10 Best Songs With The Word 'Car' In The Title

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From the rumble of an engine to the open road stretching endlessly into the horizon, cars have long been an inseparable part of rock and roll’s DNA. The automobile represents freedom, rebellion, and adventure—themes that echo throughout the history of the genre. Whether they’re the backdrop for heartbreak, joyrides, or tales of youthful mischief, cars provide a perfect metaphor for the spirit of rock and roll. This list explores 10 unforgettable songs featuring the word “car” in the title, each revving up its own unique take on the power and allure of the automobile.

We begin with Primus and their quirky, bass-heavy anthem “Jerry Was a Race Car Driver,” a wild tale of high-speed chaos and misfortune that captures the band’s offbeat energy. “In My Car” by Joe Walsh brings his signature humor and rock sensibility to a track co-written with Ringo Starr, painting a picture of escapism on four wheels. The Beatles’ “Drive My Car” opens their Rubber Soul album with playful wordplay and infectious rhythms that make a starry-eyed chauffeur’s fantasy come alive. Jim Croce’s “Working at the Car Wash Blues” delivers a satirical twist, spinning the tale of a dreamer stuck in a mundane job with hopes for a brighter future.

Tom Petty and the Heartbreakers’ “Mary’s New Car” provides a breezy reflection on the excitement and envy sparked by a new set of wheels, backed by Petty’s signature jangling guitar riffs. Tracy Chapman’s “Fast Car” shifts gears with a poignant narrative of hope and struggle, using a car as a symbol of freedom and longing. Gary Numan’s “Cars” captures the futuristic, cold isolation of the automobile in a world dominated by technology, solidifying his legacy as a pioneer of electronic music. Bruce Springsteen’s “Stolen Car” delivers a haunting meditation on loss and alienation, where the stolen vehicle becomes a metaphor for an unraveling life.

Rod Stewart and Elton John’s “Let Me Be Your Car” takes a playful spin on the car metaphor, blending sultry innuendo with heartfelt yearning. Finally, Queen’s “I’m in Love with My Car” closes the list with Roger Taylor’s anthemic ode to the deep, almost absurd devotion one can feel for their vehicle, cementing the car’s place as an enduring muse in rock and roll.

# 10 – Jerry Was a Race Car Driver – Primus

Opening this list of songs with the word “car” in the title, “Jerry Was a Race Car Driver” by Primus exemplifies the band’s eclectic style, blending funk-infused basslines with an unconventional narrative approach. Released in 1991 as the first single from their breakthrough album Sailing the Seas of Cheese, the track cemented Primus as pioneers of alternative rock during the grunge-dominated era. Produced by the band and recorded at Fantasy Studios in Berkeley, California, the album captures the raw and quirky energy that defines Primus, with Les Claypool’s virtuosic bass playing and Tim “Herb” Alexander’s dynamic drumming at the forefront.

The song tells the tales of two distinct characters: Jerry, a reckless young race car driver whose drinking habits lead to his demise, and Captain Pierce, a retired fireman lamenting his forced departure from the job. With lyrics like “Jerry was a race car driver, he drove so goddamn fast,” Claypool paints a vivid yet sardonic picture of Jerry’s short-lived glory and untimely end. The use of dark humor and the contrast between the two figures give the song a narrative depth, while its frenzied tempo underscores the chaotic lives of its protagonists. The inclusion of a sample from The Texas Chainsaw Massacre 2 adds to the track’s offbeat charm.

“Jerry Was a Race Car Driver” achieved considerable success, reaching number 23 on the U.S. Alternative Songs chart and receiving heavy airplay. Its quirky yet aggressive sound has earned it a lasting legacy, finding new audiences through inclusion in video games like Tony Hawk’s Pro Skater and Rock Band 3. The track’s impact lies in its ability to capture life’s fleeting nature and absurdities through Primus’s unmistakably idiosyncratic lens, making it a fitting start to this list of “car” songs.

Read More: Top 10 Primus Songs

# 9 – In My Car – Joe Walsh

Joe Walsh’s “In My Car” is a unique collaboration that combines his signature wit and rock energy with an undeniable Beatles influence. Originally co-written with Ringo Starr, the song first appeared on Starr’s 1983 album Old Wave before Walsh revisited it for his 1987 album Got Any Gum?. Produced by Terry Manning, the album was recorded in Memphis, Tennessee, at Ardent Studios, with a lineup of seasoned musicians including Walsh on vocals and guitar, JD Souther providing additional vocals, and Jimi Jamison of Survivor fame contributing to the album’s vocal arrangements.

Lyrically, “In My Car” taps into the escapism that a vehicle represents, echoing themes of freedom and independence as Walsh declares, “Trouble it can’t find me when I’m in my car.” The upbeat rhythm and Walsh’s playful delivery make it a standout track on an album that leans heavily on his penchant for blending humor with relatable storytelling.

Read More: Top 10 Joe Walsh Songs

# 8 – Drive My Car – The Beatles

“Drive My Car” opens Rubber Soul (1965). Written primarily by Paul McCartney, with lyrical input from John Lennon, the track was recorded at Abbey Road Studios on October 13, 1965, under the guidance of producer George Martin. Featuring Paul McCartney on lead vocals and bass, John Lennon on rhythm guitar, George Harrison on lead guitar, and Ringo Starr on drums and cowbell.

The narrative of “Drive My Car” revolves around an ambitious woman who aspires to stardom, with the metaphor of driving a car cleverly representing fame and ambition. Its funk-inspired bassline and Harrison’s bluesy guitar riff add a fresh dynamism to the Beatles’ sound, hinting at the genre experimentation that would come to define their later work. The interplay between McCartney and Lennon’s vocals adds a lively, conversational feel, reinforcing the humor embedded in the lyrics, particularly in the twist where the protagonist discovers there is no car.

Commercially, “Drive My Car” cemented itself as a fan favorite. It stands out on Rubber Soul for its sharp wit and infectious rhythm, much like how “Jerry Was a Race Car Driver” by Primus, featured earlier in this list, relies on its quirky narrative and distinct bass-driven structure to captivate listeners.

# 7 – Working At The Car Wash Blues – Jim Croce

“Workin’ at the Car Wash Blues” by Jim Croce is a clever blend of humor, frustration, and socio-economic commentary, released posthumously in 1974 as the third single from his album I Got a Name. Recorded in late 1973 at The Hit Factory in New York City, and produced by Terry Cashman and Tommy West, the song features Croce’s signature storytelling style, blending folk, blues, and pop influences. It peaked at number 32 on the Billboard Hot 100, marking Croce’s final Top 40 hit.

The narrative follows a self-proclaimed genius who, after a stint in county prison, finds himself working at a car wash instead of the executive position he believes he deserves. The song is infused with dry wit, as the protagonist fantasizes about an air-conditioned office, martinis, and high-society life while lamenting his menial job. Croce’s lyrics, such as “I should be sittin’ in an air-conditioned office / Talkin’ some trash to the secretaries,” underscore the character’s inflated ego and misplaced aspirations, capturing the plight of unfulfilled ambition with a mix of humor and pathos.

Musically, the track’s upbeat, funky rhythm contrasts its downtrodden theme, echoing the satirical tone of the lyrics. Compared to other songs in this list, such as the Beatles’ “Drive My Car,” which uses car imagery to convey ambition and romantic interplay, “Workin’ at the Car Wash Blues” flips the narrative to portray a character stuck in the rut of unrealized dreams. Croce’s witty lyricism and timeless delivery make this song a poignant and relatable exploration of dashed hopes and the grind of working life.

Read More: Top 10 Jim Croce Songs

# 6 – Mary’s New Car – Tom Petty & The Heartbreakers

Released as a deep cut on the Southern Accents album in 1985, “Mary’s New Car” offers a breezy, upbeat moment in an otherwise introspective record. Written by Tom Petty and produced by the Heartbreakers alongside Dave Stewart, the song was recorded at Petty’s home studio in Los Angeles and the famed Sound City Studios in Van Nuys, California. The track features Petty’s distinctive vocals and sharp lyricism, with contributions from band members Mike Campbell on lead guitar, Benmont Tench on keyboards, Howie Epstein on bass, and Stan Lynch on drums.

Lyrically, the song captures the joy and excitement surrounding Mary, a character who finally buys the car she’s been saving for. Petty’s playful delivery of lines like “Mary got the one she was savin’ for / Now everyone here is so charged” evokes a sense of freedom and youthful rebellion. The chorus, with its repeated “Can we ride? Mary, can we ride?” becomes a chant of escapism and camaraderie, celebrating the car as a symbol of independence and adventure. Although “Mary’s New Car” never gained the commercial traction of hits like “Don’t Come Around Here No More” from the same album, its charm lies in its simplicity.

# 5 – Fast Car – Tracy Chapman

“Fast Car” by Tracy Chapman is an enduring classic that combines intimate storytelling with social commentary, making it one of the most poignant tracks of the late 1980s. Released as the lead single from her self-titled debut album in 1988, the song was recorded at Powertrax Studios in Hollywood, California, with production by David Kershenbaum. Featuring Chapman on acoustic guitar and vocals, it is supported by a subtle yet evocative arrangement that highlights her raw, emotional delivery.

The lyrics detail a conversation between two characters, with Chapman narrating from the perspective of someone seeking escape from generational poverty and hardship. Lines like “You got a fast car / Is it fast enough so we can fly away?” encapsulate the dream of mobility and opportunity, while “Leave tonight or live and die this way” underscores the weight of desperation and hope. The song’s bridge, where the narrator reflects on achieving the dream only to find herself still struggling, brings a profound sense of realism to the narrative.

Upon its release, “Fast Car” peaked at No. 6 on the Billboard Hot 100 and won the Grammy for Best Female Pop Vocal Performance. Its success established Chapman as a breakout artist and remains a cultural touchstone, often cited for its powerful commentary on socio-economic struggles. The song’s quiet intensity and universal themes resonate across decades, making it a fitting choice for this list, where mobility, freedom, and the symbolism of a car are explored.

Read More: Top 10 Tracy Chapman Songs

# 4 – Cars – Gary Numan

“Cars” by Gary Numan is a groundbreaking track that helped define the synth-pop genre and introduced a futuristic soundscape to mainstream music. Released in 1979 as the lead single from his debut solo album, The Pleasure Principle, the song was recorded at Marcus Music AB in London and produced by Numan himself. The track features Numan on synthesizers and vocals, with Cedric Sharpley on drums, Paul Gardiner on bass guitar, and Chris Payne on additional keyboards. Its distinctive use of Moog synthesizers and minimal guitar elements created a stark, mechanical sound that became Numan’s signature.

Lyrically, “Cars” explores themes of isolation and security, using the car as a metaphor for self-protection in an increasingly disconnected world. The repeated refrain, “Here in my car / I feel safest of all”, reflects the tension between personal freedom and emotional detachment. The song’s robotic delivery and repetitive structure enhance its commentary on technology’s role in modern alienation.

Upon its release, “Cars” reached No. 1 on the UK Singles Chart and peaked at No. 9 on the Billboard Hot 100 in the United States, becoming Numan’s biggest hit. It was pivotal in introducing electronic music to a broader audience, influencing countless artists in the decades that followed. As a song that intertwines the personal and the technological, “Cars” stands as a bold and innovative statement

Read More: Gary Numan Songs Ranked

# 3 – Stolen Car – Bruce Springsteen

“Stolen Car” is a haunting and introspective track by Bruce Springsteen, featured on his 1980 double album The River. Recorded at The Power Station in New York City during Springsteen’s prolific sessions for the album, the song was produced by Springsteen, Jon Landau, and Steven Van Zandt.

Lyrically, “Stolen Car” tells the story of a man grappling with the disintegration of his marriage and his own identity. The stolen car serves as a metaphor for his emotional detachment and a desperate attempt to escape his feelings of emptiness. Lines such as “And I’m driving a stolen car / On a pitch-black night” emphasize the character’s aimless wandering and longing for meaning. The song’s sparse arrangement—centered on a mournful piano and subdued instrumentation—mirrors its themes of loneliness and vulnerability.

# 2 – Let Me Be Your Car – Rod Stewart & Elton John

“Let Me Be Your Car” is a lively and blues-infused track featuring Rod Stewart on lead vocals and Elton John on piano and backing vocals. The song appears on Stewart’s 1974 album Smiler and highlights a dynamic collaboration between two of rock’s most iconic voices. Written by Elton John and Bernie Taupin, this track combines the songwriting brilliance of John and Taupin with Stewart’s raspy, charismatic delivery.

Recorded at London’s Morgan Studios, the song captures a raw and spontaneous energy. Elton John’s piano work provides a rollicking backbone to the song, while Stewart’s passionate vocals bring a playful, flirtatious tone to lyrics like, “Let me be your car for a while / Let me take you out on a ride.” The metaphor of a car as a vehicle for love and adventure adds a cheeky twist to the song’s theme, making it stand out as both fun and unconventional.

Though not released as a single, “Let Me Be Your Car” is a fan favorite among deep cuts in Stewart’s catalog. Its bluesy vibe and energetic delivery are reminiscent of Stewart’s earlier work with the Faces, while Elton John’s distinctive touch lends it a unique flavor. Compared to other songs on this list, it leans heavily on its humor and charm, offering a lighthearted take on the symbolic role of cars in storytelling. This collaboration between two rock legends adds a touch of camaraderie to this list of standout tracks.

# 1 – I’m In Love With My Car – Queen

Closing this list is “I’m in Love with My Car,” an unforgettable anthem to automotive passion by Queen. Written by drummer Roger Taylor and featured on their iconic 1975 album A Night at the Opera, the song stands out for its unique subject matter and Taylor’s distinct lead vocals. Inspired by Queen roadie Jonathan Harris, who had an obsessive love for his Triumph car, the song humorously yet earnestly captures the intensity of this unconventional romance.

Recorded at multiple locations, including Sarm, Rockfield, and Roundhouse Studios, the track showcases Queen’s signature flair for blending genres and styles. Taylor’s impassioned vocals are accompanied by a roaring instrumental backdrop, featuring Brian May’s searing guitar riffs and a rhythm section that evokes the power and velocity of a high-speed drive. The lyrics, with lines like, “Told my girl I’d have to forget her / Rather buy me a new carburetor,” mix wit with sincerity, creating a perfect ode to the joys of being behind the wheel.

While never a charting hit, “I’m in Love with My Car” gained cult status among Queen fans and was even the B-side to the band’s legendary single “Bohemian Rhapsody.” Its irreverent charm and Taylor’s raw vocal delivery make it a fitting closer for this list. This song reminds us that rock ‘n’ roll’s love affair with cars isn’t just about speed or freedom—it’s about the deeper connection between man and machine, making it a perfectly symbolic end to an article celebrating these automotive-themed classics.

Read More: Top 10 Roger Taylor Queen Songs