When composing an article that showcases the best songs with the word “My” in the title, one can only imagine how difficult it is to pick only ten songs from the thousands that use the word “My” in the title. We couldn’t really dig deep for this one—no obscure tracks, no deep tracks or lesser-known artists. Nope, this one is big time. We went with ten of the biggest songs we could think of that use the word “My” in the title. By going that route, we decided to cross all genres; it’s mostly rock songs, but there are a few on here that, well, let’s just say they’re so legendary we could get arrested if we didn’t include them—and it may not be the police doing the arresting.
# 10 – In My Time Of Dying – Led Zeppelin
As the opening track on our list of the 10 Best Songs With the Word ‘Way’ in the Title, “In My Time of Dying” by Led Zeppelin delivers an unforgettable blend of rock and gospel-inspired blues. It doesn’t get much better than Physical Graffiti. At least in our opinion. Released on their 1975 double album Physical Graffiti, the song is an epic eleven-minute journey that showcases Led Zeppelin’s exceptional ability to push the boundaries of rock music. Credited to all four members—Jimmy Page, Robert Plant, John Paul Jones, and John Bonham—this song builds on the traditional gospel blues tune popularized by Blind Willie Johnson, blending its roots with Zeppelin’s powerful rock sound. Recorded at Headley Grange with the Rolling Stones’ Mobile Studio, “In My Time of Dying” was produced by Jimmy Page.
Lyrically, “In My Time of Dying” grapples with themes of mortality, redemption, and the hope of spiritual salvation. Plant’s opening lines, “In my time of dying / Want nobody to mourn,” convey a sense of resignation and acceptance, while his repeated pleas for Jesus to “make up my dying bed” echo traditional gospel themes. As the song progresses, lyrics like “Meet me, Jesus, meet me / Ooh, meet me in the middle of the air” evoke the anticipation of divine judgment and the longing for redemption, portraying a man confronting his fate. Plant’s vocal delivery, raw and almost pleading, adds a visceral layer to the song’s exploration of mortality. This song sets the tone for our list, as its profound themes and intense delivery capture the spirit of rock’s exploration of life, death, and everything in between.
Read More: Led Zeppelin’s Best Song On Each Of Their Studio Albums
# 9 – It’s Not My Cross To Bear – The Allman Brothers Band
After recently interviewing Warren Haynes who spent 35 years on and off playing with the Allman Brothers Band, listening to this music just feels a little different. It’s usually what happens after interviewing someone who we spent our whole lives listening to. Warren was young kid when this album came out, a point that we talked about in our interview.
The Allman Brothers Band’s “It’s Not My Cross to Bear” was written by Gregg Allman and featured on the band’s 1969 self-titled debut album. Produced by Adrian Barber and recorded at Atlantic Studios in New York City, this track helped establish the Allman Brothers Band as pioneers of the genre. The original lineup for this recording included Gregg Allman on vocals and organ, Duane Allman on guitar, Dickey Betts on guitar, Berry Oakley on bass, and both Jaimoe Johanson and Butch Trucks on drums.
Compared to the unbridled intensity of Led Zeppelin’s “In My Time of Dying” from earlier on this list, which also deals with themes of fate and finality, “It’s Not My Cross to Bear” is more restrained, focusing on the personal journey of acceptance and self-preservation. This track remains a powerful opening statement from the Allman Brothers Band, a group that we all came to love very deeply.
Read More: Warren Haynes: The ClassicRockHistory.com Interview
# 8 – Raindrops Keep Falling On My Head – B.J. Thomas
It’s hard not to hear the song and not think about the scene in the 1969 film Butch Cassidy and the Sundance Kid when Paul Newman was riding on that bicycle around the house while Redford and Ross were inside. It was a strange scene in a movie that had a huge impact on the film world in 1969. The song won the Academy Award for Best Original Song. Recorded at A&R Studios in New York City, this track marked the first No. 1 hit of the 1970s, spending four weeks atop the Billboard Hot 100 in January 1970. Produced by Bacharach, the track features a memorable arrangement with B.J. Thomas’s warm vocals and Carol Kaye’s subtle yet striking electric bass line, all tied together with Bacharach’s distinctive orchestration style. This feel-good song not only topped the charts in the United States but also reached No. 1 in Canada and Norway, making it a global success.
Compared to the raw blues of The Allman Brothers Band’s “It’s Not My Cross to Bear,” which also explores personal struggle, “Raindrops Keep Fallin’ on My Head” takes a lighter, more hopeful approach to handling life’s difficulties. This song remains a beloved classic as the first American No. 1 hit of the 1970s and a truly iconic track.
Read More: Top 10 B. J. Thomas Songs
# 7 – My My, Hey Hey – Neil Young
Well, you get two for the price of one with this track. Neil Young’s “My My, Hey Hey (Out of the Blue)” was recorded live in early 1978 at the Boarding House in San Francisco, California. The song opens his 1979 album Rust Never Sleeps and is paired with its hard-rocking counterpart, “Hey Hey, My My (Into the Black),” which closes the album. Produced by Young alongside David Briggs and Tim Mulligan, the track features Young’s distinctive voice and acoustic guitar.”
Lyrically, “My My, Hey Hey” explores the tension between fading gracefully and burning brightly—a sentiment crystallized in the line “It’s better to burn out than to fade away.” This line, famously echoed in Kurt Cobain’s suicide note, has become one of the most memorable phrases in rock history. Young juxtaposes the legacies of Elvis Presley and Johnny Rotten, suggesting that artistic influence evolves but remains a potent force, regardless of its form. Unlike the uplifting resilience in B.J. Thomas’s “Raindrops Keep Fallin’ on My Head,” which celebrates optimism, “My My, Hey Hey” presents a more existential take on enduring significance. The song’s stripped-down arrangement reinforces its vulnerability, while its straightforward delivery underscores Young’s sincerity.
Read More: Top 10 Neil Young Songs
# 6 – My Sweet Lord – George Harrison
If you have never seen the video below I highly recommend that you take a look. It’s just pure joy as it just simply makes you feel good which was what George Harrison’s music was all about in its most simple form. George Harrison’s “My Sweet Lord” was released on his 1970 album All Things Must Pass. It was Harrison’s first solo single and marked the first time a member of The Beatles achieved a No. 1 hit as a solo artist. Produced by Phil Spector and recorded at Abbey Road Studios in London, “My Sweet Lord” features a unique blend of rock, gospel, and Hindu influences.
The song includes contributions from a talented lineup, including Eric Clapton on guitar, Ringo Starr on drums, Billy Preston on keyboards, and backing vocals from members of the band Badfinger. With its universal themes of faith and longing, “My Sweet Lord” became one of the defining songs of the early 1970s. We could not have put together this article without including this song.
Read More: Top 10 George Harrison Songs
# 5 – My Love – Paul McCartney & Wings
Continuing with the Beatles and their solo careers we turn towards one of the most loved solo Beatles songs of all time. “My Love” by Paul McCartney & Wings was released as a single in 1973 and featured on the album Red Rose Speedway, “My Love” quickly became a hit, reaching No. 1 on the Billboard Hot 100. Produced by McCartney and recorded at Abbey Road Studios in London, the track highlights the chemistry between McCartney and his band, Wings, with Paul on bass and lead vocals, Linda McCartney on backing vocals and keyboards, and Denny Laine on guitar. The song’s lush orchestration, arranged by McCartney and noted composer-conductor Richard Hewson helped shape the song into a true musical treasure.
Written as a tribute to his wife, Linda, the lyrics emphasize love’s ability to sustain and uplift, capturing the tenderness and loyalty of a long-lasting relationship. “My Love” is built around a warm, soulful melody with a stunning guitar solo by band member Henry McCullough, whose solo became one of the song’s most iconic elements. Unlike the intense introspection in George Harrison’s “My Sweet Lord,” which explores spiritual devotion, “My Love” focuses on the personal and emotional devotion to a partner.
Read More: Top 10 Paul McCartney & Wings Songs
# 4 – While My Guitar Gently Weeps – The Beatles
We conclude our Beatles section of this list with one of the most loved Beatles songs of all time. It’s hard not to hear this song Anymore without also remembering how Prince lit it up at the 2004 Hall of Fame Inductions. “While My Guitar Gently Weeps” is one of George Harrison’s most powerful compositions with The Beatles, first recorded for their 1968 White Album. Recorded at Abbey Road Studios under the production of George Martin, “While My Guitar Gently Weeps” featured a now-famous guitar solo from Harrison’s friend Eric Clapton.
“While My Guitar Gently Weeps” took on new life in 2006 for The Beatles: Love album, produced as part of a project with Cirque du Soleil. This new version, crafted by George Martin and his son Giles Martin, brought a fresh arrangement that softened the original rock edge, adding lush orchestration and layers of strings that accentuated the song’s emotional depth. We have included that version below because it is simply breathtaking.
Read More: Beatles Albums In Order Of Original UK And US Studio Issues
# 3 – Get Off My Cloud – The Rolling Stones
We couldn’t give the Beatles that much love on this list without recognizing the Rolling Stones too. “Get Off of My Cloud” was released as a single in 1965 following the success of “(I Can’t Get No) Satisfaction,” this song quickly climbed the charts, reaching No. 1 in both the United States and the United Kingdom. “Get Off of My Cloud” became a defining track of the Stones’ early career.
“Get Off of My Cloud” was a direct response to the pressures of fame and the expectations of the public and media. Jagger sings, “I live in an apartment on the ninety-ninth floor of my block,” setting up an image of isolation high above the world, but his peace is constantly interrupted by demands for his attention. The refrain, “Hey! You! Get off of my cloud!” captures the frustration and desire for personal space in a world where everyone wanted a piece of the band. You can’t really blame them.
Read More: Top 10 Rolling Stones Songs of the 1960’s
# 2 – My Girl – The Temptations
My Girl may be the second most popular two word song in music history that uses the word my in the title. And also might be the most popular song in history that uses the word girl in the title. So it’s going to rain pretty high up on our list. We just couldn’t put in the number one spot because listen we like to breathe air every day, you know what I mean?
Written and produced by Smokey Robinson and Ronald White of The Miracles, “My Girl” was released as a single in December 1964, becoming The Temptations’ first number-one hit on the Billboard Hot 100 in early 1965. Recorded at Hitsville U.S.A., Motown’s Detroit studio, “My Girl” features the classic Temptations lineup: David Ruffin on lead vocals, Eddie Kendricks, Paul Williams, Otis Williams, and Melvin Franklin on backing vocals. With its infectious melody, heartfelt lyrics, and lush instrumentation, “My Girl” quickly became a timeless love song, marking the start of The Temptations’ climb to fame.
Read More: 10 Essential Temptations Songs And Reader’s Picks
# 1 – My Way – Frank Sinatra
We close this one out with a song for the ages. There was no way we were going to deny Old Blue Eyes the top spot on a list of songs with the word “My” in the title. Released in 1969 as a single, the song became Sinatra’s signature hit. Adapted from the French song “Comme d’habitude” by Claude François and Jacques Revaux, the English lyrics were written by Paul Anka, who reimagined the song specifically for Sinatra. The song was recorded at United Western Recorders in Los Angeles and produced by Don Costa and Sonny Burke.
Read More: Top 10 Frank Sinatra Songs