Complete List Of ABBA Band Members

ABBA Band Members

Feature Photo: Anders Hanser, CC BY 3.0 <https://creativecommons.org/licenses/by/3.0>, via Wikimedia Commons

ABBA, formed in Stockholm, Sweden, in 1972, is one of the most successful and influential pop groups in history. Consisting of four members—Agnetha Fältskog, Anni-Frid “Frida” Lyngstad, Björn Ulvaeus, and Benny Andersson—the group achieved worldwide fame with their infectious melodies and innovative production techniques. ABBA released eight studio albums between 1973 and 1981, amassing multiple chart-topping hits across the globe, including “Dancing Queen,” “Mamma Mia,” and “Waterloo,” which won the Eurovision Song Contest in 1974. The group disbanded in 1982 but reunited decades later to release Voyage in 2021, their first new album in 40 years. ABBA’s legacy includes more than 400 million records sold, induction into the Rock and Roll Hall of Fame in 2010, and numerous awards and accolades, cementing their place as a cornerstone of popular music.

Agnetha Fältskog

Fältskog’s musical journey began at a young age, composing her first song, “Två små troll,” at just six years old. Her professional career took off in 1967 with the release of her debut single, “Jag var så kär,” which topped the Swedish charts. Fältskog’s early solo success in Sweden solidified her reputation as a talented songwriter and singer, and her 1968 self-titled debut album marked the beginning of her ascent in the music industry.

Fältskog joined forces with Björn Ulvaeus, Benny Andersson, and Anni-Frid Lyngstad to form ABBA in 1972, becoming the youngest member of the group. Her clear soprano voice became a defining feature of ABBA’s sound, shining on hits like “SOS,” “The Winner Takes It All,” and “Thank You for the Music.” During her time with ABBA, Fältskog contributed solo parts to many of the group’s most iconic songs, earning critical acclaim for her emotive and technically impressive vocal performances. The group won the Eurovision Song Contest in 1974 with “Waterloo” and went on to release albums such as Arrival, Super Trouper, and The Visitors, solidifying their legacy as global pop icons.

After ABBA unofficially disbanded in 1982, Fältskog embarked on a solo career, releasing albums like Wrap Your Arms Around Me (1983), which featured hits such as “The Heat Is On” and “Can’t Shake Loose.” The album achieved international success, topping charts in Sweden and Denmark while performing well across Europe. Subsequent solo albums, including Eyes of a Woman (1985) and I Stand Alone (1987), further demonstrated her versatility as an artist. Beyond music, Fältskog also acted, notably appearing in the Swedish film Raskenstam in 1983.

Despite taking a long hiatus from the spotlight in the 1990s, Fältskog returned in 2004 with My Colouring Book, an album of covers of 1960s classics that garnered critical and commercial success. She released another solo album, A, in 2013, which became her highest-charting album in the UK. In recent years, Fältskog rejoined ABBA for the release of their 2021 album Voyage and its accompanying groundbreaking virtual concert residency, ABBA Voyage.

Known for her private nature, Fältskog has largely avoided the public eye outside of her professional commitments. She continues to reside in Ekerö, Sweden, and remains a beloved figure in the music world, celebrated for her contributions to ABBA’s unparalleled legacy and her enduring solo achievements.

Anni-Frid “Frida” Lyngstad

Anni-Frid Lyngstad, born on November 15, 1945, in Bjørkåsen, Norway, is best known as a founding member and lead vocalist of ABBA, one of the most iconic and successful pop groups in music history. With over 150 million records sold worldwide, ABBA’s influence on popular music is monumental. Lyngstad, affectionately known as “Frida,” brought her rich mezzo-soprano voice and commanding stage presence to the group, helping to shape ABBA’s signature sound. Before ABBA, Lyngstad had a notable solo career in Sweden, winning a national talent competition in 1967 and achieving moderate success as a recording artist. She later transitioned into an international solo career after ABBA’s disbandment, releasing albums like Something’s Going On (1982) and Shine (1984). Lyngstad’s career has spanned jazz, schlager, pop, and rock, showcasing her versatility as a performer.

Lyngstad’s early life was marked by resilience. Born to a Norwegian mother and a German soldier during World War II, her mother tragically passed away when Lyngstad was just two years old, leaving her to be raised by her grandmother in Sweden. Her love for music blossomed at an early age, nurtured by her grandmother’s encouragement. Lyngstad’s professional music career began in 1958 at the age of 13, performing with local dance bands. She gained national attention in Sweden after winning the “New Faces” talent competition in 1967, which led to her first recording contract. Over the next few years, Lyngstad released several singles and her debut album, Frida (1971), produced by her future ABBA bandmate and partner, Benny Andersson. The album received critical acclaim for its emotional depth and her nuanced vocal delivery.

As a member of ABBA, Lyngstad contributed lead vocals to numerous iconic songs, including “Fernando,” “Money, Money, Money,” “Knowing Me, Knowing You,” and “The Visitors.” Her performance of “The Winner Takes It All,” often regarded as one of ABBA’s most poignant tracks, is a testament to her ability to convey deep emotion through song. Beyond her vocal contributions, Lyngstad played an active role in the group’s visual identity, co-designing many of ABBA’s iconic costumes. Following ABBA’s disbandment in 1982, Lyngstad pursued a solo career that further showcased her artistic range. Her Phil Collins-produced album Something’s Going On was a commercial success, with the single “I Know There’s Something Going On” becoming a global hit. She followed this with Shine (1984) and later the Swedish-language album Djupa andetag (1996), which topped the charts in Sweden.

In recent years, Lyngstad has rejoined her ABBA bandmates for the 2021 album Voyage and the groundbreaking virtual concert residency “ABBA Voyage,” which opened in London in 2022. Her life and career have been marked by resilience, artistry, and an enduring connection to her fans worldwide. As a trailblazing figure in pop music, Lyngstad continues to be celebrated for her contributions to ABBA’s unparalleled legacy and her significant solo achievements.

Björn Ulvaeus

Björn Kristian Ulvaeus is a renowned musician, songwriter, producer, and a founding member of ABBA, one of the most successful and enduring pop groups in history. With over 150 million records sold worldwide, ABBA’s influence on music and culture is profound, and Ulvaeus played a pivotal role in the band’s legacy. His talents extend beyond ABBA, as he is also co-composer of the musicals Chess, Kristina från Duvemåla, and Mamma Mia! and co-producer of the films Mamma Mia! and Mamma Mia! Here We Go Again. As ABBA’s oldest member, Ulvaeus’s career reflects his diverse contributions to music, theater, and film.

Ulvaeus’s musical journey began with the Hootenanny Singers, a popular Swedish folk-schlager group that enjoyed significant acclaim in Scandinavia during the 1960s. While touring, he met Benny Andersson, a fellow musician and composer, and the two developed a collaborative partnership. Their early songwriting efforts included hits for Swedish artists such as Brita Borg and Hep Stars, laying the groundwork for their future endeavors. In the late 1960s, Ulvaeus and Andersson began working together as a duo, producing and writing songs, while Ulvaeus continued his work with the Hootenanny Singers.

In 1972, Ulvaeus, Andersson, Agnetha Fältskog, and Anni-Frid Lyngstad officially formed ABBA, named after the first letters of their names. Ulvaeus contributed his talents as a guitarist and vocalist, singing lead on several tracks, including “Does Your Mother Know,” “Summer Night City,” and “Rock Me.” His songwriting partnership with Andersson became the backbone of ABBA’s success, producing timeless hits like “Dancing Queen,” “Mamma Mia,” and “The Winner Takes It All.” ABBA achieved global stardom, winning the Eurovision Song Contest in 1974 and topping charts worldwide throughout the 1970s and early 1980s. The band disbanded in 1982, following the end of both Ulvaeus and Andersson’s marriages to Fältskog and Lyngstad, respectively.

Post-ABBA, Ulvaeus and Andersson continued their collaboration, focusing on musical theater. Their first major project, Chess (1984), featured lyrics by Tim Rice and produced hits like “One Night in Bangkok.” They later created Kristina från Duvemåla, based on Vilhelm Moberg’s The Emigrants series, and Mamma Mia!, a jukebox musical inspired by ABBA’s songs. These projects further cemented Ulvaeus’s reputation as a masterful songwriter and producer. In addition to musicals, he and Andersson composed the anthem for the 2013 Eurovision Song Contest and played a role in developing the ABBA virtual concert residency, ABBA Voyage, which launched in 2022.

In his personal life, Ulvaeus has experienced both highs and challenges. He married Agnetha Fältskog in 1971, and they had two children before divorcing in 1980. He later married Lena Källersjö in 1981, with whom he had two daughters, before their separation in 2022. In 2024, he married Christina Sas. Known for his innovative and entrepreneurial spirit, Ulvaeus has founded IT businesses, advocated for cashless transactions, and supported creative projects like ABBA The Museum. He is also an outspoken atheist and humanist, earning recognition for his efforts to promote ethical and secular values.

Ulvaeus’s contributions have earned him numerous accolades, including shared Ivor Novello Awards, Grammy nominations, and the prestigious Royal Order of Vasa in 2024, commemorating the 50th anniversary of ABBA’s Eurovision victory.

Benny Andersson

Benny Andersson, born on December 16, 1946, in Stockholm, Sweden, is a renowned musician, composer, and producer whose work has shaped popular music for decades. As a member of the legendary group ABBA and a prolific songwriter, Andersson’s career has spanned not only chart-topping hits but also critically acclaimed musicals and orchestral compositions.

Music was an integral part of Andersson’s upbringing, inspired by his father and grandfather, who shared their love for Swedish folk tunes and traditional music. He began playing the accordion as a child, eventually teaching himself piano by age ten. His passion for music led him to perform at local clubs, where his natural talent became evident. By his teenage years, he had joined his first band, and in 1964, he became the keyboardist for the Hep Stars, a group often regarded as Sweden’s answer to the Beatles. Andersson’s songwriting soon became a driving force behind the band, contributing original tracks that resonated with their growing fan base.

The turning point in Andersson’s career came in 1966 when he met Björn Ulvaeus. A creative partnership blossomed between the two, and they began composing songs together, blending their distinct musical influences. Their collaboration paved the way for ABBA’s formation in the early 1970s, alongside singers Agnetha Fältskog and Anni-Frid Lyngstad. Winning the 1974 Eurovision Song Contest with “Waterloo” launched ABBA onto the global stage, and the group’s infectious melodies and innovative production made them an international phenomenon. Andersson and Ulvaeus’s compositions, including classics like “Dancing Queen” and “Mamma Mia,” became defining tracks of the era.

Following ABBA’s dissolution in 1982, Andersson transitioned seamlessly into musical theater, working with Ulvaeus and lyricist Tim Rice on Chess, a stage production that produced hits like “I Know Him So Well” and “One Night in Bangkok.” Andersson also delved into Swedish-language musicals, most notably Kristina från Duvemåla, which drew on his deep appreciation for Swedish folk music. These works not only showcased his versatility as a composer but also solidified his reputation as a creative force beyond pop music.

In 2001, Andersson founded Benny Anderssons Orkester (BAO), a group that combined traditional Scandinavian music with contemporary arrangements. The ensemble became hugely popular in Sweden, with songs like “Du är min man” remaining fixtures on Swedish radio. Andersson continued to compose new material for BAO, while also revisiting ABBA’s legacy through projects like Mamma Mia!, a musical and film franchise that introduced ABBA’s music to a new generation.

Andersson’s creativity has extended to various media, including film scores and solo piano recordings. In 2021, he reunited with his ABBA bandmates for the virtual concert residency ABBA Voyage and the album Voyage, their first studio release in 40 years. This innovative project combined cutting-edge technology with timeless music, underscoring Andersson’s ability to evolve with the times while staying true to his artistic roots.

Throughout his life, Andersson has balanced his professional achievements with a commitment to personal growth. After overcoming struggles with alcohol, he embraced sobriety in 2001 and has since spoken openly about his journey. His marriage to Mona Nörklit has been a source of stability, and together, they have raised a family that includes a son involved in preserving ABBA’s legacy.


Rutger Gunnarsson

Rutger Gunnarsson served as ABBA’s primary bass guitarist and string arranger from 1972 until the band’s dissolution in 1982. A master of his craft, Gunnarsson’s contributions shaped the sonic depth of ABBA’s music. His meticulous basslines added rhythmical complexity to hits like “Dancing Queen” and “Money, Money, Money,” while his string arrangements enriched tracks such as “Fernando” and “Thank You for the Music.” Gunnarsson’s ability to create seamless blends of orchestration and pop sensibility played a significant role in ABBA’s signature sound.

Gunnarsson’s work extended beyond ABBA’s eight studio albums, as he also participated in the group’s extensive touring schedules, including their landmark 1979 and 1980 world tours. His contributions were celebrated for their precision and musicality, setting a benchmark for bass playing in pop music.

Outside of ABBA, Gunnarsson was a sought-after arranger and session musician, collaborating with Swedish and international artists. His expertise in string arrangements earned him accolades in classical and contemporary settings. Despite his passing in 2015, Gunnarsson’s work remains immortalized in ABBA’s catalog and the broader pop music landscape.


Ola Brunkert

Ola Brunkert was ABBA’s go-to drummer from 1972 to 1981, lending his percussive brilliance to the group’s most iconic tracks. Known for his impeccable timing and dynamic playing style, Brunkert helped shape ABBA’s rhythmic foundation. From the driving beat of “Voulez-Vous” to the energetic pulse of “Take a Chance on Me,” his drumming elevated the band’s music to new heights.

A trusted collaborator, Brunkert was integral to ABBA’s recording sessions and toured extensively with the band. His work on live performances added a powerful edge to their polished studio sound, captivating audiences worldwide. Beyond ABBA, Brunkert’s career as a session musician brought him into collaboration with many notable Swedish artists, solidifying his reputation as one of the country’s premier drummers.

Brunkert’s contributions to music extended well beyond ABBA, and his untimely passing in 2008 was deeply felt across the music industry. His legacy as a rhythmic innovator continues to influence drummers in the pop and rock genres.


Mike Watson

Mike Watson, a bassist known for his adaptability and skill, contributed significantly to ABBA’s music from 1972 to 1980. Playing alongside Rutger Gunnarsson, Watson added rich textures and rhythmic layers to tracks such as “Knowing Me, Knowing You” and “Super Trouper.” His basslines provided a subtle yet essential foundation that complemented the band’s intricate vocal harmonies and lush instrumentation.

In addition to studio recordings, Watson was an integral part of ABBA’s live performances during their peak years, bringing energy and groove to their concerts. His technical proficiency and stage presence made him a valuable asset to the group’s touring ensemble.

Beyond ABBA, Watson enjoyed a successful career in Sweden as a session musician, working with a variety of artists and genres. His contributions to ABBA’s music remain a testament to his versatility and artistry as a bassist.


Janne Schaffer

Janne Schaffer, a highly accomplished electric lead guitarist, played a pivotal role in defining ABBA’s sound from 1972 to 1982. His distinctive guitar work can be heard on tracks like “Eagle” and “Does Your Mother Know,” where his intricate solos and melodic riffs added a rock-inspired edge to the band’s polished pop sound. Schaffer’s versatility allowed him to seamlessly blend into ABBA’s diverse musical styles, from disco to ballads.

In addition to his work with ABBA, Schaffer had an illustrious career as a solo artist and session musician, collaborating with international artists such as Bob Marley and Toto. His contributions to ABBA’s music extended beyond his guitar playing, as he occasionally provided creative input during the band’s recording sessions.

Schaffer’s technical brilliance and artistic sensitivity made him one of Sweden’s most respected guitarists. His influence on ABBA’s music is undeniable, and his work continues to inspire guitarists worldwide.

Roger Palm

Roger Palm served as a drummer for ABBA from 1972 to 1979, providing steady rhythms and versatile grooves that defined the percussive backbone of the band’s music during their most formative years. Palm’s drumming can be heard on tracks like “Waterloo” and “Mamma Mia,” where his dynamic playing perfectly complemented ABBA’s bright melodies and layered arrangements.

Known for his precision and adaptability, Palm was a vital presence in ABBA’s studio sessions. His drumming lent a distinct energy to the band’s early sound, contributing to their breakthrough success. Beyond ABBA, Palm worked as a session drummer, playing with numerous Swedish artists and solidifying his reputation as a reliable and accomplished musician.

Roger Palm’s contributions to ABBA’s music remain an integral part of the band’s legacy. His passing in 2024 marked the end of a life dedicated to rhythm and creativity, leaving behind a lasting influence on pop music.


Malando Gassama

Malando Gassama, a master percussionist, brought a vibrant and global flavor to ABBA’s recordings from 1973 to 1979. His intricate rhythms and unique instrumentation added depth to tracks like “Fernando” and “Lay All Your Love on Me,” enhancing the band’s already rich sonic palette. Gassama’s contributions were instrumental in infusing ABBA’s music with a dynamic, world-music-inspired edge.

A sought-after musician, Gassama worked on several international projects beyond ABBA, collaborating with artists across genres. His ability to seamlessly incorporate diverse percussive elements made him a standout talent in Swedish and global music circles.

Gassama passed away in 1999, but his innovative percussion work remains a cornerstone of ABBA’s enduring sound. His contributions continue to inspire percussionists and enrich the band’s timeless recordings.


Lasse Wellander

Lasse Wellander, one of Sweden’s most celebrated guitarists, played electric lead guitar for ABBA between 1974 and 1982 and later during their reunion recordings from 2017 to 2021. Wellander’s masterful guitar work is featured on hits such as “Gimme! Gimme! Gimme! (A Man After Midnight)” and “Knowing Me, Knowing You,” where his intricate solos and dynamic riffs added texture and drive to ABBA’s polished pop sound.

Wellander’s collaboration with ABBA extended to their live performances, where his energetic stage presence and exceptional skill elevated the band’s concerts to unforgettable experiences. His versatility as a guitarist allowed him to adapt to ABBA’s wide-ranging styles, from disco to heartfelt ballads.

Outside of ABBA, Wellander enjoyed a prolific career as a session musician and solo artist, contributing to numerous recordings across genres. His passing in 2023 marked the loss of a true musical virtuoso, but his artistry remains immortalized in ABBA’s catalog and in the hearts of fans and musicians worldwide.


Anders Eljas

Anders Eljas joined ABBA’s circle of collaborators in 1977, contributing keyboards and orchestration during the production of their celebrated ABBA: The Album. A versatile musician and arranger, Eljas worked alongside Benny Andersson to enrich the band’s lush soundscapes, particularly on tracks like “Eagle” and “I’m a Marionette.” His mastery of orchestration played a crucial role in shaping ABBA’s evolving style, merging pop with elements of classical and theatrical music.

Eljas’s contributions extended beyond the studio; he later worked on ABBA-adjacent projects, including orchestrating the music for Chess, the musical co-created by Benny Andersson and Björn Ulvaeus. His expertise in both classical and popular music allowed him to navigate the diverse demands of these projects with ease.

While his tenure with ABBA was relatively brief, Eljas’s influence on their work in 1977 remains a testament to his skill and creativity. He continues to be celebrated for his wide-ranging contributions to music and theater.


Åke Sundqvist

Åke Sundqvist brought his percussive talent to ABBA from 1978 to 1982, a period that saw the band at the peak of their global success. His work on tracks like “Super Trouper” and “The Visitors” added a rich layer of rhythm and texture to ABBA’s intricate arrangements, enhancing their ability to blend pop with more experimental sounds.

Sundqvist’s versatility as a percussionist was evident in his ability to adapt to ABBA’s wide-ranging styles, from the upbeat energy of disco hits to the introspective mood of their later recordings. His contributions, though often understated, were vital in creating the seamless interplay between rhythm and melody that defined ABBA’s sound.

Beyond ABBA, Sundqvist was a highly respected session musician, working with many prominent Swedish artists and leaving his mark on countless recordings. His work with ABBA remains a highlight of his career, reflecting his exceptional skill and dedication to his craft.


Per Lindvall

Per Lindvall served as ABBA’s drummer during the later years of their original run from 1980 to 1982, contributing to tracks on their final studio album, The Visitors, and continuing his work with the band during their 2017–2021 reunion recordings for Voyage. His precise drumming and nuanced touch brought a distinct energy to songs like “One of Us” and “I Still Have Faith in You.”

Lindvall’s ability to deliver both power and subtlety in his playing made him an invaluable asset during ABBA’s creative evolution in the early 1980s. He seamlessly adapted to the band’s shift toward more mature and introspective material while maintaining the rhythmic integrity that defined their earlier hits.

Outside of ABBA, Lindvall built a reputation as one of Sweden’s premier session drummers, collaborating with an array of artists across genres. His work with ABBA, spanning both their original run and their historic reunion, solidifies his place as a key contributor to one of pop music’s most enduring legacies.

More ABBA articles on ClassicRockHistory.com

Top 10 ABBA Songs

Complete List Of ABBA Albums And Discography

ABBA’s New Album Is Their Highest Charting Album Ever In U.S.

ABBA Voyage Album Review: Just Released New ABBA Music

ABBA Returns With First New Album In Forty Years

Read More: Artists’ Interviews Directory At ClassicRockHistory.com

Read More: Classic Rock Bands List And Directory

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