10 Best Rock Songs About Dancing

10 Best Rock Songs About Dancing

Feature Photo: Debby Wong / Shutterstock.com

Dancing and rock and roll have always gone hand in hand, forming one of the most timeless and electric combinations in the history of music. From the early days of rock in the ’50s, where teenagers packed dance halls, to modern-day concerts where crowds pulse with the beat, dancing is central to the rock experience. The celebration of life, energy, and rebellion that defines rock and roll is almost always accompanied by movement. Whether it’s the rebellious stomp of a punk anthem, the infectious groove of funk rock, or the euphoric sway of a power ballad, dancing is intrinsic to how we feel and experience rock music. It’s no surprise that many of rock’s greatest songs celebrate dance as a form of freedom, connection, and release.

In this article, we explore 10 of the best rock songs about dancing, with each track offering a unique perspective on why dancing is so powerful. From Paul McCartney’s whimsical storytelling in “Ballroom Dancing” to the pulsating, primal energy of Billy Idol’s “Dancing With Myself,” these songs capture the full spectrum of what dancing represents. Whether it’s dancing for joy, for rebellion, or simply because the music takes control, each artist here has crafted a song that moves both the heart and the feet.

The beauty of this list lies in its diversity. You’ll find tracks from rock’s earliest influencers like The Beatles with “I’m Happy Just to Dance With You,” all the way to the hard-edged, raw energy of Van Halen’s “Dance the Night Away.” From the smooth, soulful rhythms of Don Henley’s “All She Wants to Do Is Dance” to the rebellious attitude of The Ramones’ “Do You Want to Dance,” these songs span different eras and styles but are united by their love of movement and expression.

# 10 – Ballroom Dancing – Paul McCartney

“Ballroom Dancing” is an energetic track from Tug of War, Paul McCartney’s third solo studio album, released on April 26, 1982. The album, produced by George Martin, marked McCartney’s first solo effort after the breakup of Wings and followed closely after the tragic murder of his former Beatles bandmate, John Lennon. The album received widespread acclaim and became a number-one hit in several countries, including the United States, where it sold over a million copies. McCartney’s collaboration with Martin provided a rich and polished sound to the album, reminiscent of the legendary Beatles era, while Tug of War itself was praised for its eclectic mix of styles and introspective themes.

“Ballroom Dancing” stands out as a vibrant, nostalgic tribute to the formal dance style, with McCartney infusing it with a playful yet reflective tone. The song tells the story of how dancing played a pivotal role in shaping the narrator’s life, allowing him to grow and mature (“Ballroom dancing made a man of me”). With whimsical imagery, such as flying on a carpet ride and sailing down the Nile in a china cup, McCartney weaves a tale of youthful adventure that eventually leads to a realization of ballroom dancing’s importance in bridging conflicts and fostering relationships. Musically, the song has an old-fashioned rock-and-roll feel mixed with orchestral flourishes, which was characteristic of McCartney’s ability to merge genres seamlessly. The instrumental break features a lively orchestral arrangement that brings the song to life, and McCartney’s playful vocal delivery adds charm to the overall performance.

The song’s lyrics play with the metaphor of ballroom dancing as a life lesson, where the elegance and grace of the dance reflect personal growth and resolution of conflict. The chorus, “Ballroom dancing made a man of me,” captures the transformative power of music and movement. McCartney’s youthful references, such as “Davy Crockett” and TV influences, add layers of nostalgia, making the song feel like a personal ode to growing up. The production quality, overseen by George Martin, adds lush depth to the song with sweeping strings and upbeat tempo shifts. In the context of Tug of War, “Ballroom Dancing” injects a lively, celebratory energy into an album that balances heavier emotional themes.

Musically, “Ballroom Dancing” has a touch of classic rock mixed with McCartney’s signature melodic craftsmanship, akin to the work he did with The Beatles on tracks like “Penny Lane” or “Your Mother Should Know.” The song’s grand orchestration and storytelling feel could also be compared to works by artists like Elton John, who similarly blends rock with theatrical, narrative-driven songwriting. For fans of McCartney’s varied catalog, “Ballroom Dancing” exemplifies his knack for crafting a track that is both fun and meaningful, blending nostalgia with new musical landscapes.

Read More: Top 10 Paul McCartney Solo Songs

# 9 – Red Shoes – Kate Bush

The Red Shoes” by Kate Bush is a mesmerizing and energetic track that showcases Bush’s distinctive ability to blend storytelling with haunting musical elements. Released as the fourth single from her 1993 album The Red Shoes, this song draws inspiration from both the classic Hans Christian Andersen fairy tale and the Michael Powell and Emeric Pressburger film of the same name. It tells the story of a girl who puts on enchanted red ballet shoes and finds herself unable to stop dancing. The song captures a sense of possession and surrender, as the wearer of the shoes is taken over by an uncontrollable force—an allegory for obsession or the sometimes overwhelming power of art and performance.

The music reflects the theme of enchantment with its driving, hypnotic rhythm that builds throughout the song. Kate Bush, who also produced the track, explained to Melody Maker that she wanted to create a feeling of “delirium,” something circular and irresistible, much like the shoes themselves. The song was recorded during the sessions for The Red Shoes at Abbey Road Studios and Eel Pie Studios. As always, Bush was involved in every step of the creative process, from production to songwriting, and her keen sense of atmosphere is felt throughout the song. The intense rhythm and mystical overtones, combined with Bush’s ethereal vocals, give the track a uniquely spellbinding quality.

Critically, “The Red Shoes” was well-received, peaking at No. 21 on the UK Singles Chart and spending three weeks on the chart. Bush’s storytelling approach in this song, blending fantasy with personal emotion, is something that has drawn comparisons to other artists who use metaphor and allegory in their songwriting, such as Peter Gabriel and David Bowie. In terms of musical style, the song shares a deep connection with other narrative-driven tracks from Bush’s discography, like “Running Up That Hill,” where powerful themes are conveyed through vivid imagery and emotive soundscapes. The song was released alongside a remix, “Shoedance,” that extended its rhythmic focus and provided a fresh take on its hypnotic feel.

Overall, “The Red Shoes” is a captivating example of Bush’s unmatched ability to combine cinematic storytelling with innovative musical production. The song’s dance theme ties it directly to the physical and emotional release that comes from movement, while the darker themes of obsession and being overwhelmed resonate with listeners on a deeper level. It’s a timeless piece of work from one of rock’s most enigmatic and creative figures.

Read More: Complete List Of Kate Bush Albums And Songs

# 8 – And We Danced – The Hooters

“And We Danced” by The Hooters is a quintessential mid-1980s rock anthem that perfectly encapsulates the joy and freedom of dancing. Released in 1985 as part of the band’s Nervous Night album, the song quickly gained popularity, peaking at number 21 on the US Billboard Hot 100 and reaching number 3 on the Mainstream Rock chart. The band’s infectious energy, combined with the song’s catchy melody, made “And We Danced” a fan favorite and a staple in The Hooters’ live performances, including their memorable set at Live Aid in Philadelphia in July 1985.

The song’s lyrics tell a simple yet evocative story of a carefree night spent dancing and romancing. The recurring imagery of waves on the ocean, dancing, and fleeting moments of love captures the essence of youthful exuberance. Lines like “And we danced like a wave on the ocean, romanced / We were liars in love and we danced” reflect both the joy and the impermanence of the experience, while the be-bop rock and roll references add a nostalgic element that connects the music with past eras of dancing culture. The upbeat, almost euphoric feel of the song, paired with the tight musicianship and energetic rhythm, gives the impression of a carefree celebration that transcends any troubles outside of the dance floor.

Musically, Nervous Night showcases The Hooters’ fusion of rock, pop, and folk elements. Produced by Rick Chertoff, the album was recorded in 1984 and 1985 at different studios in Philadelphia and Los Angeles. The band’s use of the melodica (a type of keyboard instrument), which is prominently featured in this track, set their sound apart from other rock bands of the time. “And We Danced” also features Eric Bazilian’s iconic guitar riff and Rob Hyman’s dynamic keyboard work, making it a standout track both on the album and during live performances. The song’s accompanying music video, filmed at the Exton Drive-In in Pennsylvania, added to the track’s popularity and earned it a nomination for Best New Artist at the 1986 MTV Video Music Awards.

In comparison to other tracks on this list of dance-related rock songs, “And We Danced” stands out for its vibrant portrayal of youthful exuberance and carefree romantic encounters. While Paul McCartney’s “Ballroom Dancing” delves into the transformative power of traditional dance, The Hooters focus on the raw energy of spontaneous movement, creating a song that resonates with fans of both nostalgic and contemporary rock music. The shared theme of dancing as a metaphor for freedom and connection binds “And We Danced” to the greater theme of this list, making it an undeniable favorite in any discussion of rock songs about dancing.

Read More: Top 10 Songs From The Hooters

# 7 – Let’s Dance – David Bowie

David Bowie’s Let’s Dance is a dance rock anthem that helped define the sound of the early 1980s. Released as the lead single from his 1983 album of the same name, “Let’s Dance” marked a significant shift in Bowie’s career. Co-produced by Nile Rodgers, the song fused rock, funk, and dance elements, propelling Bowie into mainstream success and ensuring the single’s chart-topping status worldwide. The track’s evolution from a folk-rock tune into a dance-driven juggernaut is one of its most fascinating aspects. Recorded in late 1982 at the Power Station in New York City, Rodgers’ production, along with Bob Clearmountain’s engineering, transformed the song, giving it the groovy, bass-heavy sound that defined its final form.

One of the key components to the song’s distinct sonic quality is the contribution of then-unknown guitarist Stevie Ray Vaughan. The Texas blues guitarist added a gritty, blues-inspired edge to the song, which complemented its polished production. Vaughan’s solos brought an extra layer of texture, helping balance the commercial appeal of the track with a rawer, more authentic musicality. The full-length version of “Let’s Dance” runs for over seven minutes and features dynamic trumpet, saxophone, and percussion solos, creating an energetic dance floor anthem. Rodgers’ basslines and breakdowns were heavily influenced by his previous work with Chic, and the song’s “serious moonlight” lyric and vocal crescendos nod to The Beatles’ “Twist and Shout.”

Lyrically, “Let’s Dance” is deceptively simple yet emotionally charged. Bowie presents an invitation to a romantic partner, urging them to “put on your red shoes and dance the blues.” The song conveys a sense of urgency and vulnerability, particularly in lines like “for fear tonight is all” and “my love for you would break my heart in two,” hinting at the fragility of the moment. The accompanying music video, directed by David Mallet and filmed in Australia, further deepens the narrative. It features commentary on the mistreatment of Aboriginal Australians, using the symbolic red shoes as a metaphor for oppression. Bowie’s social consciousness is woven into the fabric of the song’s visual presentation, elevating the track from a pop hit to a cultural statement.

“Let’s Dance” became the best-selling single of Bowie’s career, reaching No. 1 on the charts in the US, UK, and many other countries. Its infectious groove and accessible sound brought Bowie to a broader audience, cementing his place as a musical chameleon capable of reinventing himself to suit the times. Like Paul McCartney’s “Ballroom Dancing” from this list, Bowie uses dance as a metaphor for life’s fleeting moments. While McCartney reflects on traditional ballroom dancing, Bowie delivers a modern, urgent appeal to embrace the present, combining the thrill of the dance floor with deeper, emotional undertones. In the pantheon of rock songs about dancing, “Let’s Dance” stands as a high-water mark, blending musical innovation with cultural relevance.

Read More: David Bowie’s Best Covers Of Other Artist’s Songs

# 6 – I’m Happy Just To Dance With You – The Beatles

“I’m Happy Just to Dance with You” is a joyful and innocent love song by The Beatles, written by John Lennon and Paul McCartney specifically for George Harrison to sing. It was released in 1964 as part of the A Hard Day’s Night soundtrack, marking Harrison’s first major vocal contribution to the Beatles’ cinematic work. The song has a sweet simplicity that fits perfectly within the film’s narrative of youthful romance, making it a memorable track for fans of the band and the movie. Though it wasn’t one of the Beatles’ biggest chart hits, it has always held a place in the hearts of fans due to its charming lyrics and upbeat, danceable rhythm.

Recorded on March 1, 1964, at Abbey Road Studios in London, the track features a catchy and lively rhythm guitar line, juxtaposed with Harrison’s smooth and easygoing vocal performance. The upbeat tempo and light-hearted lyrics capture the excitement and emotion of a dance-floor romance, with the protagonist declaring that he’s happiest just dancing with his partner. The song showcases Lennon and McCartney’s talent for writing songs with a youthful, carefree spirit, as well as their knack for crafting irresistible hooks. While the band recorded the song for the A Hard Day’s Night soundtrack, it also appeared on the U.S. album Something New, which was released shortly after.

The song’s lyrics reflect the simple pleasure of dancing with someone you care about, without the need for anything more. “I don’t need to hug or hold you tight, I just want to dance with you all night,” Harrison sings, perfectly capturing the innocent affection between the two characters. The song’s instrumentation, particularly the rhythm guitar, is reminiscent of Buddy Holly and the early rock ‘n’ roll sound that influenced The Beatles. The guitar riff draws inspiration from the Rolling Stones’ cover of Holly’s “Not Fade Away,” giving the song a slightly bluesy edge, while still maintaining its upbeat pop feel.

In comparison to other songs on this list of rock songs about dancing, “I’m Happy Just to Dance with You” stands out for its innocence and simplicity, setting it apart from more sensual or high-energy tracks like David Bowie’s “Let’s Dance.” The Beatles’ track is less about dancing as a metaphor for something deeper, and more about the pure joy of moving to the music with someone special. It’s a fitting inclusion on this list, as it highlights the emotional power of dancing to bring people closer together.

Read More: Why The Beatles A Hard Day’s Night Album Was So Special

# 5 – Dancing With Myself – Billy Idol

“Dancing with Myself” by Billy Idol is a quintessential rock anthem that blends punk energy with danceable beats, capturing the spirit of self-reliance and freedom on the dance floor. Initially released by Idol’s band Generation X in 1980, the song draws its inspiration from a trip to Tokyo, where Idol and bassist Tony James were struck by the sight of club-goers dancing with their reflections in mirrored walls. This imagery became the foundation of the song’s lyrics, which tell the story of someone dancing alone in a world where romantic connections seem elusive, yet finding solace and joy in dancing by oneself.

Recorded during sessions in 1979 at Olympic Studios in West London, “Dancing with Myself” was first released as a Generation X single, though it did not achieve commercial success in the UK at the time. Following the band’s dissolution, Idol re-recorded the song as a solo artist in 1981, working with producer Keith Forsey to remix it for a U.S. audience. The revamped version softened the guitar-heavy punk edge of the original, adding more emphasis on rhythm and Idol’s charismatic vocals, which led to it becoming a hit on the American dance charts. Idol’s partnership with Forsey on this track would help cement his identity as a solo artist and launch his career in the United States.

The lyrics of the song, with lines like “When there’s no one else in sight / In the crowded lonely night / Well, I wait so long for my love vibration / And I’m dancing with myself,” encapsulate a mix of independence and longing. Idol turns the act of dancing alone into a celebration of self-expression and empowerment, even in the face of loneliness. Musically, the song combines the rawness of punk with catchy dance beats, making it stand out as one of the best examples of rock songs that seamlessly incorporate dance rhythms. The guitar-driven energy, paired with a driving beat, mirrors the thematic urgency of the song, which has since become an iconic track in Idol’s catalog.

“Dancing with Myself” fits perfectly into a list of the best rock songs about dancing, standing alongside other anthems that celebrate the physicality and freedom of dance. Like David Bowie’s “Let’s Dance,” it merges rock with a danceable groove, but it brings a punk edge that makes it uniquely Billy Idol. The song’s infectious energy has made it a staple of rock and dance playlists alike, and its lyrics resonate with anyone who has ever found liberation in the simple joy of dancing alone.

Read More: Top 10 Billy Idol Songs

# 4 – Dance The Night Away – Van Halen

“Dance the Night Away” by Van Halen is an exuberant rock anthem that captures the infectious energy of the band’s early days. Released in 1979 as part of Van Halen II, the track quickly became one of the standout singles from the album, charting at No. 15 on the Billboard Hot 100, making it Van Halen’s first top 20 hit in the United States. The song marked a slight departure from the band’s typically heavy sound, leaning into a more melodic, pop-rock vibe that helped broaden their appeal without sacrificing their hard rock roots.

The song’s origins are rooted in spontaneity. During recording sessions for Van Halen II at Sunset Sound Recorders in Hollywood, the band reportedly stood around in a circle humming the tune, a moment that led to the creation of the entire track. Although much of the album had been written and performed during their years on the club circuit, “Dance the Night Away” was one of the few tracks that emerged directly during those sessions. Inspired by Fleetwood Mac’s “Go Your Own Way,” the song exemplifies Van Halen’s ability to merge catchy melodies with their signature rock edge. Interestingly, Eddie Van Halen made a conscious decision to omit a traditional guitar solo, opting instead for a harmonic riff that highlights his mastery of tap harmonics.

Lyrically, David Lee Roth spins a playful and carefree tale of a night of dancing and flirtation. He originally wanted to title the song “Dance, Lolita, Dance,” but was convinced by Eddie Van Halen to go with “Dance the Night Away,” a title more in tune with the upbeat and celebratory vibe of the track. In Roth’s own words, he based the song on a wild, alcohol-fueled encounter involving a woman escaping from police, further enhancing the song’s sense of reckless abandon. Musically, the upbeat tempo and danceable groove reflect the joy and freedom of youth, while Roth’s charismatic vocals add a layer of swagger and fun.

Compared to other songs on this list, “Dance the Night Away” is perhaps one of the more lighthearted tracks, focusing purely on the joy of dancing and celebrating life. It fits well within a collection of rock songs about dancing, alongside songs like Billy Idol’s “Dancing with Myself,” which also captures the carefree nature of dancing, though Idol’s song has a more introspective tone. Van Halen’s track, by contrast, is all about living in the moment and enjoying the excitement of the night, making it an enduring favorite among fans and a perfect example of dance-themed rock anthems.

Read More: 10 Best Van Halen Songs With David Lee Roth

# 3 – Do You Want Dance – The Ramones, The Beach Boys, and Bobby Freeman versions.

“Do You Want to Dance” is one of the most enduring and iconic rock songs about dancing, with its irresistible energy crossing decades and genres. Originally written and recorded by Bobby Freeman in 1958, the song quickly became a hit, peaking at No. 5 on the Billboard Top 100 and No. 2 on the R&B chart. Freeman’s original was a defining moment in rock and roll’s early days, combining a simple yet captivating rhythm with lyrics that spoke directly to the desire for connection through dancing. The song’s infectious melody and universal theme of dance made it ripe for countless cover versions by artists from all corners of the rock spectrum.

One of the most famous versions came in 1965 when The Beach Boys put their spin on it, renaming it “Do You Wanna Dance?” Their take featured a fuller arrangement and the harmonized vocals that the band was famous for, pushing it to No. 12 on the U.S. charts. Bette Midler later revived the song in 1972, reaching No. 17 and proving its timeless appeal. Yet, for many rock fans, the definitive version came from punk rock legends The Ramones. Their cover, featured on the 1977 album Rocket to Russia, injected raw energy and stripped-back simplicity into the song, aligning perfectly with their punk ethos. The Ramones’ frantic version kept the heart of the original intact but elevated it with their trademark intensity and speed.

Perhaps one of the most iconic moments in rock cinema history came in 1979 when The Ramones performed “Do You Want to Dance” in the cult classic Rock ‘n’ Roll High School. In the film’s closing sequence, lead singer Joey Ramone serenades actress P.J. Soles, capturing the rebellious and fun-loving spirit of the song and the era. Everything about this scene embodies the joy and rebellious nature of rock and roll, perfectly blending the song’s timeless message of dancing and connection with the band’s punk rock image. It’s a brilliant moment of fusion between music and film, where “Do You Want to Dance” becomes more than just a song—it becomes a symbol of youthful defiance, freedom, and fun.

The song’s longevity and adaptability prove its importance in rock history, as it seamlessly moves between genres, from the R&B of Freeman’s original, to the surf rock of The Beach Boys, to the punk explosion of The Ramones. Each version, while unique in its own right, stays true to the song’s core message: the joy and power of dance as a universal expression.

Read More: Complete List Of Ramones Albums And Songs

# 2 – All She Wants To Do Is Dance – Don Henley

“All She Wants to Do Is Dance” by Don Henley is a track that combines infectious rhythms with sharp political commentary, making it one of the most memorable songs from his Building the Perfect Beast album, released in 1984. The song, written by guitarist Danny Kortchmar, was Henley’s second single from the album and became one of his most successful solo hits, peaking at No. 9 on the Billboard Hot 100 and topping the Top Rock Tracks chart. This was Henley’s sixth solo single overall, and it captured both the vibrant pop-rock energy of the 1980s and Henley’s capacity for weaving pointed social critique into his music. The song’s upbeat tempo and danceable groove made it a commercial success, but beneath the fun exterior lies a critical look at U.S. foreign intervention.

Thematically, the song critiques the U.S. involvement in Central America, particularly the Reagan administration’s funding of the Contras during the Nicaraguan civil war. Henley uses the image of a carefree woman who “just wants to dance” as a metaphor for people’s tendency to ignore the darker realities of the world around them. While the streets are filled with rebels and violence, symbolized by Molotov cocktails and “wild-eyed pistols wavers,” the protagonist is oblivious, more focused on dancing and enjoying herself than the turmoil engulfing her surroundings. Henley’s vocals and the song’s vibrant energy mask the grim political backdrop, creating a juxtaposition that only amplifies the song’s message.

Produced by Don Henley, Danny Kortchmar, and Greg Ladanyi, Building the Perfect Beast was recorded primarily at The Complex in Los Angeles in 1984. Kortchmar’s Yamaha DX7 synthesizer adds a distinct ’80s sound, which opens the track with its characteristic twang, providing the backbone for the song’s irresistible dance beat. Patty Smyth from the band Scandal and Martha Davis from The Motels provide backing vocals, adding depth to Henley’s delivery. The song’s production was heavily shaped by the evolving music technology of the era, blending rock with synth elements, making it stand out in Henley’s catalog.

Musically, the song is driven by its lively rhythm and layered instrumentation, with Kortchmar’s guitar work blending seamlessly into the synth-heavy production. Henley’s lyrics—”Crazy people walkin’ ’round with blood in their eyes”—offer a stark contrast to the track’s upbeat energy, and the chorus’ repetition of “all she wants to do is dance” reinforces the theme of willful ignorance. The song’s catchy beat and biting commentary make it one of Henley’s best-known solo tracks and a standout example of how artists in the 1980s addressed political issues within the confines of mainstream music.

Read More: Top 10 Don Henley Songs

# 1 – Come Dancing – The Kinks

“Come Dancing” by The Kinks is a nostalgic reflection on childhood memories, specifically those of Ray Davies’ older sister, Rene, and her love for dance halls in London’s East End. Released in 1982, this track became a signature hit for the band in the ’80s, breathing new life into their already storied career. The song was featured on their State of Confusion album, and while its initial release in the UK failed to chart, its infectious rhythm and heartfelt lyrics quickly caught on in the United States, where it reached No. 6 on the Billboard Hot 100, marking The Kinks’ biggest chart success in America since “Tired of Waiting for You.”

The inspiration behind “Come Dancing” is deeply personal for Ray Davies, as it is based on his sister, who tragically passed away while dancing. The lyrics evoke images of dance halls, a now bygone tradition that was once a major part of social life in post-war Britain. The song touches on themes of growing up, change, and the inevitable passage of time. Lyrics like “The day they knocked down the palais / Part of my childhood died” capture the bittersweet nature of remembering moments that are long gone, drawing a direct connection between personal loss and the fading cultural traditions of the past. Musically, the track blends upbeat rock with a touch of swing, giving it a danceable, celebratory energy that contrasts its underlying melancholic tone.

Julien Temple directed the music video, which played a significant role in the song’s success. The video, which was aired frequently on MTV, captured the essence of the song’s nostalgic mood, helping it reach a wider audience. This was the height of the music video era, and Temple’s work gave “Come Dancing” a visual narrative that connected with both older fans who remembered the dance hall days and younger audiences who enjoyed the catchy tune. The single’s American success prompted its re-release in the UK, where it peaked at No. 12.

As the closing song on this list of rock songs about dancing, “Come Dancing” beautifully wraps up the theme of how dancing brings people together, whether for joy or nostalgia. In comparison to the other tracks on this list, “Come Dancing” stands out for its deep emotional connection and vivid storytelling, with Ray Davies weaving a tale of personal memory against the backdrop of cultural shifts. The song is a testament to how music and dancing create lasting memories that transcend generations. Just as the narrator reflects on the passing of an era, the other songs in this article capture similar emotions tied to the universal theme of dance.

Read More: Dave Davies of The Kinks: The ClassicRockHistory.com Interview

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