Complete List Of Jethro Tull Band Members

Jethro Tull Band Members

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Jethro Tull was formed in 1967 in Luton, Bedfordshire, England, stands as a seminal progressive rock band known for its distinctive melding of rock, folk, and classical music elements. Led by the charismatic Ian Anderson, whose flute playing became a defining characteristic of the band, Jethro Tull released numerous albums that have achieved critical and commercial success worldwide. The band’s discography includes iconic albums such as Aqualung (1971) and Thick as a Brick (1972), which have made significant impacts on the rock genre. Over the years, Jethro Tull has seen various lineup changes, each bringing a unique contribution to its evolving sound. The band has won several awards, including a Grammy Award in 1989 for Best Hard Rock/Metal Performance.

Ian Anderson

Ian Anderson, the founding member and unmistakable face of Jethro Tull, has been with the band since its inception in 1967. Known for his distinctive flute playing and theatrical stage presence, Anderson has been the band’s lead vocalist, flautist, and acoustic guitarist. He has played on every Jethro Tull album, contributing not only his musicianship but also serving as the principal songwriter and lyricist. His work on albums like Aqualung and Thick as a Brick helped define the band’s sound and left a lasting mark on the progressive rock scene. Outside of Jethro Tull, Anderson has pursued a solo career, releasing several albums that explore a variety of musical themes.

David Goodier

David Goodier has been a part of Jethro Tull since 2007, taking on the role of bass guitarist. He joined the band during the recording of The Jethro Tull Christmas Album and has since been a stable presence in their live performances. Goodier’s contributions extend into the band’s later projects and tours, where his bass playing supports the complex arrangements characteristic of Jethro Tull’s music. Outside of Jethro Tull, Goodier has collaborated with other musicians and participated in various musical endeavors across different genres.

John O’Hara

John O’Hara joined Jethro Tull as their keyboardist and accordion player in the early 2000s. He has been involved in the band’s studio recordings and live performances, contributing to the rich textural layers of their music. O’Hara’s versatility has allowed him to adapt to the band’s diverse musical explorations, playing a significant role in albums and tours since his joining. His background in classical and theatrical music has added depth to the band’s performances, enriching their soundscapes.

Scott Hammond

Scott Hammond has been the drummer for Jethro Tull since 2011. He came on board following the departure of their previous drummer and has since been part of the band’s global tours and recording sessions. Hammond’s drumming is noted for its precision and dynamic range, fitting seamlessly into the complex and often intricate compositions of Jethro Tull. His previous experiences, both live and in studio settings, have equipped him well for the demands of Jethro Tull’s music.

Mick Abrahams

Mick Abrahams was the original guitarist for Jethro Tull, playing a crucial role in the band’s early sound. He was a member from its founding in 1967 until 1968, contributing significantly to their debut album, This Was. Abrahams’ blues-oriented style was fundamental in shaping the band’s early music. After leaving Jethro Tull due to musical differences with Ian Anderson, he formed Blodwyn Pig and later pursued a solo career, continuing to influence the blues and rock genres.

Clive Bunker

Clive Bunker was Jethro Tull’s original drummer, serving from the band’s inception in 1967 until 1971. His powerful and innovative drumming was featured on several of Jethro Tull’s early albums, including This Was, Stand Up, and the critically acclaimed Aqualung. Bunker’s style combined rock with a jazz-like finesse, which helped define the band’s sound during their formative years. After leaving the band, he worked with various artists, contributing his drumming talents to a wide range of musical projects.

Glenn Cornick

Glenn Cornick was the original bassist for Jethro Tull, playing from 1967 to 1970. His energetic bass lines are heard on This Was, Stand Up, and Benefit. Cornick’s playing was a key element of Jethro Tull’s early success, providing a solid rhythmic foundation and interacting creatively with Anderson’s flute and vocals. After parting ways with the band, he formed Wild Turkey and later participated in other musical ventures, continuing to impact the rock music scene until his death in 2014.

Tony Iommi

Tony Iommi, famously known as the guitarist for Black Sabbath, had a brief stint with Jethro Tull in 1968. Although he was with the band for only a short period and did not record any studio albums with them, he appeared with Jethro Tull in The Rolling Stones Rock and Roll Circus film, miming to the song “A Song for Jeffrey.” This brief association is often noted as a curious intersection of two major forces in rock history. Iommi returned to Black Sabbath shortly thereafter, where he achieved legendary status.

Martin Barre

Martin Barre replaced Mick Abrahams as Jethro Tull’s guitarist in late 1968 and was a key member until 2011, making him one of the longest-serving members besides Ian Anderson. Barre’s guitar work was pivotal on albums from Stand Up to Aqualung and beyond, contributing to the band’s shift towards a more progressive rock sound. His distinctive guitar solos and complex riffs have become defining features of Jethro Tull’s music. Beyond Jethro Tull, Barre has pursued a solo career, continuing to explore and perform music with the same passion and precision he brought to the band.

John Evan

John Evan, a classically trained pianist, joined Jethro Tull in 1970 after having played with some of the band members in earlier bands. He was a key figure in the band during their most critically acclaimed period, contributing to albums from Benefit to Stormwatch (1979). Evan’s keyboard work was essential in developing the progressive rock sound that defined Jethro Tull in the 1970s. His use of organ, piano, and synthesizer added a complex layer to the band’s music. After leaving the band in 1980, Evan moved away from the music industry, focusing instead on business ventures.

Jeffrey Hammond

Jeffrey Hammond, often referred to by his stage name Jeffrey Hammond-Hammond, was the bass guitarist for Jethro Tull from 1971 to 1975. He joined the band for Aqualung and was part of the lineup for subsequent albums like Thick as a Brick and Minstrel in the Gallery. Known for his theatrical stage presence and distinctive striped black-and-white outfit, Hammond’s contribution to Jethro Tull was as much visual as it was musical. After retiring from music in 1975, he returned to his original passion, painting, and left the music industry altogether.

Barriemore Barlow

Barriemore Barlow was Jethro Tull’s drummer from 1971 following Clive Bunker’s departure, through to 1980. His tenure included albums such as Thick as a Brick, A Passion Play, and Songs from the Wood. Barlow’s drumming style was noted for its technical proficiency and dynamic range, perfectly complementing the band’s complex compositions. After leaving Jethro Tull, Barlow worked with a variety of artists and bands, continuing his career as a respected drummer and percussionist in the music industry.

John Glascock

John Glascock was the bassist for Jethro Tull from 1976 until his untimely death in 1979. Joining the band for Too Old to Rock ‘n’ Roll: Too Young to Die!, his musicianship was featured on several more albums including Songs from the Wood and Heavy Horses. Glascock was praised for his technical skills and was a vital part of the band’s sound during his brief period with them. His death from a congenital heart valve defect was a significant loss to the band and the music world.

Dee Palmer

Dee Palmer, who transitioned from David Palmer, joined Jethro Tull in 1976 as a keyboardist and orchestral arranger, having previously contributed orchestrations to the band’s earlier albums. Palmer’s work helped shape the baroque and classical elements of Jethro Tull’s music, notably on albums like Aqualung and Thick as a Brick. After leaving the band in 1980, Palmer continued working in music, focusing on composing and arranging, and also made significant contributions to film and television scores.

Dave Pegg

Dave Pegg joined Jethro Tull in 1979, coming from the folk rock band Fairport Convention. He played bass on several albums, starting from Stormwatch through to Rock Island in 1989, and was part of the band’s shift back towards more folk-oriented music in the 1980s. Pegg’s deep understanding of both rock and folk music allowed him to integrate seamlessly into Jethro Tull’s evolving sound. Alongside his work with Jethro Tull, Pegg continued his involvement with Fairport Convention and other musical projects, maintaining a prominent and active presence in the folk and rock music scenes.

Mark Craney

Mark Craney joined Jethro Tull as a drummer in 1980, contributing to the band’s album A. Known for his dynamic playing and technical skills, Craney’s style complemented the band’s shift towards a more synthesizer-oriented sound during this period. Despite his relatively short stint with the band, his impact was significant during a transitional time for Jethro Tull. Craney continued his career working with other notable artists before his health declined, leading to his passing in 2005.

Eddie Jobson

Eddie Jobson was briefly involved with Jethro Tull, playing keyboards and electric violin during the early 1980s. Although his time with the band was short-lived, his contributions during live performances and his expertise on the violin and keyboards provided a unique texture to Jethro Tull’s music. Jobson is widely respected for his work in the progressive rock scene, particularly with bands like UK and Roxy Music.

Gerry Conway

Gerry Conway, a seasoned drummer, played with Jethro Tull during the late 1980s. His drumming can be heard on the album Crest of a Knave (1987), which marked a successful period for the band, as it won a Grammy Award for Best Hard Rock/Metal Performance. Conway brought a solid, robust style to the band’s music, fitting seamlessly into their evolving sound. After his tenure with Jethro Tull, Conway continued to play with Fairport Convention and other folk and rock projects.

Peter-John Vettese

Peter-John Vettese was a key keyboardist for Jethro Tull from the mid-1980s to the early 1990s. His work is prominent on albums like Crest of a Knave and Rock Island. Vettese’s ability to blend synthesizers with the band’s rock and folk elements was crucial during a period of musical experimentation. After Jethro Tull, Vettese became a sought-after producer and session musician, working with a variety of high-profile artists across different genres.

Doane Perry

Doane Perry joined Jethro Tull in 1984 as a drummer and remained with the band for nearly three decades, becoming one of their longest-serving members. Perry’s versatility and precision were vital across many albums and world tours, contributing to the band’s sustained success. His drumming helped maintain the group’s reputation for stellar live performances well into the 2000s.

Maartin Allcock

Maartin Allcock was associated with Jethro Tull from 1988 to 1991, playing keyboards and occasionally guitar. Known for his flexibility and musical sensitivity, Allcock’s contributions during his brief stint were integral, especially in live settings. He was also well-regarded for his work with Fairport Convention and as a respected session musician in the folk music circuit.

Andrew Giddings

Andrew Giddings played keyboards for Jethro Tull from the early 1990s until 2007, making significant contributions to the band’s sound during this era. His keyboard work can be heard on albums such as Roots to Branches and J-Tull Dot Com, where his electronic flourishes and classical sensibilities enriched the band’s musical tapestry. Giddings helped modernize Jethro Tull’s sound while respecting its historical roots.

Jonathan Noyce

Jonathan Noyce was Jethro Tull’s bassist from 1995 until 2007. Noyce’s tenure saw him contribute to albums like J-Tull Dot Com and The Jethro Tull Christmas Album. His energetic and nuanced bass playing enriched the band’s later projects, ensuring the rhythm section remained dynamic and cohesive.

Florian Opahle

Florian Opahle, a talented guitarist, worked with Jethro Tull from the mid-2000s into the 2010s. Although primarily involved in the band’s live setups, his contribution to maintaining the high standard of Jethro Tull’s guitar work during tours was notable. Opahle’s technical prowess and adherence to the band’s stylistic nuances made him a key part of the later years of Jethro Tull.

Joe Parrish

Joe Parrish contributed guitar work to Jethro Tull’s music.

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