Top 10 Garbage Songs

Garbage Songs

Photo: By jareed (http://www.flickr.com/photos/jareed/7292612236/) [CC BY 2.0 (http://creativecommons.org/licenses/by/2.0)], via Wikimedia Commons

Formed in 1993, Garbage are an alternative rock band that incorporate elements of grunge, electronic and industrial music into their sound. The group is made up of Shirley Manson (lead vocals), Steve Marker (lead guitar), Duke Erikson (bass, keyboards) and Butch Vig (drums). The latter three worked in music together for years and would often remix the work of rock acts, eventually deciding to form a band which would embody the remixed sound they so enjoyed. There are various apocryphal stories from this time surrounding the origin of the band’s name, alleging that it comes from a frustrated description of the group’s early work.

The group knew they wanted to have a female vocalist and eventually came across a video for the Scottish band Angelfish. Setting their sights on the Scottish lead singer Shirley Manson, the band requested a meetup and, impressed by Vig’s production credits on Nirvana’s Nevermind, Manson joined the band.

The band’s debut album was released in 1995 and proved extremely popular in Manson’s native Britain as well as in Australia, resulting in the group winning numerous Europe-based music awards. Two years later the band began work on their sophomore album and pledged not to stray far from their existing sound for Version 2.0. This second album got the band a lot more attention in the US, even receiving two Grammy nominations. In 1999 the band were asked to record the theme for the James Bond film The World Is Not Enough, a prestigious accoladed afforded to very few artists.

In 2001 the band began work on their third album Beautiful Garbage, and, following various legal disputes, signed to Universal Music Group. This third album had strong sales but was met with a mixed reaction. Bleed Like Me, the next LP, was released in 2005, following a strained period for the band, and introduced a timely political edge to the band’s music. During the second half of that year, Garbage announced they were going on indefinite hiatus, and it wasn’t until 2010 that Manson announced the band were recording a new album. The band’s fifth record Not Your Kind of People was released in 2012 and lacked none of the band’s trademark mix of grunge and gloss. It’s follow up, Strange Little Birds, the band’s most recent album, was released in 2016.

Over the years Garbage have forged a unique sound which has allowed them to stand out, not least thanks to Manson – one of all too few rock front-women – and her distinctive tones. The group have a formidable back catalog which, as this list will show, still sounds immensely fresh today.

# 10 – The World Is Not Enough

The theme song from the 1999 James Bond film of the same name, The World Is Not Enough blends the classy orchestral elements typical of Bond themes with the edgy electronica of Garbage. Shirley Manson’s deep and throaty vocals exquisitely contrast the instrumental’s soaring strings, creating a sound which is every bit as threatening as it is brilliant. In fact, the whole song has a palpably threatening vibe to it, with pulsing electronic pads rubbing up against the classical instruments to create a really ominous and acutely sinister soundscape. This is, of course, perfectly suited to the song’s lyrics, which seem to be coming from the point of view of a super villain (presumably Elektra King, the film’s antagonist) and discuss a mix of seduction, murder and megalomania – all essential elements of the Bond series. It helps that you can easily imagine Manson herself as a Bond villain, bent on world domination, with her iconic eyeliner becoming her defining characteristic, like Blofeld’s cat or Oddjob’s bowler hat.

Garbage were an enjoyably left field choice to record a Bond theme, as they are usually performed by untouchable megastars like Madonna, Adele and Paul McCartney. The band managed to bring their distinctively edgy stylings to the track, creating a slinky and sumptuous song which easily stands alongside Bond classics like Goldfinger, Live and Let Die and Diamonds Are Forever.

# 9 – Not Your Kind of People

In many ways this is the spiritual successor to The World Is Not Enough. It’s hard to pinpoint just what links these two songs, but there’s something about 2012’s Not Your Kind of People which somehow manages to embody what made the earlier song so brilliant. The World Is Not Enough might have sound tracked a Bond movie, but this track was used in full during the official teaser for the video game Metal Gear Solid V: The Phantom Pain, an espionage action game at the very cutting edge of technology.

Not Your Kind of People is gritty and moody, thanks to the interplay of buzzy and groaning guitars, not to mention the rather grim sounding organ which undercuts the track. The song’s four note guitar hook is a brilliant way of making it instantly recognizable and cuts through the track’s brilliantly grungy atmosphere like a hot knife through butter.

Lyrically, the song sets out to present people like Manson – those often seen as weirdos or outcasts – as superior to those who follow the status quo. The track suggests that it is everyone else who is a problem and that the outcasts are the type of people brave enough to create their own path and live life on their own terms. Perhaps the song’s hazy atmosphere is a sonic representation of this idea, as it seems likely that only a certain kind of people will be able to appreciate its odd and unusual brilliance.

Not Your Kind of People is one of the standout songs from the album of the same name and, despite being an album track, is more than worthy of your attention.

# 8 – Empty

The lead single from the band’s most recent album Strange Little Birds, Empty is a reflection of Shirley Manson’s belief that music acts these days won’t admit to feeling lost or lonely, and will instead put on a brave face and just carry on dancing through the pain. As such, the song sees Manson address her self-doubt and lack of confidence and – on the chorus – even ties this to how a lack of self-esteem can lead to an obsession with others.

The rousing and rocking guitar riffs which form the heart of the track seem to spiral up and down the song, almost as if reflecting the turns of madness and depression described by the lyrics. Similarly, the choruses enormously repetitive nature must surely represent the obsessive behavior being mentioned. Interestingly, Empty features a glitched-up version of the drum beat used on the band’s 1998 single Special. Quite why this would be the case is not clear, after all, a master producer like Butch Vig would have innumerable drum loops to choose from. Perhaps the band, now over twenty years into their career, wanted to play on listener’s nostalgia and remind them that they’ve got a whole catalog of hits to their name.

At the end of the song, all of the instruments are stripped away, leaving Manson to perform a stark and final repetition of the chorus’ hook. This is a haunting way to finish the track, and perfectly illustrates the song’s narrative. Empty may be a recent addition to the Garbage canon, but it is just as accomplished as any song on this list.

# 7 – Only Happy When It Rains

During the mid-90’s there was a noticeable trend for alternative music to be incredibly bleak and angst-ridden. Only Happy When It Rains, taken from the band’s self-titled debut album, was Garbage’s attempt to poke fun at these overly gloomy and sorrowful songs (which the band knew they too were guilty of releasing).

It’s hard not to smile while listening to this track because the lyrics, especially during the chorus and the outro, are so over the top and outrageously melancholy that they perfectly skewer the type of depressing indie-nonsense the song sets out to mock. Of course, in a stroke of genius, the song does actually manage to impart some wisdom, pointing out that sometimes happiness can be found in even the most miserable of times and that there’s no shame in reveling in the darkness every now and again.

Musically, the track’s best feature is undoubtedly its lead guitar – a deep, crunchy and throaty sound which effortlessly fills the track, providing the perfect foil for the song’s hilariously depressing lyrics. Only Happy When It Rains is one of the band’s best-known songs and has even been covered by rock heavyweights Metallica. It’s no surprise the track has always been so well received, its lyrics are extremely memorable and enjoyably ironic, while the robust guitar is simply a pleasure to listen to.

# 6 – Blood for Poppies

This was the band’s comeback single in 2012 after going on hiatus seven years before. The track was chosen because the group felt it best represented the band’s trademark sound. It’s hard to argue with this assertion since Blood For Poppies does indeed contain a number of the band’s most recognizable characteristics – fuzzy and funky guitar riffs, a singalong chorus and Manson’s undeniably smooth tones.

The track’s narrative is quite hard to follow. This was an intentional decision the band made, wanting to write a song which illustrates the confusion and disorientation of the human condition. The title suggests the track’s protagonist is someone involved in the opium trade, and this is certainly an appropriate backdrop for the song’s abstract musings about insanity.

The song’s primary funk-driven guitar riff is not dissimilar to something Muse might produce (a huge compliment given Matt Bellamy’s immense talent) yet, at the same time, this is unmistakably a Garbage song – not least thanks to Manson’s coolly glamorous vocal stylings. The group’s experimental production techniques are most evident during the second verse, where a number of glitchy electronic effects are employed, further creating an atmosphere of mad chaos.

Blood for Poppies was the perfect song for Garbage to explode back onto the scene with. Despite the tracks being given away as a free download to fans (and leaking a week earlier, anyway) it received considerable attention throughout the world, proving that there was absolutely still a place for Garbage in the digital era.

# 5 – Push It

This single from Version 2.0 typifies the kind of edgy and gritty sound that the band were best known for during the 90’s. Push It is a dreamy alternative rock/pop track with considerable industrial elements. The track starts with an incessant electronic drum beat before Manson’s dulcet tones begin alongside multiple layers of grinding industrial padding. The song doesn’t truly come alive until its first pre-chorus, in which the singer’s voice is distorted with a loud-speaker effect and some jagged heavily wah-wah’d guitar enters the mix. None of this frenetic energy is lost as the chorus begins, in which Manson adopts a frenzied whisper and a more traditional electronic guitar riff begins, after this a dance beat plays and the track returns to the syrupy smoothness of the first verse.

Push It is a great example of the kind of remix-inspired sound which the band hoped to achieve at their inception, featuring a number of interpolated samples and references. The song’s interlude is purposely reminiscent of The Beach Boys’ Don’t Worry Baby, and the band’s lawyers deemed the choruses titular vocal hook as being so similar to the Salt-N-Pepa track of the same name that its writer is credited on this song.

Push It is a wild track, full of diverse influences and references – just the type of thing fans wanted from the band’s second album – and is a great “starter” for new fans wanting to get involved.

# 4 – I Think I’m Paranoid

Upon first listen, this second single from Version 2.0 sounds like a sweet and simple rock ditty, with light guitar and a slightly odd drum beat. This soon changes at the end of the first verse, when Manson’s voice is suddenly distorted and the beat changes to resemble a cassette tape being reversed. The song suddenly bursts into an explosion of sound with grinding and moaning guitars kicking in and Manson’s vocals becoming jagged and angry.

Once this heavy pre-chorus is over, the song settles in to a somewhat discordant chorus, in which Manson’s voice – sweet once again – gives up any semblance of the song’s earlier detachment and entirely submits herself to the person she is singing to, proclaiming that they can do whatever they want to her as long as they don’t leave. This is quite a change from the first verse, in which Manson was clearly in control of the relationship.

This change is echoed by the song’s instrumental, especially during the second half, which features a manic bridge, full of DJ scratch effects, and then, following a regular chorus, a bizarre alternate chorus plays, in which Manson adopts a deeper voice (almost as if pitch shifted) before returning to the sweet and light sound of the song’s beginning. This time, however, Manson has completely given herself to the man, with the empowered woman of the first verse completely gone.

This is a great example of how lyrics and music can work together to create an arresting (and, in this case, disturbing) narrative. Of course, regardless of this clever technique, I Think I’m Paranoid’s pinball-like punk energy makes this an essential Garbage song.

# 3 – Cherry Lips

This transcendent track from Beautiful Garbage is one of the band’s most traditionally pop productions, full of delightful flourishes and a cheerful, bubbly synthetic bass line. Don’t let that fool you though, the guitar (when it kicks in) is impressive enough and, thanks to its progressive narrative, this is a surprisingly punk rock track.

Cherry Lips was inspired by the books Sarah and The Heart is Deceitful Above All Things and tells the story of a neglected child who grows up to be a transgender prostitute. Rather than being a disapproving criticism, the song is a joyous celebration of the protagonist’s life and makes it clear that the band are right behind them. Gender is a hot topic in 2017, but Garbage were clearly ahead of their time with this track, which has become somewhat of a transgender anthem. Perhaps the controversial subject matter, which conservative groups would not approve of, is the reason that the song was released as a single in all territories except the US, where Breaking Up the Girl was released in its place.

Sometimes referred to as Cherry Lips (Go Baby Go!) because of the infectious vocal hook in the song’s final third, this is certainly one of the band’s most memorable songs, even featuring Queen-style handclaps for audiences to join in with. Quite simply, Cherry Lips is a celebratory track and serves as a wonderful breath of fresh air from a band often associated with a grungey sound. Forget bubblegum pop; this is bubblegum rock.

# 2 – Stupid Girl

Stupid Girl, from the band’s debut, is one of the group’s most successful songs, receiving two Grammy nods and charting highly across the world. Of course, success is no way to measure quality but, in this case, the track lives up to the hype.

The song began life as a drum sample from The Clash’s Train In Vain and evolved exponentially from there, with the band adding further percussion, a light and pleasant guitar riff and a Motown inspired bass line to form the heart of the song. In addition to this, the instrumental features grungy crunches, ambient synth pads and some scratchy feedback-like effects. Lyrically, the song is about someone who is squandering their potential instead of being the best version of their self. The band have made it clear that, despite the title, the song is supposed to be genderless, and simply chose to address a woman because they felt a strong female putting down a weak man had become somewhat of a cliche.

There’s a reason Stupid Girl has become one of the band’s most popular songs, it’s full of little touches which give it a real sense of polish, from the buzzing guitar in the instrumental breakdown to the ethereal-sounding backing vocals during the chorus. The song’s scratchy effects were ingeniously represented in the track’s music video, where – in a homage to the film Se7en – the film was purposely ruined and distorted, creating a really messed up and abrasive aesthetic, perfectly suited to the band.

Stupid Girl may not be one of the more showy Garbage tracks, but that’s not where its genius lies. What makes it so good is that it’s a reliable, straight up alternative rock smash – sturdy, brooding and utterly brilliant – a perfect example of what makes Garbage so compelling.

# 1 – Why Do You Love Me

Why Do You Love Me was the lead single from 2005’s Bleed Like Me and became the band’s first entry on the Billboard Hot 100 for six years. The song introduced fans to the new sound the band had planned for their fourth album, which stripped back the overly-produced elements and the electronic/synth aspects to focus on a much purer rock sound made up of drums, guitars and Manson’s vocals.

In fact, the song is quite the introduction to this new sound, immediately kicking listeners in the face with a thick and tasty rock riff. After this, the guitar becomes a background element, letting Manson’s vocals take center stage and becoming just slightly more frantic during the chorus before returning to an enormous, grizzled buzz for the post-chorus solo.

Along with the guitar, the immense chorus is the highlight of Why Do You Love Me, it is an impossibly catchy pop hook and amongst the band’s very best. It really is futile to attempt to resist singing along to the chorus; you simply have to let its brilliance wash over you. There’s something very Blondie-esque about the hook, which is high praise indeed and, appropriately, a poster of Debbie Harry can be seen in the song’s music video.

Why Do You Love Me is easily one of Garbage’s most immediately enjoyable tracks. While some fans might miss the more experimental elements of the band’s oeuvre, Garbage had intentionally removed these in order to experiment with their sound, so fans should embrace these changes. This is a dynamic and extraordinary song which showcases Garbage at their very best.

Over their decade spanning career Manson, Marker, Erikson and Vig have created a huge amount of fearsomely enjoyable tracks. Their fondness for experimentation and willingness to be that little bit different has allowed Garbage to record some of rock’s most unusual and brilliant tracks. Since their reunion a few years ago, the band are as good as ever and look to be releasing more new music soon. One thing which has always been certain about Garbage is that they certainly don’t live up their name.

Updated March 1, 2021

Top 10 Garbage Songs article published on Classic RockHistory.com© 2017

Classicrockhistory.com claims ownership of all its original content and Intellectual property under United States Copyright laws and those of all other foreign countries. No one person, business or any organizations is allowed to republish any of our original content anywhere on the web or in print without our permission. 

DMCA.com Protection Status

One Response

  1. Avatar Thomas December 19, 2020

Add Comment

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Classic Rock Christmas Songs
Our 10 Favorite Classic Rock Christmas Songs
A Thousand Horses Albums
Complete List Of A Thousand Horses Albums And Songs
Blackmore's Night Albums
Complete List Of Blackmore’s Night Albums And Discography
Jeff Buckley Songs
10 Essential Jeff Buckley Songs
Can Albums
Top 10 Can Albums
Kiss Bootlegs
KISSteria on Vinyl: Ten’ 70s-era Bootlegs for Records Collectors
10 Essential Metal Albums Released Between 1970 and 1995
10 Essential Metal Albums Released Between 1970 and 1995
The River Album Bruce Springsteen Should Have Released
The River Album Bruce Springsteen Should Have Released
Comic Con 2023
Comic Con 2023 Rocks New York City
The Misunderstanding Of The Way AI Was Used In Now And Then
The Misunderstanding Of The Way AI Was Used In Now And Then
Beatles Song Now And Then
Just Saying “New Beatles Song Released Today” Is Breathtaking
Pete Mancini and Rich Lanahan
Pete Mancini And Rich Lanahan Release Gene Clark’s Gypsy Rider
Liberty DeVitto: 10 Albums That Changed My Life
Liberty DeVitto: 10 Albums That Changed My Life
Rob De Luca of Spread Eagle, Sebastian Bach & UFO: 10 Albums That Changed My Life From humble East Coast origins to grandest stages worldwide, veteran bassist Rob De Luca has seen and done it all. De Luca first hit the local Boston rock and metal scene in the late 80s after meeting guitarist Paul DiBartolo, bonding over Van Halen before forming Bang. Regional success came quickly, but eventually, the members of Bang went their separate ways, with De Luca and drummer Tommi Gallo heading to NYC and hooking up with Ray West and, later, DiBartolo to form Spread Eagle. By 1990, Spread Eagle was on the fast track, with a contract through MCA Records and a self-titled debut album poised to crush skulls. But poor timing and MCA's sad indifference left Spead Eagle out in the cold despite being a hard-boiled answer to Guns N' Roses's West Coast sleaze. Spread Eagle's first chapter came to an end in '95. As for Rob De Luca, his nimble fingers and gift for melody and songwriting kept him moving forward. Soon, he found a gig with former Skid Row frontman Sebastian Bach and the legendary outfit UFO. And in 2010, after coupling up with Ray West and his cousin Rik De Luca, Spread Eagle retook flight. During a break from Spread Eagle's increasingly busy touring schedule, Rob De Luca dialed in with ClassicRockHistory.com to run through the ten albums that changed his life. But only after adding, "I made a playlist of these songs, including some I've written or co-written. Do you hear any of these albums' influence on me?" Listen here: https://open.spotify.com/playlist/3LWJuhDrE8JmzhsmTeIDUq 10) Gentlemen by Afghan Whigs (1993) Here's an entry that was so important to me. This may be the darkest break-up album of all time. Greg Dulli has been in many projects, but I feel Gentlemen is his zenith. Somewhat undefinable at times but always profound and honest. Listen to "Gentlemen," "Fountain and Fairfax," and "What Jail Is Like." 9) In on the Kill Taker by Fugazi (1993) By this time, I had been sucked in and spit out by the major-label record industry. Glam came and went; grunge was history, too. I was searching for new sounds. When I heard Fugazi's twin guitar approach, I knew this was what was missing. Fugazi may be considered a less polished sound than the albums above; however, once you "get it," it hits you like a ton of bricks, and there's no going back. From the moment I heard Fugazi, I went to every NYC show after. It's easily some of the best concerts of my life, and possibly my favorite bassist in Joe Lally. And their DIY ethics refused to charge us more than $5 a show! In on the Kill Taker is a powerful album demonstrated in songs such as "Smallpox Champion," "Great Cop," and "Public Witness Program." 8) Appetite for Destruction by Guns N' Roses (1987) I discovered many of these albums (sometimes long) after they were released. However, I was at the right place at the right time for this one. Steve Ostromogilsky had a Berklee College of Music lunch card and used to sneak out sandwiches for me. One day, he invited me to hang out at his place and listen to music. As we got off the train, he put Sony Walkman headphones on my ears and said, "Hey, check out this brand-new group." A song like "It's So Easy" was so different from the popular Sunset Strip sound at that time. Me and about 499 other informed rockers were lucky enough to see them on their first East Coast tour at the sold-out Paradise on Commonwealth Avenue, Boston (the same street Aerosmith started on). I saw Gn'R every tour after until I took a break when Buckethead joined. Gn'R is the band I've been lucky enough to see the most times live, almost 100! Everyone on this album is just stellar. Axl [Rose] had the tones, power, melodic sensibilities, and foresight to do what no other singer did then. Slash's playing was beyond memorable. Duff [McKagan] is one of the most underrated bassists in rock history, and learning his Appetite basslines is a masterclass. Steven [Adler] had the natural swing, and Izzy [Stradlin] was the secret weapon songwriter. Everything that's been heralded about this gem is deserved and true. Check out "It's So Easy," "Out Ta Get Me," and "Mr. Brownstone.' 7) Wish You Were Here by Pink Floyd (1975) Another contender for my favorite album and band of all time. Using The Beatles machine (same recording studio, engineer, record label), Pink Floyd made what I feel is their strongest, most cohesive album (my second favorite of theirs would be Animals). This list mainly consists of bands with an instantly recognizable sound. Floyd is certainly no exception to that! This album included a solid handful of undeniable rock radio classics, bookended by two halves of the mind-blowing song "Shine on You Crazy Diamond.' That song was written about former band member and founder Syd Barrett. It would be hard to live in a world without this album. Check out "Welcome to The Machine," "Shine on You Crazy Diamond (parts 6-9),' or even better yet, listen to the whole thing in one sitting! 6) Decade by Neil Young (1977) About this time, I started playing guitar. As a beginner, it was comfortable jamming to this album because the chord changes were simple—a great "first ten years" retrospective of Neil's stunning, unique songwriting. Neil is a treasure who always writes from the heart and stands up for what's right. Check out "Southern Man," "A Man Needs a Maid," "Down by The River," and "After the Goldrush." 5) Highway to Hell by AC/DC (1979) When I heard this album, I was firmly "me." My life would be 100% focused on hard rock music forever. AC/DC are like air; they're ubiquitous. Everyone knows them and their incredible songs. However, as a young teen in Wilmington, Delaware, I only had WMMR 93.3 FM Philadelphia and a few friends to inform me about the world of Rock outside my bedroom. AC/DC had not gone mainstream, and their albums were available primarily in the USA as imports. To put things more in perspective, I only knew two people in the world who had heard of AC/DC. A friend had an import that we played in Steve Buckley's basement, which sounded ripping. When Highway to Hell was released, WMMR started spinning the title track, and I immediately bought the album, listening to it every single day after school. Then WMMR announced AC/DC was coming to the Spectrum in Philly, supporting Ted Nugent! I liked Ted but loved AC/DC, so my good friend Mick Cummins and I bought tickets, and he drove us up to the Spectrum (where we saw most of our concerts). Bon Scott was in fine form, and the band went over great. Although the crowd knew Ted better, Angus [Young] wouldn't let anyone upstage him. I'll never forget it! Unfortunately, Bon would be gone in 6 months. Check out "Walk All Over You," "Touch Too Much," "Shot Down in Flames," and "If You Want Blood (You Got It)." 4) Toys in the Attic by Aerosmith (1975) By the time I heard this, I was now in my teens. I had a childhood friend up the street, Jim Linberg (we're still good buddies). His older sister had a great album collection, including Toys in The Attic. Once I heard that groove, my taste changed. I lost interest in rock music that didn't have some sort of "swing" feel to it. I think Rocks is a slightly better Aerosmith album (and possibly my favorite album of all time), but both are perfect or very close. Check out "Uncle Salty," "Adam's Apple," "No More No More," "Round and Round," and "You See Me Crying." 3) Alive! by Kiss (1975) When I was still a little kid, I asked for Cheech and Chong's Up in Smoke album for Christmas. The entire family came over for an enormous feast, and I dropped the needle. When my mother heard the content, she turned off the album and said I had to exchange it. My mom was cool, but I was young and knew much more about life than she suspected. Anyway, the next day, she drove me back to the store. In the music section, promoted on an "endcap" was a Kiss Alive! display. I had never heard of Kiss, but that cover picture told me I had to have it! My first foray into hard rock. Check out “Strutter.” I went through my Kiss phase very quickly, I believe in a matter of months because I discovered the previous entry, Aerosmith's Toys in the Attic. 2) Honky Chateau by Elton John (1972) When I was a wee lad, my parents bought a used Volkswagen camper van from my uncle Ozzie. My favorite Elton John album is Yellow Brick Road, but Honky Chateau is great and easily one of his best. It sent me down a lifelong rabbit hole of loving everything about the 1970s partnership between Elton and lyricist Bernie Taupin. The simple beauty of voice, the master songwriting, the perfect backing band, the clear, unobtrusive recordings, and always Bernie's incredible lyrics. The day this album was released, Elton became an unstoppable force that conquered the music industry. Check out "Mona Lisas and Mad Hatters" and "Rocket Man." 1) Sergeant Pepper's Lonely Hearts Club Band by The Beatles (1967) Another tape that was included in the VW Camper. The van had a bunch of music tapes, and one was Sgt Pepper. I was too young to understand the sophistication of the music, but that was one of the many skills of The Beatles. They attracted listeners at every level, even little kids. I still feel that immediate connection to Sgt Pepper; now, I hear so much more. It's an album that changed the world and the world of music. Check out "Lucy in The Sky with Diamonds," "A Day In The Life," and "Fixing a Hole."
Rob De Luca of Spread Eagle, Sebastian Bach & UFO: 10 Albums That Changed My Life
Jim Suhler Interview
Jim Suhler: The ClassicRockHistory.com Interview
Bryan Bassett of Foghat: 10 Albums That Changed My Life
Bryan Bassett of Foghat: 10 Albums That Changed My Life
The Raspberries Albums
Complete List Of The Raspberries Albums And Discography
Pixie Lott Albums
Complete List Of Pixie Lott Albums And Discography
Mick Ronson Albums
Complete List Of Mick Ronson Albums And Discography
Graham Nash Albums
Complete List Of Graham Nash Albums And Discography
Classic Rock Bands Still Together But Overdue For A New Album
Classic Rock Bands Still Together But Overdue For A New Album
When Glam Bands Went Grunge In The 1990s
When Glam Bands Went Grunge In The 1990s
25 Most Famous Female American Singers Now!
25 Most Famous Female American Singers Now!
The Grateful Dead's Keyboard Players
A Look Back At The Grateful Dead’s Keyboard Players
The Chick Corea Elektric Band The Future Is Now' Album Review
The Chick Corea Elektric Band ‘The Future Is Now’ Album Review
In Harmony albums
A Look Back At Both ‘In Harmony’ Rock Star Children’s Albums
John Miles Rebel Albums Review
John Miles ‘Rebel’ Album Review
Aimee Mann’s Solo Debut Album "Whatever."
30 Year Look Back At Aimee Mann’s Solo Debut Album ‘Whatever’