10 Best Rock Songs With The Word 'Hand' In The Title

Pete Townshend's 10 Best Lead Vocals In The Who

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The word “hand” is one of rock and roll’s most frequently recurring images, symbolizing connection, support, love, and even struggle. The use of “hand” in music spans decades, touching on themes that are as universal as personal. In this article, we explore the word’s versatility through rock’s greatest eras, reflecting the changing moods and messages that artists have expressed through this evocative word.

Hootie & the Blowfish’s “Hold My Hand” speaks to companionship and lifting each other up, while Styx’s “Too Much Time on My Hands” takes a turn toward introspective frustration, reflecting the restlessness that can come from feeling adrift. Sammy Hagar’s “Hands and Knees” brings in the tension of submission and resilience, while the Rolling Stones’ “Hand of Fate” ventures into darker, more fatalistic territory, exemplifying rock’s rebellious edge. Ocean’s “Put Your Hand in the Hand” adds a gospel-inspired touch, inviting a spiritual dimension to the list, and Devo’s “Hand Over Hand” brings the quirkiness of post-punk into the mix with its rhythmic intensity and layered meaning.

With Tom Waits’ haunting “Clap Hands,” we delve into a surreal, almost noir-like atmosphere, contrasting sharply with the earnest optimism in Alanis Morissette’s “Hand in My Pocket,” which balances joy and frustration in life’s contradictions. Foghat’s “Home in My Hand” captures the grit and resilience of a life on the road, creating a narrative of survival and independence. Together, these songs offer a remarkable tapestry of rock music, each interpreting the power of “hand” in a unique way. As we return to where it all started, with the Beatles’ cultural landmark of “I Want to Hold Your Hand,” we see how this single word has anchored some of rock’s most unforgettable moments. This collection celebrates that legacy, proving just how significant a simple, relatable word can be in capturing the essence of rock and roll.

# 10 – Mary Ann With That Shaky Hand – The Who

“Mary Anne with the Shaky Hand” opens this list of the Top 10 Rock Songs with the Word ‘Hand’ in the Title, introducing us to The Who’s clever fusion of melody, ambiguity, and subtle humor. Released in 1967 on their album The Who Sell Out, this song exemplifies The Who’s characteristic mix of pop sensibilities with a touch of irreverent social commentary. Written by Pete Townshend, “Mary Anne with the Shaky Hand” offers an unconventional narrative that diverges from the era’s typical love songs. Instead of focusing on Mary Anne’s appearance, it presents her hand tremor as both a defining and mysterious attribute. The ambiguity in the lyrics—“What they’ve done to her, man, those shaky hands”—leaves the listener guessing at the cause, which is never explicitly explained, creating a sense of curiosity around Mary Anne’s character.

“Mary Anne with the Shaky Hand” showcases a softer, more melodic side of The Who, contrasting with the raucous energy often associated with the band. The best-known version of the song is built around a Latin-influenced acoustic arrangement, which creates an inviting, rhythmic texture that complements the whimsical lyrics. Recorded at De Lane Lea Studios in October 1967, this version incorporates acoustic guitar alongside Latin percussion, giving it a unique charm that fits the “pop” vibe of the song without straying too far from the rock foundations The Who are known for. Townshend’s vocal delivery combined with the rhythmic guitar captures a playful yet melancholic feel that has captivated listeners for decades.

The lyrics present Mary Anne as somewhat of an enigma, with her “shaky hand” as the focal point of the song. Interpretations of the song’s meaning vary widely, with some listeners suggesting the tremor symbolizes a physical affliction, while others see it as a more suggestive metaphor. The line “What they’ve done to her, man, those shaky hands” hints at a more layered context, possibly alluding to society’s impact on innocence or even referencing Townshend’s earlier theme of exploring adolescent sexuality, as he did in songs like “Pictures of Lily.” Whether seen as humorous, innocent, or provocative, the lyrics’ open-ended nature allows each listener to derive their own meaning, a quality that adds to the song’s enduring appeal.

The Who recorded multiple versions of “Mary Anne with the Shaky Hand”, each adding its own twist to the song’s story. The B-side version, recorded with electric guitar, offers a grittier feel that differs from the acoustic album version. This rendition also features an additional tremolo effect on the vocal, further emphasizing the song’s playful experimentation. An alternative studio version recorded in New York with famed session musician Al Kooper on organ offers yet another variation. These differing versions reflect The Who’s creative flexibility and willingness to reimagine their work, a hallmark of their approach during the Sell Out era. The variety of recordings has allowed fans to experience the song in multiple forms, each with subtle nuances.

# 9 – Put Your Hand In The Hand – Ocean

“Put Your Hand in the Hand” is a testament to the profound and enduring appeal of songs about hands as symbols of connection, faith, and self-reflection. Originally written by Gene MacLellan and recorded by Canadian singer Anne Murray, this song achieved massive popularity when it was released by the band Ocean in 1971. Marking their debut, Ocean’s rendition became a classic in the gospel-pop genre, reaching No. 2 on the U.S. Billboard Hot 100, just behind Three Dog Night’s Joy to the World. The single resonated with audiences across various charts, climbing to top positions in Canada, Belgium, New Zealand, and Norway, and even earning praise from religious figures like Billy Graham. Its crossover appeal also led to its induction into the Canadian Songwriters Hall of Fame in 2006, solidifying its place as a cherished piece of rock history with spiritual roots.

Recorded as part of Ocean’s debut album also titled Put Your Hand in the Hand, the song captures a distinctive blend of gospel-inspired melodies with rock instrumentation. The arrangement features uplifting guitar riffs, steady percussion, and harmonized vocals that echo the comforting message of the lyrics. The production, which leans heavily on the interplay between vocal and instrumental harmonies, gives the song a warm, inviting sound. Though it carries a deeply spiritual message, Ocean’s version transforms it into an anthem that transcends religious settings, making it accessible and appealing to a broad audience during a time of social change.

“Put Your Hand in the Hand” draws heavily on biblical themes, encouraging listeners to “take a look at yourself, and you can look at others differently.” This line speaks to the song’s core message of empathy, urging introspection as a path to understanding and connecting with others. The chorus, which repeatedly references the “man from Galilee,” uses the image of Jesus calming the storm to symbolize finding peace and strength in turbulent times. MacLellan’s lyrics speak to a universality that resonates beyond specific religious contexts, presenting faith as a comforting constant in life’s trials. As the opening song on this list, Put Your Hand in the Hand sets the tone with a message of resilience and introspection, exploring how extending a hand, whether in faith or fellowship, can lead to personal and communal transformation.

Read More: 1972’s Best Classic Rock Albums

# 8 – Hold My Hand – Hootie & The Blowfish

“Hold My Hand” marks a defining debut for Hootie & the Blowfish, setting the stage for their meteoric rise in the 1990s rock scene. Featured as the lead single from their 1994 album Cracked Rear View, the song quickly resonated with audiences, climbing to number 10 on the US Billboard Hot 100 and solidifying the band’s place in alternative rock. Written collaboratively by all four members—Darius Rucker, Mark Bryan, Dean Felber, and Jim Sonefeld—in 1989, the track initially appeared on a 1990 cassette EP before gaining national attention with the album release. With its optimistic lyrics and anthemic chorus, “Hold My Hand” became a signature track for the band, combining alternative rock with a touch of roots music, punctuated by David Crosby’s harmonious backing vocals.

The track was produced by Don Gehman, known for his work with John Mellencamp, lending the song a well-crafted, radio-friendly sound that helped it resonate across various audiences. Gehman recorded the track with the band in a Los Angeles studio, ensuring each instrument and vocal part captured the band’s lively energy and chemistry. This production, coupled with Crosby’s contributions, elevated the song, giving it a richer, layered vocal harmony that brought an element of warmth to the arrangement. Not only did it capture the energy of a live performance, but it also underscored the band’s focus on delivering an accessible yet emotionally resonant message.

# 7 – Hand Of Fate – The Rolling Stones

Featured on the 1976 album Black and Blue, this song was recorded during a turbulent period for the band as they auditioned guitarists to replace Mick Taylor, who had departed in 1974. The lyrics paint a vivid picture of a man who’s “on the run, prison-bound,” narrating his deadly encounter with a violent adversary. Jagger’s vocals embody a sense of inevitability and regret as the protagonist reflects on the events leading to his plight. “The hand of fate is on me now” speaks to the feeling of being trapped by destiny, as if external forces compelled him to take the actions he did. The story is filled with tension, from the description of the fatal confrontation to the protagonist’s flight, echoing the dark, fatalistic themes often found in classic rock narratives. This idea of an inescapable fate connects well with the track’s pounding rhythm and piercing guitar solos, making it an unforgettable, albeit lesser-known, gem in the Stones’ catalog.

# 6 – Home In My Hand – Foghat

“Home in My Hand” is a track from Energized, Foghat’s third studio album, released in January 1974. The album captures Foghat’s signature fusion of blues-rock energy with rock ‘n’ roll swagger, a sound that resonated deeply with their audience and contributed to the album’s gold certification and notable peak at number thirty-four on the Billboard 200. With Energized, the band, fronted by Dave Peverett and driven by Rod Price’s electric slide guitar, crystallized their rough, high-energy style, a sound that secured Foghat’s place among the quintessential blues-influenced rock acts of the 1970s.

# 5 – Hand In My Pocket -Alanis Morissette

Written by Morissette alongside Glen Ballard, who also produced the album, the song captures Morissette’s self-assured and introspective style. Released as the album’s second single in October 1995, “Hand in My Pocket” resonated widely, topping the Billboard Modern Rock Tracks chart in the U.S. and becoming Morissette’s first number-one hit in her native Canada.

The song’s lyrics delve into the internal contradictions of youth and self-discovery, offering a reflective yet defiant tone. With lines like “I’m broke, but I’m happy” and “I’m lost, but I’m hopeful,” Morissette weaves together seemingly opposing traits, portraying an authentic and multi-dimensional sense of self. The iconic chorus, “I’ve got one hand in my pocket, and the other one is giving a high five,” encapsulates this duality in both a literal and metaphorical sense, suggesting a balance between self-assurance and searching. The playful yet poignant delivery of these lyrics sets “Hand in My Pocket” apart, allowing listeners to relate to the universal themes of uncertainty and resilience.

Read More: Top 10 Alanis Morissette Songs

# 4 – Clap Hands – Tom Waits

“Clap Hands” emerges as one of the haunting, atmospheric gems from Tom Waits’ 1985 album, Rain Dogs, a record that brought together a rough, inventive soundscape emblematic of New York City’s gritty underbelly. Known for his avant-garde approach, Waits crafted Rain Dogs as a loose concept album about the city’s “urban dispossessed.” This ninth studio release marked the second installment in what fans consider a trilogy, bookended by Swordfishtrombones and Franks Wild Years. In this trilogy, Waits transformed his musical identity, blending gritty blues with jazz, cabaret, and street performance influences, resulting in a sound both raw and refined. Notably, “Clap Hands” features guitarist Marc Ribot’s sharp, jangling lines and contributions from Rolling Stones’ guitarist Keith Richards on other album tracks, adding further depth to this work’s eclectic musical palette.

Read More: Our 10 Favorite Tom Waits Albums

# 3 – Hand And Knees – Sammy Hagar

“Hand and Knees” by Sammy Hagar stands as a powerful, gritty track from his 1987 album, I Never Said Goodbye, which was recorded as Hagar’s last solo effort before fully committing to his role with Van Halen. Released on June 23, 1987, the album carries a unique place in Hagar’s discography, produced under time pressure as a requirement to complete his contract with Geffen Records. Notably, I Never Said Goodbye reached number 14 on the Billboard 200 chart, marking Hagar’s highest solo chart performance. Featuring Eddie Van Halen on bass, the album’s sound blends hard rock intensity with a sharp, introspective edge, and “Hands and Knees” exemplifies this style, delving into themes of vulnerability, dependency, and inner conflict.

Read More: Why Rock Fans Love Sammy Hagar

# 2 – Too Much Time On My Hands – Styx

“Too Much Time on My Hands” by Styx stands as one of the defining tracks on their tenth album, Paradise Theatre, released in 1981. Written and sung by guitarist Tommy Shaw, the song captures a potent blend of humor and frustration through its exploration of boredom, frustration, and existential dissatisfaction. This track marked a career peak for Shaw as a songwriter and vocalist, reaching the top ten of the Billboard Hot 100 and securing its place as a Styx classic. Its success on the charts and continued popularity with fans reflect the song’s resonance with themes of societal discontent, as well as its memorable hook and rhythm.

Read More: Top 10 Styx Songs

# 1 – I Want To Hold Your Hand – The Beatles

We had no choice with this one. How could we not put “I Want to Hold Your Hand,” the song that sparked an entirely new musical movement and cultural wave, at the top of our list of songs with “hand” in the title? The Beatles’ 1963 single isn’t just a song; it’s a milestone. Written by John Lennon and Paul McCartney, this track was recorded at Abbey Road Studios on October 17, 1963, marking the Beatles’ first foray into four-track recording, which gave the song a fuller, more layered sound that set it apart from prior recordings. Released in the UK on November 29, 1963, and shortly after in the U.S., it became a phenomenon on both sides of the Atlantic.

Upon its release, “I Want to Hold Your Hand” immediately hit the top of the UK charts, selling over a million copies in advance orders alone. It would hold the number-one position in the UK for five weeks, displaced only by another Beatles single, She Loves You. In the United States, it entered the Billboard Hot 100 in January 1964 and reached number one by February, staying at the top for seven weeks. The song’s success marked the start of Beatlemania in America and became a key catalyst for the British Invasion, forever altering the U.S. music scene. “I Want to Hold Your Hand,” would ultimately become The Beatles’ best-selling single worldwide, selling over 12 million copies and ranking as Billboard’s 48th biggest hit of all time.

As the closing song on our list, “I Want to Hold Your Hand,” highlights the simple yet powerful desire for connection that permeates many of the tracks we’ve covered. While songs like “Too Much Time on My Hands” by Styx explore feelings of ennui or introspection, the Beatles’ single encapsulates a hopeful, open-hearted approach to love and togetherness. The innocence and sheer joy in its lyrics and sound contrast with the angst or complexity found in other entries, making it a fitting endnote that celebrates rock music’s capacity to convey universal emotions.

With its cultural impact, chart-topping success, and timeless appeal, “I Want to Hold Your Hand,” is the quintessential song to cap off this collection of rock’s most memorable “hand” songs, leaving us with a reminder of the Beatles’ extraordinary legacy and the song’s place as a beloved classic.