10 Great Rock Songs That Use Weather As A Metaphor

From Tom Waits’ gritty and surreal “Emotional Weather Report” to Bob Seger’s introspective “Against the Wind,” the list opens with a series of songs that portray weather as a force of nature symbolizing the challenges, obstacles, and emotional storms that people face in life. Eurythmics’ “Here Comes the Rain Again” and Peter Gabriel’s “Here Comes the Flood” similarly use rain and floods as metaphors for overwhelming emotional experiences. These tracks show how weather can be a stand-in for sadness, loss, and confusion—feelings as inescapable and powerful as a storm.

However, as the list progresses, the mood begins to shift. Songs like U2’s “Beautiful Day” and The Rascals’ “A Beautiful Morning” bring a sense of optimism, signaling that after the storm, the clouds do part, and life moves forward. These closing songs suggest that, just like weather, emotions can change and brighten, offering a new beginning. By including a wide range of artists—spanning Jackson Browne’s soft rock to the poetic depth of Fleetwood Mac—this list captures the full emotional spectrum, reflecting how weather has become one of music’s most universal metaphors. It’s an emotional roller coaster, just like the unpredictable weather, ultimately ending on a high note with the promise of sunny skies ahead.

# 10 – Here Comes The Rain Again – Eurythmics

“Here Comes the Rain Again” by Eurythmics is a masterful blend of emotional turmoil and atmospheric music, using rain as both a literal and metaphorical representation of heartbreak and longing. Released on January 13, 1984, as the third single from their third studio album Touch, the track showcases the songwriting talents of Annie Lennox and David A. Stewart, who also produced the song. Here Comes the Rain Again became an international hit, reaching number four on the Billboard Hot 100 in the U.S. and number eight on the UK Singles Chart, marking Eurythmics’ second top 10 U.S. hit. The song’s fusion of electronic beats, sweeping orchestral arrangements, and Lennox’s powerful vocals contributed to its chart success and cemented its place as one of the band’s most iconic songs.

The song was recorded in 1983 at The Church Studios in London. Lennox’s emotive vocal performance is layered over a lush arrangement of synthesizers and strings, the latter arranged by renowned composer Michael Kamen. The orchestral elements in the song, combined with Stewart’s electronic production, create an ethereal atmosphere that mirrors the emotional intensity of the lyrics. In lines such as “Here comes the rain again, falling on my head like a memory” and “I want to dive into your ocean, is it raining with you?” Lennox poetically conveys the sensation of being overwhelmed by emotion, drawing a parallel between the persistent rain and unshakable sadness. The song brilliantly explores the feeling of yearning for connection, as depicted in the repeated plea, “Talk to me, like lovers do,” which contrasts with the sense of emotional isolation the protagonist faces.

The success of “Here Comes the Rain Again” further solidified Eurythmics’ presence in the international music scene. The song was part of Touch, an album that became a cornerstone of the synth-pop genre and helped the band achieve widespread acclaim. The use of weather as a metaphor for emotional states is central to the song’s power, particularly in lyrics like “Falling on my head like a new emotion,” which reflects the unpredictability of feelings that come in waves, much like the rain itself. The song was lauded for its production and emotional depth, with Lennox’s vocal performance heightening the sense of longing and desperation. It became a staple in the duo’s live performances and a favorite among fans, earning its place as one of the standout tracks of the early 1980s.

In terms of commercial performance, “Here Comes the Rain Again” performed exceptionally well in multiple countries. Its success in the U.S. and UK charts, combined with its impact on the European Top 100 Albums chart (peaking at number 29), demonstrated the band’s global appeal. Lennox and Stewart crafted a song that not only became a commercial hit but also one that resonates deeply with listeners due to its emotional complexity. The metaphor of rain as a reflection of inner turmoil connects universally, adding to the song’s timeless appeal.

Read More: Top 10 Eurythmics Songs

# 9 – Here Comes the Flood – Peter Gabriel

Peter Gabriel’s “Here Comes the Flood,” from his debut solo album Peter Gabriel (often referred to as Car due to the album cover) released in 1977, is a powerful and evocative track that mixes literal and metaphorical depictions of a flood. Written shortly after Gabriel’s departure from Genesis in 1975, the song touches on themes of human consciousness, collective telepathy, and societal collapse, all tied together with the potent imagery of a great flood. Recorded with producer Bob Ezrin, who was impressed with the song upon hearing its demo, Gabriel worked alongside musicians such as Tony Levin (bass), Larry Fast (synthesizer), and Robert Fripp (guitar), giving the song a lush, orchestral arrangement that would later be reinterpreted in more stripped-down versions during his live performances.

Recording sessions for Peter Gabriel (Car) took place at The Soundstage in Toronto and Morgan Studios in London, and Gabriel collaborated with Ezrin to craft the layered, sweeping production that defined the album’s sound. However, Gabriel has expressed dissatisfaction with the song’s initial grandiose arrangement, saying in later interviews that he preferred more minimalist renditions that he would perform on tours. In fact, re-recordings of “Here Comes the Flood” feature a simpler piano-driven style, notably on Robert Fripp’s Exposure (1979) and Gabriel’s own compilation album Shaking the Tree (1990).

The lyrics of “Here Comes the Flood” blend vivid apocalyptic imagery with reflections on the human condition. The lines “Lord, here comes the flood / We’ll say goodbye to flesh and blood” invoke a powerful vision of destruction and renewal, using the flood metaphor as both a literal event and as a metaphor for overwhelming psychic and emotional forces. Gabriel’s fascination with the erosion of psychic barriers, as mentioned in interviews, ties directly into the idea of the flood representing a mental deluge, where individual thoughts and emotions are no longer private but instead become part of a collective consciousness. This metaphorical “weather” suggests a psychological storm more than a physical one, making the song an ideal addition to a list of songs that explore the intersection of weather and human experience.

Chart success for “Here Comes the Flood” was not as pronounced as some of Gabriel’s later works, but it has gained a reputation as a fan favorite and a centerpiece in his live performances. Unlike other songs about the weather that focus on natural phenomena, such as “Here Comes the Rain Again” by Eurythmics, Gabriel’s track focuses on a flood of emotions, dreams, and psychic energy. It stands as a bold and haunting song on an album that helped establish Gabriel as a solo artist, free from the confines of his former role in Genesis.

Read More: Top 10 Peter Gabriel Songs

# 8 – Against The Wind – Bob Seger

Bob Seger’s “Against the Wind” is one of the most poignant songs in his catalog, known for its introspective and nostalgic themes. Released as the second single from his 1980 album Against the Wind, this mid-tempo soft rock ballad became an instant classic. The song, which features Seger’s Silver Bullet Band and harmonies by Eagles’ Glenn Frey, reflects on life’s journey, aging, and the passage of time. Its use of wind as a metaphor is central to its meaning, representing the resistance and obstacles faced in life. Seger wrote the song drawing from personal experiences, particularly his days as a cross-country runner, where running against the wind became symbolic of overcoming life’s challenges and growing older.

Recorded at Criteria Studios in Miami with producer Bill Szymczyk, “Against the Wind” exemplifies Seger’s craftsmanship as a songwriter. The song’s piano-driven arrangement and Glenn Frey’s backing vocals give it an emotive, wistful quality, resonating with listeners of all ages. Lyrically, Seger reflects on youthful exuberance, love, and eventual disillusionment as he recounts memories of his past. The metaphor of running against the wind symbolizes not only youthful rebellion but also the inevitability of growing up and confronting life’s challenges. The song’s reflective tone is reinforced in lines like “I wish I didn’t know now what I didn’t know then,” encapsulating the bittersweet realization that comes with maturity.

“Against the Wind” became one of Seger’s most successful singles, peaking at number five on the Billboard Hot 100. It was also a hit in Canada, Australia, and Belgium. Critical reception to the song was overwhelmingly positive, with many praising Seger’s ability to capture universal themes of nostalgia and resilience. The song has had a lasting impact on listeners and musicians alike, with notable covers by country artists such as Garth Brooks and Brooks & Dunn. Like other songs on this list, “Against the Wind” uses weather metaphorically to represent inner emotional struggles, comparing favorably with tracks like “Here Comes the Rain Again” by Eurythmics, which also uses weather to illustrate deeper emotional currents.

Read More: Top 20 Bob Seger Songs

# 7 – After The Flood – Lone Justice

“After the Flood,” written by Maria McKee and performed by Lone Justice, is a heartfelt narrative about resilience and rebuilding after a natural disaster. Featured on the band’s self-titled debut album Lone Justice, which was released in April 1985, the song uses the aftermath of a flood as both a literal and metaphorical backdrop for themes of loss and determination. McKee’s evocative lyrics convey a deep sense of connection to the land and the emotional toll of watching everything be swept away, yet the song also emphasizes the resolve to persevere and rebuild. Musically, it carries a strong roots rock influence, driven by McKee’s impassioned vocals and the band’s steady, earthy instrumentation. The album was produced by Jimmy Iovine and recorded in Los Angeles, with Lone Justice at the height of their creative powers.

The song’s vivid imagery of devastation—”Years of hard work and memories / Are floatin’ down big river on their way out to sea”—underscores the emotional weight of loss, but the recurring refrain, “Life goes on after the flood,” speaks to the human capacity for survival. The flood becomes a metaphor for any overwhelming challenge, whether personal or environmental, and the lyrics paint a picture of endurance in the face of disaster. As the protagonist shovels through the mud and slush, they express a steadfast determination to reclaim what was lost, stating, “I’d rather be shovelin’ / Through the slush and mud / Than to leave my home where I grew up.” The song stands out not only for its lyrical depth but also for McKee’s ability to blend personal and universal emotions.

Lone Justice peaked at number 56 on the Billboard 200, with “After the Flood” contributing to the album’s critical acclaim. The album’s mixture of rock, country, and roots music established the band as a unique force in the mid-1980s rock scene. McKee’s songwriting and vocal performance drew comparisons to iconic artists like Bruce Springsteen, who similarly explored themes of perseverance and struggle in songs like “Against the Wind” by Bob Seger. However, “After the Flood” offers a distinctly personal take on loss and recovery, with McKee’s storytelling reflecting the resilience of rural communities facing natural disasters. As a song about weather, both literally and metaphorically, “After the Flood” fits well within the framework of this list, blending natural forces with human emotion in a powerful way.

Read More: 11 Best Lone Justice Songs

# 6 – Riders On The Storm – The Doors

“Riders on the Storm,” by The Doors, is a haunting and atmospheric track that blends elements of psychedelic rock, jazz, and art rock. Released in June 1971, it became the second single from the band’s L.A. Woman album, which was also the last studio album Jim Morrison worked on before his sudden death in Paris on July 3, 1971. The song peaked at number 14 on the U.S. Billboard Hot 100 and became a lasting symbol of the band’s darker, more introspective side. With its eerie rain sound effects and ominous lyrics, “Riders on the Storm” is a literal and metaphorical take on weather, where the storm serves as both an external force of nature and an inner emotional tempest.

The track was recorded in December 1970 at the Doors Workshop in Los Angeles, with production helmed by longtime engineer Bruce Botnick after Paul A. Rothchild, the band’s previous producer, departed from the L.A. Woman sessions. One of the defining moments in the recording is Jim Morrison’s whispered vocal overdubs, which add an unsettling echo effect to the already brooding atmosphere. The song’s iconic keyboard riff, played by Ray Manzarek, evokes the feel of cascading rain, while Robbie Krieger’s guitar lines add a sense of menace that complements the lyrics’ themes of danger and existential angst. Drummer John Densmore’s subtle rhythms and jazzy improvisations tie the song together, making it a sonic storm that builds and dissipates, much like the literal one it depicts.

Lyrically, “Riders on the Storm” refers to both external and internal conflicts, with lines like “There’s a killer on the road” hinting at violence and isolation. Morrison draws inspiration from a variety of sources, including the Western song “(Ghost) Riders in the Sky,” as well as the real-life story of hitchhiker Billy “Cockeyed” Cook, a notorious killer whose crimes were immortalized in the 1953 film The Hitch-Hiker. The song also explores Morrison’s personal struggles, with lines like “Girl, you gotta love your man,” serving as a plea for connection amidst chaos. The storm, in this sense, is not just about weather; it’s also a metaphor for life’s unpredictable, often uncontrollable forces.

Charting in several countries, “Riders on the Storm” became one of The Doors’ most iconic songs. Its fusion of literal weather elements with metaphoric explorations of human existence sets it apart as one of rock’s most profound weather-related songs. The song’s fusion of jazz improvisation, rock, and Morrison’s poetic lyrics makes it not only a standout in the band’s catalog but also a timeless piece that continues to resonate with listeners.

Read More: The Doors Most Underrated Songs

# 5 –  Fleetwood Mac – Storms

“Storms” by Fleetwood Mac is a haunting track from their 1979 album Tusk. Written and sung by Stevie Nicks, the song reflects on the emotional turbulence of a failed relationship, specifically her affair with Fleetwood Mac’s drummer Mick Fleetwood. Tusk was Fleetwood Mac’s follow-up to the massively successful Rumours and was a double album produced under considerable pressure. Released on October 12, 1979, Tusk was recorded at The Village Recorder in Los Angeles, with the band experimenting more with production and arrangements. While Tusk peaked at number 4 on the Billboard 200 and achieved platinum status in multiple countries, “Storms” was never released as a single and therefore did not chart individually.

The song, like much of Tusk, took on a more experimental approach compared to the pop leanings of Rumours. While not a chart-topping hit, the song’s placement on both the US 2002 and UK 2009 editions of The Very Best of Fleetwood Mac reflects its significance in the band’s catalog. “Storms” showcases Nicks’ ability to intertwine personal turmoil with rich, poetic imagery, creating a deep emotional connection with listeners.

The song’s opening lines, “Every night that goes between / I feel a little less / As you slowly go away from me / This is only another test,” convey a gradual distancing in the relationship. Nicks seems to be coming to terms with the fading connection, but the storm—both literal and emotional—continues to loom. The recurring refrain of her being “a storm” contrasts with her desire to leave something warm and comforting behind, which emphasizes the duality of her character. As she reflects, “I have always been a storm,” the song’s metaphor becomes clear: the storm is not an external force but Nicks herself, admitting her own role in the emotional upheaval.

The line “Never have I been a blue calm sea / I have always been a storm” is central to understanding the metaphor in “Storms.” Nicks describes herself as the source of the chaos, as opposed to the soothing, peaceful “calm sea” that others might have wanted her to be. By accepting this truth, Nicks reveals her inner conflict: despite wanting to be a source of peace, her emotions have always been tumultuous. In comparison to other songs in this article, such as Bob Seger’s “Against the Wind,” which uses the wind as a metaphor for external pressures and struggles, “Storms” is more introspective. Here, the storm represents the singer’s own emotional intensity and inability to provide stability. This lyrical depth adds to the song’s haunting beauty, making it one of Fleetwood Mac’s most emotionally charged tracks.

In comparison to other songs in this list of weather-themed tracks, such as Bob Seger’s “Against the Wind,” which represents the challenge of external forces, “Storms” explores inner emotional storms. Nicks’ repeated refrain, “I have always been a storm,” is a raw admission of her own nature, a central theme of the song. It stands as one of Fleetwood Mac’s most powerful ballads, showcasing the profound emotional intensity and vulnerability that Nicks brings to the band’s catalog.

# 4 – Emotional Weather Report – Tom Waits

“Emotional Weather Report” by Tom Waits, from his 1975 album Nighthawks at the Diner, is a unique track that uses weather as a metaphor for emotional turmoil. The song was recorded live over several sessions in front of a small audience at Record Plant Studio in Los Angeles, with the intention of capturing a jazz club atmosphere. Produced by Bones Howe, Nighthawks at the Diner blends jazz, blues, and beat poetry, a perfect setting for Waits’ gravelly voice and narrative-driven lyricism. The album peaked at number 164 on the Billboard 200 and, despite modest chart success at the time, has been highly praised for its atmospheric storytelling and mood-setting. It later earned a silver certification from the BPI in 2010, reflecting its continued influence and popularity.

In “Emotional Weather Report,” Waits skillfully uses weather as a metaphor to describe his mental and emotional state. The song reads like a traditional weather forecast, but instead of predicting actual weather patterns, it details the storm brewing in his heart and mind. The lyrics describe conditions like “gusty winds” and “tornado watches” inside his apartment, equating emotional instability to an approaching storm. The use of imagery like “thunderstorms developing in the early morning ahead of a slow-moving cold front” highlights how his emotions are on the verge of breaking, driven by feelings of loneliness and loss. As he reflects on a failed relationship, the metaphorical cold front extends to his “mental health” and “ability to deal rationally.”

Musically, “Emotional Weather Report” follows the jazzy, laid-back style of Nighthawks at the Diner, featuring Waits’ signature piano playing alongside upright bass and light percussion. This provides the perfect backdrop for Waits’ spoken-word performance, filled with irony and dark humor. While the song might not have charted on its own, its strength lies in its creativity and the vividness of its imagery, earning its place as one of the standout tracks from the album. In comparison to other songs on this list, like “Here Comes the Rain Again” by Eurythmics, which uses rain as a metaphor for heartbreak, Waits’ approach is more abstract and poetic, focusing on the unpredictable nature of human emotions and their parallels to weather systems.

The line “flash flood watches covered the southern portion of my disposition” demonstrates how deeply Waits intertwines weather phenomena with his emotional landscape. The song stands as a lyrical tour de force in which Waits captures the essence of inner turmoil through the lens of meteorological chaos. Like a weather report gone awry, “Emotional Weather Report” takes listeners on a journey through the unpredictable highs and lows of the heart, cementing Tom Waits’ place as a master storyteller and poet of emotional fragility.

Read More: The Heroines In Tom Waits Songs

# 3 – Beautiful Day – U2

“Beautiful Day” by U2, released as the lead single from their 2000 album All That You Can’t Leave Behind, is a song that uses metaphorical references to weather and nature to convey themes of hope, renewal, and optimism despite adversity. Recorded at Hanover Quay Studios in Dublin and released on October 9, 2000, the song marked a return to a more classic U2 sound after the experimental albums Zooropa and Pop. Produced by Brian Eno and Daniel Lanois, “Beautiful Day” became one of U2’s most iconic hits, reaching number one in several countries, including the UK, Ireland, and Australia, and peaking at number 21 on the Billboard Hot 100 in the US. The song helped propel All That You Can’t Leave Behind to multi-platinum success and reestablished U2 as one of the most influential rock bands in the world.

The lyrics of “Beautiful Day” use vivid imagery of nature and weather to symbolize emotional and spiritual renewal. The line “The heart is a bloom / Shoots up through the stony ground” represents resilience and the ability to find beauty even in difficult circumstances. The recurring phrase “It’s a beautiful day” serves as a metaphor for optimism and seeing beyond current struggles. The weather in the song isn’t literal but metaphorical—sky, rain, and mud represent challenges and obstacles, while the sun and the “beautiful day” signify hope, transformation, and redemption. Bono’s delivery of the lyrics is uplifting, encouraging listeners to embrace life’s beauty, even in times of uncertainty.

The song’s chorus, “It’s a beautiful day / Don’t let it get away,” encourages people to appreciate the beauty of life, no matter the hardships they face. As the song progresses, Bono sings about seeing the world in “green and blue” and witnessing natural phenomena like “the canyons broken by cloud” and “the oil fields at first light.” These images reflect the vastness and wonder of the world, reminding listeners of the bigger picture and the potential for beauty and recovery after a metaphorical “flood.” This lyrical exploration of nature and weather offers a message of hope and renewal, similar to themes seen in other songs that use weather metaphorically, such as “Here Comes the Rain Again” by Eurythmics, where rain symbolizes emotional vulnerability.

Musically, “Beautiful Day” features soaring guitar lines from The Edge, accompanied by Adam Clayton’s solid bass work and Larry Mullen Jr.’s driving percussion. The production by Eno and Lanois gives the track a lush, atmospheric quality, adding depth to the song’s hopeful message. The song’s uplifting mood is heightened by its infectious melody and anthemic chorus, making it a fitting soundtrack for both personal reflection and large-scale celebration. “Beautiful Day” went on to win three Grammy Awards in 2001, including Song of the Year, Best Rock Performance by a Duo or Group with Vocal, and Record of the Year, solidifying its place as one of U2’s most celebrated and enduring tracks.

Read More: Complete List Of U2 Albums And Discography

# 2 –  You Love the Thunder – Jackson Browne

“You Love the Thunder” by Jackson Browne, from his 1977 Running on Empty album, is a track that skillfully blends literal and metaphorical references to weather with the emotional complexities of relationships. The song, recorded live at the Garden State Arts Center in Holmdel, New Jersey, on September 6, 1977, explores themes of love, self-discovery, and the turbulent nature of human connection. Released as a single in early 1978, it reached #109 on the Billboard Bubbling Under Hot 100 Singles chart, though it found more success on Album-Oriented Rock radio stations. Produced by Jackson Browne, the song aligns with the overarching theme of the Running on Empty album, which deals with life on the road and the struggles of a musician’s lifestyle.

The lyrics in “You Love the Thunder” use stormy weather as a metaphor for the emotional intensity of a relationship. The chorus emphasizes this, with lines like “You love the thunder, and you love the rain” suggesting that the woman in the song is drawn to the unpredictable, stormy side of her partner. Much like a storm, the relationship is fraught with moments of turbulence, yet it is these very moments that reveal deeper truths about both individuals. The metaphor of weather continues with references to lightning and surrender, symbolizing the fleeting moments of clarity that arise amid emotional storms. Browne’s lyrics also touch on the idea of confronting the “dark side of the man” before the storm passes, offering a moment of reflection and understanding.

Musically, “You Love the Thunder” is a blend of rock with soft, introspective elements. The live recording gives the track an immediacy and rawness, further amplifying its themes of vulnerability and intensity. The song’s composition, featuring Browne’s emotive vocals and the band’s supportive instrumentation, reflects the emotional push and pull of the lyrics. The piano and guitar work, staples of Browne’s sound, complement the stormy imagery, providing both the soft patter of rain and the crash of thunder through dynamic shifts in volume and intensity. The track follows a similar mood as other weather-related songs in this article, like Fleetwood Mac’s “Storms,” where the metaphorical weather represents inner emotional turmoil rather than literal weather patterns.

“You Love the Thunder” may not have charted as highly as other singles from Running on Empty, but it stands out for its lyrical depth and the powerful imagery of weather as a metaphor for love’s challenges. It captures the essence of the emotional journey, much like the weather, where intense moments come and go, leaving behind a sense of reflection and growth. This song, with its mix of literal and metaphorical storms, adds an important layer to any discussion about rock songs that explore the emotional landscape through the lens of nature’s forces.

Read More: Top 10 Jackson Browne Songs

# 1 – A Beautiful Morning – The Young Rascals

As the closing song on this list of 10 Best Rock Songs About the Weather, “A Beautiful Morning” by the Rascals brings a sense of hope and positivity, fittingly capturing the carefree optimism that accompanies a beautiful day. Written by Felix Cavaliere and Eddie Brigati and released in early 1968, this song exemplifies the sunny, upbeat vibe that became a signature sound for the Rascals following their previous hit, “Groovin’.” Recorded in Honolulu, Hawaii, during a performance invitation, the song expresses the joy of a perfect morning with fresh air and sunlight—a literal interpretation of weather shaping mood and experience. The song’s themes of freedom and starting anew align with its bright, breezy composition.

Musically, “A Beautiful Morning” is a smooth blend of rock and soul, with the group’s harmonies and Cavaliere’s signature vocals creating an uplifting atmosphere. The track stands out not only for its joyful lyrics but also for being one of the earliest singles to be released in stereo, a technical leap that, along with songs like the Doors’ “Hello, I Love You,” helped shift the industry standard from mono to stereo recordings. The song was a major success in the U.S., reaching number 3 on the Billboard Hot 100 chart and crossing over onto the Hot Rhythm & Blues Singles chart, peaking at number 36. Certified as a Million Seller by the RIAA, “A Beautiful Morning” became one of the band’s defining tracks and was later featured on their Time Peace: The Rascals’ Greatest Hits album.

Lyrically, “A Beautiful Morning” paints a vivid picture of a world renewed with nature, as the protagonist relishes the sunshine, birds, and blooming flowers. The line “Ain’t no sense in stayin’ inside” encourages the listener to embrace the outdoors and find joy in the simple beauty of the day. The song metaphorically embodies the idea that life’s challenges can be forgotten—at least for a moment—when you step outside to soak in the beauty that surrounds you. The comparison to other songs on this list, like “Here Comes the Rain Again” by Eurythmics, shows the contrasting ways weather is used to symbolize emotion—where “Here Comes the Rain Again” evokes emotional introspection, “A Beautiful Morning” offers hope and new beginnings.

As the final entry in this list, “A Beautiful Morning” serves as a fitting conclusion, leaving listeners with a sense of optimism and renewal. Its literal interpretation of weather as a source of joy and freedom contrasts with the metaphorical use of storms, floods, and rain found in other songs on the list, reinforcing that while weather can be turbulent, it can also signal a fresh start.

Read More: Top 10 Young Rascals Songs

 

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