After forming in 2006, The Gaslight Anthem spent time honing their musicianship and defining their sound. Their first release, Sink or Swim (2007), through XOXO Records, marked their entry into the rock scene. While the album did not bring immediate mainstream success, it earned critical acclaim in independent music circles, garnering attention from a dedicated fanbase. Despite not charting, Sink or Swim featured standout tracks like “Drive,” which helped solidify the band’s growing popularity in their home state of New Jersey.
In 2008, the band’s sophomore album, The ’59 Sound, released through SideOneDummy Records, catapulted them into the mainstream. The label, known for hosting artists like Chris Farren and Kill Your Idols, helped The ’59 Sound gain traction. The album’s commercial breakthrough was boosted significantly by guest appearances from Bruce Springsteen, which doubled its sales and led to a Gold certification in the UK. Peaking at number 70 on the Billboard 200 and rising to number 55 on the UK Albums Chart, The ’59 Sound cemented The Gaslight Anthem’s place in rock music. Tracks like “Great Expectations,” “Old White Lincoln,” and the title track, “The ’59 Sound,” remain among the band’s most celebrated songs.
After the success of The ’59 Sound, The Gaslight Anthem quickly returned to the studio to work on their third album. In 2010, they released American Slang, which topped the Irish Independent Albums chart and reached number 16 on the Billboard 200. The album also performed well in the UK, peaking at number 18. Standout tracks like “Bring It On” and “American Slang” became some of the band’s most recognizable hits. Although American Slang was a chart success, it didn’t achieve the same commercial impact as The ’59 Sound, earning only a Silver certification in the UK. This album marked the band’s final release with SideOneDummy Records.
In 2012, The Gaslight Anthem released their fourth studio album, Handwritten, under Mercury Records, a label known for iconic artists such as Bon Jovi, Johnny Cash, and Metallica. Handwritten proved to be their most successful release, peaking at number three on the Billboard 200 and number two on the UK Albums chart. The album’s production, led by Brendan O’Brien—who has worked with legends like Bruce Springsteen, Soundgarden, AC/DC, Rage Against the Machine, and Bob Dylan—helped showcase the band’s musicianship. Tracks like “Here Comes My Man,” “Handwritten,” and “45” are standout hits from the album, which achieved Silver certification in the UK.
In 2014, the band followed up with their fifth studio album, Get Hurt, produced by Mike Crossey, who had previously worked with artists like Twenty One Pilots and Wolf Alice. Get Hurt performed well on the charts, peaking at number four in both the UK and the U.S. Notable tracks from the album include “Stay Vicious,” “Get Hurt,” and “Rollin’ and Tumblin’.” Despite chart success, Get Hurt didn’t achieve the same sales as the band’s previous albums. The Gaslight Anthem went on hiatus in 2015, but in 2022, they reunited, much to the delight of their fans.
The Gaslight Anthem’s Other Musical Pursuits
Following the band’s hiatus, lead vocalist Brian Fallon launched his solo career in 2016, releasing four studio albums and one EP. Three of Fallon’s solo albums have charted on the Billboard 200, showcasing his ongoing appeal. In 2011, Fallon also collaborated with The Gaslight Anthem’s touring guitarist, Ian Perkins, to form the rock duo The Horrible Crowes. Their only album, Elsie, released in 2011, reached number 48 on the Billboard 200.
In addition to their original songs, The Gaslight Anthem has also covered notable tracks by artists like Tom Petty and the Heartbreakers, The Rolling Stones, and Fake Problems. Here, we celebrate the ten best songs by The Gaslight Anthem.
# 10 – Positive Charge
“Positive Charge” is the lead single from History Books, the highly anticipated sixth studio album by The Gaslight Anthem, marking the band’s first new material in nearly a decade. Produced by Peter Katis, this song was recorded as part of the sessions for the 2023 album after the band reunited in 2022 and embarked on a world tour. Recorded at Katis’ studio in Connecticut, History Books sees The Gaslight Anthem reigniting their distinctive brand of rock with both a nostalgic and refreshed sound.
Lyrically, “Positive Charge” reflects themes of personal revival and rediscovery, with lines like “I wanna live, I wanna love you a little longer” and “I need a spark, I need a positive charge” capturing the essence of regaining strength and finding renewed joy in life. The track dives deep into the feeling of missing something or someone important, and the urge to reconnect with the joy of being alive. The imagery of “arms wide as oceans” and “feeling good to be alive” drives home a powerful message of hope and rejuvenation, aligning with the upbeat energy of the music.
Musically, “Positive Charge” blends the classic heartland rock sound The Gaslight Anthem is known for with a dynamic, anthemic build-up. The song, rich in its melodic hooks and emotional depth, signals the band’s re-energized presence in the rock scene after their extended hiatus. Although History Books has just been released, the song has already started resonating with fans, serving as a perfect introduction to the album’s themes of reconnection, personal growth, and resilience.
# 9 – Boomboxes and Dictionaries
“Boomboxes and Dictionaries” is the opening track from Sink or Swim, the debut studio album by The Gaslight Anthem, released on May 29, 2007, through XOXO Records. The song captures the raw energy and earnest storytelling that would come to define the band’s sound. Recorded during a time when the band was honing their craft and establishing their identity, the track showcases lead vocalist and songwriter Brian Fallon’s heartfelt lyrics and nostalgic, Americana-infused rock sound. Produced by the band members themselves—Brian Fallon, Alex Rosamilia, Alex Levine, and Benny Horowitz—Sink or Swim was created in a stripped-down, DIY fashion, embodying the spirit of the East Coast punk and rock scenes.
The lyrics of “Boomboxes and Dictionaries” reflect a sense of longing, introspection, and survival, a theme that recurs throughout The Gaslight Anthem’s discography. Lines like “I thought about some things I said / And some I would take back” and “If you’re scared of the future tonight / We’ll just take it each hour one at a time” delve into personal reflection and resilience, sentiments that are relatable and deeply moving. The track’s combination of reflective lyrics and driving rock rhythms evokes a similar emotional territory explored by bands like Against Me! and early Bruce Springsteen, especially with its road-trip imagery and working-class struggles.
Musically, “Boomboxes and Dictionaries” is driven by Rosamilia’s chiming guitars and Horowitz’s steady drumming, creating a sound that blends the urgency of punk rock with a melodic sensibility. The raw production of the album, which contrasts with the more polished sounds of later releases like The ’59 Sound, highlights the band’s early ambition and authenticity. The track holds a special place as an early indicator of the band’s potential, setting the stage for the anthemic and emotionally charged music that would follow in their career. Through its relatable themes of youth, nostalgia, and perseverance, “Boomboxes and Dictionaries” remains a fan favorite and a cornerstone of The Gaslight Anthem’s catalog.
https://www.youtube.com/watch?v=gfoy8xqu2cM
# 8 – Get Hurt
“Get Hurt” is the title track from The Gaslight Anthem’s fifth studio album, Get Hurt, released on August 8, 2014, through Island Records. This album marked a significant shift in the band’s sound and approach, influenced heavily by vocalist and guitarist Brian Fallon’s personal experiences, particularly his divorce after ten years of marriage. The album, produced by Mike Crossey (known for his work with Arctic Monkeys and The 1975), showcases a more experimental side of the band, departing from their signature anthemic rock in favor of a broader sonic palette. Recorded in New York and inspired by the band’s desire for a “career shift,” Get Hurt drew from a diverse range of influences, including alternative rock and even grunge, showing a clear departure from the more straightforward rock sound of their previous releases.
The lyrics of “Get Hurt” are deeply personal, with Fallon confronting heartbreak and emotional turmoil head-on. Lines like “I came to get hurt, might as well do your worst to me” reflect the vulnerability and resignation that often come with the end of a long-term relationship. The song’s narrative voice captures both defiance and sorrow, with Fallon grappling with the pain of separation and the confusion of moving forward. The lyric, “Maybe some days they stay and some things go away,” illustrates the uncertainty of love and relationships, a theme that resonates throughout the entire album. Musically, the song leans into a more restrained, slower tempo, allowing the emotional weight of the lyrics to take center stage. Comparisons could be drawn to bands like The National, whose music often delves into themes of introspection and melancholy, making “Get Hurt” feel like a more introspective departure from The Gaslight Anthem’s previous work.
Commercially, Get Hurt was a success, peaking at number four on both the UK Albums Chart and the Billboard 200. Despite the critical and commercial success, the album’s more experimental approach polarized some longtime fans who had grown accustomed to the band’s more traditional heartland rock sound. Songs like “Get Hurt” exemplify the album’s new direction, offering a more nuanced and emotional exploration of heartbreak, contrasting the raw energy found in earlier releases like The ’59 Sound. This track represents a defining moment in The Gaslight Anthem’s discography, as it showcases their willingness to evolve and take risks, making it a standout on this list of the band’s greatest songs.
https://www.youtube.com/watch?v=I_TI14Z5NNQ
# 7 – Blue Jeans & White T-Shirts
“Blue Jeans & White T-Shirts” is one of The Gaslight Anthem’s most beloved tracks, known for its nostalgic tone and evocative storytelling. Initially released on the Señor and the Queen EP in 2008, this song captures the essence of The Gaslight Anthem’s lyrical and musical style—stories of youthful exuberance, brotherhood, and longing wrapped in heartland rock and punk-inflected melodies. Though “Blue Jeans & White T-Shirts” didn’t appear on a full studio album until their 2023 release History Books, its reputation as a fan favorite has kept it as a core part of the band’s identity.
The song’s lyrics portray a quintessential Gaslight Anthem story: young men coming of age, dreaming big under the open sky, and bonding over shared struggles and aspirations. Lines like “We are the boys from Little Eden, we are the heart of Saturday night” showcase Brian Fallon’s ability to craft vivid scenes of working-class Americana, a style reminiscent of Bruce Springsteen’s early work. The imagery of wild hearts, blue jeans, and white t-shirts emphasizes a sense of rebellion, simplicity, and timelessness, making the song feel like an anthem for anyone who has experienced the freedom of youth. The lyric “I’ll love you forever if I ever love at all” adds a poignant layer to the song, reflecting the vulnerability often found beneath the surface of The Gaslight Anthem’s rock and roll bravado.
Musically, “Blue Jeans & White T-Shirts” blends the heartland rock sound the band is known for with a touch of punk energy and folk storytelling. Its mid-tempo rhythm, driven by guitars and subtle percussion, creates a laid-back but passionate feel, fitting the nostalgic and reflective mood of the song. In the context of History Books, this song carries the weight of years gone by and the band’s evolution, tying the past with the present as The Gaslight Anthem continues to reflect on their roots and the stories that shaped them.
# 6 – Great Expectations
“Great Expectations,” from The ’59 Sound, is a powerful narrative-driven song that captures the band’s signature blend of punk grit and Americana soul. Released on August 19, 2008, this track demonstrates the unique storytelling approach that Brian Fallon and his bandmates often employ. The song reflects on loss, broken relationships, and the inevitable passage of time, all wrapped in poignant lyrics and raw energy.
Recorded at The Magic Shop and Loho Studios in New York, “Great Expectations” features the band’s classic lineup: Brian Fallon on lead vocals and guitar, Alex Rosamilia on guitar and backing vocals, Alex Levine on bass guitar, and Benny Horowitz on drums. Musically, the song is driven by a mix of ringing guitar tones and an anthemic rhythm section, which creates a sound that echoes influences from Social Distortion, particularly in Fallon’s gritty vocal delivery.
The lyrics of “Great Expectations” are vivid and introspective, weaving in literary references like Estella from Great Expectations and imagery of taillights fading away, which symbolize the fleeting nature of relationships. The chorus—”Everybody leaves, so why wouldn’t you?”—touches on themes of abandonment and personal disillusionment, themes that resonate deeply with the listener. The song was well-received critically, helping The ’59 Sound rise to number 70 on the Billboard 200. Its nostalgic yet forward-looking message has cemented it as a fan favorite.
#5 – Hold You Up
“Hold You Up” from The Here Comes My Man EP is a hidden gem in The Gaslight Anthem’s catalog, often overlooked but filled with emotional depth and resonant storytelling. Released as part of an extended play in 2012, this track stands out for its evocative lyrics and compelling vocal performance by Brian Fallon. Fallon’s voice carries a raw, weathered tone that, as noted, recalls the delivery of an Ian Hunter or Willie Nile. This combination of influences sets a nostalgic and emotionally charged atmosphere throughout the song, making it a must-listen for both fans of the band and newcomers alike.
Lyrically, “Hold You Up” explores themes of regret, loss, and personal reflection, capturing the essence of someone grappling with their past while extending an invitation for connection. The line “25 was a good time but I’m older now / How did I get so lost in the middle of night” signals a moment of realization and introspection. The narrator, now older and wiser, contemplates the passage of time and the roads taken, offering a glimpse into the sense of longing that permeates the song. Fallon’s storytelling echoes a common thread in much of The Gaslight Anthem’s work—characters trapped in small towns, longing for something more, yet tethered by their pasts.
Musically, “Hold You Up” is carried by its mid-tempo rock arrangement, with strong guitar lines and a steady rhythm that underpins the lyrical narrative. The instrumental support amplifies the emotional weight of the lyrics without overwhelming them. The recurring refrain, “I don’t mean to hold you up,” feels like a self-aware admission of vulnerability, a plea for understanding while acknowledging that life may have other plans. This song, although not a commercial hit, demonstrates The Gaslight Anthem’s ability to blend introspective lyricism with anthemic melodies, leaving a lasting impact on those who uncover its depth.
# 4 – History Books
“History Books” represents a pivotal moment for The Gaslight Anthem, marking their return after years away from the studio, and featuring a powerful collaboration with Bruce Springsteen. This song, from their 2023 album History Books, captures the deep-rooted connection between the band and their New Jersey roots. The interplay between Brian Fallon’s emotional vocals and Springsteen’s signature gravelly voice builds a narrative filled with nostalgia and reflection. Produced by Peter Katis and recorded across studios in Connecticut and Ireland, the track embodies both the band’s musical evolution and the timeless influence of their mentor.
The lyrics of “History Books” delve into the struggle of moving forward while the past continues to linger. Fallon’s vivid storytelling paints scenes of “nights of smoke and dirty jokes,” conveying a bittersweet memory of times gone by. The juxtaposition of “lonely ghosts” and “darkened rooms” reflects a yearning for what once was, yet the song maintains an air of acceptance that time keeps “rollin’ us on.” This lyrical depth, combined with the synergy between Fallon and Springsteen, gives the track a haunting yet cathartic feel.
Musically, “History Books” blends the gritty rock essence of The Gaslight Anthem’s earlier albums with a maturity that comes from years of growth. The melody flows with a steady pulse, balancing elements of Americana and rock, with touches of anthemic choruses that Springsteen helped pioneer. The collaboration doesn’t feel like a passing of the torch, but rather a celebration of shared musical values. It serves as both a homecoming for The Gaslight Anthem and a reminder of their ability to tap into universal themes of memory, change, and resilience.
# 3- Here Comes My Man
“We don’t typically close out a top 10 songs list with three tracks from the same album, but for The Gaslight Anthem, we’re making an exception. These three songs are powerful statements about the enduring strength of rock and roll and how the band has carried that torch into the 21st century. As one of the standout bands of the past 20 years, they continue to demonstrate their impact on the genre.””Here Comes My Man” stands out as one of the emotionally charged tracks from Handwritten, The Gaslight Anthem’s fourth studio album, released in 2012. Produced by Brendan O’Brien, who has worked with iconic artists like Bruce Springsteen and Pearl Jam, the track resonates with the heartland rock influences that have long shaped the band’s sound. Recorded during sessions at Blackbird Studios in Nashville, the song’s production shines, with driving drums and layered guitars that give it the energy of a live performance. The album itself peaked at number 3 on the Billboard 200, solidifying the band’s mainstream presence.
Musically, “Here Comes My Man” channels the spirit of Springsteen and Tom Petty, blending the passionate delivery of the E Street Band with the melodic approach of the Heartbreakers. The song opens with an irresistible rhythm section, and the punchy, almost cinematic quality of the production makes it feel like a throwback to the golden era of rock and roll. Brian Fallon’s vocals carry both nostalgia and defiance, echoing the heartbreak that Tom Petty often brought to life while maintaining the raw energy and drive that have defined The Gaslight Anthem’s East Coast rock roots.
Lyrically, the song tells the story of someone reclaiming their independence from a one-sided relationship. Fallon’s lines, “Maybe your pride can be your companion / But I just won’t be there to stand for it,” capture the moment of emotional clarity, where love gives way to self-worth. The chorus—“Oh sha-la-la, oh sha-la-la / Listen honey here comes my man”—is a rallying cry, both for the protagonist’s newfound strength and for listeners who have faced similar struggles. This blend of personal revelation and powerful rock composition makes “Here Comes My Man” a standout on Handwritten, while cementing the band’s ability to merge introspective lyrics with anthemic soundscapes.
# 2 – 45
“45” is one of The Gaslight Anthem’s most beloved songs, and it’s easy to see why. Released as the lead single from Handwritten (2012), the band’s fourth studio album, the track is a rock and roll powerhouse, blending the raw, driving energy of punk with the melodic sensibilities of ’90s grunge. Produced by Brendan O’Brien, the album was recorded at Blackbird Studios in Nashville and marked a significant moment in the band’s career as they continued to evolve their sound. “45” showcases their ability to fuse influences, while still maintaining a distinct identity rooted in East Coast rock.
The song begins with a catchy, fast-paced riff that immediately sets the tone. As Brian Fallon’s vocals come in, there’s a palpable sense of urgency and emotion, reminiscent of Pearl Jam’s early releases but with a harder, punk edge that recalls bands like Social Distortion. “45” is steeped in heartache and resilience, telling a story of moving on from a failed relationship. The metaphor of “turning the record over” cleverly alludes to the idea of starting fresh, leaving the past behind while also recognizing the pain of letting go. It’s a song that expertly balances introspection with a defiant rock spirit.
Lyrically, “45” captures a universal feeling of loss and the slow process of emotional recovery. Fallon sings, “I can’t move on and I can’t stay the same,” reflecting the internal struggle of wanting to forget but not being able to fully move on. The repeated call to “turn the record over” in the chorus is both a literal and figurative message, offering hope for renewal. With its powerful chorus, driving rhythm, and emotionally charged lyrics, “45” is one of The Gaslight Anthem’s standout tracks, embodying the essence of their heartfelt and energetic rock sound. It’s no wonder the song has become a fan favorite, showcasing the band’s ability to take classic rock influences and transform them into something fresh and deeply personal.
# 1 – Handwritten
“Handwritten” stands as one of The Gaslight Anthem’s most powerful and emotionally resonant songs, a testament to the raw, heartfelt rock and roll that defines the band. Featured on their 2012 album Handwritten, the song captures the essence of connection, pain, and redemption through music. Produced by Brendan O’Brien and recorded at Blackbird Studios in Nashville, it carries the weight of the band’s East Coast roots while blending the energy of punk with the emotional depth of heartland rock. The track is a masterpiece of personal reflection, with the band delivering their signature blend of driving guitars, passionate vocals, and evocative lyrics that connect deeply with listeners.
The music video for “Handwritten” is just as iconic as the song itself, offering a visual story that mirrors the song’s theme of musical legacy and emotional endurance. The video follows the journey of a single vinyl record, from its initial creation in a studio, to the hands of various listeners over the decades. It showcases how music travels across generations, impacting lives in ways that are deeply personal yet universal. The imagery in the video perfectly complements the song’s narrative of how music captures moments in time, and how those moments remain etched in the hearts of listeners, even as the years pass.
Lyrically, “Handwritten” is a declaration of vulnerability and the catharsis that comes with putting emotions onto paper. Lines such as “Every word handwritten” and “Pages plead forgiveness” evoke the weight of personal experiences and the hope for redemption through music. The song touches on themes of nostalgia, loss, and healing, drawing listeners into a shared emotional space. Musically, it’s easy to draw comparisons to the grit and storytelling of Bruce Springsteen and Tom Petty, but “Handwritten” stands firmly in its own space, uniquely stamped with The Gaslight Anthem’s brand of anthemic, heartfelt rock. The song captures the essence of what makes the band great—raw emotion, authenticity, and a profound connection with their audience, making it the perfect closer for this list.
Feature Photo: Drew de F Fawkes, CC BY 2.0 <https://creativecommons.org/licenses/by/2.0>, via Wikimedia Commons
Top 10 Songs From The Gaslight Anthem article published on Classic RockHistory.com© 2024
