Nightmare Returns” – 1:15
- “A Runaway Train” – 3:51
- “Last Man on Earth” – 3:47
- “The Congregation” – 3:59
- “I’ll Bite Your Face Off” – 4:25
- “Disco Bloodbath Boogie Fever” – 3:36
- “Ghouls Gone Wild” – 2:33
- “Something to Remember Me By” – 3:16
- “When Hell Comes Home” – 4:29
- “What Baby Wants” – 3:43
- “I Gotta Get Outta Here” – 4:20
- “The Underture” – 4:36
Paranormal
Released: July 28, 2017
Paranormal features a collection of eerie, thematic tracks that delve into ghostly and supernatural themes, showcasing Cooper’s continued flair for theatrics and dark narratives. The album includes contributions from original Alice Cooper band members and U2’s Larry Mullen Jr., who played drums on several tracks, adding a unique touch to the rhythm section.
Produced by Bob Ezrin, the album was recorded at various studios, including those in Nashville and Phoenix. It features a blend of classic rock and contemporary elements, resonating with both new listeners and longtime fans.
CD Track Listings:
- “Paranormal” – 4:11
- “Dead Flies” – 2:21
- “Fireball” – 4:49
- “Paranoiac Personality” – 3:11
- “Fallen in Love” – 3:33
- “Dynamite Road” – 2:43
- “Private Public Breakdown” – 3:26
- “Holy Water” – 3:08
- “Rats” – 2:38
- “The Sound of A” – 4:06
- “Genuine American Girl” – 4:27
- “You and All of Your Friends” – 2:41
Detroit Stories
Released: February 26, 2021
Detroit Stories pays homage to Alice Cooper’s roots in Detroit, featuring a hard rock sound that draws heavily from the city’s rich musical heritage, including influences from classic rock, Motown, and garage rock. The album was warmly received and topped the Billboard Album Sales chart, reflecting Cooper’s enduring popularity and the thematic resonance of his Detroit-centric storytelling.
Produced by Bob Ezrin, the album features a mix of new songs and covers, with contributions from legendary Detroit musicians. It was recorded at Rustbelt Studios in Royal Oak, Michigan, capturing the authentic spirit of Detroit rock.
CD Track Listings:
- “Rock ‘n’ Roll” – 4:43
- “Go Man Go” – 2:40
- “Our Love Will Change the World” – 3:39
- “Social Debris” – 3:05
- “$1000 High Heel Shoes” – 3:29
- “Hail Mary” – 3:14
- “Detroit City 2021” – 3:21
- “Drunk and in Love” – 3:52
- “Independence Dave” – 2:56
- “I Hate You” – 2:34
- “Wonderful World” – 3:20
- “Sister Anne” – 4:47
- “Hanging On by a Thread (Don’t Give Up)” – 3:36
- “Shut Up and Rock” – 2:09
- “East Side Story” – 2:52
Road
Released: 2023
Road is Alice Cooper’s latest album, showcasing his continued evolution and adaptation in the rock genre. The album embraces modern rock elements while maintaining Cooper’s distinctive theatrical and horror-themed style. Details on chart performance and specific recording locations are still unfolding as the album has recently been released.
Produced by Bob Ezrin, the album continues the collaboration that has been pivotal in Cooper’s late-career resurgence. The album was recorded primarily in Nashville, Tennessee, and includes a mix of new tracks that reflect Cooper’s reflections on touring and personal experiences.
CD Track Listings:
- “Detroit City Road” – 4:11
- “Heart of Stone” – 3:55
- “Strange Dreams” – 4:08
- “Middle of the Road” – 3:49
- “Break the Chain” – 4:07
- “Nightmare Escape” – 3:56
- “Roll the Dice” – 4:22
- “Running Free” – 3:30
- “Life on the Road” – 4:35
- “End of the Line” – 4:12
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