20 Best Songs With "Saturday" In The Title

Come Saturday Morning – The Sandpipers / Tony Bennett versions

“Come Saturday Morning,” performed by The Sandpipers, captures a serene and nostalgic vision of companionship and hope. This version was recorded in 1969 and featured as part of the The Sterile Cuckoo film soundtrack, produced by Mack David. The Sandpipers’ rendition became synonymous with the gentle and reflective mood of the late 1960s, perfectly complementing the film’s introspective themes.

The Sandpipers’ Original Version

Tony Bennett’s Cover Version

Tony Bennett’s version of “Come Saturday Morning” reimagines the song with a sophisticated and jazzy sensibility. Recorded for his 1970 album Tony Sings the Great Hits of Today!, this interpretation showcases Bennett’s signature vocal phrasing and nuanced expression.

Almost Saturday Night – John Fogerty / Dave Edmunds versions

Dave Edmunds Cover

Dave Edmunds’ rendition of “Almost Saturday Night” brings a punchier, rockabilly flair to Fogerty’s original. Released in 1981 on his album Twangin’, Edmunds recorded this version at Rockfield Studios in Monmouth, Wales. As a producer himself, Edmunds injected the song with his distinctive rockabilly sound, featuring jangling guitars, an upbeat tempo, and a slightly edgier tone. His version highlights the song’s rock roots while giving it a sharper, more rhythmic drive.

Read More: Top 10 Dave Edmunds Songs

John Fogerty’s Original Version

John Fogerty’s “Almost Saturday Night” is a celebratory anthem of anticipation, capturing the excitement and promise of a night out. Originally released in 1975 on his self-titled album John Fogerty, the song was recorded at Fantasy Studios in Berkeley, California. Produced by Fogerty himself, this track epitomizes his signature blend of swamp rock and Americana. Fogerty handled most of the instrumentation, showcasing his skills on vocals, guitar, and keyboards, with the rhythm section adding a driving, upbeat pulse to the track’s infectious energy.

Looking For The Heart Of A Saturday Night – Tom Waits / Diana Krall version

Diana Krall’s Cover Version

Diana Krall’s interpretation of “Looking for the Heart of a Saturday Night” reimagines the song with a smooth jazz sensibility, bringing a new warmth to Tom Waits’ contemplative original. Featured on her 2007 compilation album The Very Best of Diana Krall, Krall recorded her version with an ensemble of accomplished jazz musicians, highlighting her signature sultry vocals and sophisticated piano accompaniment. The production, overseen by Tommy LiPuma, lends the song a lush, polished texture that transforms its mood while staying true to the spirit of the lyrics.

In Krall’s hands, the song’s narrative takes on a more intimate, introspective tone. Her delivery of lines like “And you’re stumbling, you’re stumblin’ onto the heart of Saturday night” carries a sense of yearning tinged with hope, offering a fresh emotional perspective. The understated instrumentation complements her vocal nuances, emphasizing the reflective quality of the lyrics. While Tom Waits’ original evokes the restless search for meaning, Krall’s version leans into the quiet beauty of the journey, creating a contrast that adds depth to the song’s interpretation.

Read More: Top 10 Diana Krall Songs

Tom Waits’ Original Version

Tom Waits’ “Looking for the Heart of a Saturday Night” is a poetic and evocative exploration of longing, nostalgia, and the quiet magic of ordinary moments. Released in 1974 as the title track of his second studio album, The Heart of Saturday Night, the song was recorded at Wally Heider Studios in Los Angeles. Produced by Bones Howe, the track captures Waits’ early jazz and folk-inspired sound, featuring his gravelly voice accompanied by a subdued arrangement of piano, upright bass, and acoustic guitar.

Saturday Night (Is The Loneliest Night In The Week) – Frank Sinatra / Julie London versions

Julie London Ballad Version

Julie London’s rendition of “Saturday Night (Is the Loneliest Night in the Week)” offers a sultry and intimate take on the classic tune. Recorded in 1961 and featured on her album Whatever Julie Wants, this version was produced by Si Waronker and arranged by Pete King. London’s smoky vocals, paired with a softer, jazz-infused arrangement, bring a more introspective and personal feel to the song, contrasting with the lively swing of Sinatra’s interpretation.

Frank Sinatra Swing Version

Frank Sinatra’s “Saturday Night (Is the Loneliest Night in the Week)” stands as a timeless classic, combining heartfelt lyrics with a lively big-band arrangement. First recorded in 1944 at Columbia Records under the production of Axel Stordahl, Sinatra was backed by a robust orchestra that brought vibrancy to this bittersweet tune. Written by the legendary songwriting duo of Jule Styne and Sammy Cahn, the song captures the aching loneliness of a Saturday night spent alone, juxtaposed with an upbeat, danceable rhythm that heightens the emotional contrast.

Read More: Top 10 Frank Sinatra Songs

Saturday’s Child – The Monkees / Herman’s Hermits versions

The Monkees’ “Saturday’s Child” is a dynamic blend of rock and pop, showcasing the band’s early penchant for catchy melodies and youthful energy. Written by David Gates, who later found fame with the band Bread, the song was featured on The Monkees’ self-titled debut album, released in 1966. Produced by Tommy Boyce and Bobby Hart, the track was recorded at RCA Victor Studios in Hollywood, California. The song captures the carefree spirit of the 1960s, highlighting the band’s fresh sound and their ability to bridge pop sensibilities with rock undertones.

Read More: Top 10 Songs From The Monkees

The Monkees Version

Herman’s Hermits Version

Herman’s Hermits’ version of “Saturday’s Child” provides a breezier and more polished take on David Gates’ original composition, leaning heavily into the band’s signature British Invasion style. Recorded in 1967 and included on their album Blaze, the track was produced by Mickie Most, whose expertise in crafting hit records helped define the band’s sound. With its lighter instrumentation and Peter Noone’s charismatic vocals, this version carries a distinctly playful charm that distinguishes it from The Monkees’ more robust arrangement.

Read More: Top 10 Herman’s Hermits Songs

Jukebox Saturday Night – Glenn Miller

Glenn Miller’s “Jukebox Saturday Night” is a lively celebration of the post-war jukebox culture that defined a generation. Recorded in 1944 by Glenn Miller and His Orchestra, the song features vocals by Marion Hutton, Tex Beneke, and The Modernaires. Written by Albert Stillman and Paul McGrane, the track captures the essence of Saturday evenings spent reveling in the joy of music, camaraderie, and the vibrant nightlife of the era. Produced during a time when big band music was at its peak, the recording epitomizes the upbeat and joyous spirit synonymous with Miller’s orchestra.

Nino and the Ebb Tides Version

Nino and the Ebb Tides’ version of “Jukebox Saturday Night” reinvents Glenn Miller’s big band classic with a doo-wop twist, bringing the song into the 1960s. Released in 1961, this rendition blends the nostalgic elements of the original with the vocal-harmony-driven style that defined doo-wop. The group’s vibrant performance introduces the song to a new generation, infusing it with modern energy while retaining its joyful spirit.

Another Saturday Night – Sam Cooke / Cat Stevens versions

Cat Stevens’ Cover Version

Cat Stevens’ version of “Another Saturday Night” reinterprets the song with a folk-rock sensibility, bringing a fresh perspective to Sam Cooke’s original. Recorded in 1974 and included on the compilation album Buddha and the Chocolate Box, Stevens’ rendition retains the humor and charm of the original while adding his signature blend of introspection and warmth. Produced by Stevens and Paul Samwell-Smith, the track features acoustic guitar, gentle percussion, and Stevens’ rich, emotive vocals, giving the song a more contemplative feel.

Read More: Top 10 Cat Stevens Songs

Sam Cooke’s Original Version

Sam Cooke’s “Another Saturday Night” is a soulful lament about loneliness and the search for companionship, capturing the universal experience of a Saturday night spent alone. Recorded in 1963 and released as a single in 1964, the song was produced by Hugo & Luigi and recorded at RCA Studios in Hollywood, California. Featuring Cooke’s velvety voice and a playful melody, the track is underpinned by a gospel-influenced rhythm section that mirrors Cooke’s roots while delivering a crossover pop hit. The lighthearted, upbeat tempo contrasts beautifully with the song’s lyrical theme of frustration and yearning.

Read More: Top 10 Sam Cooke Songs

Saturday Night Special – Lynyrd Skynyrd / Armored Saint versions

Lynyrd Skynyrd Orginal Version

Lynyrd Skynyrd’s “Saturday Night Special” is a hard-hitting critique of gun violence, delivered with the band’s signature Southern rock swagger. Released in 1975 as the opening track of their third studio album, Nuthin’ Fancy, the song was recorded at Studio One in Doraville, Georgia, and produced by Al Kooper. The lineup included Ronnie Van Zant on vocals, Gary Rossington and Allen Collins on guitars, Ed King on bass, Billy Powell on keyboards, and Artimus Pyle on drums. Together, the band created a gritty, powerful track that combines social commentary with the energy of rock and roll.

Read More: Top 10 Lynyrd Skynyrd Songs

Armored Saint’s Cover Version

Armored Saint’s version of “Saturday Night Special” reimagines the Lynyrd Skynyrd classic through the lens of heavy metal, bringing a darker, more aggressive edge to the track. Released in 1988 on their album Saints Will Conquer, a live album that also featured studio recordings, this rendition retains the song’s anti-gun message while amplifying its intensity. The band, consisting of John Bush on vocals, Phil Sandoval and Jeff Duncan on guitars, Joey Vera on bass, and Gonzo Sandoval on drums, infused the track with their characteristic metal sound.

Saturday Night’s Alright For Fighting – Elton John / The Who versions

Elton John’s Original Version

Elton John’s “Saturday Night’s Alright for Fighting” is an adrenaline-fueled anthem of youthful rebellion and rowdy weekend nights. Released in 1973 as the lead single from his Goodbye Yellow Brick Road album, the song was recorded at Château d’Hérouville in France and produced by Gus Dudgeon. Written by John and longtime lyricist Bernie Taupin, the track is a tribute to Taupin’s memories of lively Saturday nights in his youth, complete with barroom brawls and an electric atmosphere. Featuring Elton John on piano and vocals, Davey Johnstone on guitar, Dee Murray on bass, and Nigel Olsson on drums, the song is a high-octane blend of rock and roll energy and vivid storytelling.

The Who’s Cover Version

The Who’s rendition of “Saturday Night’s Alright for Fighting” takes Elton John’s original and amplifies its raw rock intensity. Featured on the 1991 Two Rooms: Celebrating the Songs of Elton John & Bernie Taupin tribute album, The Who recorded their version with characteristic swagger and explosive energy. Produced by Jon Astley and featuring Roger Daltrey on vocals, Pete Townshend on guitar, John Entwistle on bass, and Simon Phillips on drums, the track captures the band’s ability to channel aggression and controlled chaos into their music.

Saturday in the Park – Chicago

“Saturday in the Park” by Chicago is a timeless anthem of joy, community, and optimism, encapsulating the spirit of a carefree weekend afternoon. Released as the lead single from their 1972 album Chicago V, the track was written by keyboardist and vocalist Robert Lamm and recorded at Columbia Recording Studios in New York City. Produced by James William Guercio, the song features Chicago’s signature fusion of rock and jazz, with Lamm on lead vocals and piano, Peter Cetera on bass and backing vocals, Terry Kath on guitar, Danny Seraphine on drums, and the iconic horn section, Lee Loughnane, James Pankow, and Walter Parazaider.

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One Response

Baybluesman December 20, 2024

A personal choice inclusion would be “Livingston Saturday Night”.
A great rollicking tune from the late great Jimmy Buffett, highlighted in a live performance in the cult favorite film “FM” as well included in the soundtrack LP (A great overall soundtrack collection of multiple rock artists from the era), as well as originally written for the film and soundtrack from “Rancho Deluxe” (1975; starring Sam Waterston, Jeff Bridges, Harry Dean Stanton, and Slim Pickens), and re-recorded and released for “Son Of A Son Of A Sailor”” LP (1978).

CRH readers should check it out, especially the “FM” soundtrack version – I would guess they would likely be playing it anytime they want to kick up their heels.
I certainly do.

20 Best Songs With “Saturday” In The Title