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Our Complete List Of Squeeze Band Members looks at a British rock band formed in 1974, The band was initially formed in London by Chris Difford and Glenn Tilbrook, who have been the group’s primary songwriters and frontmen. The original lineup also included Jools Holland on keyboards, Harry Kakoulli on bass, and Paul Gunn on drums. Squeeze’s journey has seen various lineup changes, hiatuses, and reunions.
The band’s early years were marked by their eponymous debut album, “Squeeze,” released in 1978. However, it was their second album, “Cool for Cats” in 1979, that brought them commercial success, particularly in the UK. The album’s title track and “Up the Junction” became hits, showcasing Difford’s narrative-driven lyrics and Tilbrook’s catchy melodies. Their following album, “Argybargy” in 1980, continued this success, solidifying their place in the new wave scene.
Squeeze faced challenges. Lineup changes began to emerge, with bassist Harry Kakoulli replaced by John Bentley, and Jools Holland leaving the band in 1980, only to return in 1985. Paul Carrack, who joined briefly in 1981, provided lead vocals on the enduring hit “Tempted” from the album “East Side Story.” It’s been a long road filled with many different musicians that this article looks to showcase.
Glenn Tilbrook
Glenn Tilbrook, the lead guitarist, keyboardist, and vocalist for Squeeze, has been a pivotal figure in the band since its inception in 1974. He first joined the band at its formation and remained a constant member until their initial split in 1982. Tilbrook rejoined for their subsequent reformation in 1985, contributing significantly until their second hiatus in 1999. Since Squeeze’s reunion in 2007, he has been an active member. His role in the band is crucial, contributing to all their albums, including classics like “Cool for Cats” and “East Side Story.” Outside Squeeze, Tilbrook has a successful solo career, releasing albums such as “The Incomplete Glenn Tilbrook” and “Transatlantic Ping Pong.” His solo work often showcases his skill as a songwriter and performer, distinct yet complementary to his work with Squeeze.
Chris Difford
Chris Difford, serving as the rhythm guitarist and vocalist, co-founded Squeeze with Tilbrook in 1974. His tenure mirrors Tilbrook’s, being a key member from 1974 to 1982, rejoining in 1985, and remaining until 1999, before reuniting again in 2007. Difford’s songwriting partnership with Tilbrook is central to Squeeze’s sound, contributing significantly to all their albums. Their writing synergy is often compared to that of Lennon and McCartney. Beyond Squeeze, Difford has released solo works like “I Didn’t Get Where I Am” and has been involved in various other musical projects. He is also known for his autobiography, “Some Fantastic Place: My Life In and Out of Squeeze,” detailing his experiences in and out of the band.
Stephen Large
Stephen Large joined Squeeze as their keyboardist and backing vocalist in 2007, coinciding with the band’s reunion. Since then, he has been a consistent member, contributing to their later albums such as “Spot the Difference” and “Cradle to the Grave.” Large’s keyboard skills have brought a fresh sound to the band’s more recent work. Outside of Squeeze, he is notable for his work with other artists, including Duffy and Paloma Faith, showcasing his versatility and expertise across various musical styles.
Simon Hanson
Simon Hanson became the drummer and percussionist for Squeeze in 2007. His addition to the band brought a new dynamic to their rhythm section, evident in albums like “Spot the Difference” and “Cradle to the Grave.” Hanson’s background in drumming and percussion has been integral to the band’s sound in their post-reunion era. Beyond Squeeze, Hanson has an impressive resume, having worked with the likes of Death in Vegas and The Quireboys, highlighting his broad range in the music industry.
Steve Smith
Steve Smith, who joined Squeeze in 2017, brought his talents as a percussionist, rhythm guitarist, and vocalist to the band. His multi-instrumental skills have added depth to Squeeze’s live performances and studio recordings. Smith’s involvement with the band, though more recent, is significant in maintaining the group’s evolving sound. Apart from Squeeze, Steve Smith is known for his work with Dirty Vegas, a band that achieved international success, particularly with their hit “Days Go By.”
Melvin Duffy
Melvin Duffy, who officially joined Squeeze in 2019, had been a session and touring member since 2015. His expertise with pedal and lap steel guitars, as well as the dulcimer, has brought a unique texture to Squeeze’s music. Duffy’s contribution is particularly noticeable in the band’s live performances, adding a layer of musical complexity. His career outside Squeeze is distinguished, having played with artists like Robbie Williams and First Aid Kit, showcasing his versatility as a musician.
Owen Biddle
Owen Biddle, the newest member of Squeeze, joined the band in 2020 as the bassist and backing vocalist. His contribution, though recent, is pivotal in the band’s current sound, especially in live performances. Biddle’s previous experience includes playing with The Roots, a tenure that highlights his proficiency in a range of musical styles, from rock to hip-hop, bringing a diverse musical background to Squeeze.
FORMER MEMBERS
Gilson Lavis
Gilson Lavis served as the original drummer for Squeeze, joining the band at its formation in 1974 and playing a vital role until 1982. His tenure with Squeeze saw him contribute to their early success, with albums like “Cool for Cats” and “Argybargy” showcasing his drumming prowess. Lavis’ rhythmic style was integral to the band’s signature sound during their formative years. After leaving Squeeze, Lavis became notable for his work with Jools Holland, becoming a mainstay in Holland’s Rhythm and Blues Orchestra. His career post-Squeeze has seen him transition successfully from band drummer to a respected figure in the UK rhythm and blues scene.
John Bentley
John Bentley first joined Squeeze in 1980 as their bass guitarist, stepping in during a critical phase of their career. He was instrumental in the recording of several key albums, including “East Side Story” and “Sweets from a Stranger.” Bentley’s bass lines contributed significantly to the band’s sound during this period. He left the band in 1982 but rejoined during their 2007 reunion and remained until 2015.
Paul Carrack
Paul Carrack joined Squeeze in 1981 as a keyboardist and vocalist, quickly making a significant impact. He played a crucial role in the album “East Side Story,” notably providing lead vocals on the hit single “Tempted,” one of the band’s most recognized songs. Paul Carrack’s stint with Squeeze was relatively short, as he left the band in 1982. However, his contribution, especially to “Tempted,” left a lasting impression. Outside Squeeze, Paul Carrack has had a successful solo career and has been a member of other bands like Mike + The Mechanics. His solo hits, such as “Don’t Shed a Tear,” have cemented his status as a talented singer-songwriter in the pop-rock genre.
Don Snow
Don Snow was a member of Squeeze during three distinct periods: 1981–1982, 1991–1992, and 1995–1997. His primary roles were as a keyboardist and backing vocalist. During his first stint with the band, he contributed to the album “Sweets from a Stranger” (1982) and the single “Annie Get Your Gun” (1982).
Keith Wilkinson
Keith Wilkinson joined Squeeze in 1985 and remained with the band until 1997. His role encompassed playing the bass, providing backing vocals, and occasionally taking on lead vocals. Wilkinson’s contributions are found across all Squeeze releases from “Cosi Fan Tutti Frutti” (1985) to “Ridiculous” (1995), playing a key role in the band’s sound during this era.
Pete Thomas
Pete Thomas was a member of Squeeze from 1992 to 1994. During his time with the band, he was primarily responsible for drums and percussion, with occasional contributions on keyboards. His most notable work with Squeeze is on the album “Some Fantastic Place” (1993).
Andy Newmark
Andy Newmark’s tenure with Squeeze was from 1994 to 1995, where he played drums. Despite being a part of the band, he did not contribute to any studio albums during this period. Newmark’s involvement was mainly in live performances and other non-recording capacities.
Kevin Wilkinson
Kevin Wilkinson joined Squeeze in 1995 and was with the band until 1997. During his time with the group, he played drums and percussion, contributing to the distinct rhythmic elements of the band’s music. His work is notably featured on the album “Ridiculous,” released in 1995, which showcases his skills and integration into Squeeze’s sound. Tragically, Kevin Wilkinson passed away in 1999, marking a significant loss to the music community. His contributions to Squeeze during his tenure remain a testament to his talent as a drummer and percussionist.
Hilaire Penda
Hilaire Penda played bass for Squeeze in 1998 and 1999. His contribution to the band is particularly highlighted in the album “Domino,” released in 1998. Penda’s bass playing during this period added a distinctive rhythmic foundation to Squeeze’s music, particularly in this late 90s era of the band’s evolution.
Ash Soan
Ash Soan’s role in Squeeze encompassed drums, percussion, and backing vocals. He performed on the album Domino in 1998.
Christopher Holland
Christopher Holland was a touring member of Squeeze in 1985 and joined as a full member in 1998-1999. His primary roles were keyboards and backing vocals. Holland contributed to one track on the album “Cosi Fan Tutti Frutti” (1985) and played a more significant role in the album “Domino” (1998). His keyboard work added depth and texture to Squeeze’s sound during these periods.
Lucy Shaw
Lucy Shaw was with Squeeze from 2015 to 2017, playing bass and providing both backing and occasional lead vocals. Her contributions are particularly noted in the album “Cradle to the Grave” (2015). Shaw’s tenure in the band coincided with a period of renewed creativity and public interest in Squeeze.
Yolanda Charles
Yolanda Charles played bass for Squeeze from 2017 to 2020. Her involvement is notably marked in the album “The Knowledge” (2017). Charles’ bass playing brought a new dimension to Squeeze’s sound, particularly in this recent phase of the band’s long and varied career.
Complete List Of Squeeze Band Members article published on Classic RockHistory.com© 2023
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Updated November 12, 2023
![Rob De Luca of Spread Eagle, Sebastian Bach & UFO: 10 Albums That Changed My Life From humble East Coast origins to grandest stages worldwide, veteran bassist Rob De Luca has seen and done it all. De Luca first hit the local Boston rock and metal scene in the late 80s after meeting guitarist Paul DiBartolo, bonding over Van Halen before forming Bang. Regional success came quickly, but eventually, the members of Bang went their separate ways, with De Luca and drummer Tommi Gallo heading to NYC and hooking up with Ray West and, later, DiBartolo to form Spread Eagle. By 1990, Spread Eagle was on the fast track, with a contract through MCA Records and a self-titled debut album poised to crush skulls. But poor timing and MCA's sad indifference left Spead Eagle out in the cold despite being a hard-boiled answer to Guns N' Roses's West Coast sleaze. Spread Eagle's first chapter came to an end in '95. As for Rob De Luca, his nimble fingers and gift for melody and songwriting kept him moving forward. Soon, he found a gig with former Skid Row frontman Sebastian Bach and the legendary outfit UFO. And in 2010, after coupling up with Ray West and his cousin Rik De Luca, Spread Eagle retook flight. During a break from Spread Eagle's increasingly busy touring schedule, Rob De Luca dialed in with ClassicRockHistory.com to run through the ten albums that changed his life. But only after adding, "I made a playlist of these songs, including some I've written or co-written. Do you hear any of these albums' influence on me?" Listen here: https://open.spotify.com/playlist/3LWJuhDrE8JmzhsmTeIDUq 10) Gentlemen by Afghan Whigs (1993) Here's an entry that was so important to me. This may be the darkest break-up album of all time. Greg Dulli has been in many projects, but I feel Gentlemen is his zenith. Somewhat undefinable at times but always profound and honest. Listen to "Gentlemen," "Fountain and Fairfax," and "What Jail Is Like." 9) In on the Kill Taker by Fugazi (1993) By this time, I had been sucked in and spit out by the major-label record industry. Glam came and went; grunge was history, too. I was searching for new sounds. When I heard Fugazi's twin guitar approach, I knew this was what was missing. Fugazi may be considered a less polished sound than the albums above; however, once you "get it," it hits you like a ton of bricks, and there's no going back. From the moment I heard Fugazi, I went to every NYC show after. It's easily some of the best concerts of my life, and possibly my favorite bassist in Joe Lally. And their DIY ethics refused to charge us more than $5 a show! In on the Kill Taker is a powerful album demonstrated in songs such as "Smallpox Champion," "Great Cop," and "Public Witness Program." 8) Appetite for Destruction by Guns N' Roses (1987) I discovered many of these albums (sometimes long) after they were released. However, I was at the right place at the right time for this one. Steve Ostromogilsky had a Berklee College of Music lunch card and used to sneak out sandwiches for me. One day, he invited me to hang out at his place and listen to music. As we got off the train, he put Sony Walkman headphones on my ears and said, "Hey, check out this brand-new group." A song like "It's So Easy" was so different from the popular Sunset Strip sound at that time. Me and about 499 other informed rockers were lucky enough to see them on their first East Coast tour at the sold-out Paradise on Commonwealth Avenue, Boston (the same street Aerosmith started on). I saw Gn'R every tour after until I took a break when Buckethead joined. Gn'R is the band I've been lucky enough to see the most times live, almost 100! Everyone on this album is just stellar. Axl [Rose] had the tones, power, melodic sensibilities, and foresight to do what no other singer did then. Slash's playing was beyond memorable. Duff [McKagan] is one of the most underrated bassists in rock history, and learning his Appetite basslines is a masterclass. Steven [Adler] had the natural swing, and Izzy [Stradlin] was the secret weapon songwriter. Everything that's been heralded about this gem is deserved and true. Check out "It's So Easy," "Out Ta Get Me," and "Mr. Brownstone.' 7) Wish You Were Here by Pink Floyd (1975) Another contender for my favorite album and band of all time. Using The Beatles machine (same recording studio, engineer, record label), Pink Floyd made what I feel is their strongest, most cohesive album (my second favorite of theirs would be Animals). This list mainly consists of bands with an instantly recognizable sound. Floyd is certainly no exception to that! This album included a solid handful of undeniable rock radio classics, bookended by two halves of the mind-blowing song "Shine on You Crazy Diamond.' That song was written about former band member and founder Syd Barrett. It would be hard to live in a world without this album. Check out "Welcome to The Machine," "Shine on You Crazy Diamond (parts 6-9),' or even better yet, listen to the whole thing in one sitting! 6) Decade by Neil Young (1977) About this time, I started playing guitar. As a beginner, it was comfortable jamming to this album because the chord changes were simple—a great "first ten years" retrospective of Neil's stunning, unique songwriting. Neil is a treasure who always writes from the heart and stands up for what's right. Check out "Southern Man," "A Man Needs a Maid," "Down by The River," and "After the Goldrush." 5) Highway to Hell by AC/DC (1979) When I heard this album, I was firmly "me." My life would be 100% focused on hard rock music forever. AC/DC are like air; they're ubiquitous. Everyone knows them and their incredible songs. However, as a young teen in Wilmington, Delaware, I only had WMMR 93.3 FM Philadelphia and a few friends to inform me about the world of Rock outside my bedroom. AC/DC had not gone mainstream, and their albums were available primarily in the USA as imports. To put things more in perspective, I only knew two people in the world who had heard of AC/DC. A friend had an import that we played in Steve Buckley's basement, which sounded ripping. When Highway to Hell was released, WMMR started spinning the title track, and I immediately bought the album, listening to it every single day after school. Then WMMR announced AC/DC was coming to the Spectrum in Philly, supporting Ted Nugent! I liked Ted but loved AC/DC, so my good friend Mick Cummins and I bought tickets, and he drove us up to the Spectrum (where we saw most of our concerts). Bon Scott was in fine form, and the band went over great. Although the crowd knew Ted better, Angus [Young] wouldn't let anyone upstage him. I'll never forget it! Unfortunately, Bon would be gone in 6 months. Check out "Walk All Over You," "Touch Too Much," "Shot Down in Flames," and "If You Want Blood (You Got It)." 4) Toys in the Attic by Aerosmith (1975) By the time I heard this, I was now in my teens. I had a childhood friend up the street, Jim Linberg (we're still good buddies). His older sister had a great album collection, including Toys in The Attic. Once I heard that groove, my taste changed. I lost interest in rock music that didn't have some sort of "swing" feel to it. I think Rocks is a slightly better Aerosmith album (and possibly my favorite album of all time), but both are perfect or very close. Check out "Uncle Salty," "Adam's Apple," "No More No More," "Round and Round," and "You See Me Crying." 3) Alive! by Kiss (1975) When I was still a little kid, I asked for Cheech and Chong's Up in Smoke album for Christmas. The entire family came over for an enormous feast, and I dropped the needle. When my mother heard the content, she turned off the album and said I had to exchange it. My mom was cool, but I was young and knew much more about life than she suspected. Anyway, the next day, she drove me back to the store. In the music section, promoted on an "endcap" was a Kiss Alive! display. I had never heard of Kiss, but that cover picture told me I had to have it! My first foray into hard rock. Check out “Strutter.” I went through my Kiss phase very quickly, I believe in a matter of months because I discovered the previous entry, Aerosmith's Toys in the Attic. 2) Honky Chateau by Elton John (1972) When I was a wee lad, my parents bought a used Volkswagen camper van from my uncle Ozzie. My favorite Elton John album is Yellow Brick Road, but Honky Chateau is great and easily one of his best. It sent me down a lifelong rabbit hole of loving everything about the 1970s partnership between Elton and lyricist Bernie Taupin. The simple beauty of voice, the master songwriting, the perfect backing band, the clear, unobtrusive recordings, and always Bernie's incredible lyrics. The day this album was released, Elton became an unstoppable force that conquered the music industry. Check out "Mona Lisas and Mad Hatters" and "Rocket Man." 1) Sergeant Pepper's Lonely Hearts Club Band by The Beatles (1967) Another tape that was included in the VW Camper. The van had a bunch of music tapes, and one was Sgt Pepper. I was too young to understand the sophistication of the music, but that was one of the many skills of The Beatles. They attracted listeners at every level, even little kids. I still feel that immediate connection to Sgt Pepper; now, I hear so much more. It's an album that changed the world and the world of music. Check out "Lucy in The Sky with Diamonds," "A Day In The Life," and "Fixing a Hole."](http://www.classicrockhistory.com/wp-content/uploads/2023/11/Shutterstock_1815495569-1-300x200.jpg)
