The chronicle of Sir Rod Stewart is a sprawling, six-decade epic, a testament to a restless artistic spirit that journeyed from the gritty R&B clubs of 1960s London to the pinnacle of global superstardom, his unmistakable gravelly voice becoming one of the most iconic and beloved sounds in popular music. Born in Highgate, North London, Roderick David Stewart’s initial forays into the music world were decidedly unglamorous, a period of youthful exploration that saw him busking with a harmonica in 1962, a raw, itinerant apprenticeship that hinted at the tenacity to come.
His first formal engagement arrived in October 1963 when he joined The Dimensions as a harmonica player and occasional vocalist, a commitment he juggled with his day job in his brother’s painting and picture-frame shop. This early dedication, balancing nascent musical ambitions with everyday work, underscores a foundational work ethic. A more decisive step towards a full-time music career occurred in January 1964 when, at the age of 19, Stewart accepted an invitation from Long John Baldry to join his group, the All Stars, a move that prompted him to leave his conventional employment behind.
It was during this formative period that the “Rod the Mod” persona began to crystallize, his dandyish attire and carefully cultivated style reflecting not merely a fashion statement but an authentic immersion in the vibrant Mod subculture of the era. This early understanding of image and stage presence, an innate grasp of showmanship, would prove to be a vital component of his enduring appeal. His musical education was further enriched by his involvement with Steampacket, a white soul revue that toured with luminaries such as The Rolling Stones, steeping him in the R&B and soul idioms that would forever inform his vocal delivery—the characteristic rasp, the emotive phrasing, and the soulful depth that became his sonic signature. This unwavering blues and R&B foundation provided him with a versatile musical vocabulary, a core authenticity that allowed him to later navigate and master an astonishing array of genres.
The late 1960s marked a crucial period of artistic sharpening, as Stewart’s talents were forged in the crucible of two influential bands, the Jeff Beck Group and Faces, even as he simultaneously laid the groundwork for a monumental solo career. Joining the Jeff Beck Group in February 1967 was a “significant break,” a pivotal moment that not only paired him with the virtuosic guitarist Jeff Beck but also initiated his enduring friendship and musical partnership with Ronnie Wood. This collaboration was instrumental in honing his rock credentials and significantly boosting his visibility, particularly in the United States.
The group’s albums, Truth (1968) and Beck-Ola (1969), served as powerful showcases for Stewart’s increasingly dramatic and potent vocals; he also contributed to songwriting, later crediting this period with a significant development in his vocal abilities. The dynamic within such a talent-laden group, while creatively stimulating, was not without its challenges, including conflicts with management, an environment that likely accelerated his maturation as a performer.
Concurrent with this band activity, Stewart’s solo ambitions were taking shape. He signed a solo recording contract with Mercury Records in October 1968, and in 1969, released his debut solo album, An Old Raincoat Won’t Ever Let You Down (titled The Rod Stewart Album in the US). This record immediately established his distinctive solo sound: a compelling fusion of folk, rock, and country blues, imbued with a uniquely British working-class sensibility and narrative depth. This early solo work demonstrated not only his ambition but also a clear artistic vision distinct from his band projects.
In October 1969, following Steve Marriott’s departure from the Small Faces, Stewart, along with Ronnie Wood, joined the reconfigured lineup, which was soon rebranded as Faces. Renowned for their boisterous, freewheeling rock and roll and infectious camaraderie, Faces offered a more raucous and communal outlet for Stewart’s talents. The parallel pursuit of a flourishing solo career—with albums like Gasoline Alley (1970) gaining acclaim—alongside his role in the increasingly popular Faces, created a unique, if sometimes tense, dynamic. This duality, however, proved strategically brilliant, allowing him to explore diverse musical facets and ensuring his voice and name remained consistently in the public eye, effectively amplifying his ascent.
The dawn of the 1970s witnessed Rod Stewart’s explosive ascent to global superstardom, a trajectory ignited by a single song that would become an anthem for a generation and solidify his place in rock and roll history. The 1971 solo album Every Picture Tells a Story proved to be the watershed moment. Its second track, “Maggie May,” a poignant, mandolin-laced narrative co-written by Stewart and Martin Quittenton and initially relegated to the B-side of the single “Reason to Believe,” unexpectedly captured the public’s imagination.
Through sheer force of radio airplay and popular demand, “Maggie May” and its parent album achieved an unprecedented feat in September 1971, simultaneously topping the singles and albums charts in the United Kingdom, the United States, Canada, and Australia—a historic first that instantly transformed Stewart from a respected vocalist into a bona fide international phenomenon. The song’s organic success, driven by its narrative charm and Stewart’s evocative delivery rather than overt marketing, underscored an appeal rooted in genuine artistic merit. “Maggie May” enjoyed a five-week reign at number one in both the US and UK and has since been enshrined by the Rock and Roll Hall of Fame as one of the 500 Songs that Shaped Rock and Roll.
This triumph was swiftly followed by continued success with the album Never a Dull Moment in 1972, which featured the hit single “You Wear It Well,” further cementing his chart dominance. A move to Warner Bros. Records in 1975 and a collaboration with legendary producer Tom Dowd on the album Atlantic Crossing marked a subtle shift towards a more polished sound, yielding the monumental UK number-one single “Sailing,” which became his biggest-selling single in his homeland.
The latter half of the decade saw Stewart maintain his Midas touch, with the ballad “Tonight’s the Night (Gonna Be Alright)” holding the top spot on the US Billboard Hot 100 for an impressive eight weeks in 1976, and the disco-infused “Da Ya Think I’m Sexy?” from the 1978 album Blondes Have More Fun conquering charts worldwide, including number one positions in both the US and UK. While “Da Ya Think I’m Sexy?” courted criticism from some quarters for its departure from his rock roots, its massive success demonstrated a remarkable commercial adaptability and an astute understanding of the evolving musical landscape. Characteristically, Stewart turned potential controversy into a positive gesture, donating his royalties from the song to UNICEF and performing it at the Music for UNICEF Concert in 1979. This ability to navigate and often conquer prevailing musical trends, while sometimes divisive, was a crucial element in maintaining his extraordinary level of fame and relevance throughout a rapidly changing decade.
Throughout the 1980s and 1990s, Rod Stewart showcased an extraordinary capacity for reinvention and resilience, navigating shifting musical tides with a chameleon-like adaptability that ensured his continued presence at the forefront of popular music, culminating in one of his most unexpected and successful career pivots. As the 1970s gave way to the 80s, Stewart astutely embraced the emerging sounds of new wave and synth-pop, evident in albums like Tonight I’m Yours (1981), which spawned the hit single “Young Turks,” a track that resonated with the MTV generation.
While this period saw him explore more contemporary production styles, sometimes to the chagrin of longtime rock purists, it kept him firmly in the charts. The late 1980s and early 1990s heralded a significant resurgence in his popularity, with albums like Out of Order (1988), co-produced by Duran Duran’s Andy Taylor and Chic’s Bernard Edwards, and Vagabond Heart (1991) delivering a string of memorable hits including “Lost In You,” “Forever Young,” “My Heart Can’t Tell You No,” a poignant cover of Tom Waits’ “Downtown Train,” and the anthemic “Rhythm of My Heart”.
A particularly pivotal moment arrived in 1993 with the release of Unplugged…and Seated. This live acoustic album, part of MTV’s popular series, was a critical and commercial triumph, stripping back the layers of production to highlight the raw power and emotive depth of Stewart’s voice. His rendition of Van Morrison’s “Have I Told You Lately” from this album became a major international hit and served as a powerful reaffirmation of his core talents as an interpreter and vocalist, reminding audiences of the folk and rock roots that underpinned his artistry.
Then, in the early 2000s, Stewart embarked on perhaps his most audacious and ultimately rewarding venture: The Great American Songbook series. Under the guidance of legendary music executive Clive Davis, he released a succession of albums interpreting classic pop standards from the 1930s and 1940s. This move was met with immense popular success, with Stardust: The Great American Songbook, Volume III (2004) earning him his first US number-one album in 25 years and his first Grammy Award. This strategic masterstroke not only introduced his voice to a new demographic but also cleverly repositioned him as an elder statesman of popular song, transcending genre limitations.
Demonstrating that his creative wellspring was far from dry, Stewart returned to songwriting after what he described as a “dark period of twenty years,” releasing the album Time in 2013, which featured original material and impressively debuted at number one on the UK Albums Chart.
The sheer scale of Rod Stewart’s recorded output and the consistent, decades-spanning success of his music underscore a relentless creative drive and an almost unparalleled ability to connect with audiences across generations. As of the 2024 release of Swing Fever, a collaboration with Jools Holland, Stewart has amassed an extraordinary catalogue of 32 studio albums. This prolific discography, stretching from his 1969 debut An Old Raincoat Won’t Ever Let You Down to his most recent offerings, is a testament to remarkable longevity and an unwavering commitment to his craft over six decades.
His chart achievements are staggering: in his native United Kingdom, he has celebrated 10 number-one albums and an impressive 31 top-ten singles, six of which reached the coveted number-one position. This enduring bond with his home audience is a cornerstone of his career. Across the Atlantic, in the competitive US market, Stewart has garnered 16 top-ten singles, with four scaling the summit of the Billboard Hot 100. This consistent ability to craft songs that resonated deeply on both sides of the ocean speaks to a universal quality in his music and persona, a hallmark of truly iconic international artists.
His list of hit singles reads like a soundtrack to multiple eras, showcasing his remarkable versatility: the folk-rock intimacy of “Maggie May,” the swagger of “You Wear It Well,” the heartfelt sweep of “Sailing,” the sultry allure of “Tonight’s the Night (Gonna Be Alright),” the raw emotion of Cat Stevens’ “The First Cut Is the Deepest,” the controversial yet undeniably catchy disco of “Da Ya Think I’m Sexy?,” the new wave energy of “Passion” and “Young Turks,” the poignant balladry of “Baby Jane” and “My Heart Can’t Tell You No,” the timeless sentiment of “Forever Young,” the urban romance of “Downtown Train,” the Celtic-infused rock of “Rhythm of My Heart,” the tender reinterpretation of “Have I Told You Lately,” and the blockbuster collaboration “All For Love” with Sting and Bryan Adams. This continuous stream of diverse hits, coupled with his strategic evolution in sound, prevented him from being prematurely relegated to a nostalgia act, allowing him to generate new successes and remain a vital, current artist for far longer than many of his contemporaries.
The immense critical acclaim and industry respect Rod Stewart has garnered throughout his career are vividly reflected in the constellation of prestigious awards and honors bestowed upon him, cementing his status as a true legend of popular music. Perhaps most significantly, he holds the rare distinction of being inducted into the Rock and Roll Hall of Fame not once, but twice: first as a solo artist in 1994, an honor presented by his former bandmate Jeff Beck, and again in 2012 as a pivotal member of the influential group Faces. This dual induction is a powerful testament to his profound impact in multiple creative capacities, acknowledging his contributions both as a singular frontman and as an integral part of a band that significantly shaped the rock genre.
In 2005, his successful foray into classic pop standards was recognized with a Grammy Award for Best Traditional Pop Vocal Album for Stardust… The Great American Songbook Volume III. His profound impact on British music was celebrated in 1993 when he received the Brit Award for Outstanding Contribution to Music. One of the highest civilian honors, a knighthood, was conferred upon him in the 2016 Birthday Honours, recognizing his extensive “services to music and charity,” officially making him Sir Rod Stewart. This elevation to knighthood signifies his integration into the fabric of British cultural life, acknowledging not just his musical legacy but also his significant philanthropic endeavors.
Further underscoring his global icon status, Stewart received a star on the Hollywood Walk of Fame in 2005 and was inducted into the UK Music Hall of Fame in 2006. His enduring chart power and vocal prowess have also been acknowledged by industry arbiters: Billboard magazine ranked him the 17th most successful artist on their “Billboard Hot 100 All-Time Top Artists” list in 2008, while both Q Magazine and Rolling Stone have featured him prominently in their respective lists of the “Greatest Singers of All Time”. His trophy cabinet also includes a Legend Award (1993) and a Diamond Award (2001, for sales exceeding 100 million records worldwide) from the World Music Awards, the prestigious ASCAP Founders Award in 2011, and an Ivor Novello Lifetime Achievement Award in 1999.
Beyond the dazzling spotlight of his musical achievements, Rod Stewart has cultivated a life rich with personal passions and a notable commitment to philanthropy, elements that contribute significantly to his beloved status and the perception of an “everyman” appeal coexisting with his rock royalty. His charitable work is extensive, notably his active fundraising for The City of Hope Foundation, an organization dedicated to cancer research, a cause that became deeply personal following his own diagnosis and successful treatment for thyroid cancer in 2000. This commitment to giving back was further evidenced in February 2023 when he personally funded a day’s worth of MRI scans for patients at a National Health Service hospital in Harlow, Essex, to help alleviate waiting lists, an act of direct intervention driven by empathy.
This philanthropy, often stemming from personal experience, adds a layer of profound humanism to his public image. A lifelong and fervent passion for football has always been a defining characteristic; a talented player in his youth who captained his school team, he remains an ardent supporter of Celtic FC and the Scotland national team. This relatable enthusiasm for the “beautiful game” endears him to legions of fans.
Perhaps more unexpectedly, Stewart is a dedicated and highly accomplished model railway enthusiast. His elaborate 23 ft × 124 ft HO scale layout, meticulously modeled on the New York Central and Pennsylvania Railroads of the 1940s, has graced the cover of Model Railroader magazine multiple times—an accolade he once famously stated meant more to him than appearing in a music magazine. This intricate hobby reveals a meticulous, patient, and perhaps surprisingly introspective side to the flamboyant performer.
While also a known car collector, with a Ferrari Enzo among his prized possessions, it is these more down-to-earth pursuits, alongside his well-documented working-class origins, that cultivate a persona of relatability. This perceived authenticity, even amidst decades of fame and fortune, helps bridge the gap between the iconic star and his audience, fostering a deeper connection that transcends mere admiration for his musical talent. His enduring popularity, which has seen him sell over 120 million records worldwide, is undeniably rooted in his distinctive raspy voice and his unique ability to fuse rock, folk, soul, and R&B into a sound that appeals to an exceptionally broad audience.
The narrative of Rod Stewart is far from concluded; his unfading voice continues to resonate, adding new chapters to a six-decade legacy that is firmly embedded in the pantheon of popular music. He remains a vital recording artist, with recent studio albums such as Blood Red Roses (2018), The Tears of Hercules (2021), and the vibrant Jools Holland collaboration Swing Fever (2024) demonstrating an ongoing creative spark and a desire to explore fresh musical avenues.
His enduring stage presence has been showcased at highly significant events, including a performance at the Platinum Party at the Palace in June 2022, celebrating Queen Elizabeth II’s Platinum Jubilee, and his participation in the poignant Jeff Beck tribute concerts in May 2023. Further affirming his iconic status and cross-generational appeal, Stewart has been confirmed to play the prestigious “Legends” slot at the Glastonbury Festival in 2025, a booking that serves as a cultural anointment in the UK, signifying an artist’s elevation to a select group of performers who have achieved timeless, iconic status.
The immense commercial and cultural value of his life’s work was unequivocally underscored in February 2024 when Irving Azoff’s Iconic Artists Group acquired Stewart’s extensive music catalogue for a sum reported to be close to $100 million. This landmark valuation is a definitive statement on the enduring artistic and financial power of his body of work, reflecting not just past glories but the ongoing significance and earning potential of his songs. Sir Rod Stewart’s remarkable journey, characterized by his unmistakable voice, his fearless genre-blending, his captivating showmanship, and an uncanny ability to connect with audiences on a deeply personal level, ensures that his music will continue to entertain and inspire for generations to come.
Complete List Of Rod Stewart Songs From A to Z
(Find a) Reason to Believe – Every Picture Tells a Story – 1971
(I Know) I’m Losing You – Every Picture Tells a Story – 1971
(If Loving You Is Wrong) I Don’t Want to Be Right – Foot Loose & Fancy Free – 1977
(You Make Me Feel Like) A Natural Man – Smiler – 1974
(Your Love Keeps Lifting Me) Higher and Higher – Soulbook – 2009
‘S Wonderful – Stardust: The Great American Songbook, Volume III – 2004
A Friend for Life – Another Country – 2015
A Kiss to Build a Dream on – Stardust: The Great American Songbook, Volume III – 2004
A Night Like This – Every Beat of My Heart – 1986
A Nightingale Sang in Berkeley Square – Stardust: The Great American Songbook, Volume III – 2004
Ain’t Love a Bitch – Blondes Have More Fun – 1978
Ain’t Misbehavin’ – Fly Me to the Moon… The Great American Songbook Volume V – 2010
Ain’t Misbehavin’ – Swing Fever – 2024
All in the Name of Rock ‘N’ Roll – Atlantic Crossing – 1975
All My Days – The Tears of Hercules – 2021
All of Me – Fly Me to the Moon… The Great American Songbook Volume V – 2010
All Right Now – Camouflage – 1984
Almost Illegal – Out of Order – 1988
Almost Like Being in Love – Swing Fever – 2024
Alright for an Hour – Atlantic Crossing – 1975
An Old Raincoat Won’t Ever Let You Down – An Old Raincoat Won’t Ever Let You Down – 1969
Angel – Never a Dull Moment – 1972
Another Country – Another Country – 2015
Another Heartache – Every Beat of My Heart – 1986
As Time Goes By – As Time Goes By: The Great American Songbook, Volume II – 2003
Attractive Female Wanted – Blondes Have More Fun – 1978
Auld Lang Syne – Merry Christmas, Baby – 2012
Baby Jane – Body Wishes – 1983
Baby, It’s Cold Outside – Stardust: The Great American Songbook, Volume III – 2004
Bad For You – Camouflage – 1984
Batman Superman Spiderman – Another Country – 2015
Beautiful Morning – Time – 2013
Better off Dead – Foolish Behaviour – 1980
Bewitched, Bothered & Bewildered – As Time Goes By: The Great American Songbook, Volume II – 2003
Beyond the Sea – Fly Me to the Moon… The Great American Songbook Volume V – 2010
Big Bayou – A Night on the Town – 1976
Blind Prayer – An Old Raincoat Won’t Ever Let You Down – 1969
Blood Red Roses – Blood Red Roses – 2018
Blondes (Have More Fun) – Blondes Have More Fun – 1978
Blue Christmas – Merry Christmas, Baby – 2012
Blue Moon – Stardust: The Great American Songbook, Volume III – 2004
Blue Skies – Thanks for the Memory: The Great American Songbook, Volume IV – 2005
Body Wishes – Body Wishes – 1983
Born Loose – Foot Loose & Fancy Free – 1977
Born to Boogie (A Tribute to Marc Bolan) – The Tears of Hercules – 2021
Brighton Beach – Time – 2013
Bring It On Home to Me/You Send Me – Smiler – 1974
Broken Arrow – Vagabond Heart – 1991
But Not for Me – Stardust: The Great American Songbook, Volume III – 2004
Bye Bye Blackbird – Fly Me to the Moon… The Great American Songbook Volume V – 2010
Camouflage – Camouflage – 1984
Can We Stay Home Tonight? – Another Country – 2015
Can’t Stop Me Now – Time – 2013
Can We Still Be Friends – Camouflage – 1984
Careless With Our Love – When We Were the New Boys – 1998
Charlie Parker Loves Me – Human – 2001
Cheek to Cheek – Thanks for the Memory: The Great American Songbook, Volume IV – 2005
Cheek to Cheek – Fly Me to the Moon… The Great American Songbook Volume V – 2010
Cigarettes and Alcohol – When We Were the New Boys – 1998
Cindy’s Lament – An Old Raincoat Won’t Ever Let You Down – 1969
Cold Old London – Blood Red Roses – 2018
Cold Water – Time – 2013
Corrina Corrina – Time – 2013
Country Comfort – Gasoline Alley – 1970
Crazy About Her – Out of Order – 1988
Crazy Love – Still the Same… Great Rock Classics of Our Time – 2006
Crazy She Calls Me – As Time Goes By: The Great American Songbook, Volume II – 2003
Cut Across Shorty – Gasoline Alley – 1970
Da Ya Think I’m Sexy? – Blondes Have More Fun – 1978
Dancin’ Alone – Body Wishes – 1983
Day After Day – Still the Same… Great Rock Classics of Our Time – 2006
Delicious – A Spanner in the Works – 1995
Didn’t I – Blood Red Roses – 2018
Dirty Old Town – An Old Raincoat Won’t Ever Let You Down – 1969
Dirty Weekend – Blondes Have More Fun – 1978
Dixie Toot – Smiler – 1974
Don’t Come Around Here – Human – 2001
Don’t Get Around Much Anymore – As Time Goes By: The Great American Songbook, Volume II – 2003
Downtown Train – Vagabond Heart – 1991
Drift Away – Atlantic Crossing – 1975
Dynamite – Out of Order – 1988
Embraceable You – Stardust: The Great American Songbook, Volume III – 2004
Ev’ry Time We Say Goodbye – It Had to Be You: The Great American Songbook – 2002
Every Beat of My Heart – Every Beat of My Heart – 1986
Every Picture Tells a Story – Every Picture Tells a Story – 1971
Every Rock’n’Roll Song to Me – Another Country – 2015
Everything I Own – Still the Same… Great Rock Classics of Our Time – 2006
Farewell – Smiler – 1974
Farewell – Blood Red Roses – 2018
Father and Son – Still the Same… Great Rock Classics of Our Time – 2006
Finest Woman – Time – 2013
Fly Me to the Moon – Fly Me to the Moon… The Great American Songbook Volume V – 2010
Fool for You – A Night on the Town – 1976
Fooled Around and Fell in Love – Still the Same… Great Rock Classics of Our Time – 2006
Foolish Behaviour – Foolish Behaviour – 1980
For All We Know – It Had to Be You: The Great American Songbook – 2002
For Sentimental Reasons – Stardust: The Great American Songbook, Volume III – 2004
Forever Young – Out of Order – 1988
Frankie and Johnny – Swing Fever – 2024
Gabriella – The Tears of Hercules – 2021
Gasoline Alley – Gasoline Alley – 1970
Ghetto Blaster – Body Wishes – 1983
Gi’ Me Wings – Foolish Behaviour – 1980
Girl from the North Country – Smiler – 1974
Give Me Love – Blood Red Roses – 2018
Go Out Dancing – Vagabond Heart – 1991
Good Rockin’ Tonight – Swing Fever – 2024
Grace – Blood Red Roses – 2018
Great Day – Another Country – 2015
Handbags and Gladrags – An Old Raincoat Won’t Ever Let You Down – 1969
Hang On St. Christopher – A Spanner in the Works – 1995
Hard Road – Smiler – 1974
Have I Told You Lately – Vagabond Heart – 1991
Have Yourself a Merry Little Christmas – Merry Christmas, Baby – 2012
Have You Ever Seen the Rain? – Still the Same… Great Rock Classics of Our Time – 2006
Heart Is on the Line – Camouflage – 1984
Henry – Every Picture Tells a Story – 1971
Here Comes the Night – Time – 2013
Here to Eternity – Every Beat of My Heart – 1986
Hold On – The Tears of Hercules – 2021
Hold the Line – Another Country – 2015
Hole in My Heart – Blood Red Roses – 2018
Honey Gold – Blood Red Roses – 2018
Hot Legs – Foot Loose & Fancy Free – 1977
Hotel Chambermaid – When We Were the New Boys – 1998
How Long – Tonight I’m Yours – 1981
Human – Human – 2001
I Can’t Deny It – Human – 2001
I Can’t Get Started – Stardust: The Great American Songbook, Volume III – 2004
I Can’t Imagine – The Tears of Hercules – 2021
I Don’t Want to Get Married – Blood Red Roses – 2018
I Don’t Want to Talk About It – Atlantic Crossing – 1975
I Get a Kick Out of You – Fly Me to the Moon… The Great American Songbook Volume V – 2010
I Only Have Eyes for You – As Time Goes By: The Great American Songbook, Volume II – 2003
I Was Only Joking – Foot Loose & Fancy Free – 1977
I Wish You Love – Thanks for the Memory: The Great American Songbook, Volume IV – 2005
I Wouldn’t Ever Change a Thing – An Old Raincoat Won’t Ever Let You Down – 1969
I’d Rather Go Blind – Never a Dull Moment – 1972
I’ll Be Seeing You – It Had to Be You: The Great American Songbook – 2002
I’ll Stand by You – Still the Same… Great Rock Classics of Our Time – 2006
I’m in the Mood for Love – As Time Goes By: The Great American Songbook, Volume II – 2003
I’ve Got a Crush on You – Thanks for the Memory: The Great American Songbook, Volume IV – 2005
I’ve Got My Love to Keep Me Warm – Thanks for the Memory: The Great American Songbook, Volume IV – 2005
I’ve Got the World on a String – Fly Me to the Moon… The Great American Songbook Volume V – 2010
I’ve Got You Under My Skin – Fly Me to the Moon… The Great American Songbook Volume V – 2010
I’ve Grown Accustomed to Her Face – Smiler – 1974
I’ve Grown Accustomed to Her Face – Thanks for the Memory: The Great American Songbook, Volume IV – 2005
If I Had You – Human – 2001
If Not for You – Still the Same… Great Rock Classics of Our Time – 2006
If Only – Vagabond Heart – 1991
If You Don’t Know Me by Now – Soulbook – 2009
In a Broken Dream – Another Country – 2015
In My Life – Every Beat of My Heart – 1986
In My Own Crazy Way – Every Beat of My Heart – 1986
Infatuation – Camouflage – 1984
Interludings – Never a Dull Moment – 1972
Is That the Thanks I Get? – Blondes Have More Fun – 1978
Isn’t It Romantic? – Stardust: The Great American Songbook, Volume III – 2004
It Had to Be You – It Had to Be You: The Great American Songbook – 2002
It Takes Two – Vagabond Heart – 1991
It Was a Very Good Year – Blood Red Roses – 2018
It Was Love That We Needed – Human – 2001
It’s a Heartache – Still the Same… Great Rock Classics of Our Time – 2006
It’s Not the Spotlight – Atlantic Crossing – 1975
It’s Over – Time – 2013
It’s the Same Old Song – Soulbook – 2009
Italian Girls – Never a Dull Moment – 1972
It’s All Over Now – Gasoline Alley – 1970
It’s All Over Now (single version) – Gasoline Alley – 1970
Jealous – Tonight I’m Yours – 1981
Jo’s Lament – Gasoline Alley – 1970
Julia – Blood Red Roses – 2018
Just Like a Woman – Tonight I’m Yours – 1981
Just My Imagination – Soulbook – 2009
Kookooaramabama – The Tears of Hercules – 2021
Lady Day – Gasoline Alley – 1970
Lady Luck – A Spanner in the Works – 1995
Last Summer – Blondes Have More Fun – 1978
Last Train Home – Another Country – 2015
Lay Down Sally – Still the Same… Great Rock Classics of Our Time – 2006
Leave Virginia Alone – A Spanner in the Works – 1995
Legless – Time – 2013
Let It Be Me – Soulbook – 2009
Let It Snow! Let It Snow! Let It Snow! – Merry Christmas, Baby – 2012
Let Me Be Your Car – Smiler – 1974
Let’s Fall in Love – Thanks for the Memory: The Great American Songbook, Volume IV – 2005
Lethal Dose of Love – Out of Order – 1988
Live the Life – Time – 2013
Lochinvar – Smiler – 1974
Long Ago and Far Away – Thanks for the Memory: The Great American Songbook, Volume IV – 2005
Look in Her Eyes – Blood Red Roses – 2018
Lost in You – Out of Order – 1988
Lost Paraguayos – Never a Dull Moment – 1972
Love and Be Loved – Another Country – 2015
Love Has No Pride – Time – 2013
Love Hurts – Still the Same… Great Rock Classics of Our Time – 2006
Love Is – Another Country – 2015
Love Is the Sweetest Thing – Swing Fever – 2024
Love Me or Leave Me – Fly Me to the Moon… The Great American Songbook Volume V – 2010
Love Touch – Every Beat of My Heart – 1986
Love Train – Soulbook – 2009
Loveless – Human – 2001
Lullaby of Broadway – Swing Fever – 2024
Maggie May – Every Picture Tells a Story – 1971
Make Love to Me Tonight – Time – 2013
Makin’ Whoopee – Thanks for the Memory: The Great American Songbook, Volume IV – 2005
Mama, You Been on My Mind – Never a Dull Moment – 1972
Man of Constant Sorrow – An Old Raincoat Won’t Ever Let You Down – 1969
Mandolin Wind – Every Picture Tells a Story – 1971
Manhattan – Stardust: The Great American Songbook, Volume III – 2004
Tonight’s the Night (Gonna Be Alright) – A Night on the Town – 1976
Tora, Tora, Tora (Out With The Boys) –
Touchline – The Tears of Hercules – 2021
Trade Winds – A Night on the Town – 1976
Tracks of My Tears – Soulbook – 2009
Trouble – Camouflage – 1984
True Blue – Never a Dull Moment – 1972
Try a Little Tenderness – Out of Order – 1988
Twistin’ the Night Away – Never a Dull Moment – 1972
Until the Real Thing Comes Along – As Time Goes By: The Great American Songbook, Volume II – 2003
Up All Night – The Tears of Hercules – 2021
Vegas Shuffle – Blood Red Roses – 2018
Walking in the Sunshine – Another Country – 2015
Walkin’ My Baby Back Home – Swing Fever – 2024
Way Back Home – Another Country – 2015
We Can Win – Another Country – 2015
We Three Kings – Merry Christmas, Baby – 2012
Weak – When We Were the New Boys – 1998
We’ll Be Together Again – It Had to Be You: The Great American Songbook – 2002
What a Difference a Day Makes – Fly Me to the Moon… The Great American Songbook Volume V – 2010
What a Wonderful World – Stardust: The Great American Songbook, Volume III – 2004
What Am I Gonna Do (I’m So in Love with You) – Body Wishes – 1983
What Are You Doing New Year’s Eve? – Merry Christmas, Baby – 2012
What Becomes of the Broken Hearted – Soulbook – 2009
What Child Is This? – Merry Christmas, Baby – 2012
What Do You Want Me to Do? – When We Were the New Boys – 1998
When a Man’s in Love – Vagabond Heart – 1991
When I Fall in Love – Fly Me to the Moon… The Great American Songbook Volume V – 2010
When I Was Your Man – Out of Order – 1988
When We Were the New Boys – When We Were the New Boys – 1998
When You Wish upon a Star – Merry Christmas, Baby – 2012
Where or When – As Time Goes By: The Great American Songbook, Volume II – 2003
White Christmas – Merry Christmas, Baby – 2012
Who Designed the Snowflake – Blood Red Roses – 2018
Who’s Gonna Take Me Home – Every Beat of My Heart – 1986
Windy Town – A Spanner in the Works – 1995
Winter Wonderland – Merry Christmas, Baby – 2012
Wonderful World – Soulbook – 2009
You Are Everything – Vagabond Heart – 1991
You Go to My Head – It Had to Be You: The Great American Songbook – 2002
You Got a Nerve – Foot Loose & Fancy Free – 1977
You Keep Me Hangin’ On – Foot Loose & Fancy Free – 1977
You Make Me Feel Brand New – Soulbook – 2009
You Send Me – Thanks for the Memory: The Great American Songbook, Volume IV – 2005
You Wear It Well – Never a Dull Moment – 1972
You’re Insane – Foot Loose & Fancy Free – 1977
You’re in My Heart (The Final Acclaim) – Foot Loose & Fancy Free – 1977
You’re My Girl (I Don’t Want to Discuss It) – Gasoline Alley – 1970
You’re the Star – A Spanner in the Works – 1995
You’ve Really Got a Hold on Me – Soulbook – 2009
Young Turks – Tonight I’m Yours – 1981
Albums
An Old Raincoat Won’t Ever Let You Down (1969): 8 songs
Gasoline Alley (1970): 10 songs
Every Picture Tells a Story (1971): 9 songs
Never a Dull Moment (1972): 9 songs
Smiler (1974): 12 songs
Atlantic Crossing (1975): 10 songs
A Night on the Town (1976): 9 songs
Foot Loose & Fancy Free (1977): 8 songs
Blondes Have More Fun (1978): 10 songs
Foolish Behaviour (1980): 10 songs
Tonight I’m Yours (1981): 10 songs
Body Wishes (1983): 10 songs
Camouflage (1984): 8 songs
Every Beat of My Heart (1986): 10 songs
Out of Order (1988): 11 songs
Vagabond Heart (1991): 14 songs
A Spanner in the Works (1995): 12 songs
When We Were the New Boys (1998): 11 songs
Human (2001): 12 songs
It Had to Be You: The Great American Songbook (2002): 14 songs
As Time Goes By: The Great American Songbook, Volume II (2003): 15 songs
Stardust: The Great American Songbook, Volume III (2004): 14 songs
Thanks for the Memory: The Great American Songbook, Volume IV (2005): 15 songs
Still the Same… Great Rock Classics of Our Time (2006): 14 songs
Soulbook (2009): 15 songs
Fly Me to the Moon… The Great American Songbook Volume V (2010): 18 songs
Merry Christmas, Baby (2012): 16 songs
Time (2013): 18 songs
Another Country (2015): 17 songs
Blood Red Roses (2018): 17 songs
The Tears of Hercules (2021): 13 songs
Swing Fever (with Jools Holland) (2024): 13 songs
Check out our fantastic and entertaining Rod Stewart articles, detailing in-depth the band’s albums, songs, band members, and more…all on ClassicRockHistory.com
Brian Kachejian was born in Manhattan and raised in the Bronx. He is the founder and Editor in Chief of ClassicRockHistory.com. He has spent thirty years in the music business often working with many of the people who have appeared on this site. Brian Kachejian also holds B.A. and M.A. degrees from Stony Brook University along with New York State Public School Education Certifications in Music and Social Studies. Brian Kachejian is also an active member of the New York Press.